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ID #SA1244086
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£27,500
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Thomas Sidney Cooper Signed Cattle Paintings Sheep Paintings Landscapes 19th Animal Portraits
For sale by Mansion House Antiques & Fine Art
for sale €32,175     $34,925
£27,500
Mansion House Antiques & Fine Art

Mansion House Antiques & Fine Art

Sellingantiques Verified Since Nov 2009
Browse dealers 90 items
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Thomas Sidney Cooper Signed Cattle Paintings Sheep Paintings Landscapes 19th Animal Portraits

19th century
Description

Cattle & Sheep Resting In A Landscape With An Horned Billy Goat.

HUGE PAINTING ( Dating around 1870-80 )

Exhibition Standard Example 42.5 x 56.5 Inches.

Bears the signature T.Sidney Cooper RA.

ABOUT

Thomas Sidney Cooper who was born in St Peter's Street Canterbury on 26 September 1803 to William and Sarah Cooper. He was christened Thomas Cooper and at some point adopted Sydney or Sidney as his middle name.

At the age of 12 he started working as a coach painter and later a scene painter, continuing to draw and paint in his spare time.

When he was 21 he was helped by his uncle to move to London and study at the Royal Academy. However, he didn’t complete the course and returned to Canterbury. Shortly afterwards in 1824, he travelled to Brussels where he met Eugène Joseph Verboeckhoven who had a great influence on his work. He also met and married Charlotte Pearson the daughter of a mathematician.

After the revolution broke out they returned to London in 1831 where Cooper started selling paintings of the cattle that he sketched at Smithfield Market.

The couple lived at Portland Terrace, St John’s Wood and together had four children.

His son Thomas George Cooper (1836-1901) became an artist and also his great nephew William Sidney Cooper (1854-1927) both of whom he taught.

In 1833 he made his debut at the Royal Academy, where he continued to exhibit regularly until his death.

He also exhibited at the Royal Society of British Artists and the British Institution between 1833 and 1863.

He was elected ARA in 1845 and RA in 1867. From the early 1840’s he lived at 16 Wellington Terrace, until the 1850’s when he moved to 2 Dorset Square, Regent’s Park.

He continued to live there for over 10 years until he moved to 42 Chepstow Villas, Bayswater. Around 1849, he had a second house built in Harbledown, Canterbury and named it Vernon Holme after his patron and from where he would also paint and exhibit.

Cooper specialised in paintings of cattle or sheep, which earned him the nickname of Cow Cooper. He became one of the most accomplished and successful animal landscape painters of the 19th century. He built Alms Houses in Canterbury and in 1882 set up the Canterbury Sidney Cooper School of Art. In July 1901, he was awarded the Commander of the Royal Victorian Order (CVO).

Cooper died at Harbledown, Canterbury on 7 February 1902 and was buried at St Martin Churchyard.

Examples of his work can be found at the Royal Museum in Canterbury, Tate Gallery, Victoria and Albert Museum, Atkinson Art Gallery, Birmingham Museum, Brighton and Hove Museum, Northampton Museum Sheffield Museum and other public collections.

This is a lovely example commissioned on a large scale and deservingly presented in a stunning exhibition standard frame.

FRAMED SIZE

Height : 42.5 Inches ( 108 cm )

Width : x 56.5 Inches ( 144 cm )

CONDITION

Very Good Order throughout, good solid frame, re touching of gilding, historical past light clean, all looks spectacular and ready to hang.

DELIVERY

By Fine Art Specialist UK £150

Worldwide : EU £1000 / USA £1200

TELEPHONE ENQUIRIES 07765 856171

Date of Manufacture

Mansion House Antiques & Fine Art has dated this Victorian Cattle Oil Painting to the 19th Century.

Physical Dimensions
Height
108cm (42.52")
Width
144cm (56.69")
Depth
7cm (2.76")
Reference Numbers
Sellingantiques Reference
SA1244086
Dealers Internal Reference
0921
Dealers Notes

Payments are accepted by Bank Transfer & by Debit / Credit Cards Via the BUY NOW Payment Link Tab shown below each items description.

PAY-PAL Account Holders are welcome. CHEQUES Drawn from UK banks.

Description
Cattle & Sheep Resting In A Landscape With An Horned Billy Goat.

HUGE PAINTING ( Dating around 1870-80 )

Exhibition Standard Example 42.5 x 56.5 Inches.

Bears the signature T.Sidney Cooper RA.

ABOUT

“
Thomas Sidney Cooper who was born in St Peter's Street Canterbury on 26 September 1803 to William and Sarah Cooper.
Mansion House Antiques & Fine Art

He was christened Thomas Cooper and at some point adopted Sydney or Sidney as his middle name.

fig 1. A large 19th-century pastoral oil painting depicting cattle and sheep resting in a grassy field, housed within a heavily carved ornate gilt frame.
fig 1. Thomas Sidney Cooper Signed Cattle Paintings Sheep Paintings Landscapes 19th Animal Portraits

At the age of 12 he started working as a coach painter and later a scene painter, continuing to draw and paint in his spare time.

When he was 21 he was helped by his uncle to move to London and study at the Royal Academy. However, he didn’t complete the course and returned to Canterbury. Shortly afterwards in 1824, he travelled to Brussels where he met Eugène Joseph Verboeckhoven who had a great influence on his work. He also met and married Charlotte Pearson the daughter of a mathematician.

fig 2. A large 19th-century pastoral oil painting depicting cattle and sheep resting in a grassy field, housed within a heavily carved ornate gilt frame.
fig 2. Thomas Sidney Cooper Signed Cattle Paintings Sheep Paintings Landscapes 19th Animal Portraits

After the revolution broke out they returned to London in 1831 where Cooper started selling paintings of the cattle that he sketched at Smithfield Market.

The couple lived at Portland Terrace, St John’s Wood and together had four children.

fig 3. A large 19th-century pastoral oil painting depicting cattle and sheep resting in a grassy field, housed within a heavily carved ornate gilt frame.
fig 3. Thomas Sidney Cooper Signed Cattle Paintings Sheep Paintings Landscapes 19th Animal Portraits

His son Thomas George Cooper (1836-1901) became an artist and also his great nephew William Sidney Cooper (1854-1927) both of whom he taught.

In 1833 he made his debut at the Royal Academy, where he continued to exhibit regularly until his death.

fig 4. A large 19th-century pastoral oil painting depicting cattle and sheep resting in a grassy field, housed within a heavily carved ornate gilt frame.
fig 4. Thomas Sidney Cooper Signed Cattle Paintings Sheep Paintings Landscapes 19th Animal Portraits

He also exhibited at the Royal Society of British Artists and the British Institution between 1833 and 1863.

He was elected ARA in 1845 and RA in 1867. From the early 1840’s he lived at 16 Wellington Terrace, until the 1850’s when he moved to 2 Dorset Square, Regent’s Park.

fig 5. A large 19th-century pastoral oil painting depicting cattle and sheep resting in a grassy field, housed within a heavily carved ornate gilt frame.
fig 5. Thomas Sidney Cooper Signed Cattle Paintings Sheep Paintings Landscapes 19th Animal Portraits

He continued to live there for over 10 years until he moved to 42 Chepstow Villas, Bayswater. Around 1849, he had a second house built in Harbledown, Canterbury and named it Vernon Holme after his patron and from where he would also paint and exhibit.

fig 6. A large 19th-century pastoral oil painting depicting cattle and sheep resting in a grassy field, housed within a heavily carved ornate gilt frame.
fig 6. Thomas Sidney Cooper Signed Cattle Paintings Sheep Paintings Landscapes 19th Animal Portraits

Cooper specialised in paintings of cattle or sheep, which earned him the nickname of Cow Cooper. He became one of the most accomplished and successful animal landscape painters of the 19th century. He built Alms Houses in Canterbury and in 1882 set up the Canterbury Sidney Cooper School of Art. In July 1901, he was awarded the Commander of the Royal Victorian Order (CVO).

fig 7. A large 19th-century pastoral oil painting depicting cattle and sheep resting in a grassy field, housed within a heavily carved ornate gilt frame.
fig 7. Thomas Sidney Cooper Signed Cattle Paintings Sheep Paintings Landscapes 19th Animal Portraits

Cooper died at Harbledown, Canterbury on 7 February 1902 and was buried at St Martin Churchyard.

Examples of his work can be found at the Royal Museum in Canterbury, Tate Gallery, Victoria and Albert Museum, Atkinson Art Gallery, Birmingham Museum, Brighton and Hove Museum, Northampton Museum Sheffield Museum and other public collections.

fig 8. A large 19th-century pastoral oil painting depicting cattle and sheep resting in a grassy field, housed within a heavily carved ornate gilt frame.
fig 8. Thomas Sidney Cooper Signed Cattle Paintings Sheep Paintings Landscapes 19th Animal Portraits

This is a lovely example commissioned on a large scale and deservingly presented in a stunning exhibition standard frame.

FRAMED SIZE

Height : 42.5 Inches ( 108 cm )

Width : x 56.5 Inches ( 144 cm )

CONDITION

fig 9. A large 19th-century pastoral oil painting depicting cattle and sheep resting in a grassy field, housed within a heavily carved ornate gilt frame.
fig 9. Thomas Sidney Cooper Signed Cattle Paintings Sheep Paintings Landscapes 19th Animal Portraits

Very Good Order throughout, good solid frame, re touching of gilding, historical past light clean, all looks spectacular and ready to hang.

DELIVERY

By Fine Art Specialist UK £150

Worldwide : EU £1000 / USA £1200

TELEPHONE ENQUIRIES 07765 856171

Date of Manufacture

Mansion House Antiques & Fine Art has dated this Victorian Cattle Oil Painting to the 19th Century.

Height
108cm (42.52")
Width
144cm (56.69")
Depth
7cm (2.76")
Reference Numbers
Sellingantiques Ref
SA1244086
Dealers Internal Ref
0921
Mansion House Antiques & Fine Art
Mansion House Antiques & Fine Art
Sellingantiques verified Since Nov 2009

Private fine art dealer specialising in quality 17th 18th 19th & 20thc oil paintings shipping worldwide

Dealer Profile

You can view the stock and full dealer information on the Mansion House Antiques & Fine Art Profile Page

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A large 19th-century pastoral oil painting depicting cattle and sheep resting in a grassy field, housed within a heavily carved ornate gilt frame.
1 / 15
Archive I A large 19th-century pastoral oil painting depicting cattle and sheep resting in a grassy field, housed within a heavily carved ornate gilt frame.

Thomas Sidney Cooper Signed Cattle Paintings Sheep Paintings Landscapes 19th Animal Portraits

Archive II A large 19th-century pastoral oil painting depicting cattle and sheep resting in a grassy field, housed within a heavily carved ornate gilt frame. View II
Archive III A large 19th-century pastoral oil painting depicting cattle and sheep resting in a grassy field, housed within a heavily carved ornate gilt frame. View III
Archive IV A large 19th-century pastoral oil painting depicting cattle and sheep resting in a grassy field, housed within a heavily carved ornate gilt frame. View IV
Archive V A large 19th-century pastoral oil painting depicting cattle and sheep resting in a grassy field, housed within a heavily carved ornate gilt frame. View V
Archive VI A large 19th-century pastoral oil painting depicting cattle and sheep resting in a grassy field, housed within a heavily carved ornate gilt frame. View VI
Archive VII A large 19th-century pastoral oil painting depicting cattle and sheep resting in a grassy field, housed within a heavily carved ornate gilt frame. View VII
Archive VIII A large 19th-century pastoral oil painting depicting cattle and sheep resting in a grassy field, housed within a heavily carved ornate gilt frame. View VIII
Archive IX A large 19th-century pastoral oil painting depicting cattle and sheep resting in a grassy field, housed within a heavily carved ornate gilt frame. View IX
Archive X A large 19th-century pastoral oil painting depicting cattle and sheep resting in a grassy field, housed within a heavily carved ornate gilt frame. View X
Archive XI A large 19th-century pastoral oil painting depicting cattle and sheep resting in a grassy field, housed within a heavily carved ornate gilt frame. View XI
Archive XII A large 19th-century pastoral oil painting depicting cattle and sheep resting in a grassy field, housed within a heavily carved ornate gilt frame. View XII
Archive XIII A large 19th-century pastoral oil painting depicting cattle and sheep resting in a grassy field, housed within a heavily carved ornate gilt frame. View XIII
Archive XIV A large 19th-century pastoral oil painting depicting cattle and sheep resting in a grassy field, housed within a heavily carved ornate gilt frame. View XIV
Archive XV A large 19th-century pastoral oil painting depicting cattle and sheep resting in a grassy field, housed within a heavily carved ornate gilt frame. View XV
Enlarged Archival View
Telephone 07765 856 171
Location
East Midlands
United Kingdom
Dealer Profile Page sellingantiques.co.uk/mha
Verified Since Nov 2009
Items For Sale 90
Items Sold 654
Mansion House Antiques & Fine Art
Mansion House Antiques & Fine Art
Verified Since Nov 2009
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Location: East Midlands, United Kingdom
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A large 19th-century pastoral oil painting depicting cattle and sheep resting in a grassy field, housed within a heavily carved ornate gilt frame.
Thomas Sidney Cooper Signed Cattle Paintings Sheep Paintings Landscapes 19th Animal Portraits
Ref: SA1244086
A large 19th-century pastoral oil painting depicting cattle and sheep resting in a grassy field, housed within a heavily carved ornate gilt frame.
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Archival Detail
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Written by Sellingantiques from the dealer’s photographs and listing
  • ObjectOil Painting
  • Period19th century
  • StyleVictorian Academic Realism
  • MaterialOil Paint, Canvas, Wood, Gold Leaf
  • ColourGold and Green
  • MotifsPastoral livestock, Ornate scrollwork frame, Acanthus leaf moulding, Cloud-filled sky
  • SizeH 108 cm (43 in) x W 144 cm (57 in) x D 7 cm (3 in)

This large 19th-century oil painting belongs to the Victorian Academic Realism style and depicts cattle, sheep, and a horned billy goat resting in a grassy pasture beneath a cloud-filled sky. The artwork is executed in oil paint on canvas and bears the signature T. Sidney Cooper RA. It is housed inside a heavily carved, ornate gilt wood frame featuring deep acanthus leaf moulding and elaborate corner scrollwork with a bright metallic gold leaf finish. The pastoral scene uses earthy browns, whites, and greens across the livestock and landscape. The entire framed piece measures 108 cm high, 144 cm wide, and 7 cm deep, creating a substantial visual presence suited for an English Country House interior. It is typically displayed hung securely above the mantel in a principal reception room.

Victorian pastoral painting is characterised by realistic depictions of rural British landscapes, countryside vistas, and detailed studies of livestock such as cattle and sheep. Popularised by artists including Thomas Sidney Cooper, this style emphasised natural light, detailed anatomical rendering, and tranquil agricultural scenes.

Paintings from this period were typically executed using oil paints ground with linseed oil on stretched natural linen canvases. Frames were constructed from carved wood or molded composition gesso, overlaid with hand-applied gold leaf gilding.

Authentic period works display age-appropriate craquelure across the paint layer, original wooden stretcher bars with natural oxidisation, and artist signatures or inscriptions. The ornate gilt frame should show subtle wear, revealing reddish bole beneath the gilding where handled.

A large pastoral oil painting serves as an excellent focal point over a fireplace mantelpiece or above a timber sideboard. Combining heavily framed traditional artwork with contemporary minimalist furniture creates a balanced, curated aesthetic in transitional living spaces.

Keep the artwork away from direct sunlight, central heating vents, and high humidity to prevent canvas warp and paint flaking. Dust gently using a soft, dry camel-hair brush, and avoid applying commercial liquid cleaners or water to either the canvas or the gold leaf frame.
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