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Albert Clark (Circle), Portrait of ‘Flying Fox’ - Antique Oil Painting
Sold by Brave Fine Art
sold SA1104335
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Brave Fine Art

Brave Fine Art

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    Exquisite antique paintings that capture the imagination.
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Albert Clark (Circle), Portrait of ‘Flying Fox’ - Antique Oil Painting

19th century
Sold 24 November 2024 · Brave Fine Art
This “Albert Clark (Circle), Portrait of ‘Flying Fox’ - Antique Oil Painting” found a buyer.

It was listed by Brave Fine Art. Sold pieces stay on Sellingantiques as a record of what has passed through, and the next one is rarely far away.

Description

This charming late 19th-century English oil painting depicts the bay thoroughbred racehorse, Flying Fox (1896-1911), winner of the English Triple Crown. Stylistically, it’s comparable with works by Albert Clark (1821-1909).

Flying Fox was a lively colt who raced for two years, bringing significant success under his trainer John Porter. At age two, he won three of his five races, while at age three, he was undefeated. In 1899, he became only the eighth horse in history to achieve the Triple Crown by winning the 2,000 Guineas Stakes, the Derby, and the St Leger Stakes, for his owner, Hugh Grosvenor, Duke of Westminster.

Following the Duke’s death, he was purchased for 37,500 guineas by Edmond Blanc, a prominent French horse breeder, and became the leading sire in France.

English painter, Albert Clark, produced a likeness of Flying Fox, which is currently in the collection at Doncaster Mansion House.

It’s similar to ours, with the most obvious difference being the addition of a checked pattern and ‘W’ initial to the blanket on the right. The name plaque is also displayed a little larger. Clark was the second son of notable animal painter James Clark (1855-1943) and one of several equestrian artists in the family.

Signed ‘A or J Clark’ in the lower right and held within a later frame.

Medium: Oil on canvas

Overall size: 21½” x 17½” / 55cm x 45cm

Year of creation: c. 1899

Provenance: Private collection, UK.

Condition: Cleaned. Faint stretcher marks. Areas of fine and settled craquelure, as you would expect. The paint layer is stable. Frame in good condition with minor age-related wear.

Our reference: BRV2006

Date of Manufacture

Brave Fine Art has dated this Antique Equine Oil Painting to the 1890s.

Physical Dimensions
Height
45cm (17.72")
Width
55cm (21.65")
Depth
5cm (1.97")
Reference Numbers
Sellingantiques Reference
SA1104335
Description
This charming late 19th-century English oil painting depicts the bay thoroughbred racehorse, Flying Fox (1896-1911), winner of the English Triple Crown. Stylistically, it’s comparable with works by Albert Clark (1821-1909).
“
Flying Fox was a lively colt who raced for two years, bringing significant success under his trainer John Porter.
Brave Fine Art

At age two, he won three of his five races, while at age three, he was undefeated. In 1899, he became only the eighth horse in history to achieve the Triple Crown by winning the 2,000 Guineas Stakes, the Derby, and the St Leger Stakes, for his owner, Hugh Grosvenor, Duke of Westminster.

fig 1. An antique oil painting depicting a brown horse standing in a stable, set within an ornate gilded wooden frame.
fig 1. Albert Clark (Circle), Portrait of ‘Flying Fox’ - Antique Oil Painting

Following the Duke’s death, he was purchased for 37,500 guineas by Edmond Blanc, a prominent French horse breeder, and became the leading sire in France.

English painter, Albert Clark, produced a likeness of Flying Fox, which is currently in the collection at Doncaster Mansion House.

fig 2. An antique oil painting depicting a brown horse standing in a stable, set within an ornate gilded wooden frame.
fig 2. Albert Clark (Circle), Portrait of ‘Flying Fox’ - Antique Oil Painting

It’s similar to ours, with the most obvious difference being the addition of a checked pattern and ‘W’ initial to the blanket on the right. The name plaque is also displayed a little larger. Clark was the second son of notable animal painter James Clark (1855-1943) and one of several equestrian artists in the family.

fig 3. An antique oil painting depicting a brown horse standing in a stable, set within an ornate gilded wooden frame.
fig 3. Albert Clark (Circle), Portrait of ‘Flying Fox’ - Antique Oil Painting

Signed ‘A or J Clark’ in the lower right and held within a later frame.

Medium: Oil on canvas

Overall size: 21½” x 17½” / 55cm x 45cm

Year of creation: c. 1899

Provenance: Private collection, UK.

Condition: Cleaned. Faint stretcher marks. Areas of fine and settled craquelure, as you would expect. The paint layer is stable. Frame in good condition with minor age-related wear.

Our reference: BRV2006

Date of Manufacture

Brave Fine Art has dated this Antique Equine Oil Painting to the 1890s.

Height
45cm (17.72")
Width
55cm (21.65")
Depth
5cm (1.97")
Reference Numbers
Sellingantiques Ref
SA1104335
Brave Fine Art
Brave Fine Art
Sellingantiques verified Since Nov 2018

Exquisite antique paintings that capture the imagination.

Dealer Profile

You can view the stock and full dealer information on the Brave Fine Art Profile Page

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An antique oil painting depicting a brown horse standing in a stable, set within an ornate gilded wooden frame. SOLD6+ MONTHS AGO
1 / 9
Archive I An antique oil painting depicting a brown horse standing in a stable, set within an ornate gilded wooden frame. SOLD6+ MONTHS AGO

Albert Clark (Circle), Portrait of ‘Flying Fox’ - Antique Oil Painting

Archive II An antique oil painting depicting a brown horse standing in a stable, set within an ornate gilded wooden frame. View II
Archive III An antique oil painting depicting a brown horse standing in a stable, set within an ornate gilded wooden frame. View III
Archive IV An antique oil painting depicting a brown horse standing in a stable, set within an ornate gilded wooden frame. View IV
Archive V An antique oil painting depicting a brown horse standing in a stable, set within an ornate gilded wooden frame. View V
Archive VI An antique oil painting depicting a brown horse standing in a stable, set within an ornate gilded wooden frame. View VI
Archive VII An antique oil painting depicting a brown horse standing in a stable, set within an ornate gilded wooden frame. View VII
Archive VIII An antique oil painting depicting a brown horse standing in a stable, set within an ornate gilded wooden frame. View VIII
Archive IX An antique oil painting depicting a brown horse standing in a stable, set within an ornate gilded wooden frame. View IX
Enlarged Archival View
Telephone 01684 215986
Location
21 Enterprise Way
Arle Road
Cheltenham
Cotswolds
GL51 8LZ
United Kingdom

Under appointment only.
Verified Since Nov 2018
Items For Sale 76
Items Sold 1,853
Brave Fine Art
Brave Fine Art
Verified Since Nov 2018
View Dealer Info
Location: 21 Enterprise Way, Arle Road, Cheltenham, Cotswolds, GL51 8LZ, United Kingdom, , Under appointment only.
Verified
Nov 2018
For Sale
76
Sold
1,853
An antique oil painting depicting a brown horse standing in a stable, set within an ornate gilded wooden frame.
Albert Clark (Circle), Portrait Of ‘Flying Fox’ - Antique Oil Painting
Ref: SA1104335
An antique oil painting depicting a brown horse standing in a stable, set within an ornate gilded wooden frame.
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Archival Detail
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Written by Sellingantiques from the dealer’s photographs and listing
  • ObjectPaintings
  • Period19th century
  • StyleTraditional Equestrian
  • MaterialOil paint, Canvas, Gilt wood
  • ColourBrown
  • MotifsEquine subject, Stable interior, Gilded moulding
  • SizeH 45 cm (18 in) x W 55 cm (22 in) x D 5 cm (2 in)

Equine painting gained immense popularity in Britain during the 18th and 19th centuries, driven by the aristocracys passion for horse breeding, racing, and hunting. Artists were frequently commissioned to record the likenesses of prized thoroughbreds and famous champions.

These works were typically created using oil paints applied to stretched canvas or wooden panels, often framed in heavily moulded, gilt-wood frames. Artists utilised layered glazes to achieve depth and realism in the animals musculature and coat.

Authenticity is assessed by examining the canvas weave, stretcher bars, and the ageing of the oil paint, which often exhibits fine craquelure. Pigment analysis and the examination of the frames construction also provide crucial clues regarding the period.

Such pieces serve as strong focal points and integrate well into traditional or transitional schemes, often hung above a mantelpiece or paired with rich wood tones. Proper lighting using a picture light enhances the rich colours and historical character.

Paintings should be kept away from direct sunlight, high humidity, and extreme temperature fluctuations to prevent canvas sagging and paint cracking. Dusting should be done gently with a soft, dry brush, avoiding any liquid cleaners.
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