Isherwood Fine Art has dated this 17th Century Oil Portrait to the 17th Century.
This is an independent date report produced by Sellingantiques using its own proprietary system. The process uses the photographs shown on this page. The system is never told the date the dealer has declared. This report shows that the two dates corroborate.
We are grateful to Diana Dethloff and Catharine MacLeod (who are currently working on a Lely catalogue raisonné) for their confirmation of Lely as the artist from photograph analysis of this previously unidentified early work.
Provenance:
Private collection Nottingham until 2021
Mellors and Kirk sale December 2000, lot 1173
The simple composition serves to highlight the beauty of the sitter through portraying her pale decolletage and complexion, set against the gentle gaze of her blue eyes, the soft blush of her cheeks and her full red lips.
Peter Lely (1618-1680) was originally of dutch origin and became Principle Painter to the King in 1661, following in the footsteps of Van Dyck who had died in 1641. He dominated the portrait painting scene in England for over 20 years, creating a distinctive 'court look' in his work which had a strong influence on many other artists. He had an extremely successful and popular portrait practice which meant that he soon had to develop production methods that could accommodate the high demand for portraits, and also for copies and versions of them which were given as gifts to family and courtiers. The use of studio assistants was a common practice for busy artists and as with Van Dyck, Lely is known to have used specialist assistants to execute particular parts of his paintings. Artists who worked in Lely`s studio included John Baptist Gaspars who specialised in drapery painting, William Wissing, John Greenhill, Thomas Hawker and Joseph Buckshorn.
Literature:
Catharine Macleod 'Peter Lely, portrait practice and the creation of a court look', from 'Painted Ladies, women at the court of Charles II', 2001.
R.B Beckett, 'Lely' , English Master Painters, 1951.
Isherwood Fine Art has dated this 17th Century Oil Portrait to the 17th Century.
This is an independent date report produced by Sellingantiques using its own proprietary system. The process uses the photographs shown on this page. The system is never told the date the dealer has declared. This report shows that the two dates corroborate.
16th to 19th century old master, british and european paintings and sculpture, specialising in period portraiture. Member BADA, LAPADA.
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17th Century Portrait Oil Painting of a Lady in a Green Silk Gown by Sir Peter Lely
