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Portrait of Ernst Casimir, Count of Nassau-dietz, C.1630-35; After Wybrand De Geest.
Roy Precious - Antiques & Fine Art
for sale €10,472     $11,367
£8,950
Roy Precious - Antiques & Fine Art

Roy Precious - Antiques & Fine Art

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Portrait of Ernst Casimir, Count of Nassau-dietz, C.1630-35; After Wybrand De Geest.

17th century
Description

Oil on panel.

This 17th century portrait is based on the main version by Wybrand de Geest in the Rijksmuseum, which is 78 x 51 inches; this superb painting is a rather more manageable 24 x 17 inches.

ERNST CASIMIR I (22 December 1573 – 2 June 1632) was a Count of Nassau-Dietz and Stadtholder of Friesland, Groningen and Drenthe. He was the 11th child of John VI, Count of Nassau-Dillenburg, and Countess Elisabeth of Leuchtenberg. After the death of his father, his counties Nassau-Dillenburg, Nassau-Siegen, Nassau-Dietz, and Vianden were divided among his five living sons. Ernest Casimir followed him as Count of Nassau-Dietz. In 1631, he inherited the small county of Spiegelberg near Lauenstein.

Ernest Casimir was primarily known as an outstanding military leader during the Eighty Years' War. He served under Maurice of Nassau, Prince of Orange, in the siege of the cities of Steenwijk and Oldenzaal, and Frederick Henry, Prince of Orange, during the Siege of Groenlo and the Siege of 's-Hertogenbosch. As Stadtholder of Groningen, he founded the Nieuweschans fortress in 1628. Although he owned little in Friesland, he was popular there, and people granted his heir the right to rule after his death.

He was killed by a bullet at the siege of Roermond while he was inspecting the trenches in June 1632. His son, Henry Casimir I, succeeded him as count of Nassau-Dietz and as Stadtholder of Friesland, Groningen and Drenthe.

WYBRAND SIMONSZ. DE GEEST (16 August 1592 – c. 1661) was a Dutch Golden Age portrait painter from Friesland. He was born and died at Leeuwarden. He learned painting from his father, Simon Juckesz, a stained glass worker. He studied later with Abraham Bloemaert. From 1614 to 1618 he travelled in France and Italy on a Grand Tour. In 1616 he met up with Leonard Bramer in Aix-en-Provence. While in Rome he became a member of the painters' circle known as the Bentvueghels. He earned the nickname 'De Friesche Adelaar', or "the Frisian Eagle".

De Geest married Hendrickje Fransdr Uylenburgh in 1622, a niece of Saskia van Uylenburgh, the wife of Rembrandt. In 1634, just before his own marriage, Rembrandt visited De Geest's studio. In 1636 the Frenchman Charles Ogier, secretary to Cardinal Richelieu visited De Geest, to view his large collection of curiosities and coins.

De Geest was the most important portrait painter of Friesland and painted numerous portraits of the well-to-do citizens of his day, many of which survive in the Fries Museum. Perhaps the most intimate portraits he painted were those of his direct family. De Geest influenced Jacob Adriaensz Backer, and his students were Jan Jansz. de Stomme, and Jacob Potma. His sons Julius and Frank also became painters.

SIZE: 29 x 22.5 inches including the frame.

PROVENANCE: English Private Collection for many generations.

Physical Dimensions
Height
73.5cm (28.94")
Width
57cm (22.44")
Depth
4cm (1.57")
Declaration

Roy Precious - Antiques & Fine Art has dated this 17th Century Oil Portrait to the 17th Century.

Reference Numbers
Sellingantiques Reference
SA809884
Dealers Internal Reference
9233
Description
Oil on panel.
This 17th century portrait is based on the main version by Wybrand de Geest in the Rijksmuseum, which is 78 x 51 inches; this superb painting is a rather more manageable 24 x 17 inches.
Roy Precious - Antiques & Fine Art

ERNST CASIMIR I (22 December 1573 – 2 June 1632) was a Count of Nassau-Dietz and Stadtholder of Friesland, Groningen and Drenthe. He was the 11th child of John VI, Count of Nassau-Dillenburg, and Countess Elisabeth of Leuchtenberg. After the death of his father, his counties Nassau-Dillenburg, Nassau-Siegen, Nassau-Dietz, and Vianden were divided among his five living sons. Ernest Casimir followed him as Count of Nassau-Dietz. In 1631, he inherited the small county of Spiegelberg near Lauenstein.

fig 1. A full-length oil portrait depicting a 17th-century military commander standing beside a plumed helmet, set within a dark timber frame with a gold slip.
fig 1. Portrait of Ernst Casimir, Count of Nassau-dietz, C.1630-35; After Wybrand De Geest.

Ernest Casimir was primarily known as an outstanding military leader during the Eighty Years' War. He served under Maurice of Nassau, Prince of Orange, in the siege of the cities of Steenwijk and Oldenzaal, and Frederick Henry, Prince of Orange, during the Siege of Groenlo and the Siege of 's-Hertogenbosch. As Stadtholder of Groningen, he founded the Nieuweschans fortress in 1628. Although he owned little in Friesland, he was popular there, and people granted his heir the right to rule after his death.

fig 2. A full-length oil portrait depicting a 17th-century military commander standing beside a plumed helmet, set within a dark timber frame with a gold slip.
fig 2. Portrait of Ernst Casimir, Count of Nassau-dietz, C.1630-35; After Wybrand De Geest.

He was killed by a bullet at the siege of Roermond while he was inspecting the trenches in June 1632. His son, Henry Casimir I, succeeded him as count of Nassau-Dietz and as Stadtholder of Friesland, Groningen and Drenthe.

fig 3. A full-length oil portrait depicting a 17th-century military commander standing beside a plumed helmet, set within a dark timber frame with a gold slip.
fig 3. Portrait of Ernst Casimir, Count of Nassau-dietz, C.1630-35; After Wybrand De Geest.

WYBRAND SIMONSZ. DE GEEST (16 August 1592 – c. 1661) was a Dutch Golden Age portrait painter from Friesland. He was born and died at Leeuwarden. He learned painting from his father, Simon Juckesz, a stained glass worker. He studied later with Abraham Bloemaert. From 1614 to 1618 he travelled in France and Italy on a Grand Tour. In 1616 he met up with Leonard Bramer in Aix-en-Provence. While in Rome he became a member of the painters' circle known as the Bentvueghels. He earned the nickname 'De Friesche Adelaar', or "the Frisian Eagle".

De Geest married Hendrickje Fransdr Uylenburgh in 1622, a niece of Saskia van Uylenburgh, the wife of Rembrandt. In 1634, just before his own marriage, Rembrandt visited De Geest's studio. In 1636 the Frenchman Charles Ogier, secretary to Cardinal Richelieu visited De Geest, to view his large collection of curiosities and coins.

De Geest was the most important portrait painter of Friesland and painted numerous portraits of the well-to-do citizens of his day, many of which survive in the Fries Museum. Perhaps the most intimate portraits he painted were those of his direct family. De Geest influenced Jacob Adriaensz Backer, and his students were Jan Jansz. de Stomme, and Jacob Potma. His sons Julius and Frank also became painters.

SIZE: 29 x 22.5 inches including the frame.

PROVENANCE: English Private Collection for many generations.

Height
73.5cm (28.94")
Width
57cm (22.44")
Depth
4cm (1.57")
Date of Manufacture

Roy Precious - Antiques & Fine Art has dated this 17th Century Oil Portrait to the 17th Century.

Reference Numbers
Sellingantiques Ref
SA809884
Dealers Internal Ref
9233
Roy Precious - Antiques & Fine Art
Roy Precious - Antiques & Fine Art
Sellingantiques verified Since Mar 2003

Roy and nadine precious: specialists in portraiture from the 16th to the 20th century. Established in 1972.

Dealer Profile

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A full-length oil portrait depicting a 17th-century military commander standing beside a plumed helmet, set within a dark timber frame with a gold slip.
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Archive I A full-length oil portrait depicting a 17th-century military commander standing beside a plumed helmet, set within a dark timber frame with a gold slip.

Portrait of Ernst Casimir, Count of Nassau-dietz, C.1630-35; After Wybrand De Geest.

Archive II A full-length oil portrait depicting a 17th-century military commander standing beside a plumed helmet, set within a dark timber frame with a gold slip. View II
Archive III A full-length oil portrait depicting a 17th-century military commander standing beside a plumed helmet, set within a dark timber frame with a gold slip. View III
Archive IV A full-length oil portrait depicting a 17th-century military commander standing beside a plumed helmet, set within a dark timber frame with a gold slip. View IV
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A full-length oil portrait depicting a 17th-century military commander standing beside a plumed helmet, set within a dark timber frame with a gold slip.
Portrait of Ernst Casimir, Count of Nassau-Dietz, c.1630-35; After Wybrand de Geest.
Ref: SA809884
A full-length oil portrait depicting a 17th-century military commander standing beside a plumed helmet, set within a dark timber frame with a gold slip.
Detail View 1
Detail View 2
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Archival Detail
Every single antique dealer on our platform is individually approved by our internal team. We verify their professional trade history, ethical standards, and photographic quality to ensure a secure, high-standard buying environment. Upon joining, every dealer agrees to a strict 9-point code of conduct. While issues can occasionally arise, our dealers typically resolve them swiftly and directly with the buyer. In fact, since our founding in 2002, Sellingantiques has only had to step in to help resolve an issue on roughly five occasions—a true testament to the quality of our dealers and their dedication to your happiness.
Our dealers are highly experienced in packing and shipping fragile, high-value antiques. Because you are in direct contact with the dealer, you will be able to easily go through all available shipping and insurance options together to ensure your item arrives safely.
Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

Dutch Golden Age portraiture from the 17th century is characterised by realistic depictions of subjects, often noblemen, merchants, or military figures, dressed in detailed period attire. These works frequently utilise chiaroscuro lighting techniques to highlight texture, costume details, and social status.

Artists during this era typically painted using oil pigments ground with linseed or walnut oil, applied onto stretched linen canvas or solid wood panels. Outer frames were frequently constructed from carved timber, finished with gold leaf or rich hardwood veneers.

Authentic period works exhibit age-appropriate craquelure across the paint layer, natural oxidisation of the varnish layer, and historical joinery on canvas stretchers or wood panels. Precise rendering of lace collar work and costume hardware also helps verify period execution.

A classical full-length portrait serves as a grounding focal point when positioned above a mantelpiece, console table, or incorporated into a dark-toned gallery wall. Pairing historical oil paintings with contemporary furnishings creates a sophisticated contrast in study or living spaces.

Position the artwork away from direct sunlight, radiators, and high humidity to prevent canvas distortion or paint cracking. Dust the surface occasionally using a dry, soft camel-hair brush, avoiding water, chemical cleaners, or physical friction.
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