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John Michael Wright (1617 - 1694) - Portrait of a Young Gentleman in Elaborate Costume.
Period Portraits
for sale €16,380     $17,780
£14,000
Period Portraits

Period Portraits

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John Michael Wright (1617 - 1694) - Portrait of a Young Gentleman in Elaborate Costume.

17th century
For Sale by Period Portraits
Description

Fine and sensitively rendered portrait of a young gentleman c.1660 by an artist in the circle of John Michael Wright (1617-1694).

The elegant young sitter is depicted half -length wearing a doublet crafted from a luxurious, pale grey or taupe silk brocade which is woven with silver metallic threads to form subtle floral scrollwork and running down its front is a line of closely spaced metallic buttons. Under his doublet he wears a fine white linen shirt with voluminous, puffed and gathered sleeves and these are tied with delicate pale blue silk ribbon bows. upper forearms. His look if finished with a thick, twisted metallic cord or passementerie girdle/girdle sash which encircles his waist.

Perhaps the most impressive element of his costume is his collar. The falling band or lace jabot is fashioned as a deep, square-cut falling collar (falling band) made of fine needlepoint or bobbin lace, which rests flat over the neck and chest. It features intricate floral scrolling motifs, typical of Venice or Flemish point lace popular among nobility in the 1660s.

Over his coat are ornate, lace-trimmed embroidered cuffs which encircle his His long hair cascades naturally over his shoulder and the front features a natural soft fringed parting, - a popular style with young men of the period before full powdered wigs became 'de riguer' for older gentleman.

John Michael Wright (1617-1684)

The son of a London tailor, John Michael Wright took the unusual step of serving his apprenticeship, from 1636, with George Jamesone in Edinburgh. In the early 1640s Wright went to Rome where he remained until 1656, becoming a member of the Academy of St Luke. On his return, he lived in London, but he travelled to Dublin in the late 1670s and to Rome in 1686. Wright worked on occasion for for the court and was appointed Picture Drawer in Ordinary to the King in 1673.

The artists sensitive use of characterisation and the restrained elegance with which he depicted Stuart grandeur, set him apart from from the high octane glamour of Sir Peter Lely making him one of the most distinctive British-born painters of the seventeenth century.

Physical Dimensions
Height
75cm (29.53")
Width
63cm (24.80")
Depth
2cm (0.79")
Declaration

Period Portraits has dated this 17th Century Oil Portrait to the 17th Century.

Reference Numbers
Sellingantiques Reference
SA1227330
Description
Fine and sensitively rendered portrait of a young gentleman c.1660 by an artist in the circle of John Michael Wright (1617-1694).

The elegant young sitter is depicted half -length wearing a doublet crafted from a luxurious, pale grey or taupe silk brocade which is woven with silver metallic threads to form subtle floral scrollwork and running down its front is a line of closely spaced metallic buttons.

Under his doublet he wears a fine white linen shirt with voluminous, puffed and gathered sleeves and these are tied with delicate pale blue silk ribbon bows.
Period Portraits

upper forearms. His look if finished with a thick, twisted metallic cord or passementerie girdle/girdle sash which encircles his waist.

fig 1. A seventeenth-century oil portrait depicting a young gentleman wearing an intricate lace collar and embroidered clothing in a carved silvered frame.
fig 1. John Michael Wright (1617 - 1694) - Portrait of a Young Gentleman in Elaborate Costume.

Perhaps the most impressive element of his costume is his collar. The falling band or lace jabot is fashioned as a deep, square-cut falling collar (falling band) made of fine needlepoint or bobbin lace, which rests flat over the neck and chest. It features intricate floral scrolling motifs, typical of Venice or Flemish point lace popular among nobility in the 1660s.

fig 2. A seventeenth-century oil portrait depicting a young gentleman wearing an intricate lace collar and embroidered clothing in a carved silvered frame.
fig 2. John Michael Wright (1617 - 1694) - Portrait of a Young Gentleman in Elaborate Costume.

Over his coat are ornate, lace-trimmed embroidered cuffs which encircle his His long hair cascades naturally over his shoulder and the front features a natural soft fringed parting, - a popular style with young men of the period before full powdered wigs became 'de riguer' for older gentleman.

fig 3. A seventeenth-century oil portrait depicting a young gentleman wearing an intricate lace collar and embroidered clothing in a carved silvered frame.
fig 3. John Michael Wright (1617 - 1694) - Portrait of a Young Gentleman in Elaborate Costume.

John Michael Wright (1617-1684)

The son of a London tailor, John Michael Wright took the unusual step of serving his apprenticeship, from 1636, with George Jamesone in Edinburgh. In the early 1640s Wright went to Rome where he remained until 1656, becoming a member of the Academy of St Luke. On his return, he lived in London, but he travelled to Dublin in the late 1670s and to Rome in 1686. Wright worked on occasion for for the court and was appointed Picture Drawer in Ordinary to the King in 1673.

fig 4. A seventeenth-century oil portrait depicting a young gentleman wearing an intricate lace collar and embroidered clothing in a carved silvered frame.
fig 4. John Michael Wright (1617 - 1694) - Portrait of a Young Gentleman in Elaborate Costume.

The artists sensitive use of characterisation and the restrained elegance with which he depicted Stuart grandeur, set him apart from from the high octane glamour of Sir Peter Lely making him one of the most distinctive British-born painters of the seventeenth century.

Height
75cm (29.53")
Width
63cm (24.80")
Depth
2cm (0.79")
Date of Manufacture

Period Portraits has dated this 17th Century Oil Portrait to the 17th Century.

Reference Numbers
Sellingantiques Ref
SA1227330
Period Portraits
Period Portraits
Sellingantiques verified Since Jan 2017

Specialist dealer in portraits from the 17th century to the 20th century. Our stock includes quality oil paintings, drawings, and mezzotints

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You can view the stock and full dealer information on the Period Portraits Profile Page

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A seventeenth-century oil portrait depicting a young gentleman wearing an intricate lace collar and embroidered clothing in a carved silvered frame.
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Archive I A seventeenth-century oil portrait depicting a young gentleman wearing an intricate lace collar and embroidered clothing in a carved silvered frame.

John Michael Wright (1617 - 1694) - Portrait of a Young Gentleman in Elaborate Costume.

Archive II A seventeenth-century oil portrait depicting a young gentleman wearing an intricate lace collar and embroidered clothing in a carved silvered frame. View II
Archive III A seventeenth-century oil portrait depicting a young gentleman wearing an intricate lace collar and embroidered clothing in a carved silvered frame. View III
Archive IV A seventeenth-century oil portrait depicting a young gentleman wearing an intricate lace collar and embroidered clothing in a carved silvered frame. View IV
Archive V A seventeenth-century oil portrait depicting a young gentleman wearing an intricate lace collar and embroidered clothing in a carved silvered frame. View V
Archive VI A seventeenth-century oil portrait depicting a young gentleman wearing an intricate lace collar and embroidered clothing in a carved silvered frame. View VI
Archive VII A seventeenth-century oil portrait depicting a young gentleman wearing an intricate lace collar and embroidered clothing in a carved silvered frame. View VII
Archive VIII A seventeenth-century oil portrait depicting a young gentleman wearing an intricate lace collar and embroidered clothing in a carved silvered frame. View VIII
Archive IX A seventeenth-century oil portrait depicting a young gentleman wearing an intricate lace collar and embroidered clothing in a carved silvered frame. View IX
Archive X A seventeenth-century oil portrait depicting a young gentleman wearing an intricate lace collar and embroidered clothing in a carved silvered frame. View X
Archive XI A seventeenth-century oil portrait depicting a young gentleman wearing an intricate lace collar and embroidered clothing in a carved silvered frame. View XI
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A seventeenth-century oil portrait depicting a young gentleman wearing an intricate lace collar and embroidered clothing in a carved silvered frame.
JOHN MICHAEL WRIGHT (1617 - 1694) - PORTRAIT OF A YOUNG GENTLEMAN IN ELABORATE COSTUME.
Ref: SA1227330
A seventeenth-century oil portrait depicting a young gentleman wearing an intricate lace collar and embroidered clothing in a carved silvered frame.
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Our dealers are highly experienced in packing and shipping fragile, high-value antiques. Because you are in direct contact with the dealer, you will be able to easily go through all available shipping and insurance options together to ensure your item arrives safely.
Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

British Baroque portraiture during the Restoration period is characterized by dramatic lighting, rich textures, and formal compositions. Artists emphasized detailed costuming, such as lace collars, metallic embroidery, and lavish drapery, to denote high social status and wealth.

Paintings from this period were primarily created using hand-ground mineral and organic pigments mixed with linseed or walnut oil on hand-woven linen canvas. Frames were typically hand-carved from timber and finished with gold or silver leaf gilding.

Authentic paintings of this era demonstrate age-appropriate craquelure across the paint film, natural timber shrinkage on stretcher bars, and historic hand-cut nails or pegs. Examination under ultraviolet light reveals period-correct pigments and subsequent restoration layers.

A historical portrait creates a strong focal point when mounted above a fireplace mantel or console table, contrasting with clean-lined contemporary furniture. Pairing historical art with minimalist backdrop colours highlights the intricate details of the painting.

Display the painting away from direct sunlight, heating sources, and areas of high humidity to prevent canvas warping and pigment fading. Dust gently using a soft, natural-bristle brush, and consult a professional conservator for any necessary cleaning or stabilization.
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