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ID #SA874652
FOR SALE
£2,700
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Still Life Oil Painting of Apples, Grapes & Other Fruit by Oliver Clare
Benton Fine Art
for sale €3,159     $3,429
£2,700
Benton Fine Art

Benton Fine Art

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    Specialists in 19th & early 20th century original oil paintings by listed artists
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Id #SA874652
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Still Life Oil Painting of Apples, Grapes & Other Fruit by Oliver Clare

19th century
For Sale by Benton Fine Art
Description

Oliver Clare

British, (1853-1927)

Still Life of Apples, Grapes & Other Fruit

Oil on canvas, signed

Image size: 17.5 inches x 13.5 inches

Size including frame: 23.5 inches x 19.5 inches

A lovely still life painting of fruit by Oliver Clare. Apples, black grapes and plums can be seen together with a strawberry and gooseberries. The fruit is shown lying amongst foliage and trailing ivy on a woodland bank.

Oliver Clare was born in Birmingham in 1853, the son of the flower artist George Clare (1839-1890) and his wife Elizabeth Bowen. His brother Vincent Clare (1856-1917) also became an artist and both would have received tuition from their father who influenced their style and subject matter. At the age of 18 he enlisted as a soldier in the Kings Own regiment, but gave this up to become a full time artist. Like his father, Clare specialised in still life paintings, containing fruit and garden flowers, often on mossy banks.

Sometime after 1871, he moved to London where he married Emma Mary Webb on 1 September, 1873. The couple lived at 9 Dukes Road, Brentford with their first 3 children. Whilst in London he began exhibiting at Suffolk Street in 1876 and the Royal Academy in 1883. However, it was with the provincial galleries that he exhibited more prolifically with 18 works at the Royal Birmingham Society of Artists with, 6 at the Manchester City Art Gallery and 3 at the Walker Art Gallery, Liverpool.

Although he’d achieved some success, he made the decision to move to America in 1889 where he worked as an artist. By 1891, he had returned to England moving back to Birmingham with his family. He lived at 190 Witton Road and later 11 Willis Street, Birmingham where he spent the rest of his life. He had a studio in Livery Street but spent a lot of his time outdoors with his dog where he was able to observe and sketch the British hedgerows. As well as paintings, he was also commissioned to produce a series of postcards and posters for the Pitman Health Food Co. Clare died at Birmingham on 13 April, 1927.

Clare’s paintings often depict ripe fruit or fresh blossom nestling on a bank with a hint of dew, and are always well finished with brushstrokes that are invisible to the eye. Examples of his work can be found at the Bolton Museum, Birmingham Museum, Herbert Art Gallery & Museum, Llandudno Museum, Russell-Cotes Art Gallery, Torre Abbey Museum and the Wolverhampton Art Gallery.

Presentation: The painting is housed in a new, English made gilt frame which is in excellent condition. The reverse bears a label for George L Brown, a fine art dealer, frame maker and restorers, established by George Levi Brown sometime around 1915. The business operated out of 13 Union Passage, Birmingham until George’s death in 1928. It was then taken over by M.B. Cavell and A.O. Parry before moving to 5 Livery Street during the early 1930’s. The gallery continued until the late 1950’s.

Condition: As with all of our original antique oil paintings, this work is offered in ready to hang gallery condition, having been professionally cleaned, restored and revarnished.

© Benton Fine Art

Physical Dimensions
Height
60cm (23.62")
Width
49.5cm (19.49")
Depth
6.5cm (2.56")
Declaration

Benton Fine Art has dated this Victorian Fruit Still Life to the 1890s.

Reference Numbers
Sellingantiques Reference
SA874652
Dealers Notes

Members of the British Antique Dealers Association (BADA) the London and Provincial Antique Dealers Association (LAPADA).

We use a professional, fully insured and tracked door to door service for our UK and international deliveries. Please contact us for further information and shipping quotes.

Viewing is by APPOINTMENT ONLY. However, we can also arrange for you to view the item in your home, depending on the location.

For a wider range of stock please visit www.bentonfineart.com.

If you would like to purchase this item or have any questions, please email us at pictures@bentonfineart.com or call 07710 540549.

© Benton Fine Art

Description
Oliver Clare

British, (1853-1927)

Still Life of Apples, Grapes & Other Fruit

Oil on canvas, signed

Image size: 17.5 inches x 13.5 inches

Size including frame: 23.5 inches x 19.5 inches

A lovely still life painting of fruit by Oliver Clare. Apples, black grapes and plums can be seen together with a strawberry and gooseberries. The fruit is shown lying amongst foliage and trailing ivy on a woodland bank.

Oliver Clare was born in Birmingham in 1853, the son of the flower artist George Clare (1839-1890) and his wife Elizabeth Bowen.
Benton Fine Art

His brother Vincent Clare (1856-1917) also became an artist and both would have received tuition from their father who influenced their style and subject matter. At the age of 18 he enlisted as a soldier in the Kings Own regiment, but gave this up to become a full time artist. Like his father, Clare specialised in still life paintings, containing fruit and garden flowers, often on mossy banks.

fig 1. A Victorian still life oil painting depicting apples, dark grapes, plums, and gooseberries set against a mossy ground, housed in a carved gold gilt frame.
fig 1. Still Life Oil Painting of Apples, Grapes & Other Fruit by Oliver Clare

Sometime after 1871, he moved to London where he married Emma Mary Webb on 1 September, 1873. The couple lived at 9 Dukes Road, Brentford with their first 3 children. Whilst in London he began exhibiting at Suffolk Street in 1876 and the Royal Academy in 1883. However, it was with the provincial galleries that he exhibited more prolifically with 18 works at the Royal Birmingham Society of Artists with, 6 at the Manchester City Art Gallery and 3 at the Walker Art Gallery, Liverpool.

fig 2. A Victorian still life oil painting depicting apples, dark grapes, plums, and gooseberries set against a mossy ground, housed in a carved gold gilt frame.
fig 2. Still Life Oil Painting of Apples, Grapes & Other Fruit by Oliver Clare

Although he’d achieved some success, he made the decision to move to America in 1889 where he worked as an artist. By 1891, he had returned to England moving back to Birmingham with his family. He lived at 190 Witton Road and later 11 Willis Street, Birmingham where he spent the rest of his life. He had a studio in Livery Street but spent a lot of his time outdoors with his dog where he was able to observe and sketch the British hedgerows. As well as paintings, he was also commissioned to produce a series of postcards and posters for the Pitman Health Food Co. Clare died at Birmingham on 13 April, 1927.

fig 3. A Victorian still life oil painting depicting apples, dark grapes, plums, and gooseberries set against a mossy ground, housed in a carved gold gilt frame.
fig 3. Still Life Oil Painting of Apples, Grapes & Other Fruit by Oliver Clare

Clare’s paintings often depict ripe fruit or fresh blossom nestling on a bank with a hint of dew, and are always well finished with brushstrokes that are invisible to the eye. Examples of his work can be found at the Bolton Museum, Birmingham Museum, Herbert Art Gallery & Museum, Llandudno Museum, Russell-Cotes Art Gallery, Torre Abbey Museum and the Wolverhampton Art Gallery.

fig 4. A Victorian still life oil painting depicting apples, dark grapes, plums, and gooseberries set against a mossy ground, housed in a carved gold gilt frame.
fig 4. Still Life Oil Painting of Apples, Grapes & Other Fruit by Oliver Clare

Presentation: The painting is housed in a new, English made gilt frame which is in excellent condition. The reverse bears a label for George L Brown, a fine art dealer, frame maker and restorers, established by George Levi Brown sometime around 1915. The business operated out of 13 Union Passage, Birmingham until George’s death in 1928. It was then taken over by M.B. Cavell and A.O. Parry before moving to 5 Livery Street during the early 1930’s. The gallery continued until the late 1950’s.

Condition: As with all of our original antique oil paintings, this work is offered in ready to hang gallery condition, having been professionally cleaned, restored and revarnished.

© Benton Fine Art

Height
60cm (23.62")
Width
49.5cm (19.49")
Depth
6.5cm (2.56")
Date of Manufacture

Benton Fine Art has dated this Victorian Fruit Still Life to the 1890s.

Reference Numbers
Sellingantiques Ref
SA874652
Benton Fine Art
Benton Fine Art
Sellingantiques verified Since Sep 2012

Specialists in 19th & early 20th century original oil paintings by listed artists

Dealer Profile

You can view the stock and full dealer information on the Benton Fine Art Profile Page

Trade Associations

Benton Fine Art is a registered member of LAPADA  BADA  CINOA

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A Victorian still life oil painting depicting apples, dark grapes, plums, and gooseberries set against a mossy ground, housed in a carved gold gilt frame.
1 / 9
Archive I A Victorian still life oil painting depicting apples, dark grapes, plums, and gooseberries set against a mossy ground, housed in a carved gold gilt frame.

Still Life Oil Painting of Apples, Grapes & Other Fruit by Oliver Clare

Archive II A Victorian still life oil painting depicting apples, dark grapes, plums, and gooseberries set against a mossy ground, housed in a carved gold gilt frame. View II
Archive III A Victorian still life oil painting depicting apples, dark grapes, plums, and gooseberries set against a mossy ground, housed in a carved gold gilt frame. View III
Archive IV A Victorian still life oil painting depicting apples, dark grapes, plums, and gooseberries set against a mossy ground, housed in a carved gold gilt frame. View IV
Archive V A Victorian still life oil painting depicting apples, dark grapes, plums, and gooseberries set against a mossy ground, housed in a carved gold gilt frame. View V
Archive VI A Victorian still life oil painting depicting apples, dark grapes, plums, and gooseberries set against a mossy ground, housed in a carved gold gilt frame. View VI
Archive VII A Victorian still life oil painting depicting apples, dark grapes, plums, and gooseberries set against a mossy ground, housed in a carved gold gilt frame. View VII
Archive VIII A Victorian still life oil painting depicting apples, dark grapes, plums, and gooseberries set against a mossy ground, housed in a carved gold gilt frame. View VIII
Archive IX A Victorian still life oil painting depicting apples, dark grapes, plums, and gooseberries set against a mossy ground, housed in a carved gold gilt frame. View IX
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Verified Since Sep 2012
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Location: Near Broadway, Worcestershire, United Kingdom, , By appointment only.
Verified
Sep 2012
For Sale
213
A Victorian still life oil painting depicting apples, dark grapes, plums, and gooseberries set against a mossy ground, housed in a carved gold gilt frame.
Still Life oil painting of apples, grapes & other fruit by Oliver Clare
Ref: SA874652
A Victorian still life oil painting depicting apples, dark grapes, plums, and gooseberries set against a mossy ground, housed in a carved gold gilt frame.
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Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

Victorian fruit still life paintings are recognised for their detailed rendering, vibrant natural colours, and realistic textures, often depicting fruits like grapes, apples, and berries resting against natural earth or moss backgrounds.

Artists during this era predominantly painted with oil pigments applied to stretched linen canvas or wooden panels, typically housed within moulded wood and gesso frames finished with gold leaf.

Authentic period paintings display natural fine craquelure across the paint surface, genuine age-related darkening or oxidisation on the reverse, and period-correct gilding wear on the frame corners.

A Victorian still life artwork can be positioned above a sideboard or console table, or incorporated into a mixed-era gallery wall to introduce rich visual depth and contrast against neutral contemporary walls.

Display the painting away from direct sunlight, moisture, and heat sources. Dust the frame and canvas surface gently using a soft, dry camel-hair brush, avoiding liquids or chemical detergents.
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