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18th-century Venetian School, Mary Magdalene, Noli Me Tangere, Antique Oil Painting
Brave Fine Art
for sale €5,850     $6,350
£5,000
Brave Fine Art

Brave Fine Art

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18th-century Venetian School, Mary Magdalene, Noli Me Tangere, Antique Oil Painting

18th century
For Sale by Brave Fine Art
Description

This late 18th-century Italian oil painting fragment depicts Mary Magdalene kneeling alongside an alabaster jar. Christ’s hand is partially visible above, along with his robes, which suggests it’s referring to the moment when Mary witnessed Christ following his resurrection.

Three days following the crucifixion, Mary visited Christ’s tomb to discover that it was open, the sealing stone being rolled away. She broke down, weeping, unaware of his resurrection. A figure emerged, whom she initially believed was a gardener, until Jesus called her by name, and his identity was revealed. Her initial reaction was to embrace him, but this was rebuked with “touch me not” or “do not cling to me”. We see this moment portrayed with Mary dropping to one knee.

We can only imagine what the entire piece would’ve looked like, but for reference, it’s interesting to consider Fra Bartolomeo’s work from circa 1506, and Antonio da Correggio’s from circa 1525. Ours is later, circa 1780, and inspired by Venetian models, particularly with reference to the colour and stylisation. Paolo Veronese’s Penitent Magdalene is useful for comparison.

Scholars have discussed various theories as to why Christ dismissed Mary’s attempted embrace, particularly as he encouraged Thomas (he of doubting fame) to touch him. Some suggest that Mary’s love was driven by complete faith, and as such, physical contact was not required to prove that Christ had risen from the dead. Whereas Thomas needed tangible evidence, hence the contact.

In person, this piece emits a gentle old master glow and was evidently painted by an artist with profound respect for the old Italian masters.

Held in a later frame.

Medium: Oil on canvas

Overall size: 32” x 43½” / 81cm x 110cm

Year of creation: c. 1780

Provenance: Private collection, France.

Condition: Cleaned. Revarnished. Fine craquelure throughout. The paint layer is stable. Frame in excellent condition.

Our reference: BRV2164

Physical Dimensions
Height
110cm (43.31")
Width
81cm (31.89")
Depth
4cm (1.57")
Declaration

Brave Fine Art has dated this Venetian Mary Magdalene Painting to the 18th Century.

Reference Numbers
Sellingantiques Reference
SA1153527
Description
This late 18th-century Italian oil painting fragment depicts Mary Magdalene kneeling alongside an alabaster jar.
Christ’s hand is partially visible above, along with his robes, which suggests it’s referring to the moment when Mary witnessed Christ following his resurrection.
Brave Fine Art
fig 1. An eighteenth-century Venetian oil painting depicting Mary Magdalene kneeling in a landscape setting, enclosed in a carved gilt frame.
fig 1. 18th-century Venetian School, Mary Magdalene, Noli Me Tangere, Antique Oil Painting

Three days following the crucifixion, Mary visited Christ’s tomb to discover that it was open, the sealing stone being rolled away. She broke down, weeping, unaware of his resurrection. A figure emerged, whom she initially believed was a gardener, until Jesus called her by name, and his identity was revealed. Her initial reaction was to embrace him, but this was rebuked with “touch me not” or “do not cling to me”. We see this moment portrayed with Mary dropping to one knee.

fig 2. An eighteenth-century Venetian oil painting depicting Mary Magdalene kneeling in a landscape setting, enclosed in a carved gilt frame.
fig 2. 18th-century Venetian School, Mary Magdalene, Noli Me Tangere, Antique Oil Painting

We can only imagine what the entire piece would’ve looked like, but for reference, it’s interesting to consider Fra Bartolomeo’s work from circa 1506, and Antonio da Correggio’s from circa 1525. Ours is later, circa 1780, and inspired by Venetian models, particularly with reference to the colour and stylisation. Paolo Veronese’s Penitent Magdalene is useful for comparison.

fig 3. An eighteenth-century Venetian oil painting depicting Mary Magdalene kneeling in a landscape setting, enclosed in a carved gilt frame.
fig 3. 18th-century Venetian School, Mary Magdalene, Noli Me Tangere, Antique Oil Painting

Scholars have discussed various theories as to why Christ dismissed Mary’s attempted embrace, particularly as he encouraged Thomas (he of doubting fame) to touch him. Some suggest that Mary’s love was driven by complete faith, and as such, physical contact was not required to prove that Christ had risen from the dead. Whereas Thomas needed tangible evidence, hence the contact.

fig 4. An eighteenth-century Venetian oil painting depicting Mary Magdalene kneeling in a landscape setting, enclosed in a carved gilt frame.
fig 4. 18th-century Venetian School, Mary Magdalene, Noli Me Tangere, Antique Oil Painting

In person, this piece emits a gentle old master glow and was evidently painted by an artist with profound respect for the old Italian masters.

Held in a later frame.

Medium: Oil on canvas

Overall size: 32” x 43½” / 81cm x 110cm

fig 5. An eighteenth-century Venetian oil painting depicting Mary Magdalene kneeling in a landscape setting, enclosed in a carved gilt frame.
fig 5. 18th-century Venetian School, Mary Magdalene, Noli Me Tangere, Antique Oil Painting

Year of creation: c. 1780

Provenance: Private collection, France.

Condition: Cleaned. Revarnished. Fine craquelure throughout. The paint layer is stable. Frame in excellent condition.

Our reference: BRV2164

Height
110cm (43.31")
Width
81cm (31.89")
Depth
4cm (1.57")
Date of Manufacture

Brave Fine Art has dated this Venetian Mary Magdalene Painting to the 18th Century.

Reference Numbers
Sellingantiques Ref
SA1153527
Brave Fine Art
Brave Fine Art
Sellingantiques verified Since Nov 2018

Exquisite antique paintings that capture the imagination.

Dealer Profile

You can view the stock and full dealer information on the Brave Fine Art Profile Page

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An eighteenth-century Venetian oil painting depicting Mary Magdalene kneeling in a landscape setting, enclosed in a carved gilt frame.
1 / 8
Archive I An eighteenth-century Venetian oil painting depicting Mary Magdalene kneeling in a landscape setting, enclosed in a carved gilt frame.

18th-century Venetian School, Mary Magdalene, Noli Me Tangere, Antique Oil Painting

Archive II An eighteenth-century Venetian oil painting depicting Mary Magdalene kneeling in a landscape setting, enclosed in a carved gilt frame. View II
Archive III An eighteenth-century Venetian oil painting depicting Mary Magdalene kneeling in a landscape setting, enclosed in a carved gilt frame. View III
Archive IV An eighteenth-century Venetian oil painting depicting Mary Magdalene kneeling in a landscape setting, enclosed in a carved gilt frame. View IV
Archive V An eighteenth-century Venetian oil painting depicting Mary Magdalene kneeling in a landscape setting, enclosed in a carved gilt frame. View V
Archive VI An eighteenth-century Venetian oil painting depicting Mary Magdalene kneeling in a landscape setting, enclosed in a carved gilt frame. View VI
Archive VII An eighteenth-century Venetian oil painting depicting Mary Magdalene kneeling in a landscape setting, enclosed in a carved gilt frame. View VII
Archive VIII An eighteenth-century Venetian oil painting depicting Mary Magdalene kneeling in a landscape setting, enclosed in a carved gilt frame. View VIII
Enlarged Archival View
Telephone 01684 215986
Location
21 Enterprise Way
Arle Road
Cheltenham
Cotswolds
GL51 8LZ
United Kingdom

Under appointment only.
Verified Since Nov 2018
Items For Sale 68
Items Sold 1,832
Brave Fine Art
Brave Fine Art
Verified Since Nov 2018
View Dealer Info
Location: 21 Enterprise Way, Arle Road, Cheltenham, Cotswolds, GL51 8LZ, United Kingdom, , Under appointment only.
Verified
Nov 2018
For Sale
68
Sold
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An eighteenth-century Venetian oil painting depicting Mary Magdalene kneeling in a landscape setting, enclosed in a carved gilt frame.
18th-Century Venetian School, Mary Magdalene, Noli Me Tangere, Antique Oil Painting
Ref: SA1153527
An eighteenth-century Venetian oil painting depicting Mary Magdalene kneeling in a landscape setting, enclosed in a carved gilt frame.
Detail View 1
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Archival Detail
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Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

Eighteenth-century Venetian School oil paintings are known for their dramatic use of light, atmospheric perspective, expressive brushwork, and rich colour palettes derived from classical Venetian traditions.

Paintings from this era were typically executed using natural mineral and organic pigments bound in linseed oil, applied to hand-stretched linen or cotton canvas, and mounted in hand-carved gilded wood frames.

Authentic period works display natural age-related craquelure across the paint layer, hand-woven canvas textures, historic stretcher construction, and natural oxidisation on the reverse timber and gilded frame.

Position the framed canvas above a sideboard, mantelpiece, or desk to create a central focal point, combining it with muted wall tones and classical or minimalist furnishings.

Keep the canvas away from direct sunlight, maintain stable humidity levels, avoid heat sources, dust gently with a clean dry soft brush, and consult a professional restorer for varnish cleaning.
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