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ID #SA1032221
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£1,800
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Enamel Portrait Miniature of a Named Gentleman
Wigs on the Green
for sale €2,106     $2,286
£1,800
Wigs on the Green

Wigs on the Green

Sellingantiques Verified Since May 2020
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    Small portraiture of character & historical interest
Id #SA1032221
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Enamel Portrait Miniature of a Named Gentleman

18th century
Description

This smartly dressed sitter was only in his twenties when this portrait was painted around 1730. Named Favell (or Favel) Peeke, he has a luxuriant curled wig covering his shaved head and wears a richly coloured coat and a fine lace jabot, all demonstrating his wealth and status.

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Research shows that Favell Peeke was born in Jamaica in 1705. He was schooled in England going up to Merton College, Oxford in 1721 at the age of sixteen. Peeke owned at least two plantations in Jamaica - Parnassus in Clarendon and Favells in Vere - as well as a house in central London. He was unmarried when he died at his Westminster home in 1733, aged just 28, of ‘a lingering disposition’. He bequeathed his estates to his nephew and niece and left life annuities of £60 each to be charged against his Jamaican estates to Kezzia Allen (his housekeeper perhaps?) and her daughter, also named Kezzia. In the event these bequests were never paid and were later revoked following a legal challenge. Thereby hangs a well-hidden tale!

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Enamel on copper set in a gold frame engraved reverse with the sitter's name, albeit incorrectly spelled. Later brooch fitting.

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German-born Christian Friedrich Zincke (1683-1767) came to England in 1706 to work alongside and to learn from the Royal enamellist Charles Boit. He later set up his own studio finding success and favour with a distinguished clientele that included King George II and his family. Alas, Zincke’s career was cut short by poor and worsening eyesight. His work is well represented in art galleries worldwide.

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Physical Dimensions
Height
4.8cm (1.89")
Width
4cm (1.57")
Declaration

Wigs on the Green has dated this Enamel Portrait Miniature Pendant to the 18th Century.

Reference Numbers
Sellingantiques Reference
SA1032221
Dealers Internal Reference
7558
Dealers Notes

All prices include UK postage. International shipping will be at cost.

Description
This smartly dressed sitter was only in his twenties when this portrait was painted around 1730.
Named Favell (or Favel) Peeke, he has a luxuriant curled wig covering his shaved head and wears a richly coloured coat and a fine lace jabot, all demonstrating his wealth and status.
Wigs on the Green
fig 1. An oval antique enamel portrait miniature pendant depicting an 18th-century gentleman in a powdered wig and red coat set in a gold frame.
fig 1. Enamel Portrait Miniature of a Named Gentleman

Research shows that Favell Peeke was born in Jamaica in 1705. He was schooled in England going up to Merton College, Oxford in 1721 at the age of sixteen. Peeke owned at least two plantations in Jamaica - Parnassus in Clarendon and Favells in Vere - as well as a house in central London. He was unmarried when he died at his Westminster home in 1733, aged just 28, of ‘a lingering disposition’. He bequeathed his estates to his nephew and niece and left life annuities of £60 each to be charged against his Jamaican estates to Kezzia Allen (his housekeeper perhaps?) and her daughter, also named Kezzia. In the event these bequests were never paid and were later revoked following a legal challenge. Thereby hangs a well-hidden tale!

fig 2. An oval antique enamel portrait miniature pendant depicting an 18th-century gentleman in a powdered wig and red coat set in a gold frame.
fig 2. Enamel Portrait Miniature of a Named Gentleman

Enamel on copper set in a gold frame engraved reverse with the sitter's name, albeit incorrectly spelled. Later brooch fitting.

German-born Christian Friedrich Zincke (1683-1767) came to England in 1706 to work alongside and to learn from the Royal enamellist Charles Boit. He later set up his own studio finding success and favour with a distinguished clientele that included King George II and his family. Alas, Zincke’s career was cut short by poor and worsening eyesight. His work is well represented in art galleries worldwide.

Height
4.8cm (1.89")
Width
4cm (1.57")
Date of Manufacture

Wigs on the Green has dated this Enamel Portrait Miniature Pendant to the 18th Century.

Reference Numbers
Sellingantiques Ref
SA1032221
Dealers Internal Ref
7558
Wigs on the Green
Wigs on the Green
Sellingantiques verified Since May 2020

Small portraiture of character & historical interest

Dealer Profile

You can view the stock and full dealer information on the Wigs on the Green Profile Page

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An oval antique enamel portrait miniature pendant depicting an 18th-century gentleman in a powdered wig and red coat set in a gold frame.
1 / 3
Archive I An oval antique enamel portrait miniature pendant depicting an 18th-century gentleman in a powdered wig and red coat set in a gold frame.

Enamel Portrait Miniature of a Named Gentleman

Archive II An oval antique enamel portrait miniature pendant depicting an 18th-century gentleman in a powdered wig and red coat set in a gold frame. View II
Archive III An oval antique enamel portrait miniature pendant depicting an 18th-century gentleman in a powdered wig and red coat set in a gold frame. View III
Enlarged Archival View
Telephone 07962 257915
Location
York
Yorkshire
United Kingdom
Verified Since May 2020
Items For Sale 86
Items Sold 300
Wigs on the Green
Wigs on the Green
Verified Since May 2020
View Dealer Info
Location: York, Yorkshire, United Kingdom
Verified
May 2020
For Sale
86
Sold
300
An oval antique enamel portrait miniature pendant depicting an 18th-century gentleman in a powdered wig and red coat set in a gold frame.
Enamel Portrait Miniature of a Named Gentleman
Ref: SA1032221
An oval antique enamel portrait miniature pendant depicting an 18th-century gentleman in a powdered wig and red coat set in a gold frame.
Detail View 1
Detail View 2
Archival Detail
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Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

Enamel portrait miniatures are small-scale detailed portraits painted with vitreous enamel pigments onto a metal substrate and fired at high temperatures. Popular from the 17th to 19th centuries, these durable keepsakes were often mounted in jewellery or pocket frames to commemorate prominent figures or loved ones.

Georgian enamel portrait miniatures were typically crafted using finely ground glass pigments fused onto copper, silver, or gold plates. The portraits were framed in precious metals such as yellow gold or pinchbeck and often fitted with suspension loops to be worn as pendants.

Authentic enamel miniatures feature a smooth, glassy surface with permanent, unfading colour, unlike watercolour paintings on ivory or paper. Under magnification, precise fine-brush technique is visible, and the reverse side usually exhibits counter-enamel or period-appropriate metalwork.

Portrait miniatures can be styled as focal jewellery pieces on long gold chains or displayed collectively within glass cabinets and wall frames. They add historical character when curated alongside contemporary artwork or traditional decorative displays.

Enamel miniatures should be kept safe from thermal shock, heavy impact, and chemical polishing agents, as vitreous enamel can chip under pressure. Dust gently with a soft, dry cloth and store in a padded compartment away from excessive humidity.
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