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Mid-18th-century French School, Portrait of the English Naturalist Henry Baker Frs, Antique Oil Painting
Sold by Brave Fine Art
sold SA1157945
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Brave Fine Art

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Mid-18th-century French School, Portrait of the English Naturalist Henry Baker Frs, Antique Oil Painting

18th century
Sold 13 September 2025 · Brave Fine Art
This “Mid-18th-century French School, Portrait of the English Naturalist Henry Baker Frs, Antique Oil Painting” found a buyer.

It was listed by Brave Fine Art. Sold pieces stay on Sellingantiques as a record of what has passed through, and the next one is rarely far away.

Description

This mid-18th-century French oil painting depicts a middle-aged gentleman standing in a room alongside a Baker Mounted Lens Microscope. It’s probably the renowned English naturalist, Henry Baker FRS (1698-1774).

Dressed in a long, red, collarless coat, lace-trimmed shirt and waistcoat, he conveys wisdom, grace and financial security. The fashion aligns with the mid to late 1740s, when Baker was at the height of his notoriety.

Born in London, Henry Baker achieved international acclaim as a natural historian, but also as a polymath more broadly. His influence on the emerging and ever-curious scientific world was considerable, particularly regarding the evolution of microscopy. He authored three books, the first of which, The Microscope Made Easy, was an 18th-century bestseller.

In 1741, in recognition of his achievements, he was elected a Fellow of the Royal Society and took an active role in its various activities for 30 years. Upon election, his citation read:

“A Gentleman well versed in mathematicks and natural knowledge, particularly eminent for his great skill and happy success in teaching persons born deaf and consequently dumb to speak (having improved upon that great invention of the late famous Dr Wallis). Author of a very beautiful Poem called the Universe, with many curious notes regarding Natural History, and one who hath communicated some useful papers to the Royal Society, being desirous to become a Member of the same, is recommended by us as a Candidate well deserving that honour.” He was also elected a Fellow of the Society of Antiquaries.

Our conclusion that this is plausibly a depiction of Baker is based upon two factors. Firstly, the prominence of his invention, the Baker Mounted Lens Microscope, and secondly, the likeness. Although our portrait is a little naive, it’s comparable with an image of him held at The British Museum.

The portrait was acquired in France, and Baker’s The Microscope Made Easy, which features an illustration of the microscope shown, was translated into French during the 1840s.

Held in a later frame.

Medium: Oil on canvas

Overall size: 15½” x 19” / 39cm x 48cm

Year of creation: c. 1745

Labels & Inscriptions: Later inscribed ‘Dr Synge’ on the reverse but this could relate to a previous owner or a misattribution.

Provenance: Private collection, France.

Condition: Cleaned. Revarnished. Canvas relined. Later stretcher. Fine craquelure throughout. The paint layer is stable. Frame with various marks and showing its age.

Our reference: BRV2165

Date of Manufacture

Brave Fine Art has dated this Antique Oil Painting to the 18th Century.

Physical Dimensions
Height
48cm (18.90")
Width
39cm (15.35")
Depth
3cm (1.18")
Reference Numbers
Sellingantiques Reference
SA1157945
Description
This mid-18th-century French oil painting depicts a middle-aged gentleman standing in a room alongside a Baker Mounted Lens Microscope. It’s probably the renowned English naturalist, Henry Baker FRS (1698-1774).
“
Dressed in a long, red, collarless coat, lace-trimmed shirt and waistcoat, he conveys wisdom, grace and financial security.
Brave Fine Art

The fashion aligns with the mid to late 1740s, when Baker was at the height of his notoriety.

fig 1. An antique oil painting depicting a portrait of a gentleman in a red coat within a dark wooden and gilt frame.
fig 1. Mid-18th-century French School, Portrait of the English Naturalist Henry Baker Frs, Antique Oil Painting

Born in London, Henry Baker achieved international acclaim as a natural historian, but also as a polymath more broadly. His influence on the emerging and ever-curious scientific world was considerable, particularly regarding the evolution of microscopy. He authored three books, the first of which, The Microscope Made Easy, was an 18th-century bestseller.

fig 2. An antique oil painting depicting a portrait of a gentleman in a red coat within a dark wooden and gilt frame.
fig 2. Mid-18th-century French School, Portrait of the English Naturalist Henry Baker Frs, Antique Oil Painting

In 1741, in recognition of his achievements, he was elected a Fellow of the Royal Society and took an active role in its various activities for 30 years. Upon election, his citation read:

“A Gentleman well versed in mathematicks and natural knowledge, particularly eminent for his great skill and happy success in teaching persons born deaf and consequently dumb to speak (having improved upon that great invention of the late famous Dr Wallis). Author of a very beautiful Poem called the Universe, with many curious notes regarding Natural History, and one who hath communicated some useful papers to the Royal Society, being desirous to become a Member of the same, is recommended by us as a Candidate well deserving that honour.” He was also elected a Fellow of the Society of Antiquaries.

fig 3. An antique oil painting depicting a portrait of a gentleman in a red coat within a dark wooden and gilt frame.
fig 3. Mid-18th-century French School, Portrait of the English Naturalist Henry Baker Frs, Antique Oil Painting

Our conclusion that this is plausibly a depiction of Baker is based upon two factors. Firstly, the prominence of his invention, the Baker Mounted Lens Microscope, and secondly, the likeness. Although our portrait is a little naive, it’s comparable with an image of him held at The British Museum.

fig 4. An antique oil painting depicting a portrait of a gentleman in a red coat within a dark wooden and gilt frame.
fig 4. Mid-18th-century French School, Portrait of the English Naturalist Henry Baker Frs, Antique Oil Painting

The portrait was acquired in France, and Baker’s The Microscope Made Easy, which features an illustration of the microscope shown, was translated into French during the 1840s.

Held in a later frame.

Medium: Oil on canvas

fig 5. An antique oil painting depicting a portrait of a gentleman in a red coat within a dark wooden and gilt frame.
fig 5. Mid-18th-century French School, Portrait of the English Naturalist Henry Baker Frs, Antique Oil Painting

Overall size: 15½” x 19” / 39cm x 48cm

Year of creation: c. 1745

Labels & Inscriptions: Later inscribed ‘Dr Synge’ on the reverse but this could relate to a previous owner or a misattribution.

Provenance: Private collection, France.

Condition: Cleaned. Revarnished. Canvas relined. Later stretcher. Fine craquelure throughout. The paint layer is stable. Frame with various marks and showing its age.

Our reference: BRV2165

Date of Manufacture

Brave Fine Art has dated this Antique Oil Painting to the 18th Century.

Height
48cm (18.90")
Width
39cm (15.35")
Depth
3cm (1.18")
Reference Numbers
Sellingantiques Ref
SA1157945
Brave Fine Art
Brave Fine Art
Sellingantiques verified Since Nov 2018

Exquisite antique paintings that capture the imagination.

Dealer Profile

You can view the stock and full dealer information on the Brave Fine Art Profile Page

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An antique oil painting depicting a portrait of a gentleman in a red coat within a dark wooden and gilt frame. SOLD6+ MONTHS AGO
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Archive I An antique oil painting depicting a portrait of a gentleman in a red coat within a dark wooden and gilt frame. SOLD6+ MONTHS AGO

Mid-18th-century French School, Portrait of the English Naturalist Henry Baker Frs, Antique Oil Painting

Archive II An antique oil painting depicting a portrait of a gentleman in a red coat within a dark wooden and gilt frame. View II
Archive III An antique oil painting depicting a portrait of a gentleman in a red coat within a dark wooden and gilt frame. View III
Archive IV An antique oil painting depicting a portrait of a gentleman in a red coat within a dark wooden and gilt frame. View IV
Archive V An antique oil painting depicting a portrait of a gentleman in a red coat within a dark wooden and gilt frame. View V
Archive VI An antique oil painting depicting a portrait of a gentleman in a red coat within a dark wooden and gilt frame. View VI
Archive VII An antique oil painting depicting a portrait of a gentleman in a red coat within a dark wooden and gilt frame. View VII
Archive VIII An antique oil painting depicting a portrait of a gentleman in a red coat within a dark wooden and gilt frame. View VIII
Archive IX An antique oil painting depicting a portrait of a gentleman in a red coat within a dark wooden and gilt frame. View IX
Archive X An antique oil painting depicting a portrait of a gentleman in a red coat within a dark wooden and gilt frame. View X
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Telephone 01684 215986
Location
21 Enterprise Way
Arle Road
Cheltenham
Cotswolds
GL51 8LZ
United Kingdom

Under appointment only.
Verified Since Nov 2018
Items For Sale 77
Items Sold 1,852
Brave Fine Art
Brave Fine Art
Verified Since Nov 2018
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Location: 21 Enterprise Way, Arle Road, Cheltenham, Cotswolds, GL51 8LZ, United Kingdom, , Under appointment only.
Verified
Nov 2018
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An antique oil painting depicting a portrait of a gentleman in a red coat within a dark wooden and gilt frame.
Mid-18th-Century French School, Portrait Of The English Naturalist Henry Baker FRS, Antique Oil Painting
Ref: SA1157945
An antique oil painting depicting a portrait of a gentleman in a red coat within a dark wooden and gilt frame.
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Written by Sellingantiques from the dealer’s photographs and listing
  • ObjectPaintings
  • Period18th century
  • StyleFrench School
  • MaterialOil paint, Canvas, Wood, Gilt
  • ColourMulticoloured
  • MotifsFigurative portraiture, Period costume, Interior backdrop
  • SizeH 48 cm (19 in) x W 39 cm (15 in) x D 3 cm (1 in)

The French School of the eighteenth century is characterised by refined brushwork, attention to costume detail, and a focus on capturing the character and social standing of the sitter.

These works were typically created using oil paints applied to a woven linen canvas, often stretched over a wooden frame and housed in a carved, gilt, or painted wood frame.

Authentication involves examining the canvas weave for age-appropriate characteristics, inspecting the stretcher bars and pigments under magnification, and checking for natural craquelure in the oil layer.

An antique portrait can be used as a striking focal point on a plain wall, creating a sophisticated contrast when paired with minimalist furniture and contemporary lighting.

Preservation requires maintaining stable temperature and humidity levels, avoiding direct sunlight to prevent fading, and periodically consulting a professional conservator for cleaning and varnish maintenance.
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