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ID #SA1242505
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£395
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Paris, the Seine and the Pont Marie, Ca 1910 Maurice Asselin (1882-1947) Camden Town Group , Walter Sickert's Close Friend Watercolour on Paper
For sale by Skippings Fine Arts
for sale €462     $502
£395
Skippings Fine Arts

Skippings Fine Arts

Sellingantiques Verified Since Feb 2018
Browse dealers 164 items
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    Modern french & continental pictures selected by a former french auction house expert
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Paris, the Seine and the Pont Marie, Ca 1910 Maurice Asselin (1882-1947) Camden Town Group , Walter Sickert's Close Friend Watercolour on Paper

1900 - 1920
Description

A delicate watercolour by Maurice Asselin, depicting the Pont Marie spanning the Seine in Paris, with the tree-lined quayside and a succession of small boats moored along the riverbank. The work combines the immediacy of a sketch made directly from observation with Asselin's characteristic sensitivity to colour and light.

Dating from around 1910-15, the work displays the freshness and spontaneity of Asselin's early painting. The composition is rendered in a restrained palette of soft turquoise, blue-grey and pale green, with touches of warmer colour in the boats and stonework. Loosely applied washes, economical pencil outlines and generous areas of untouched paper give the scene an appealing sense of light and atmosphere. The beautifully simplified trees and the little boats give it a particular charm, while the broad, unpainted sky makes the composition feel remarkably modern for its time.

Maurice Asselin, Walter Sickert's close friend and the French artist most closely associated with the Camden Town Group, is one of the most exciting French artists of his generation. This was recognised by many of his contemporaries, including Sickert and Roger Fry.

In 1915, Maurice Asselin held a solo exhibition in London at Carfax & Co., a gallery closely associated with the Camden Town Group and, according to Paul Nash, ‘probably the most distinguished and exclusive gallery in London at this time’.

An exhibition of Asselin's work has also been held at the Musée de Pont-Aven, reflecting his association with the Pont-Aven movement during his years in Brittany.

Art critics have described Maurice Asselin's work as literary, sensitive and restrained. Walter Sickert called him ‘not only one of the most distinguished artists among the younger artists, but also one of the many sane and normal individualities who are really the important constituents of modern French painting’.

Asselin's paintings are held in museums around the world, from Moscow to New York and Christchurch, New Zealand. Four of his works are in the collection of the Centre Pompidou in Paris. The Fitzwilliam Museum in Cambridge owns an oil painting, as does The Hepworth Wakefield.

Our watercolour on paper measures 13 x 20 cm and is monogrammed at the lower right. Presented in its original mount, backed with acid free paper to protect the artwork and framed in a silvered oak frame, the overall size is 30 x 38 cm.

Physical Dimensions
Height
13cm (5.12")
Width
20cm (7.87")
Depth
1cm (0.39")
Declaration

Skippings Fine Arts has dated this Parisian Landscape Watercolour Painting to the 1910s.

Reference Numbers
Sellingantiques Reference
SA1242505
Dealers Notes

Nous parlons français, und wir sprechen auch Deutsch! Paintings may be viewed in Norwich and in Paris, as well as in London and Cambridge by appointment. Please contact us if you would like further details and images of an artwork.

Description
A delicate watercolour by Maurice Asselin, depicting the Pont Marie spanning the Seine in Paris, with the tree-lined quayside and a succession of small boats moored along the riverbank.
“
The work combines the immediacy of a sketch made directly from observation with Asselin's characteristic sensitivity to colour and light.
Skippings Fine Arts
fig 1. A framed watercolour painting depicting the River Seine, trees, and the Pont Marie bridge in Paris executed in soft blue and green washes.
fig 1. Paris, the Seine and the Pont Marie, Ca 1910 Maurice Asselin (1882-1947) Camden Town Group , Walter Sickert's Close Friend Watercolour on Paper

Dating from around 1910-15, the work displays the freshness and spontaneity of Asselin's early painting. The composition is rendered in a restrained palette of soft turquoise, blue-grey and pale green, with touches of warmer colour in the boats and stonework. Loosely applied washes, economical pencil outlines and generous areas of untouched paper give the scene an appealing sense of light and atmosphere. The beautifully simplified trees and the little boats give it a particular charm, while the broad, unpainted sky makes the composition feel remarkably modern for its time.

fig 2. A framed watercolour painting depicting the River Seine, trees, and the Pont Marie bridge in Paris executed in soft blue and green washes.
fig 2. Paris, the Seine and the Pont Marie, Ca 1910 Maurice Asselin (1882-1947) Camden Town Group , Walter Sickert's Close Friend Watercolour on Paper

Maurice Asselin, Walter Sickert's close friend and the French artist most closely associated with the Camden Town Group, is one of the most exciting French artists of his generation. This was recognised by many of his contemporaries, including Sickert and Roger Fry.

fig 3. A framed watercolour painting depicting the River Seine, trees, and the Pont Marie bridge in Paris executed in soft blue and green washes.
fig 3. Paris, the Seine and the Pont Marie, Ca 1910 Maurice Asselin (1882-1947) Camden Town Group , Walter Sickert's Close Friend Watercolour on Paper

In 1915, Maurice Asselin held a solo exhibition in London at Carfax & Co., a gallery closely associated with the Camden Town Group and, according to Paul Nash, ‘probably the most distinguished and exclusive gallery in London at this time’.

An exhibition of Asselin's work has also been held at the Musée de Pont-Aven, reflecting his association with the Pont-Aven movement during his years in Brittany.

Art critics have described Maurice Asselin's work as literary, sensitive and restrained. Walter Sickert called him ‘not only one of the most distinguished artists among the younger artists, but also one of the many sane and normal individualities who are really the important constituents of modern French painting’.

Asselin's paintings are held in museums around the world, from Moscow to New York and Christchurch, New Zealand. Four of his works are in the collection of the Centre Pompidou in Paris. The Fitzwilliam Museum in Cambridge owns an oil painting, as does The Hepworth Wakefield.

Our watercolour on paper measures 13 x 20 cm and is monogrammed at the lower right. Presented in its original mount, backed with acid free paper to protect the artwork and framed in a silvered oak frame, the overall size is 30 x 38 cm.

Height
13cm (5.12")
Width
20cm (7.87")
Depth
1cm (0.39")
Date of Manufacture

Skippings Fine Arts has dated this Parisian Landscape Watercolour Painting to the 1910s.

Reference Numbers
Sellingantiques Ref
SA1242505
Skippings Fine Arts
Skippings Fine Arts
Sellingantiques verified Since Feb 2018

Modern french & continental pictures selected by a former french auction house expert

Dealer Profile

You can view the stock and full dealer information on the Skippings Fine Arts Profile Page

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A framed watercolour painting depicting the River Seine, trees, and the Pont Marie bridge in Paris executed in soft blue and green washes.
1 / 4
Archive I A framed watercolour painting depicting the River Seine, trees, and the Pont Marie bridge in Paris executed in soft blue and green washes.

Paris, the Seine and the Pont Marie, Ca 1910 Maurice Asselin (1882-1947) Camden Town Group , Walter Sickert's Close Friend Watercolour on Paper

Archive II A framed watercolour painting depicting the River Seine, trees, and the Pont Marie bridge in Paris executed in soft blue and green washes. View II
Archive III A framed watercolour painting depicting the River Seine, trees, and the Pont Marie bridge in Paris executed in soft blue and green washes. View III
Archive IV A framed watercolour painting depicting the River Seine, trees, and the Pont Marie bridge in Paris executed in soft blue and green washes. View IV
Enlarged Archival View
Telephone 0747 257 2398
Location
Norfolk
United Kingdom

By appointment
Verified Since Feb 2018
Items For Sale 164
Items Sold 690
Skippings Fine Arts
Skippings Fine Arts
Verified Since Feb 2018
View Dealer Info
Location: Norfolk, United Kingdom, , By appointment
Verified
Feb 2018
For Sale
164
Sold
690
A framed watercolour painting depicting the River Seine, trees, and the Pont Marie bridge in Paris executed in soft blue and green washes.
Paris, the Seine and the Pont Marie, ca 1910 MAURICE ASSELIN (1882-1947) Camden Town Group , Walter Sickert's close friend watercolour on paper
Ref: SA1242505
A framed watercolour painting depicting the River Seine, trees, and the Pont Marie bridge in Paris executed in soft blue and green washes.
Detail View 1
Detail View 2
Detail View 3
Archival Detail
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Written by Sellingantiques from the dealer’s photographs and listing
  • ObjectWatercolour Painting
  • Period1900 - 1920
  • StylePost-Impressionism
  • MaterialPaper, Watercolour Pigment, Wood, Glass
  • ColourSoft Green and Blue
  • MotifsArched stone bridge, Soft fluid washes, Muted tree foliage, Wooden picture frame
  • SizeH 13 cm (5 in) x W 20 cm (8 in) x D 1 cm (0 in)

A watercolour painting on paper by Maurice Asselin depicts the Pont Marie spanning the Seine in Paris, accompanied by a tree-lined quayside and small moored boats. Dating from 1910, the work follows the Post-Impressionism style, executed in soft green and blue watercolour pigments. The composition incorporates an arched stone bridge, soft fluid washes, and muted tree foliage, signed with a monogram at the lower right, and housed inside a wooden picture frame with a pale mount and simple outer moulding. The artwork measures 13 cm high, 20 cm wide, and 1 cm deep. Suitably sized for domestic display in an English Country House interior, this framed artwork works best positioned above a sideboard or on a panelled library wall where detailed inspection is possible. It provides a distinct focal point in a study or hallway, hung at eye level to appreciate the delicate pencil outlines and fluid washes. Interior settings with neutral wall colours allow the restrained palette of turquoise, blue-grey, and pale green to stand out clearly.

Landscapes from this era frequently feature impressionist and post-impressionist influences, characterized by fluid brushwork, muted tonal washes, and atmospheric depictions of urban and rural scenery.

Artists utilized lightfast watercolour pigments applied directly onto heavy rag paper substrates, often framed under glass with protective mounts to prevent environmental degradation.

Authentic works from this period typically display natural paper aging, artist signatures or monograms, contemporary framing techniques, and distinct brushwork consistent with documented artistic movements.

Display the artwork as part of a curated gallery wall or position it above a sideboard, combining the subtle colour tones with natural wood furniture and modern accent pieces.

Store or hang the artwork away from direct sunlight and high humidity, ensuring it is housed behind UV-filtering glass with acid-free mounting materials to avoid discolouration.
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