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Horses and Stagecoach , Winter/snow Scene, Oil Painting ,By John Richard Worsdale
Country House Fine Art
for sale €4,095     $4,445
£3,500
Country House Fine Art

Country House Fine Art

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Horses and Stagecoach , Winter/snow Scene, Oil Painting ,By John Richard Worsdale

19th century
Description

A fine antique oil painting of horses pulling a stagecoach in snow , by John richard Worsdale (1869-1947)

late 19th early 20th century in date

The artist portrays this powerful scene with an extensive view, featuring the stagecoach pulled by 4 horses

and a village scene behind with buildings and peopla with another coach behind.

oil on canvas, signed lower left, housed in a gilt frame.

The size of the painting is approx 74 cms x 49 cms, whilst framed size is 90cm x 67cm.

The painting is in very good condition, relined, with only some minor craquelure to the skyline,

The frame appears original and is also in good condition with only minor age wear.

Provenance: The E. W. Towler Collection, formerly of Glympton Park, Woodstock, Oxfordshire.

Eric W. Towler was a remarkable man. He was born in 1900 and left school at the age of 12 to work in a Yorkshire pit and through a lifetime of hard work, self-improvement, luck and a refusal to limit his horizons achieved many of his aspirations.

As a Yorkshireman through and through, he believed in ‘spending the brass in his pocket’ and over time he was successful enough to acquire enough ‘brass’ to enable his purchase of Glympton Park and furnish it as a traditional country house with all the trappings – in his case collections of antique furniture, rugs, sporting oils and clocks.

His first step was to move from the pit to an apprentice as a bank clerk, where he claimed to have learned to ‘mek the tea’ but seems also to have acquired skills in book-keeping, which after a period as an Able Seaman in the RNVR during the end of the first world war, served him well in his future entrepreneurial journey. At the age of twenty-one, he vouchsafed all he had into a small coal dealing business, where his gift for sales led to an early invitation to be their Sales Director, and the rest is history.

Early in his life, Eric was able to achieve one of his aspirations. He described looking in awe through the gates of Tong Hall – a large Yorkshire property in a rural location near his home and during his thirties, funded by his growing success in a variety of industrial entrepreneurial roles, he was able to acquire it, and instead look out through the gates. This was first of a series of substantial properties, and his interest in farming.

His down to earth nature, knowledge and interest in newly emergent farming technologies led to a productive collaboration with Tom Williams, who was set the task of digging for Britain as Minister of Agriculture, and he continued his interest in farming through a number of estates in Yorkshire, Shropshire and Somerset before eventually settling at Glympton Park in Oxfordshire. Here he stewarded the development and modernisation of a large mixed estate covering everything from cereals, the latest forage crops to his pedigree Red Devon beef cattle, Suffolk sheep, dairy cows and pigs.

Eric was keen to enjoy every aspect of the land, and loved country sports and shooting, but particularly enjoyed fox hunting – a passion he continued for life. He managed to become Joint Master of the Badsworth Hunt in his early thirties, with the force and accessibility of his personality overcoming what some saw as a limitation of his humble background. When not on the hunting field his interest in horses extended from the practicalities of carriage driving to sporting oils, notably by Ferneley and Herring some of which are in this auction.

In Oxfordshire, in true renaissance style, he diversified from business to health service management as Chairman of the Nuffield, the Radcliffe, United Oxford Hospitals thus ‘ticking off’ another aspiration of his to be a doctor (as he initially saw it). This is a reflection of his compassionate nature to relieve suffering, which we can perhaps understand when he describes the only access to dentistry in the York

Physical Dimensions
Height
67cm (26.38")
Width
90cm (35.43")
Declaration

Country House Fine Art has dated this Stagecoach Winter Oil Painting to the 19th Century.

Reference Numbers
Sellingantiques Reference
SA1033224
Dealers Notes

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Description
A fine antique oil painting of horses pulling a stagecoach in snow , by John richard Worsdale (1869-1947)

late 19th early 20th century in date

The artist portrays this powerful scene with an extensive view, featuring the stagecoach pulled by 4 horses.
Country House Fine Art
fig 1. A framed oil painting depicting a four-horse stagecoach travelling along a snow-covered road past rural cottages.
fig 1. Horses and Stagecoach , Winter/snow Scene, Oil Painting ,By John Richard Worsdale

and a village scene behind with buildings and peopla with another coach behind.

oil on canvas, signed lower left, housed in a gilt frame.

The size of the painting is approx 74 cms x 49 cms, whilst framed size is 90cm x 67cm.

fig 2. A framed oil painting depicting a four-horse stagecoach travelling along a snow-covered road past rural cottages.
fig 2. Horses and Stagecoach , Winter/snow Scene, Oil Painting ,By John Richard Worsdale

The painting is in very good condition, relined, with only some minor craquelure to the skyline,

The frame appears original and is also in good condition with only minor age wear.

Provenance: The E. W. Towler Collection, formerly of Glympton Park, Woodstock, Oxfordshire.

fig 3. A framed oil painting depicting a four-horse stagecoach travelling along a snow-covered road past rural cottages.
fig 3. Horses and Stagecoach , Winter/snow Scene, Oil Painting ,By John Richard Worsdale

Eric W. Towler was a remarkable man. He was born in 1900 and left school at the age of 12 to work in a Yorkshire pit and through a lifetime of hard work, self-improvement, luck and a refusal to limit his horizons achieved many of his aspirations.

fig 4. A framed oil painting depicting a four-horse stagecoach travelling along a snow-covered road past rural cottages.
fig 4. Horses and Stagecoach , Winter/snow Scene, Oil Painting ,By John Richard Worsdale

As a Yorkshireman through and through, he believed in ‘spending the brass in his pocket’ and over time he was successful enough to acquire enough ‘brass’ to enable his purchase of Glympton Park and furnish it as a traditional country house with all the trappings – in his case collections of antique furniture, rugs, sporting oils and clocks.

fig 5. A framed oil painting depicting a four-horse stagecoach travelling along a snow-covered road past rural cottages.
fig 5. Horses and Stagecoach , Winter/snow Scene, Oil Painting ,By John Richard Worsdale

His first step was to move from the pit to an apprentice as a bank clerk, where he claimed to have learned to ‘mek the tea’ but seems also to have acquired skills in book-keeping, which after a period as an Able Seaman in the RNVR during the end of the first world war, served him well in his future entrepreneurial journey. At the age of twenty-one, he vouchsafed all he had into a small coal dealing business, where his gift for sales led to an early invitation to be their Sales Director, and the rest is history.

fig 6. A framed oil painting depicting a four-horse stagecoach travelling along a snow-covered road past rural cottages.
fig 6. Horses and Stagecoach , Winter/snow Scene, Oil Painting ,By John Richard Worsdale

Early in his life, Eric was able to achieve one of his aspirations. He described looking in awe through the gates of Tong Hall – a large Yorkshire property in a rural location near his home and during his thirties, funded by his growing success in a variety of industrial entrepreneurial roles, he was able to acquire it, and instead look out through the gates. This was first of a series of substantial properties, and his interest in farming.

His down to earth nature, knowledge and interest in newly emergent farming technologies led to a productive collaboration with Tom Williams, who was set the task of digging for Britain as Minister of Agriculture, and he continued his interest in farming through a number of estates in Yorkshire, Shropshire and Somerset before eventually settling at Glympton Park in Oxfordshire. Here he stewarded the development and modernisation of a large mixed estate covering everything from cereals, the latest forage crops to his pedigree Red Devon beef cattle, Suffolk sheep, dairy cows and pigs.

Eric was keen to enjoy every aspect of the land, and loved country sports and shooting, but particularly enjoyed fox hunting – a passion he continued for life. He managed to become Joint Master of the Badsworth Hunt in his early thirties, with the force and accessibility of his personality overcoming what some saw as a limitation of his humble background. When not on the hunting field his interest in horses extended from the practicalities of carriage driving to sporting oils, notably by Ferneley and Herring some of which are in this auction.

In Oxfordshire, in true renaissance style, he diversified from business to health service management as Chairman of the Nuffield, the Radcliffe, United Oxford Hospitals thus ‘ticking off’ another aspiration of his to be a doctor (as he initially saw it). This is a reflection of his compassionate nature to relieve suffering, which we can perhaps understand when he describes the only access to dentistry in the York

Height
67cm (26.38")
Width
90cm (35.43")
Date of Manufacture

Country House Fine Art has dated this Stagecoach Winter Oil Painting to the 19th Century.

Reference Numbers
Sellingantiques Ref
SA1033224
Country House Fine Art
Country House Fine Art
Sellingantiques verified Since Apr 2015

Specialists in fine art including portraits from the 17th century onwards, seascapes and landscapes

Dealer Profile

You can view the stock and full dealer information on the Country House Fine Art Profile Page

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A framed oil painting depicting a four-horse stagecoach travelling along a snow-covered road past rural cottages.
1 / 7
Archive I A framed oil painting depicting a four-horse stagecoach travelling along a snow-covered road past rural cottages.

Horses and Stagecoach , Winter/snow Scene, Oil Painting ,By John Richard Worsdale

Archive II A framed oil painting depicting a four-horse stagecoach travelling along a snow-covered road past rural cottages. View II
Archive III A framed oil painting depicting a four-horse stagecoach travelling along a snow-covered road past rural cottages. View III
Archive IV A framed oil painting depicting a four-horse stagecoach travelling along a snow-covered road past rural cottages. View IV
Archive V A framed oil painting depicting a four-horse stagecoach travelling along a snow-covered road past rural cottages. View V
Archive VI A framed oil painting depicting a four-horse stagecoach travelling along a snow-covered road past rural cottages. View VI
Archive VII A framed oil painting depicting a four-horse stagecoach travelling along a snow-covered road past rural cottages. View VII
Enlarged Archival View
Location
Yorkshire
United Kingdom
Verified Since Apr 2015
Items For Sale 100
Items Sold 134
Country House Fine Art
Country House Fine Art
Verified Since Apr 2015
View Dealer Info
Location: Yorkshire, United Kingdom
Verified
Apr 2015
For Sale
100
Sold
134
A framed oil painting depicting a four-horse stagecoach travelling along a snow-covered road past rural cottages.
Horses and stagecoach , winter/snow scene, oil painting ,by John Richard Worsdale
Ref: SA1033224
A framed oil painting depicting a four-horse stagecoach travelling along a snow-covered road past rural cottages.
Detail View 1
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Detail View 3
Detail View 4
Detail View 5
Detail View 6
Archival Detail
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Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

Coaching art emerged during the eighteenth and nineteenth centuries in Britain, depicting mail coaches, stagecoaches, and horse-drawn transport navigating countryside routes across various seasons.

These works were typically executed in oil paints on woven flax canvas or wood panels, framed within elaborate moulded plaster and gilded timber frames.

Authentic oil paintings display natural craquelure across the paint surface, hand-stretched canvas with historical tacks or staples, and genuine gilding wear on the frame corners.

Positioning the artwork above a focal point such as a fireplace mantelpiece or dark wood sideboard creates a refined, classic accent within traditional or transitional interior schemes.

Keep the painting away from direct sunlight and fluctuating humidity, dusting the frame gently with a soft dry brush while avoiding liquid cleaners on the paint film.
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