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James Gillespie Painted Silhouette with Good Provenance
Wigs on the Green
for sale €199     $216
£170
Wigs on the Green

Wigs on the Green

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    Small portraiture of character & historical interest
Id #SA1229434
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James Gillespie Painted Silhouette with Good Provenance

19th century
Description

James Gillespie, the artist of this profile, painted in a variety of styles from plain black through monochrome profiles with detailed features to full colour profiles. This is an example of his plain black work from the 1810s with costume details skillfully added using gum arabic.

The sitter, a lady of mature years, certainly had a distinctive profile with her double chin and sharply-pointed nose. Her attire too would have challenged the artist, her dress with a multi-ruffed collar and braiding with buttons on the bodice and her turban style cap fastened under her chin(s!) with a frilly ribbon.

The silhouette is in fine condition and is housed in the original papier-mâché frame with a traditional acorn hanger.

James H. Gillespie was a prolific Anglo-American miniaturist. Born in 1793, he began painting before 1815. By 1820 he claimed to have completed 17,000 likenesses. Gillespie toured the market towns throughout the Midlands into Northern England and the Scottish Borders. At each location he painted on average 500 profiles in a variety of styles. He was particularly busy in the fast-growing town of Preston where he painted nearly 1,100 likenesses but was less popular in Daventry where he only received 160 commissions. Around 1825 Gillespie left the British Isles for a new life in Nova Scotia from where he worked his way down the east coast of America.

Framed Size: 145 x 118mm

Provenance: Elliott Levy from whom purchased by Sue McKechnie and later gifted to Bill Fox-Smith

Literature: McKechnie, British Silhouette Artists & their Work - illus. p.482

Physical Dimensions
Height
14.5cm (5.71")
Width
12cm (4.72")
Declaration

Wigs on the Green has dated this Antique Painted Silhouette Portrait to the 19th Century.

Reference Numbers
Sellingantiques Reference
SA1229434
Dealers Internal Reference
6934
Dealers Notes

All prices include UK postage. International shipping will be at cost.

Description
James Gillespie, the artist of this profile, painted in a variety of styles from plain black through monochrome profiles with detailed features to full colour profiles.
This is an example of his plain black work from the 1810s with costume details skillfully added using gum arabic.
Wigs on the Green
fig 1. A profile silhouette portrait enclosed in an oval brass bezel and mounted within a rectangular black ebonised frame featuring a brass acorn hanger.
fig 1. James Gillespie Painted Silhouette with Good Provenance

The sitter, a lady of mature years, certainly had a distinctive profile with her double chin and sharply-pointed nose. Her attire too would have challenged the artist, her dress with a multi-ruffed collar and braiding with buttons on the bodice and her turban style cap fastened under her chin(s!) with a frilly ribbon.

fig 2. A profile silhouette portrait enclosed in an oval brass bezel and mounted within a rectangular black ebonised frame featuring a brass acorn hanger.
fig 2. James Gillespie Painted Silhouette with Good Provenance

The silhouette is in fine condition and is housed in the original papier-mâché frame with a traditional acorn hanger.

James H. Gillespie was a prolific Anglo-American miniaturist. Born in 1793, he began painting before 1815. By 1820 he claimed to have completed 17,000 likenesses. Gillespie toured the market towns throughout the Midlands into Northern England and the Scottish Borders. At each location he painted on average 500 profiles in a variety of styles. He was particularly busy in the fast-growing town of Preston where he painted nearly 1,100 likenesses but was less popular in Daventry where he only received 160 commissions. Around 1825 Gillespie left the British Isles for a new life in Nova Scotia from where he worked his way down the east coast of America.

Framed Size: 145 x 118mm

Provenance: Elliott Levy from whom purchased by Sue McKechnie and later gifted to Bill Fox-Smith

Literature: McKechnie, British Silhouette Artists & their Work - illus. p.482

Height
14.5cm (5.71")
Width
12cm (4.72")
Date of Manufacture

Wigs on the Green has dated this Antique Painted Silhouette Portrait to the 19th Century.

Reference Numbers
Sellingantiques Ref
SA1229434
Dealers Internal Ref
6934
Wigs on the Green
Wigs on the Green
Sellingantiques verified Since May 2020

Small portraiture of character & historical interest

Dealer Profile

You can view the stock and full dealer information on the Wigs on the Green Profile Page

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A profile silhouette portrait enclosed in an oval brass bezel and mounted within a rectangular black ebonised frame featuring a brass acorn hanger.
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Archive I A profile silhouette portrait enclosed in an oval brass bezel and mounted within a rectangular black ebonised frame featuring a brass acorn hanger.

James Gillespie Painted Silhouette With Good Provenance

Archive II A profile silhouette portrait enclosed in an oval brass bezel and mounted within a rectangular black ebonised frame featuring a brass acorn hanger. View II
Archive III A profile silhouette portrait enclosed in an oval brass bezel and mounted within a rectangular black ebonised frame featuring a brass acorn hanger. View III
Enlarged Archival View
Telephone 07962 257915
Location
York
Yorkshire
United Kingdom
Verified Since May 2020
Items For Sale 86
Items Sold 300
Wigs on the Green
Wigs on the Green
Verified Since May 2020
View Dealer Info
Location: York, Yorkshire, United Kingdom
Verified
May 2020
For Sale
86
Sold
300
A profile silhouette portrait enclosed in an oval brass bezel and mounted within a rectangular black ebonised frame featuring a brass acorn hanger.
James Gillespie Painted Silhouette With Good Provenance
Ref: SA1229434
A profile silhouette portrait enclosed in an oval brass bezel and mounted within a rectangular black ebonised frame featuring a brass acorn hanger.
Detail View 1
Detail View 2
Archival Detail
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Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

A silhouette portrait is a profile image of a person represented as a solid shape of a single colour, typically black, against a light background. Popularised in the 18th and 19th centuries, these profile shade miniatures served as an accessible alternative to painted portraiture prior to the development of photography.

Georgian silhouettes were commonly painted on paper, card, or plaster using India ink or gouache. Frames were traditionally constructed from ebonised wood or papier-mache, featuring inner oval brass bezels, protective glass, and decorative cast brass hangers often styled as acorns or foliage.

Authentic period silhouettes exhibit natural signs of age, including light foxing or toning to the paper substrate and surface oxidation on the brass bezel. Examining the reverse often reveals period backing paper, hand-carved wood panels, or original maker labels.

A silhouette portrait can be hung in a narrow wall alcove or integrated into a gallery wall alongside monochrome etchings and small mirrors. Grouping several profile portraits together creates visual interest in traditional, eclectic, or dark academia interior schemes.

Position the artwork away from direct sunlight, excessive heat, and damp environments to prevent paper discolouration and frame distortion. Clean the exterior glass and ebonised frame gently with a dry microfibre cloth, avoiding liquid cleaners that could penetrate the frame assembly.
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