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Sur Le Danube, Armand Guillaumin (1841-1927)
Westcoast Fine Art
for sale €14,625     $15,875
£12,500
Westcoast Fine Art

Westcoast Fine Art

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Sur Le Danube, Armand Guillaumin (1841-1927)

19th century
Description

Armand Guillaumin (1841 - 1927)

Title: Sur Le Danube

Medium: Oil on canvas

Provenance: From a private London collection.

Signed lower right-hand side.

Dimensions: Overall size with the frame is 57cm x 45cm x 5cm and the painting measured at 45cm x 32cm

Jean-Baptiste Armand Guillaumin was a French lithographer and painter who was part of the Impressionist movement. Known for his landscapes and bold colors, Guillaumin was the last survivor of those who participated in the first Impressionist exhibition in 1874, dying the year after Monet. One of his paintings of the river Seine was the basis for his good friend Paul Cézanne's first lithograph.

Possibly the least well known of the group of impressionist painters who worked in and around the Parisian art scene of the late 19th century, he was nonetheless one of the most accomplished in terms of his technical ingenuity and uniqueness. He had a significant influence on a number of very important contemporaries including Cézanne and Pissaro, and his work was highly regarded and confirmed thus by Vincent Van Gogh.

The record sale for the artist work at auction to date was for Chemin à Damiette, 1885 which sold for 335,500 euros in 2014 at Christie's Paris.

The painting offered is from the late 19th to early 20th century. We think that it was most likely composed around 1895. The subject is reminiscent of other nautical themed works by the artist, and like many of his accomplished colleagues he was also attracted to water and thematic compositions surrounding it. The piece offered is very typical of the painters work of the period and is typically bold in its use of tonality and colour. This is counterbalanced with the deftness of brush stroke, some of which is highly subtle in its interwoven elements, capturing the light on the river Danube with a single mast moored ship alongside a balconied terracotta faced villa.

In the background we see a close study of the opposite shoreline with a harmonious mix of landscape and buildings and a continuum of form and structure in the work so typical of the painter's oeuvre.

A beautifully balanced composition from this very well collected artist which is signed lower right.

The artists work is highly sought after and very well collected and to illustrate this a similar sized painting "Le pont Charraud, matin" (oil on canvas) sold only a couple of weeks ago ( 3/04/2025) at Bonhams for £25,600.

Biography:

Jean-Baptiste Armand Guillaumin was born Paris. He worked at his uncle's while attending evening drawing lessons as well as for a French government railway before studying at the Académie Suisse in 1861.

Here he met Paul Cézanne and Camille Pissarro, with whom he maintained lifelong friendships. While he never achieved the stature of these two, his influence on their work was significant. Guillaumin exhibited with both Cézanne and Pissaro at the Salon des Refusés in 1863.

The three artists frequently painted in alongside each other in the 1870s and for a period for a Guillaumin and Cézanne had studios next door to each other on the Île Saint-Louis in Paris.

In 1873, Cézanne made the only etchings of his career, one of them depicting Guillaumin.

Guillaumin was a member of the Société anonyme des artistes peintres, sculpteurs et graveurs (later dubbed Impressionistes) from the start and he participated in six of the eight Impressionist exhibitions: 1874, 1877, 1880, 1881, 1882 and 1886.

In the eyes of contemporary critics, he became known for his defined brushstrokes and use of bold colours. In 1886, an astute critic, Félix Fénéon, called him a "furious colourist". By the 1890s, his palette had grown even bolder, less faithful and he had been described as a "Fauve" a decade before Fauvism.

Physical Dimensions
Height
57cm (22.44")
Width
45cm (17.72")
Depth
5cm (1.97")
Declaration

Westcoast Fine Art has dated this Impressionist Oil Landscape Painting to the 19th Century.

Reference Numbers
Sellingantiques Reference
SA1145005
Dealers Notes

****Westcoast Fine Art is always willing to consider reasonable offers from prospective buyers. Please feel free to send us an inquiry regarding any proposal or offer; we will review and respond within 24 hours.

Please enquire about shipping before making a purchase.

Note:

The buyer is responsible for paying any import duties and associated taxes in the destination country. All works will be professionally packed and insured for shipment.

Shipping:

Please contact for exact shipping charges before purchasing

1) UK shipping please enquire

2) EU shipping please enquire

3) For other worldwide shipping, please contact us.

We offer a 14-day return period to the EU and UK, provided the painting is returned in the same condition as received, packaged to the same packaging standards and insured at the price paid to Westcoast Fine Art Ltd for the artwork.

**The buyer is responsible for paying any customs charges of the destination country. We always advise the buyer to check with their local customs authorities for customs tariffs.

The frame is a gift and is therefore being provided to you at no additional cost. Any damages to the frame during transit do not give the buyer a basis for a claim or validate a request for the cancellation of a sale.

Westcoast Fine Art is a trademark of Westcoast Fine Art Ltd. Registered in England and Wales No. 15030029.

Registered office: 71-75 Shelton Street, Covent Garden, London, United Kingdom, WC2H 9JQ

***Westcoast Fine Art is always willing to consider reasonable offers from prospective buyers. Please feel free to send us an inquiry regarding any proposal or offer; we will review and respond within 24 hours.

Note:

The buyer is responsible for paying any import duties and associated taxes in the destination country. All works will be professionally packed and insured for shipment.

Shipping:

Please contact for exact shipping charges before purchasing

1) UK shipping please request price

2) EU shipping please request price

3) For other worldwide shipping, please request price

We offer a 14-day return period to the EU and UK, provided the painting is returned in the same condition as received, packaged to the same packaging standards and insured at the price paid to Westcoast Fine Art Ltd for the artwork.

*The buyer is responsible for paying any customs charges of the destination country. We always advise the buyer to check with their local customs authorities for customs tariffs.

The frame is a gift and is therefore being provided to you at no additional cost. Any damages to the frame during transit do not give the buyer a basis for a claim or validate a request for the cancellation of a sale.

Westcoast Fine Art is a trademark of Westcoast Fine Art Ltd. Registered in England and Wales No. 15030029.

Registered office: 71-75 Shelton Street, Covent Garden, London, United Kingdom, WC2H 9JQ

Description
Armand Guillaumin (1841 - 1927)

Title: Sur Le Danube

Medium: Oil on canvas

Provenance: From a private London collection.

Signed lower right-hand side.

Dimensions: Overall size with the frame is 57cm x 45cm x 5cm and the painting measured at 45cm x 32cm.
Westcoast Fine Art
fig 1. An impressionist oil painting depicting a sailboat and small rowboat anchored beside a terracotta building along a river, presented in a carved ornate frame.
fig 1. Sur Le Danube, Armand Guillaumin (1841-1927)

Jean-Baptiste Armand Guillaumin was a French lithographer and painter who was part of the Impressionist movement. Known for his landscapes and bold colors, Guillaumin was the last survivor of those who participated in the first Impressionist exhibition in 1874, dying the year after Monet. One of his paintings of the river Seine was the basis for his good friend Paul Cézanne's first lithograph.

fig 2. An impressionist oil painting depicting a sailboat and small rowboat anchored beside a terracotta building along a river, presented in a carved ornate frame.
fig 2. Sur Le Danube, Armand Guillaumin (1841-1927)

Possibly the least well known of the group of impressionist painters who worked in and around the Parisian art scene of the late 19th century, he was nonetheless one of the most accomplished in terms of his technical ingenuity and uniqueness. He had a significant influence on a number of very important contemporaries including Cézanne and Pissaro, and his work was highly regarded and confirmed thus by Vincent Van Gogh.

fig 3. An impressionist oil painting depicting a sailboat and small rowboat anchored beside a terracotta building along a river, presented in a carved ornate frame.
fig 3. Sur Le Danube, Armand Guillaumin (1841-1927)

The record sale for the artist work at auction to date was for Chemin à Damiette, 1885 which sold for 335,500 euros in 2014 at Christie's Paris.

The painting offered is from the late 19th to early 20th century. We think that it was most likely composed around 1895. The subject is reminiscent of other nautical themed works by the artist, and like many of his accomplished colleagues he was also attracted to water and thematic compositions surrounding it. The piece offered is very typical of the painters work of the period and is typically bold in its use of tonality and colour. This is counterbalanced with the deftness of brush stroke, some of which is highly subtle in its interwoven elements, capturing the light on the river Danube with a single mast moored ship alongside a balconied terracotta faced villa.

fig 4. An impressionist oil painting depicting a sailboat and small rowboat anchored beside a terracotta building along a river, presented in a carved ornate frame.
fig 4. Sur Le Danube, Armand Guillaumin (1841-1927)

In the background we see a close study of the opposite shoreline with a harmonious mix of landscape and buildings and a continuum of form and structure in the work so typical of the painter's oeuvre.

A beautifully balanced composition from this very well collected artist which is signed lower right.

The artists work is highly sought after and very well collected and to illustrate this a similar sized painting "Le pont Charraud, matin" (oil on canvas) sold only a couple of weeks ago ( 3/04/2025) at Bonhams for £25,600.

Biography:

Jean-Baptiste Armand Guillaumin was born Paris. He worked at his uncle's while attending evening drawing lessons as well as for a French government railway before studying at the Académie Suisse in 1861.

Here he met Paul Cézanne and Camille Pissarro, with whom he maintained lifelong friendships. While he never achieved the stature of these two, his influence on their work was significant. Guillaumin exhibited with both Cézanne and Pissaro at the Salon des Refusés in 1863.

The three artists frequently painted in alongside each other in the 1870s and for a period for a Guillaumin and Cézanne had studios next door to each other on the Île Saint-Louis in Paris.

In 1873, Cézanne made the only etchings of his career, one of them depicting Guillaumin.

Guillaumin was a member of the Société anonyme des artistes peintres, sculpteurs et graveurs (later dubbed Impressionistes) from the start and he participated in six of the eight Impressionist exhibitions: 1874, 1877, 1880, 1881, 1882 and 1886.

In the eyes of contemporary critics, he became known for his defined brushstrokes and use of bold colours. In 1886, an astute critic, Félix Fénéon, called him a "furious colourist". By the 1890s, his palette had grown even bolder, less faithful and he had been described as a "Fauve" a decade before Fauvism.

Height
57cm (22.44")
Width
45cm (17.72")
Depth
5cm (1.97")
Date of Manufacture

Westcoast Fine Art has dated this Impressionist Oil Landscape Painting to the 19th Century.

Reference Numbers
Sellingantiques Ref
SA1145005
Westcoast Fine Art
Westcoast Fine Art
Sellingantiques verified Since May 2025

Westcoast fine art ltd is a UK based dealer in fine classical works of art.

Dealer Profile

You can view the stock and full dealer information on the Westcoast Fine Art Profile Page

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An impressionist oil painting depicting a sailboat and small rowboat anchored beside a terracotta building along a river, presented in a carved ornate frame.
1 / 5
Archive I An impressionist oil painting depicting a sailboat and small rowboat anchored beside a terracotta building along a river, presented in a carved ornate frame.

Sur Le Danube, Armand Guillaumin (1841-1927)

Archive II An impressionist oil painting depicting a sailboat and small rowboat anchored beside a terracotta building along a river, presented in a carved ornate frame. View II
Archive III An impressionist oil painting depicting a sailboat and small rowboat anchored beside a terracotta building along a river, presented in a carved ornate frame. View III
Archive IV An impressionist oil painting depicting a sailboat and small rowboat anchored beside a terracotta building along a river, presented in a carved ornate frame. View IV
Archive V An impressionist oil painting depicting a sailboat and small rowboat anchored beside a terracotta building along a river, presented in a carved ornate frame. View V
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Location: Northwest London, United Kingdom
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Sold
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An impressionist oil painting depicting a sailboat and small rowboat anchored beside a terracotta building along a river, presented in a carved ornate frame.
Sur Le Danube, Armand Guillaumin (1841-1927)
Ref: SA1145005
An impressionist oil painting depicting a sailboat and small rowboat anchored beside a terracotta building along a river, presented in a carved ornate frame.
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Impressionist landscape painting emerged in France during the late 19th century, characterised by short, visible brushstrokes, an emphasis on natural light, open compositions, and depiction of everyday outdoor subjects such as rivers, architectural structures, and working boats.

Articulated during the late 19th and early 20th centuries, these works typically utilised oil paint pigments applied to stretched linen or cotton canvas. Frames were commonly crafted from carved timber overlaid with plaster gesso and finished with leafing or distressed painted glazes.

Authentic period paintings exhibit age-appropriate characteristics such as natural craquelure across the paint layer, oxidation on the reverse of the canvas, artist signatures in period medium, and original wooden stretcher keys and joinery.

A framed oil painting functions effectively as a central focal point above a mantelpiece, console, or sideboard. Positioning classic artwork within minimalist or modern schemes creates visual contrast through the juxtaposition of historic texture and contemporary lines.

Oil paintings should be displayed away from direct sunlight, heating sources, and fluctuating humidity levels to prevent paint flaking or canvas warping. Dusting should be conducted gently with a dry, soft-bristled brush, avoiding water or chemical cleaning solvents.
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