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ID #SA439270
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19th Century Portrait Follower of William Wissing of Queen Mary II
Country House Fine Art
for sale €3,504     $3,804
£2,995
Country House Fine Art

Country House Fine Art

Sellingantiques Verified Since Apr 2015
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    Specialists in fine art including portraits from the 17th century onwards, seascapes and landscapes
Id #SA439270
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19th Century Portrait Follower of William Wissing of Queen Mary II

19th century
Description

A 19th century oil on canvas, portrait of a young woman.This portrait is believed to be of Queen Mary II

taken from an engraving of the painting, Halswell Park Sale, 1948, lot no.1323,

Housed in a decorative gilt frame.Size overall being 70 x 86 cm high (27.5 x 33¾ inches approx)

size of painting 54 x 68 cm (21 x 26 inches approx)

To the rear of the portrait is a newspaper cutting of the engraving ,also a typed note regarding the provenance of the painting (see photo)

Condition overall is very good, the Canvas has been relined, under UV there are areas of overpaint to bosom.Frame overall

very good some minor self coloured losses

Mary II (30 April 1662 – 28 December 1694)

Mary, born at St James's Palace in London on 30 April 1662,eldest daughter of James, Duke of York (the future James II & VII)

, and his first wife, Anne Hyde. Mary's uncle was King Charles II,

her maternal grandfather, Edward Hyde, 1st Earl of Clarendon, served for a lengthy period as Charles's chief adviser.

Mary married William of Orange.

Willem Wissing,

known in England as William Wissing (1656[1] – 10 September 1687), was a Dutch portrait artist who worked in England.

In 1685, James II of England sent Wissing to the Netherlands to paint portraits of his Dutch son-in-law and daughter,

the future William III of England and the future Mary II of England. The portraits were often repeated; versions are on display in the Great Hall

of the Wren building at the College of William and Mary in Williamsburg, Virginia.

Wissing died in 1687 at the peak of his fame as a portrait painter, at Burghley House

please email if you require any further information

Free uk insured delivery, usually within 14 working days

We ship worldwide please email for quote before purchase

delivery usually within 14 working days

RETURNS (The Consumer Contracts Regulations) Whilst we are sure that you will be extremely happy with your purchase,

if for any reason you are not, then you are entitled to return the item to us for a refund.

For all purchases made

you are entitled to return the item(s) for a period of up to 14 days

following receipt by you or a representative indicated by you.

Please contact us by email (countryhousefaa@aol.com)to confirm that you are returning the item(s)

and the reason for doing so.

Upon receipt of the item(s) we will refund the purchase price via your original payment method

The item(s) must be received in the condition that it was sent for you to be entitled to a refund.

You are responsible for the postage costs of returning the item(s) and insurance of the item(s).

If the item(s) are too large to return by post or courier,

then we would ask you to use the same shippers that were used to send you the item(s)

to you at your cost together with insurance of the item(s)

. We must receive the item(s) before we can offer a refund and proof of posting

does not confirm receipt by us.

If we do not receive the item(s) then we cannot offer a refund.

Physical Dimensions
Height
86cm (33.86")
Width
70cm (27.56")
Depth
4cm (1.57")
Declaration

Country House Fine Art has dated this Queen Mary II Oil Portrait to the 19th Century.

Reference Numbers
Sellingantiques Reference
SA439270
Dealers Notes

We ship worldwide. Uk delivery is free via art courier usually within 14 working days. Overseas buyers please contact us for a quote before purchase. We use a specialist company who collect,pack and ship your item insured to your door.Again usually within 14 working days

All/any customs/taxes /fees are the buyers responsibility .

Description
A 19th century oil on canvas, portrait of a young woman.This portrait is believed to be of Queen Mary II

taken from an engraving of the painting, Halswell Park Sale, 1948, lot no.1323,

Housed in a decorative gilt frame.Size overall being 70 x 86 cm high (27.5 x 33¾ inches approx)

fig 1. A 19th-century portrait painting of a woman with dark ringlets in a low-cut gown, framed in an ornate carved gilt frame.
fig 1. 19th Century Portrait Follower of William Wissing of Queen Mary II

size of painting 54 x 68 cm (21 x 26 inches approx)

To the rear of the portrait is a newspaper cutting of the engraving ,also a typed note regarding the provenance of the painting (see photo).
Country House Fine Art

Condition overall is very good, the Canvas has been relined, under UV there are areas of overpaint to bosom.Frame overall

fig 2. A 19th-century portrait painting of a woman with dark ringlets in a low-cut gown, framed in an ornate carved gilt frame.
fig 2. 19th Century Portrait Follower of William Wissing of Queen Mary II

very good some minor self coloured losses

Mary II (30 April 1662 – 28 December 1694)

Mary, born at St James's Palace in London on 30 April 1662,eldest daughter of James, Duke of York (the future James II & VII)

fig 3. A 19th-century portrait painting of a woman with dark ringlets in a low-cut gown, framed in an ornate carved gilt frame.
fig 3. 19th Century Portrait Follower of William Wissing of Queen Mary II

, and his first wife, Anne Hyde. Mary's uncle was King Charles II,

her maternal grandfather, Edward Hyde, 1st Earl of Clarendon, served for a lengthy period as Charles's chief adviser.

Mary married William of Orange.

fig 4. A 19th-century portrait painting of a woman with dark ringlets in a low-cut gown, framed in an ornate carved gilt frame.
fig 4. 19th Century Portrait Follower of William Wissing of Queen Mary II

Willem Wissing,

known in England as William Wissing (1656[1] – 10 September 1687), was a Dutch portrait artist who worked in England.

In 1685, James II of England sent Wissing to the Netherlands to paint portraits of his Dutch son-in-law and daughter,

fig 5. A 19th-century portrait painting of a woman with dark ringlets in a low-cut gown, framed in an ornate carved gilt frame.
fig 5. 19th Century Portrait Follower of William Wissing of Queen Mary II

the future William III of England and the future Mary II of England. The portraits were often repeated; versions are on display in the Great Hall

of the Wren building at the College of William and Mary in Williamsburg, Virginia.

fig 6. A 19th-century portrait painting of a woman with dark ringlets in a low-cut gown, framed in an ornate carved gilt frame.
fig 6. 19th Century Portrait Follower of William Wissing of Queen Mary II

Wissing died in 1687 at the peak of his fame as a portrait painter, at Burghley House

please email if you require any further information

Free uk insured delivery, usually within 14 working days

We ship worldwide please email for quote before purchase

fig 7. A 19th-century portrait painting of a woman with dark ringlets in a low-cut gown, framed in an ornate carved gilt frame.
fig 7. 19th Century Portrait Follower of William Wissing of Queen Mary II

delivery usually within 14 working days

RETURNS (The Consumer Contracts Regulations) Whilst we are sure that you will be extremely happy with your purchase,

if for any reason you are not, then you are entitled to return the item to us for a refund.

fig 8. A 19th-century portrait painting of a woman with dark ringlets in a low-cut gown, framed in an ornate carved gilt frame.
fig 8. 19th Century Portrait Follower of William Wissing of Queen Mary II

For all purchases made

you are entitled to return the item(s) for a period of up to 14 days

following receipt by you or a representative indicated by you.

Please contact us by email (countryhousefaa@aol.com)to confirm that you are returning the item(s)

fig 9. A 19th-century portrait painting of a woman with dark ringlets in a low-cut gown, framed in an ornate carved gilt frame.
fig 9. 19th Century Portrait Follower of William Wissing of Queen Mary II

and the reason for doing so.

Upon receipt of the item(s) we will refund the purchase price via your original payment method

The item(s) must be received in the condition that it was sent for you to be entitled to a refund.

fig 10. A 19th-century portrait painting of a woman with dark ringlets in a low-cut gown, framed in an ornate carved gilt frame.
fig 10. 19th Century Portrait Follower of William Wissing of Queen Mary II

You are responsible for the postage costs of returning the item(s) and insurance of the item(s).

If the item(s) are too large to return by post or courier,

then we would ask you to use the same shippers that were used to send you the item(s)

fig 11. A 19th-century portrait painting of a woman with dark ringlets in a low-cut gown, framed in an ornate carved gilt frame.
fig 11. 19th Century Portrait Follower of William Wissing of Queen Mary II

to you at your cost together with insurance of the item(s)

We must receive the item(s) before we can offer a refund and proof of posting

does not confirm receipt by us.

If we do not receive the item(s) then we cannot offer a refund.

Height
86cm (33.86")
Width
70cm (27.56")
Depth
4cm (1.57")
Date of Manufacture

Country House Fine Art has dated this Queen Mary II Oil Portrait to the 19th Century.

Reference Numbers
Sellingantiques Ref
SA439270
Country House Fine Art
Country House Fine Art
Sellingantiques verified Since Apr 2015

Specialists in fine art including portraits from the 17th century onwards, seascapes and landscapes

Dealer Profile

You can view the stock and full dealer information on the Country House Fine Art Profile Page

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A 19th-century portrait painting of a woman with dark ringlets in a low-cut gown, framed in an ornate carved gilt frame.
1 / 12
Archive I A 19th-century portrait painting of a woman with dark ringlets in a low-cut gown, framed in an ornate carved gilt frame.

19th Century Portrait Follower of William Wissing of Queen Mary II

Archive II A 19th-century portrait painting of a woman with dark ringlets in a low-cut gown, framed in an ornate carved gilt frame. View II
Archive III A 19th-century portrait painting of a woman with dark ringlets in a low-cut gown, framed in an ornate carved gilt frame. View III
Archive IV A 19th-century portrait painting of a woman with dark ringlets in a low-cut gown, framed in an ornate carved gilt frame. View IV
Archive V A 19th-century portrait painting of a woman with dark ringlets in a low-cut gown, framed in an ornate carved gilt frame. View V
Archive VI A 19th-century portrait painting of a woman with dark ringlets in a low-cut gown, framed in an ornate carved gilt frame. View VI
Archive VII A 19th-century portrait painting of a woman with dark ringlets in a low-cut gown, framed in an ornate carved gilt frame. View VII
Archive VIII A 19th-century portrait painting of a woman with dark ringlets in a low-cut gown, framed in an ornate carved gilt frame. View VIII
Archive IX A 19th-century portrait painting of a woman with dark ringlets in a low-cut gown, framed in an ornate carved gilt frame. View IX
Archive X A 19th-century portrait painting of a woman with dark ringlets in a low-cut gown, framed in an ornate carved gilt frame. View X
Archive XI A 19th-century portrait painting of a woman with dark ringlets in a low-cut gown, framed in an ornate carved gilt frame. View XI
Archive XII A 19th-century portrait painting of a woman with dark ringlets in a low-cut gown, framed in an ornate carved gilt frame. View XII
Enlarged Archival View
Location
Yorkshire
United Kingdom
Verified Since Apr 2015
Items For Sale 100
Items Sold 134
Country House Fine Art
Country House Fine Art
Verified Since Apr 2015
View Dealer Info
Location: Yorkshire, United Kingdom
Verified
Apr 2015
For Sale
100
Sold
134
A 19th-century portrait painting of a woman with dark ringlets in a low-cut gown, framed in an ornate carved gilt frame.
19th century portrait Follower of William Wissing of Queen Mary II
Ref: SA439270
A 19th-century portrait painting of a woman with dark ringlets in a low-cut gown, framed in an ornate carved gilt frame.
Detail View 1
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Detail View 3
Detail View 4
Detail View 5
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Detail View 11
Archival Detail
Every single antique dealer on our platform is individually approved by our internal team. We verify their professional trade history, ethical standards, and photographic quality to ensure a secure, high-standard buying environment. Upon joining, every dealer agrees to a strict 9-point code of conduct. While issues can occasionally arise, our dealers typically resolve them swiftly and directly with the buyer. In fact, since our founding in 2002, Sellingantiques has only had to step in to help resolve an issue on roughly five occasions—a true testament to the quality of our dealers and their dedication to your happiness.
Our dealers are highly experienced in packing and shipping fragile, high-value antiques. Because you are in direct contact with the dealer, you will be able to easily go through all available shipping and insurance options together to ensure your item arrives safely.
Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

Portraits from the late 17th century frequently feature dramatic lighting, rich draping fabrics, relaxed seated or half-length poses, and realistic facial modelling set against dark or natural landscapes.

Artists generally used oil pigments bound with linseed oil painted onto stretched linen canvas. Frames were typically crafted from softwood or plaster, finished with gold leaf gilding.

Examiners inspect canvas weave consistency, the type of stretchers used, natural craquelure patterns, and pigments under ultraviolet light to differentiate period originals from later 19th-century renditions.

A period portrait can act as a focal point above a fireplace or console table, contrasting with modern minimalist furniture or complementing traditional wood panelled rooms.

Keep the artwork away from direct sunlight, high humidity, and heat sources. Clean delicate gilt frames with a dry soft brush and avoid liquid cleaners on the canvas.
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