Pith paper is a fragile, velvety material cut from the central pith of a specific Asian shrub, rather than pressed from rice. Artists used it extensively during the nineteenth century for brightly coloured export paintings. Because of its unique cellular structure, pith paper absorbs watercolours and gouache in a way that gives the pigments a luminous, three-dimensional quality. It requires careful protection behind glass to prevent crumbling.

How should I hang these watercolours?

Watercolours, silk paintings, and pith works are exceptionally sensitive to direct sunlight and high humidity. Hang them on interior walls away from bright windows to prevent the pigments from fading. Keep them behind glass in stable environmental conditions to protect the paper or silk supports from drying out or absorbing moisture over time.

Are these works hand-painted?

Yes, every piece represented here is an original hand-painted artwork rather than a printed reproduction. Artists utilised fine brushes, ink, and mineral pigments to create each individual study. Close inspection often reveals subtle brush strokes, variations in ink density, and the artist's signature or studio stamp within the composition.