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"Mevagissey" Ernest F. Hill R B S a . Marine Watercolour.
William Greenwood Fine Art
for sale €761     $826
£650

William Greenwood Fine Art

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"Mevagissey" Ernest F. Hill R B S a . Marine Watercolour.

1900 - 1920
Description

Artist: Ernest Frederick Hill RBSA, AMC. (1873-1960).

Title: ''Cornish Fishing Boats, Mevagissey".

Signed. Circa 1920. Watercolour.

Exhibited: Royal Birmingham Society of Artists.

Inscribed on label verso.

Provenance: Inherited by the present owner through family descent.

Size: 9 1/4''x 13 1/4''. Framed size: 19''x 23''.

Now cleaned and framed. In very good ready to hang condition . Free UK delivery.

For more info please contact us at:

Tel: 01677 424830.

Mob: 07885 175279.

Email: williamgreenwoodfineart@gmail.com

Website: wgreenwoodfineart.co.uk

Trade enquiries welcome. Ernest Frederick HILL RBSA (Ern Hill)

1873-1960

The artist was born on 26 October 1873 in Birmingham, the only child of William J R Hill and his wife Julia. His father was employed as a lithographic artist, and had moved to Birmingham for employment from his original home in Gloucestershire. Julia had been born in Birmingham, and the couple settled there at 22 Bristol Road, Edgbaston.

He exhibited titles of Newlyn subjects at the RBSA in 1900, indicating that he had been in Cornwall prior to that year. However, family correspondence has revealed at least two paintings of Newlyn dated in 1905, so it is clear that he returned. His earliest exhibition date, as found so far, is from c1897. The 1901 Census finds Ernest living at home, age 27, with his parents, and his occupation listed as Art Master/School. Later he was to serve as a Vice President of the RBSA, and an associate of Professor Thomas Bodkin, the Founding Director of the Barber Institute at Birmingham University. His death certificate lists his occupation as Headmaster of Bournville Art School (retired).

His exhibiting dates extend to as late as 1946 from a sending-in address listed as Holmleigh, Langley Road, Selly Oak, Birmingham. His landscape and coastal subjects show that he travelled far and wide in Britain to paint - Scotland, Wales, Cornwall, and other English locations. From paintings noted to date he was adept at both watercolour and oil. A painting entitled An Impressionist Landscape (oil on canvas, 1929) from its content of thorn trees re-shaped by the winds, could also be of Cornwall, and he may well have returned more than once.

Most of his exhibition work was hung in Birmingham, that famous place that was supposed to have invented 'the Newlyn school'. Though Hill was not one of the original Newlynites, he was clearly of the group that implied that in order to be a well-educated Birmingham artist, one must at least take a look-see at Newlyn.

Hill was married to Catherine who survived him, and he died on 4 September, 1960, at the age of 86. At the time of death the couple remained living on Langleys Road, Birmingham.

Physical Dimensions
Height
48cm (18.90")
Width
58.5cm (23.03")
Depth
3cm (1.18")
Declaration

William Greenwood Fine Art has dated this Cornish Marine Watercolour Painting to the 1920s.

Reference Numbers
Sellingantiques Reference
SA1155596
Dealers Internal Reference
wgb
Description
Artist: Ernest Frederick Hill RBSA, AMC. (1873-1960).

Title: ''Cornish Fishing Boats, Mevagissey".

Signed. Circa 1920. Watercolour.

Exhibited: Royal Birmingham Society of Artists.

Inscribed on label verso.

fig 1. A muted British marine watercolour painting depicting two moored wooden fishing boats in Mevagissey harbour against a misty coastline.
fig 1. "Mevagissey" Ernest F. Hill R B S a . Marine Watercolour.

Provenance: Inherited by the present owner through family descent.

Size: 9 1/4''x 13 1/4''. Framed size: 19''x 23''.

Now cleaned and framed. In very good ready to hang condition . Free UK delivery.

For more info please contact us at:

fig 2. A muted British marine watercolour painting depicting two moored wooden fishing boats in Mevagissey harbour against a misty coastline.
fig 2. "Mevagissey" Ernest F. Hill R B S a . Marine Watercolour.

Tel: 01677 424830.

Mob: 07885 175279.

Email: williamgreenwoodfineart@gmail.com

Website: wgreenwoodfineart.co.uk

Trade enquiries welcome. Ernest Frederick HILL RBSA (Ern Hill)

fig 3. A muted British marine watercolour painting depicting two moored wooden fishing boats in Mevagissey harbour against a misty coastline.
fig 3. "Mevagissey" Ernest F. Hill R B S a . Marine Watercolour.

1873-1960

The artist was born on 26 October 1873 in Birmingham, the only child of William J R Hill and his wife Julia.
William Greenwood Fine Art

His father was employed as a lithographic artist, and had moved to Birmingham for employment from his original home in Gloucestershire. Julia had been born in Birmingham, and the couple settled there at 22 Bristol Road, Edgbaston.

fig 4. A muted British marine watercolour painting depicting two moored wooden fishing boats in Mevagissey harbour against a misty coastline.
fig 4. "Mevagissey" Ernest F. Hill R B S a . Marine Watercolour.

He exhibited titles of Newlyn subjects at the RBSA in 1900, indicating that he had been in Cornwall prior to that year. However, family correspondence has revealed at least two paintings of Newlyn dated in 1905, so it is clear that he returned. His earliest exhibition date, as found so far, is from c1897. The 1901 Census finds Ernest living at home, age 27, with his parents, and his occupation listed as Art Master/School. Later he was to serve as a Vice President of the RBSA, and an associate of Professor Thomas Bodkin, the Founding Director of the Barber Institute at Birmingham University. His death certificate lists his occupation as Headmaster of Bournville Art School (retired).

fig 5. A muted British marine watercolour painting depicting two moored wooden fishing boats in Mevagissey harbour against a misty coastline.
fig 5. "Mevagissey" Ernest F. Hill R B S a . Marine Watercolour.

His exhibiting dates extend to as late as 1946 from a sending-in address listed as Holmleigh, Langley Road, Selly Oak, Birmingham. His landscape and coastal subjects show that he travelled far and wide in Britain to paint - Scotland, Wales, Cornwall, and other English locations. From paintings noted to date he was adept at both watercolour and oil. A painting entitled An Impressionist Landscape (oil on canvas, 1929) from its content of thorn trees re-shaped by the winds, could also be of Cornwall, and he may well have returned more than once.

Most of his exhibition work was hung in Birmingham, that famous place that was supposed to have invented 'the Newlyn school'. Though Hill was not one of the original Newlynites, he was clearly of the group that implied that in order to be a well-educated Birmingham artist, one must at least take a look-see at Newlyn.

Hill was married to Catherine who survived him, and he died on 4 September, 1960, at the age of 86. At the time of death the couple remained living on Langleys Road, Birmingham.

Height
48cm (18.90")
Width
58.5cm (23.03")
Depth
3cm (1.18")
Date of Manufacture

William Greenwood Fine Art has dated this Cornish Marine Watercolour Painting to the 1920s.

Reference Numbers
Sellingantiques Ref
SA1155596
Dealers Internal Ref
wgb
William Greenwood Fine Art
Sellingantiques verified Since Oct 2012
Dealer Profile

You can view the stock and full dealer information on the William Greenwood Fine Art Profile Page

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A muted British marine watercolour painting depicting two moored wooden fishing boats in Mevagissey harbour against a misty coastline.
1 / 6
Archive I A muted British marine watercolour painting depicting two moored wooden fishing boats in Mevagissey harbour against a misty coastline.

"Mevagissey" Ernest F. Hill R B S A . Marine watercolour.

Archive II A muted British marine watercolour painting depicting two moored wooden fishing boats in Mevagissey harbour against a misty coastline. View II
Archive III A muted British marine watercolour painting depicting two moored wooden fishing boats in Mevagissey harbour against a misty coastline. View III
Archive IV A muted British marine watercolour painting depicting two moored wooden fishing boats in Mevagissey harbour against a misty coastline. View IV
Archive V A muted British marine watercolour painting depicting two moored wooden fishing boats in Mevagissey harbour against a misty coastline. View V
Archive VI A muted British marine watercolour painting depicting two moored wooden fishing boats in Mevagissey harbour against a misty coastline. View VI
Enlarged Archival View
Location
Oakdene
Church Wynd
Burneston
Bedale
DL8 2JE
United Kingdom
Verified Since Oct 2012
Items For Sale 217
Items Sold 508
William Greenwood Fine Art
Verified Since Oct 2012
View Dealer Info
Location: Oakdene, Church Wynd, Burneston, Bedale, DL8 2JE, United Kingdom
Verified
Oct 2012
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A muted British marine watercolour painting depicting two moored wooden fishing boats in Mevagissey harbour against a misty coastline.
"Mevagissey" Ernest F. Hill R B S A . Marine watercolour.
Ref: SA1155596
A muted British marine watercolour painting depicting two moored wooden fishing boats in Mevagissey harbour against a misty coastline.
Detail View 1
Detail View 2
Detail View 3
Detail View 4
Detail View 5
Archival Detail
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Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

British marine watercolours from this period frequently depict working coastal harbours, fishing vessels, and atmospheric maritime landscapes using subtle washes and detailed topographical observation.

Artists typically painted with watercolour pigments on high-density rag paper, utilising delicate washes, pencil underdrawing, and occasionally gouache for highlights.

Authentic works often feature artist signatures, society affiliations such as RBSA or RI, original period paper stock with characteristic ageing, and accurate historical details on vessel markings.

A coastal watercolour can be displayed within a minimalist or traditional timber frame, hung as a focal point above a console table or integrated into a gallery wall with neutral matting.

Watercolours must be kept out of direct sunlight and framed behind UV-protective glass with acid-free mounting materials to prevent fading and foxing.
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