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ID #SA1080077
FOR SALE
£2,450
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Frederick William Jackson "The last Load" Oil Painting
For sale by McTague of Harrogate
for sale €2,867     $3,112
£2,450
McTague of Harrogate

McTague of Harrogate

Sellingantiques Verified Since Apr 2011
Browse dealers 249 items
  • About Us
    Mctague of harrogate are yorkshire based dealers in old pictures. Please see website mctague.co.uk
  • Trade Associations
    McTague of Harrogate is a registered member of BADA 
Id #SA1080077
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Frederick William Jackson "The last Load" Oil Painting

1900 - 1920
Description

Frederick William Jackson (1859-1918) was born at Oldham in 1859. He was the son of an art dealer and photographer and was a member of the Arts Club in 1879, the Limners Club in 1880 and the Manchester Academy of Fine Arts in 1881. He was a founder member of the Staithes group and Art Club and exhibited widely throughout the country. His work is now in important private and public collections and is much sought after.

"The Last Load" is an oil painting on panel measuring 14"x 18". It is framed giving an overall size of 20"x 24".

Free delivery mainland UK, please call Paul 07885 108190 for further information.

Physical Dimensions
Height
50cm (19.69")
Width
61cm (24.02")
Depth
4cm (1.57")
Declaration

McTague of Harrogate has dated this Impressionist Harvest Oil Painting to the 1900s.

Reference Numbers
Sellingantiques Reference
SA1080077
Dealers Notes

Please note the shop is now open by appointment.

Free delivery mainland UK on any item.

Please telephone Paul 07885 108190

Description
Frederick William Jackson (1859-1918) was born at Oldham in 1859.
“
He was the son of an art dealer and photographer and was a member of the Arts Club in 1879, the Limners Club in 1880 and the Manchester Academy of Fine Arts in 1881.
McTague of Harrogate

He was a founder member of the Staithes group and Art Club and exhibited widely throughout the country. His work is now in important private and public collections and is much sought after.

"The Last Load" is an oil painting on panel measuring 14"x 18". It is framed giving an overall size of 20"x 24".

Free delivery mainland UK, please call Paul 07885 108190 for further information.

Height
50cm (19.69")
Width
61cm (24.02")
Depth
4cm (1.57")
Date of Manufacture

McTague of Harrogate has dated this Impressionist Harvest Oil Painting to the 1900s.

Reference Numbers
Sellingantiques Ref
SA1080077
McTague of Harrogate
McTague of Harrogate
Sellingantiques verified Since Apr 2011

Mctague of harrogate are yorkshire based dealers in old pictures. Please see website mctague.co.uk

Dealer Profile

You can view the stock and full dealer information on the McTague of Harrogate Profile Page

Trade Associations

McTague of Harrogate is a registered member of BADA 

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SAVE
An impressionist oil painting depicting a horse pulling a hay wagon accompanied by a farm worker in a field under a pale sky.
1 / 2
Archive I An impressionist oil painting depicting a horse pulling a hay wagon accompanied by a farm worker in a field under a pale sky.

Frederick William Jackson "The last Load" Oil Painting

Archive II An impressionist oil painting depicting a horse pulling a hay wagon accompanied by a farm worker in a field under a pale sky. View II
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Telephone 07885 108190
Location
North Yorkshire
United Kingdom

Viewing by appointment.
Verified Since Apr 2011
Items For Sale 249
Items Sold 1,191
McTague of Harrogate
McTague of Harrogate
Verified Since Apr 2011
View Dealer Info
Location: North Yorkshire, United Kingdom, , Viewing by appointment.,
Verified
Apr 2011
For Sale
249
Sold
1,191
An impressionist oil painting depicting a horse pulling a hay wagon accompanied by a farm worker in a field under a pale sky.
Frederick William Jackson "The Last Load" oil painting
Ref: SA1080077
An impressionist oil painting depicting a horse pulling a hay wagon accompanied by a farm worker in a field under a pale sky.
Detail View 1
Archival Detail
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Written by Sellingantiques from the dealer’s photographs and listing
  • ObjectOil Painting
  • Period1900 - 1920
  • StyleBritish Impressionism
  • MaterialOil paint, Canvas
  • ColourWarm Ochre
  • MotifsPlein-air brushwork, Impasto texture, Harvest theme, Horse and cart
  • SizeH 50 cm (20 in) x W 61 cm (24 in) x D 4 cm (2 in)

This oil painting by Frederick William Jackson dates from 1900 and exemplifies British Impressionism. Rendered in warm ochre tones using oil paint on canvas, the artwork displays plein-air brushwork, impasto texture, and a harvest theme depicting a horse and cart. The piece measures 50 cm high, 61 cm wide, and 4 cm deep. It fits well in an English Country House design scheme and suits placement above the mantel in a living room or study. The composition presents a rural field scene under a pale sky, with thick impasto strokes building up the texture of the hay wagon and the surrounding earth. The colour palette incorporates earthy browns, deep reds, and pale greyish-blue highlights in the sky. The framed artwork brings traditional agricultural imagery to an interior space, functioning as a focal point on a chimney breast or hallway wall.

British Impressionism emerged in the late 19th century under the influence of French plein-air methods. Artists focused on capturing natural light, atmospheric conditions, and everyday rural subjects using visible brushwork and harmonious colour palettes.

Paintings from this era were typically executed using oil-based pigments applied to stretched linen or cotton canvas. Artists frequently applied a natural resin varnish layer to protect the paint film and unify surface gloss.

Display the canvas away from direct sunlight, heat sources, and fluctuating humidity to prevent canvas distortion or paint flaking. Dust the surface lightly with a clean, soft brush and consult an accredited conservator for surface restoration.

A historic landscape painting functions well as a focal point above a console table or mantelpiece in contemporary spaces. Clean-lined framing or modern picture lighting allows the artwork to bridge traditional and minimalist aesthetic schemes.

Authentication relies on evaluating artist signatures, documented provenance, historical records, and characteristic brushwork techniques. Technical analysis using ultraviolet light and inspection of age-related craquelure also assist in verification.
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