23,748  PAGES BROWSED TODAY PAGES TODAY 36  ANTIQUES UPLOADED TODAY NEW ARRIVALS
ID #SA1228241
FOR SALE
£820
Email
Save
Mezzotint Portrait of Dodington Montagu (Nee Greville) Duchess of Manchester by John Faber Jr After Sir Godfrey Kneller
The Mezzotint Man
for sale €959     $1,041
£820
The Mezzotint Man

The Mezzotint Man

Sellingantiques Verified Since Mar 2026
View Dealers Stock Page
  • About Us
    Dealers in fine antiquarian portrait prints
Id #SA1228241
PDF SHARE
SAVE

Mezzotint Portrait of Dodington Montagu (Nee Greville) Duchess of Manchester by John Faber Jr After Sir Godfrey Kneller

18th century
Description

MEZZOTINT PORTRAIT OF DODINGTON MONTAGU (NEE GREVILLE) DUCHESS OF MANCHESTER BY JOHN FABER JR AFTER SIR GODFREY KNELLER

Fine early 18th-century portrait of Dodington Montagu, Duchess of Manchester, who is depicted full-length wearing a formal "grand habit" or court dress, characterized by its voluminous and shimmering fabrics.The dress appears to be made of heavy satin or silk, which Kneller has rendered to emphasize the deep, dramatic folds and the play of light on the material. It features a low-cut, "V-shaped" neckline trimmed with delicate white lace or a chemise ruffle visible at the edges.

A large, voluminous wrap or cloak is draped over her shoulders and arms, adding a sense of movement and "grandeur" to her silhouette. This style of "undress" (a term for formal but loosely draped clothing) was often used in portraits to project a timeless, classical elegance rather than strictly following day-to-day fashion.

Her dark hair is styled in a popular late-17th to early-18th-century manner—pulled high off the forehead with loose, thick curls cascading down her neck and over her shoulders. In her hand she holds a small bouquet of flowers in her right hand, a common symbol of beauty and femininity in portraiture of the period.

Dodington Montagu (née Greville), Duchess of Manchester (1672–1720), was a prominent figure in the British aristocracy during the late Stuart and early Georgian periods. She came from two influential families, she was the daughter of Robert Greville, 4th Baron Brooke, and Anne Dodington. Her maternal grandfather was John Dodington, an MP for Lymington.

On February 19, 1690, she married Charles Montagu, then the 4th Earl of Manchester and her marriage significantly elevated her social standing. For most of her life, she was known as the Countess of Manchester. However, in 1719, King George I created her husband the 1st Duke of Manchester, making her the very first Duchess of Manchester.

The couple had several children, including William Montagu (who became the 2nd Duke) and Robert Montagu (the 3rd Duke).

She died on February 16, 1720, at Kimbolton, the family’s ancestral seat. She is buried in the Church of St Andrew in Kimbolton

Date: Early 18th century

Sheet Dimensions: 47cm x 32cm.

Framed Dimensions: 58cm x 44cm.

Price: £820

All prices include UK mainland delivery. For other territories please ask.

Physical Dimensions
Height
58cm (22.83")
Width
44cm (17.32")
Depth
3cm (1.18")
Declaration

The Mezzotint Man has dated this Antique Mezzotint Portrait Print to the 18th Century.

Reference Numbers
Sellingantiques Reference
SA1228241
Description
MEZZOTINT PORTRAIT OF DODINGTON MONTAGU (NEE GREVILLE) DUCHESS OF MANCHESTER BY JOHN FABER JR AFTER SIR GODFREY KNELLER

Fine early 18th-century portrait of Dodington Montagu, Duchess of Manchester, who is depicted full-length wearing a formal "grand habit" or court dress, characterized by its voluminous and shimmering fabrics.

The dress appears to be made of heavy satin or silk, which Kneller has rendered to emphasize the deep, dramatic folds and the play of light on the material.
The Mezzotint Man

It features a low-cut, "V-shaped" neckline trimmed with delicate white lace or a chemise ruffle visible at the edges.

fig 1. A framed monochrome eighteenth-century mezzotint portrait depicting a standing woman in draped robes holding flowers, set within a gilt slip and black wooden frame.
fig 1. Mezzotint Portrait of Dodington Montagu (Nee Greville) Duchess of Manchester by John Faber Jr After Sir Godfrey Kneller

A large, voluminous wrap or cloak is draped over her shoulders and arms, adding a sense of movement and "grandeur" to her silhouette. This style of "undress" (a term for formal but loosely draped clothing) was often used in portraits to project a timeless, classical elegance rather than strictly following day-to-day fashion.

fig 2. A framed monochrome eighteenth-century mezzotint portrait depicting a standing woman in draped robes holding flowers, set within a gilt slip and black wooden frame.
fig 2. Mezzotint Portrait of Dodington Montagu (Nee Greville) Duchess of Manchester by John Faber Jr After Sir Godfrey Kneller

Her dark hair is styled in a popular late-17th to early-18th-century manner—pulled high off the forehead with loose, thick curls cascading down her neck and over her shoulders. In her hand she holds a small bouquet of flowers in her right hand, a common symbol of beauty and femininity in portraiture of the period.

fig 3. A framed monochrome eighteenth-century mezzotint portrait depicting a standing woman in draped robes holding flowers, set within a gilt slip and black wooden frame.
fig 3. Mezzotint Portrait of Dodington Montagu (Nee Greville) Duchess of Manchester by John Faber Jr After Sir Godfrey Kneller

Dodington Montagu (née Greville), Duchess of Manchester (1672–1720), was a prominent figure in the British aristocracy during the late Stuart and early Georgian periods. She came from two influential families, she was the daughter of Robert Greville, 4th Baron Brooke, and Anne Dodington. Her maternal grandfather was John Dodington, an MP for Lymington.

fig 4. A framed monochrome eighteenth-century mezzotint portrait depicting a standing woman in draped robes holding flowers, set within a gilt slip and black wooden frame.
fig 4. Mezzotint Portrait of Dodington Montagu (Nee Greville) Duchess of Manchester by John Faber Jr After Sir Godfrey Kneller

On February 19, 1690, she married Charles Montagu, then the 4th Earl of Manchester and her marriage significantly elevated her social standing. For most of her life, she was known as the Countess of Manchester. However, in 1719, King George I created her husband the 1st Duke of Manchester, making her the very first Duchess of Manchester.

fig 5. A framed monochrome eighteenth-century mezzotint portrait depicting a standing woman in draped robes holding flowers, set within a gilt slip and black wooden frame.
fig 5. Mezzotint Portrait of Dodington Montagu (Nee Greville) Duchess of Manchester by John Faber Jr After Sir Godfrey Kneller

The couple had several children, including William Montagu (who became the 2nd Duke) and Robert Montagu (the 3rd Duke).

She died on February 16, 1720, at Kimbolton, the family’s ancestral seat. She is buried in the Church of St Andrew in Kimbolton

Date: Early 18th century

Sheet Dimensions: 47cm x 32cm.

Framed Dimensions: 58cm x 44cm.

Price: £820

All prices include UK mainland delivery. For other territories please ask.

Height
58cm (22.83")
Width
44cm (17.32")
Depth
3cm (1.18")
Date of Manufacture

The Mezzotint Man has dated this Antique Mezzotint Portrait Print to the 18th Century.

Reference Numbers
Sellingantiques Ref
SA1228241
The Mezzotint Man
The Mezzotint Man
Sellingantiques verified Since Mar 2026

Dealers in fine antiquarian portrait prints

Dealer Profile

You can view the stock and full dealer information on the The Mezzotint Man Profile Page

PDF SHARE
SAVE
A framed monochrome eighteenth-century mezzotint portrait depicting a standing woman in draped robes holding flowers, set within a gilt slip and black wooden frame.
1 / 6
Archive I A framed monochrome eighteenth-century mezzotint portrait depicting a standing woman in draped robes holding flowers, set within a gilt slip and black wooden frame.

Mezzotint Portrait of Dodington Montagu (Nee Greville) Duchess of Manchester by John Faber Jr After Sir Godfrey Kneller

Archive II A framed monochrome eighteenth-century mezzotint portrait depicting a standing woman in draped robes holding flowers, set within a gilt slip and black wooden frame. View II
Archive III A framed monochrome eighteenth-century mezzotint portrait depicting a standing woman in draped robes holding flowers, set within a gilt slip and black wooden frame. View III
Archive IV A framed monochrome eighteenth-century mezzotint portrait depicting a standing woman in draped robes holding flowers, set within a gilt slip and black wooden frame. View IV
Archive V A framed monochrome eighteenth-century mezzotint portrait depicting a standing woman in draped robes holding flowers, set within a gilt slip and black wooden frame. View V
Archive VI A framed monochrome eighteenth-century mezzotint portrait depicting a standing woman in draped robes holding flowers, set within a gilt slip and black wooden frame. View VI
Enlarged Archival View
Telephone 07889 859729
Location
North Yorkshire
United Kingdom
Verified Since Mar 2026
Items For Sale 33
Items Sold 9
The Mezzotint Man
The Mezzotint Man
Verified Since Mar 2026
View Dealer Info
Location: North Yorkshire, United Kingdom
Verified
Mar 2026
For Sale
33
Sold
9
A framed monochrome eighteenth-century mezzotint portrait depicting a standing woman in draped robes holding flowers, set within a gilt slip and black wooden frame.
MEZZOTINT PORTRAIT OF DODINGTON MONTAGU (NEE GREVILLE) DUCHESS OF MANCHESTER BY JOHN FABER JR AFTER SIR GODFREY KNELLER
Ref: SA1228241
A framed monochrome eighteenth-century mezzotint portrait depicting a standing woman in draped robes holding flowers, set within a gilt slip and black wooden frame.
Detail View 1
Detail View 2
Detail View 3
Detail View 4
Detail View 5
Archival Detail
Every single antique dealer on our platform is individually approved by our internal team. We verify their professional trade history, ethical standards, and photographic quality to ensure a secure, high-standard buying environment. Upon joining, every dealer agrees to a strict 9-point code of conduct. While issues can occasionally arise, our dealers typically resolve them swiftly and directly with the buyer. In fact, since our founding in 2002, Sellingantiques has only had to step in to help resolve an issue on roughly five occasions—a true testament to the quality of our dealers and their dedication to your happiness.
Our dealers are highly experienced in packing and shipping fragile, high-value antiques. Because you are in direct contact with the dealer, you will be able to easily go through all available shipping and insurance options together to ensure your item arrives safely.
Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

A mezzotint is a tonal copperplate intaglio printmaking process developed in the seventeenth century, known for producing subtle gradations of tone and rich shadows without cross-hatching.

Mezzotints were printed with oil-based ink onto heavy handmade rag paper, pulled from a copper plate prepared using a metal rocker tool, and typically presented in timber frames.

Authentic period mezzotints feature a distinct indented platemark border around the printed image, publisher inscriptions along the lower margin, and characteristic velvety tonal transitions.

An antique portrait print can serve as a focal point above a fireplace or be integrated into a contemporary gallery wall to create visual contrast alongside modern artwork.

Paper prints should be framed using acid-free mounting board, kept behind UV-filtering protective glass, and displayed away from direct sunlight and areas of excessive humidity.
items
Add keywords to the filter
Price
£100
£250000
Era
Movements
Material
Origin
Stock Location
Freshness
Online Payments
Categories