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Nude Study in Pastel, Signed Arthur Wardle C. 1930
Sold by Gill Coe Antiques & Interiors
sold SA1106224
Sorry, but this item has been sold.
Gill Coe Antiques & Interiors

Gill Coe Antiques & Interiors

Sellingantiques Verified Since Jul 2012
Browse dealers 54 items
Id #SA1106224
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Nude Study in Pastel, Signed Arthur Wardle C. 1930

1920 - 1940
Sold 5 March 2025 · Gill Coe Antiques & Interiors
This “Nude Study in Pastel, Signed Arthur Wardle C. 1930” found a buyer.

It was listed by Gill Coe Antiques & Interiors. Sold pieces stay on Sellingantiques as a record of what has passed through, and the next one is rarely far away.

Description

A nude study in pastel. Measuring 67cm x53cm (including frame) and 51cm x 33cm - the actual picture.

Arthur Wardle (1864–1949) was a British painter.

Born in London, aged just sixteen Wardle had a piece displayed at the Royal Academy. His first exhibit was a study of cattle by the River Thames, leading to a lifelong interest in painting animals. In 1880 Wardle lived in Oakley Square, Camden, but artistic success enabled him to move to the more upmarket 34 Alma Square in St John's Wood by 1892. Wardle was prolific; until 1936 he exhibited more than 100 works at the Royal Academy, as well as the Society of British Artists at Suffolk Street. He painted a variety of animal subjects with equal skill but his work may be divided into two categories, domestic and exotic; animals from overseas including leopards, polar bears and tigers such as The Deer-Stealer (1915) were painted from sketches that he made at London Zoo. He is considered equally proficient in oils, watercolours and pastels and was elected to the Pastel Society in 1911 and became a member of the Royal Institute of Painters in Water Colours in 1922. In 1931 he held his first one-man exhibition at the Fine Art Society and in 1935 the Vicar's Gallery put on an exhibition of his work. He also exhibited in Paris. By 1936 Wardle had moved to West London.

His career was highly successful and his works continue to be sought after and widely reproduced.

(Please forgive some light reflection on the glass in some images)

Date of Manufacture

Gill Coe Antiques & Interiors has dated this Arthur Wardle Pastel Drawing to the 1930s.

Physical Dimensions
Height
67cm (26.38")
Width
53cm (20.87")
Reference Numbers
Sellingantiques Reference
SA1106224
Dealers Internal Reference
DGA
Dealers Notes

There is a charge for postage and delivery, please contact me for the details. Thank you.

Description
A nude study in pastel. Measuring 67cm x53cm (including frame) and 51cm x 33cm - the actual picture.

Arthur Wardle (1864–1949) was a British painter.

Born in London, aged just sixteen Wardle had a piece displayed at the Royal Academy.

“
His first exhibit was a study of cattle by the River Thames, leading to a lifelong interest in painting animals.
Gill Coe Antiques & Interiors

In 1880 Wardle lived in Oakley Square, Camden, but artistic success enabled him to move to the more upmarket 34 Alma Square in St John's Wood by 1892. Wardle was prolific; until 1936 he exhibited more than 100 works at the Royal Academy, as well as the Society of British Artists at Suffolk Street. He painted a variety of animal subjects with equal skill but his work may be divided into two categories, domestic and exotic; animals from overseas including leopards, polar bears and tigers such as The Deer-Stealer (1915) were painted from sketches that he made at London Zoo. He is considered equally proficient in oils, watercolours and pastels and was elected to the Pastel Society in 1911 and became a member of the Royal Institute of Painters in Water Colours in 1922. In 1931 he held his first one-man exhibition at the Fine Art Society and in 1935 the Vicar's Gallery put on an exhibition of his work. He also exhibited in Paris. By 1936 Wardle had moved to West London.

His career was highly successful and his works continue to be sought after and widely reproduced.

(Please forgive some light reflection on the glass in some images)

Date of Manufacture

Gill Coe Antiques & Interiors has dated this Arthur Wardle Pastel Drawing to the 1930s.

Height
67cm (26.38")
Width
53cm (20.87")
Reference Numbers
Sellingantiques Ref
SA1106224
Dealers Internal Ref
DGA
Gill Coe Antiques & Interiors
Gill Coe Antiques & Interiors
Sellingantiques verified Since Jul 2012
Dealer Profile

You can view the stock and full dealer information on the Gill Coe Antiques & Interiors Profile Page

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A framed pastel study depicting a seated female figure holding a book, signed by Arthur Wardle. SOLD6+ MONTHS AGO
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Archive I A framed pastel study depicting a seated female figure holding a book, signed by Arthur Wardle. SOLD6+ MONTHS AGO

Nude Study in Pastel, Signed Arthur Wardle C. 1930

Archive II A framed pastel study depicting a seated female figure holding a book, signed by Arthur Wardle. View II
Archive III A framed pastel study depicting a seated female figure holding a book, signed by Arthur Wardle. View III
Archive IV A framed pastel study depicting a seated female figure holding a book, signed by Arthur Wardle. View IV
Enlarged Archival View
Telephone 07860 158 955
Location
Dorking
Surrey
United Kingdom
Verified Since Jul 2012
Items For Sale 54
Items Sold 139
Gill Coe Antiques & Interiors
Gill Coe Antiques & Interiors
Verified Since Jul 2012
View Dealer Info
Location: Dorking, Surrey, United Kingdom
Verified
Jul 2012
For Sale
54
Sold
139
A framed pastel study depicting a seated female figure holding a book, signed by Arthur Wardle.
Nude Study in Pastel, Signed Arthur Wardle c. 1930
Ref: SA1106224
A framed pastel study depicting a seated female figure holding a book, signed by Arthur Wardle.
Detail View 1
Detail View 2
Detail View 3
Archival Detail
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Written by Sellingantiques from the dealer’s photographs and listing
  • ObjectFramed Art
  • Period1920 - 1940
  • StyleArt Deco Glamour
  • MaterialPastel, Paper, Wood, Glass
  • ColourMuted Multi
  • MotifsFigurative study, Artist signature, Tonal shading
  • SizeH 67 cm (26 in) x W 53 cm (21 in)

Early 20th-century figure drawings frequently emphasise anatomical precision, tonal subtlety, and the textural qualities of chalk or pastel mediums on toned paper.

Artists traditionally utilised high-grade coloured chalks, soft pastels, and charcoal applied to laid or heavy-weight artist paper, often preserved under protective glass.

Authenticity is typically verified through examining the paper ageing, medium oxidisation, artist signature characteristics, and framing construction techniques consistent with the era.

Such pieces function effectively as focal points in traditional or transitional spaces, paired with neutral walls and subtle lighting to highlight the artworks fine lines and tones.

Pastels must be displayed away from direct sunlight and high humidity, framed under glass with acid-free mounts to prevent pigment degradation and paper foxing.
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