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Jacob Spornberg Rare Etruscan Silhouette on Glass
Sold by Wigs on the Green
sold SA1166056
Sorry, but this item has been sold.
Wigs on the Green

Wigs on the Green

Sellingantiques Verified Since May 2020
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    Small portraiture of character & historical interest
Id #SA1166056
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Jacob Spornberg Rare Etruscan Silhouette on Glass

18th century
Sold 8 October 2025 · Wigs on the Green
This “Jacob Spornberg Rare Etruscan Silhouette on Glass” found a buyer.

It was listed by Wigs on the Green. Sold pieces stay on Sellingantiques as a record of what has passed through, and the next one is rarely far away.

Description

Jacob Spornberg was one of almost twenty artists working in Bath during the 1790s as listed in the New Bath Guides. Bath was then at the height of its popularity as a spa resort with a steady influx of well-heeled visitors. Given that many of these artists specialised in painting portrait miniatures and/or profiles, it must have been difficult to stand out. But Spornberg was creative and had developed two distinctive styles of miniature profiles, one “executed in the Etruscan Manner” in vermilion red and black, the other “in cameo”, a more subtle style where a sepia portrait stands out against a dark background.

This is one of his Etruscan-style silhouettes, so-called as it is reminiscent of the red-figure Etruscan pottery invented at Athens about 530 BC. To create it an outline of the sitter and a decorative border were drawn on convex glass in thin black paint against a black ground and then the whole was coated in vermilion enamel creating a striking contrast. It was a style that was soon imitated, though to lesser effect, by his contemporary Charles Rosenberg.

Given their comparative rarity on the market, it seems fair to speculate that this new style was not overly popular though Spornberg continued to advertise it over the length of his career.

This example portrays a young gentleman in a frock-coat with angular lapels typical of the early 1790s, a flyaway knotted cravat and a pigtail wig. The painted border has a unique pattern not seen previously. The profile is in excellent unblemished condition and is backed with the paper that the artist tested his brush on whilst painting. It is presented in a traditional papier-mãché frame with an acorn hanger.

Born in Finland in 1768, Spornberg had settled in Bath by 1790 where his wife Rebecca ran a millinery shop in Milsom Street. Following her death in 1840, Spornberg emigrated to the USA to join his son.

Profile Size: approx. 80 x 66mm

Provenance: The Christie Collection

Date of Manufacture

Wigs on the Green has dated this Etruscan Glass Silhouette Portrait to the 18th Century.

Physical Dimensions
Height
14cm (5.51")
Width
12cm (4.72")
Reference Numbers
Sellingantiques Reference
SA1166056
Dealers Internal Reference
C534
Dealers Notes

All prices include UK postage. International shipping will be at cost.

Description
Jacob Spornberg was one of almost twenty artists working in Bath during the 1790s as listed in the New Bath Guides.
“
Bath was then at the height of its popularity as a spa resort with a steady influx of well-heeled visitors.
Wigs on the Green

Given that many of these artists specialised in painting portrait miniatures and/or profiles, it must have been difficult to stand out. But Spornberg was creative and had developed two distinctive styles of miniature profiles, one “executed in the Etruscan Manner” in vermilion red and black, the other “in cameo”, a more subtle style where a sepia portrait stands out against a dark background.

fig 1. An oval silhouette profile of a gentleman in red against a black background, encased in an ebonised wooden plaque with a brass acorn hanging loop.
fig 1. Jacob Spornberg Rare Etruscan Silhouette on Glass

This is one of his Etruscan-style silhouettes, so-called as it is reminiscent of the red-figure Etruscan pottery invented at Athens about 530 BC. To create it an outline of the sitter and a decorative border were drawn on convex glass in thin black paint against a black ground and then the whole was coated in vermilion enamel creating a striking contrast. It was a style that was soon imitated, though to lesser effect, by his contemporary Charles Rosenberg.

fig 2. An oval silhouette profile of a gentleman in red against a black background, encased in an ebonised wooden plaque with a brass acorn hanging loop.
fig 2. Jacob Spornberg Rare Etruscan Silhouette on Glass

Given their comparative rarity on the market, it seems fair to speculate that this new style was not overly popular though Spornberg continued to advertise it over the length of his career.

This example portrays a young gentleman in a frock-coat with angular lapels typical of the early 1790s, a flyaway knotted cravat and a pigtail wig. The painted border has a unique pattern not seen previously. The profile is in excellent unblemished condition and is backed with the paper that the artist tested his brush on whilst painting. It is presented in a traditional papier-mãché frame with an acorn hanger.

fig 3. An oval silhouette profile of a gentleman in red against a black background, encased in an ebonised wooden plaque with a brass acorn hanging loop.
fig 3. Jacob Spornberg Rare Etruscan Silhouette on Glass

Born in Finland in 1768, Spornberg had settled in Bath by 1790 where his wife Rebecca ran a millinery shop in Milsom Street. Following her death in 1840, Spornberg emigrated to the USA to join his son.

Profile Size: approx. 80 x 66mm

Provenance: The Christie Collection

Date of Manufacture

Wigs on the Green has dated this Etruscan Glass Silhouette Portrait to the 18th Century.

Height
14cm (5.51")
Width
12cm (4.72")
Reference Numbers
Sellingantiques Ref
SA1166056
Dealers Internal Ref
C534
Wigs on the Green
Wigs on the Green
Sellingantiques verified Since May 2020

Small portraiture of character & historical interest

Dealer Profile

You can view the stock and full dealer information on the Wigs on the Green Profile Page

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An oval silhouette profile of a gentleman in red against a black background, encased in an ebonised wooden plaque with a brass acorn hanging loop. SOLD6+ MONTHS AGO
1 / 4
Archive I An oval silhouette profile of a gentleman in red against a black background, encased in an ebonised wooden plaque with a brass acorn hanging loop. SOLD6+ MONTHS AGO

Jacob Spornberg Rare Etruscan Silhouette on Glass

Archive II An oval silhouette profile of a gentleman in red against a black background, encased in an ebonised wooden plaque with a brass acorn hanging loop. View II
Archive III An oval silhouette profile of a gentleman in red against a black background, encased in an ebonised wooden plaque with a brass acorn hanging loop. View III
Archive IV An oval silhouette profile of a gentleman in red against a black background, encased in an ebonised wooden plaque with a brass acorn hanging loop. View IV
Enlarged Archival View
Telephone 07962 257915
Location
York
Yorkshire
United Kingdom
Verified Since May 2020
Items For Sale 83
Items Sold 319
Wigs on the Green
Wigs on the Green
Verified Since May 2020
View Dealer Info
Location: York, Yorkshire, United Kingdom
Verified
May 2020
For Sale
83
Sold
319
An oval silhouette profile of a gentleman in red against a black background, encased in an ebonised wooden plaque with a brass acorn hanging loop.
Jacob Spornberg Rare Etruscan Silhouette on Glass
Ref: SA1166056
An oval silhouette profile of a gentleman in red against a black background, encased in an ebonised wooden plaque with a brass acorn hanging loop.
Detail View 1
Detail View 2
Detail View 3
Archival Detail
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Written by Sellingantiques from the dealer’s photographs and listing
  • ObjectWall Art
  • Period18th century
  • StyleNeoclassical
  • MaterialGlass, brass, ebonised wood
  • ColourBlack and Red
  • MotifsProfile portrait, Acorn and oak leaf hanger, Oval brass bezel, Reverse glass painting
  • SizeH 14 cm (6 in) x W 12 cm (5 in)

Etruscan style silhouettes typically feature red or terracotta figures rendered against a black background, mimicking ancient pottery motifs that became fashionable during the neoclassical revival of the late 18th and early 19th centuries.

These pieces were often created using reverse painting on glass, where the design is meticulously applied to the underside of the glass pane, paired with ebonised wooden frames and brass suspension mounts.

Authentic pieces generally exhibit period-specific glass characteristics such as bubbles or uneven thickness, hand-mixed pigments, aged brass hardware, and construction methods consistent with the late 18th or early 19th century.

These compact historical artworks suit gallery walls alongside modern abstract pieces or act as focal points on narrow wall spaces where their intricate detail can be appreciated at close range.

To prevent damage to the delicate pigments on the reverse side of the glass, keep the piece out of direct sunlight, avoid moisture, and clean the exterior surface gently with a dry, soft cloth without applying liquid directly.
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