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Pio Panfili 1723-1812 Architectural Framed Watercolour
Bushells Antiques
for sale €930     $1,010
£795
Bushells Antiques

Bushells Antiques

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Pio Panfili 1723-1812 Architectural Framed Watercolour

19th century
Description

Pio Panfili 1723-1812 Architectural Framed Watercolour

Dimensions:

Including Frame: 23 x 27 cm

Without Frame: 18 x 23 cm

Biography

He was born in Porto San Giorgio in the province of Fermo. He trained with Antiveduto Grammatica, Natale Ricci in Fermo, and finally in the Accademia Clementina of Bologna,[1] and was awarded Bolognese citizenship. After painting throughout the region, he moved to Bologna in 1767. He died in 1812 in Bologna. He painted the ceiling of the staircase of the monastery of the Padri Conventuali of Montegiorgio and the refectory of the Augustinians in Rimini. Also painted for palaces, including the Palazzo Priorale, and the ceiling of the cathedral of Fermo.[2][3] He published Vedute di Bologna with 52 engravings by himself and published by Petronio Dalla Volpe.[4]

Declaration

Bushells Antiques has dated this 18th Century Architectural Watercolour to the 19th Century.

Reference Numbers
Sellingantiques Reference
SA1133260
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Description
Pio Panfili 1723-1812 Architectural Framed Watercolour

Dimensions:

Including Frame: 23 x 27 cm

Without Frame: 18 x 23 cm

Biography

He was born in Porto San Giorgio in the province of Fermo.

He trained with Antiveduto Grammatica, Natale Ricci in Fermo, and finally in the Accademia Clementina of Bologna,[1] and was awarded Bolognese citizenship.
Bushells Antiques

After painting throughout the region, he moved to Bologna in 1767. He died in 1812 in Bologna. He painted the ceiling of the staircase of the monastery of the Padri Conventuali of Montegiorgio and the refectory of the Augustinians in Rimini. Also painted for palaces, including the Palazzo Priorale, and the ceiling of the cathedral of Fermo.[2][3] He published Vedute di Bologna with 52 engravings by himself and published by Petronio Dalla Volpe.[4]

Date of Manufacture

Bushells Antiques has dated this 18th Century Architectural Watercolour to the 19th Century.

Reference Numbers
Sellingantiques Ref
SA1133260
Bushells Antiques
Bushells Antiques
Sellingantiques verified Since Apr 2020

Fine art, porcelain, jewellery, silver, clocks, pictures, oriental objects d’art and furniture

Dealer Profile

You can view the stock and full dealer information on the Bushells Antiques Profile Page

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An 18th-century sepia architectural drawing of classical vaulted arches and columns set within an ornate carved giltwood frame.
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Archive I An 18th-century sepia architectural drawing of classical vaulted arches and columns set within an ornate carved giltwood frame.

Pio Panfili 1723-1812 Architectural Framed Watercolour

Archive II An 18th-century sepia architectural drawing of classical vaulted arches and columns set within an ornate carved giltwood frame. View II
Archive III An 18th-century sepia architectural drawing of classical vaulted arches and columns set within an ornate carved giltwood frame. View III
Archive IV An 18th-century sepia architectural drawing of classical vaulted arches and columns set within an ornate carved giltwood frame. View IV
Archive V An 18th-century sepia architectural drawing of classical vaulted arches and columns set within an ornate carved giltwood frame. View V
Archive VI An 18th-century sepia architectural drawing of classical vaulted arches and columns set within an ornate carved giltwood frame. View VI
Enlarged Archival View
Telephone 0800 049 6228
Location
Westminster
London
WC2H
United Kingdom

By appointment only.
Verified Since Apr 2020
Items For Sale 495
Items Sold 298
Bushells Antiques
Bushells Antiques
Verified Since Apr 2020
View Dealer Info
Location: Westminster, London, WC2H, United Kingdom, , By appointment only.
Verified
Apr 2020
For Sale
495
Sold
298
An 18th-century sepia architectural drawing of classical vaulted arches and columns set within an ornate carved giltwood frame.
Pio Panfili 1723-1812 Architectural Framed Watercolour
Ref: SA1133260
An 18th-century sepia architectural drawing of classical vaulted arches and columns set within an ornate carved giltwood frame.
Detail View 1
Detail View 2
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Detail View 5
Archival Detail
Every single antique dealer on our platform is individually approved by our internal team. We verify their professional trade history, ethical standards, and photographic quality to ensure a secure, high-standard buying environment. Upon joining, every dealer agrees to a strict 9-point code of conduct. While issues can occasionally arise, our dealers typically resolve them swiftly and directly with the buyer. In fact, since our founding in 2002, Sellingantiques has only had to step in to help resolve an issue on roughly five occasions—a true testament to the quality of our dealers and their dedication to your happiness.
Our dealers are highly experienced in packing and shipping fragile, high-value antiques. Because you are in direct contact with the dealer, you will be able to easily go through all available shipping and insurance options together to ensure your item arrives safely.
Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

18th-century Italian architectural drawings often feature complex linear perspective, structural studies, and fantastical compositions known as capricci. Artists of this era frequently depicted vaulted ceilings, classical colonnades, and ruinous structures using ink and monochromatic watercolour washes.

Works on paper from this period were generally created using hand-laid rag paper, iron gall ink, and sepia or bistre watercolour washes applied with fine brushes. Framed works were typically mounted in hand-carved wood frames finished with water gilding over red bole.

Authenticity is evaluated through paper construction, such as chain lines and watermarks visible under backlighting, along with evidence of historic ink oxidation and natural foxing. Original mounting techniques, artist inscriptions, and hand-carved gilding details on the frame also aid in period verification.

Framed architectural works can be displayed individually above a sideboard or console table to create a focal point, or integrated into a gallery wall arrangement. The contrast between warm sepia tones and gilt framing pairs effectively with both classical timber furnishings and minimal modern backdrops.

Paper artworks must be kept away from direct sunlight, high humidity, and extreme temperature fluctuations to prevent fading and deterioration. Use conservation-grade UV-filtering glass when framing, and clean the giltwood frame gently using a soft dry brush without water or chemical polishers.
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