Cheshire Antiques Consultant Ltd has dated this piece to the Edwardian era.
This distinguished early 20th-century equestrian portrait, painted in 1912 by Timothy B.
Whitby’s confident brushwork, sensitive use of colour, and strong composition capture not only the form of the Thoroughbred but also its nobility, character, and presence.

Subject & Medium
The painting depicts “The Mint”, a chestnut Thoroughbred stallion and sire, shown in full profile facing left. His muscular conformation, arched neck, and attentive head are complemented by a rustic brick wall, a simple water trough, and scattered straw, creating a stable scene that feels both authentic and atmospheric.

Oil on canvas
Dated August 1912
Signed lower corner T. B. Whitby
Original gilt frame, enhancing the warmth of the palette and period character
Composition & Technique
Whitby balances realism with painterly vitality in a style closely aligned with Munnings:

Colour: Rich chestnut tones of sienna, russet, and ochre are highlighted with ivory accents, while earthy reds and golden straw create a harmonious backdrop.
Brushstrokes: Fine, directional strokes define the sheen of the stallion’s coat, contrasted by looser, impressionistic marks in the straw and brickwork.

Style: Executed in the manner of Munnings, the painting transforms a stable portrait into a study of equine dignity and atmosphere.
The Artist – Timothy B. Whitby
Active in the late Victorian and Edwardian eras, Whitby specialised in equine and animal painting. His work combines accurate observation with an impressionistic sensitivity to light and tone, placing him firmly within the British sporting art tradition. Though not directly linked to Munnings, this portrait demonstrates a strong stylistic affinity. Whitby’s works have appeared at auction, including Christie’s.

The Horse – The Mint and the “Mint” Heritage
Provenance records The Mint as a Thoroughbred stallion and sire. While not widely noted in racing archives, his name evokes a celebrated bloodline:
Minting (1883–1909) – Grand Prix de Paris and Hardwicke Stakes winner, influential stallion

Maid of the Mint – Minting’s daughter and dam of Spearmint (1903), Derby and Grand Prix de Paris winner
By 1912, the “Mint” name carried prestige in British racing, making it likely that The Mint was named in homage to this renowned lineage.

Provenance
Private Lancashire stud collection
Shire auction label verso
Now in the collection of Cheshire Antiques Consultant LTD
Dimensions (with frame)
Height: 61.5 cm
Width: 76.5 cm
Depth: 4.5 cm
Condition Report

Canvas: Fine used condition with age-related surface dirt, foxing, craquelure, and minor paint loss at edges. Old touch-up repairs to the stallion’s face and background, with two small patches on reverse.

Frame: Original gilt frame with wear, scuffs, and small losses consistent with age.
Why You’ll Love It
A commanding statement piece for a study, library, or drawing room
Rich in history, tied to the prestigious Minting–Spearmint Thoroughbred lineage

Signed and dated by Timothy B. Whitby, executed in the manner of Sir Alfred Munnings
Decorative and authentic, with gilt frame and ready-to-hang presentation
Collectible, uniting fine art, equestrian heritage, and British sporting tradition

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Click Buy It Now to secure this rare equestrian portrait. A unique opportunity to own a stallion study in the great tradition of British sporting art.
Cheshire Antiques Consultant Ltd has dated this piece to the Edwardian era.
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