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Circle of Michelangelo Anselmi (Italian C. 1492 – C. 1554) - A Red Chalk Renaissance Drawing of a Childs Face.
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sold SA1126341
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Circle of Michelangelo Anselmi (Italian C. 1492 – C. 1554) - A Red Chalk Renaissance Drawing of a Childs Face.

16th century
Sold 17 March 2025 · Period Portraits
This “Circle of Michelangelo Anselmi (Italian C. 1492 – C. 1554) - A Red Chalk Renaissance Drawing of a Childs Face. ” found a buyer.

It was listed by Period Portraits. Sold pieces stay on Sellingantiques as a record of what has passed through, and the next one is rarely far away.

Description

Fine and sensitively rendered Renaissance drawing of a child’s head, by an artist in the circle of Michelangelo Anselmi (c. 1492 – c. 1554).

This drawing has been executed by a supremely talented hand, and one that has harnessed the artistic properties of red chalk to great effect. From the subtle shading and modelling of the face, to providing depth to the child’s features and creating atmospheric effects, this work is totally beguiling.

Michelangelo Anselmi (c. 1492 – c. 1554) was an Italian Renaissance-Mannerist painter and draughtsman active mostly in Parma.

A student of Bazzi and later a follower of Correggio, when living in Parma Michelangelo Anselmi. Sienese, became the disciple of Correggio.

Evolving in the Mannerist artistic circles, Anselmi took advantage of the influences of Parmesan and Beccafumi, becoming arguably the most imaginative painter in Parma in the early 16th century after Correggio and Parmigianino.

Anselmi is first recorded in Parma on 27 April 1520. A fresco certainly from his hand in one of the transept apses of S. Giovanni Evangelista is dated 1521, so that he must have been working in the church at the same time as Correggio and Parmigianino.

On 21 November 1522 he was contracted to decorate the vaulting and eastern apse of the south transept of Parma Cathedral. Two altar-pieces still in situ in the cathedral date from 1526. The decoration (still extant) of the Oratorio della Concezione attached to S. Francesco del Prato occupied him, in conjunction with Francesco Maria Rondani, from 1532 to 1534.

On 10 September 1537 he contracted to paint frescoes (also extant) in the Chapel of the Immaculate Conception in the church of S. Bartolommeo at Busseto, near Parma; and on 17 May 1540 he undertook the task, originally entrusted to Parmigianino, of painting the 'Coronation of the Virgin' in the eastern apse of S. Maria della Steccata.

In Anselmi's case, the design was to be supplied by Giulio Romano. His fresco was finally approved by the Fabbricieri of the church on 4 October 1548, and on the same day he was commissioned to paint the 'Adoration of the Magi' in the western apse. This was not finished when he died, and was completed by Bernardino Gatti.

This Renaissance Old Master Drawing is house under art glass to aid viewing and conservatioin. It is presented ready to hang and enjoy in an antique frame with a wonderful mellow gilding.

Higher resolution images on request.

Worldwide shipping available.

Sheet : 10” x 8" / 26cm x 20cm.

Framed: 18" x 13.5" / 46cm x 34cm.

Price: £8800

Date of Manufacture

Period Portraits has dated this Renaissance Red Chalk Drawing to the 16th Century.

Physical Dimensions
Height
46cm (18.11")
Width
34cm (13.39")
Depth
2cm (0.79")
Reference Numbers
Sellingantiques Reference
SA1126341
Description
Fine and sensitively rendered Renaissance drawing of a child’s head, by an artist in the circle of Michelangelo Anselmi (c. 1492 – c. 1554).
“
This drawing has been executed by a supremely talented hand, and one that has harnessed the artistic properties of red chalk to great effect.
Period Portraits

From the subtle shading and modelling of the face, to providing depth to the child’s features and creating atmospheric effects, this work is totally beguiling.

fig 1. A close-up red chalk drawing on aged paper depicting the detailed facial features and curly hair of a child.
fig 1. Circle of Michelangelo Anselmi (Italian C. 1492 – C. 1554) - A Red Chalk Renaissance Drawing of a Childs Face.

Michelangelo Anselmi (c. 1492 – c. 1554) was an Italian Renaissance-Mannerist painter and draughtsman active mostly in Parma.

A student of Bazzi and later a follower of Correggio, when living in Parma Michelangelo Anselmi. Sienese, became the disciple of Correggio.

fig 2. A close-up red chalk drawing on aged paper depicting the detailed facial features and curly hair of a child.
fig 2. Circle of Michelangelo Anselmi (Italian C. 1492 – C. 1554) - A Red Chalk Renaissance Drawing of a Childs Face.

Evolving in the Mannerist artistic circles, Anselmi took advantage of the influences of Parmesan and Beccafumi, becoming arguably the most imaginative painter in Parma in the early 16th century after Correggio and Parmigianino.

fig 3. A close-up red chalk drawing on aged paper depicting the detailed facial features and curly hair of a child.
fig 3. Circle of Michelangelo Anselmi (Italian C. 1492 – C. 1554) - A Red Chalk Renaissance Drawing of a Childs Face.

Anselmi is first recorded in Parma on 27 April 1520. A fresco certainly from his hand in one of the transept apses of S. Giovanni Evangelista is dated 1521, so that he must have been working in the church at the same time as Correggio and Parmigianino.

fig 4. A close-up red chalk drawing on aged paper depicting the detailed facial features and curly hair of a child.
fig 4. Circle of Michelangelo Anselmi (Italian C. 1492 – C. 1554) - A Red Chalk Renaissance Drawing of a Childs Face.

On 21 November 1522 he was contracted to decorate the vaulting and eastern apse of the south transept of Parma Cathedral. Two altar-pieces still in situ in the cathedral date from 1526. The decoration (still extant) of the Oratorio della Concezione attached to S. Francesco del Prato occupied him, in conjunction with Francesco Maria Rondani, from 1532 to 1534.

fig 5. A close-up red chalk drawing on aged paper depicting the detailed facial features and curly hair of a child.
fig 5. Circle of Michelangelo Anselmi (Italian C. 1492 – C. 1554) - A Red Chalk Renaissance Drawing of a Childs Face.

On 10 September 1537 he contracted to paint frescoes (also extant) in the Chapel of the Immaculate Conception in the church of S. Bartolommeo at Busseto, near Parma; and on 17 May 1540 he undertook the task, originally entrusted to Parmigianino, of painting the 'Coronation of the Virgin' in the eastern apse of S. Maria della Steccata.

fig 6. A close-up red chalk drawing on aged paper depicting the detailed facial features and curly hair of a child.
fig 6. Circle of Michelangelo Anselmi (Italian C. 1492 – C. 1554) - A Red Chalk Renaissance Drawing of a Childs Face.

In Anselmi's case, the design was to be supplied by Giulio Romano. His fresco was finally approved by the Fabbricieri of the church on 4 October 1548, and on the same day he was commissioned to paint the 'Adoration of the Magi' in the western apse. This was not finished when he died, and was completed by Bernardino Gatti.

fig 7. A close-up red chalk drawing on aged paper depicting the detailed facial features and curly hair of a child.
fig 7. Circle of Michelangelo Anselmi (Italian C. 1492 – C. 1554) - A Red Chalk Renaissance Drawing of a Childs Face.

This Renaissance Old Master Drawing is house under art glass to aid viewing and conservatioin. It is presented ready to hang and enjoy in an antique frame with a wonderful mellow gilding.

Higher resolution images on request.

Worldwide shipping available.

Sheet : 10” x 8" / 26cm x 20cm.

Framed: 18" x 13.5" / 46cm x 34cm.

Price: £8800

Date of Manufacture

Period Portraits has dated this Renaissance Red Chalk Drawing to the 16th Century.

Height
46cm (18.11")
Width
34cm (13.39")
Depth
2cm (0.79")
Reference Numbers
Sellingantiques Ref
SA1126341
Period Portraits
Period Portraits
Sellingantiques verified Since Jan 2017

Specialist dealer in portraits from the 17th century to the 20th century. Our stock includes quality oil paintings, drawings, and mezzotints

Dealer Profile

You can view the stock and full dealer information on the Period Portraits Profile Page

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A close-up red chalk drawing on aged paper depicting the detailed facial features and curly hair of a child. SOLD6+ MONTHS AGO
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Archive I A close-up red chalk drawing on aged paper depicting the detailed facial features and curly hair of a child. SOLD6+ MONTHS AGO

Circle of Michelangelo Anselmi (Italian C. 1492 – C. 1554) - A Red Chalk Renaissance Drawing of a Childs Face.

Archive II A close-up red chalk drawing on aged paper depicting the detailed facial features and curly hair of a child. View II
Archive III A close-up red chalk drawing on aged paper depicting the detailed facial features and curly hair of a child. View III
Archive IV A close-up red chalk drawing on aged paper depicting the detailed facial features and curly hair of a child. View IV
Archive V A close-up red chalk drawing on aged paper depicting the detailed facial features and curly hair of a child. View V
Archive VI A close-up red chalk drawing on aged paper depicting the detailed facial features and curly hair of a child. View VI
Archive VII A close-up red chalk drawing on aged paper depicting the detailed facial features and curly hair of a child. View VII
Archive VIII A close-up red chalk drawing on aged paper depicting the detailed facial features and curly hair of a child. View VIII
Enlarged Archival View
Telephone 07889 859729
Location
North Yorkshire
United Kingdom
Verified Since Jan 2017
Items For Sale 47
Items Sold 63
Period Portraits
Period Portraits
Verified Since Jan 2017
View Dealer Info
Location: North Yorkshire, United Kingdom
Verified
Jan 2017
For Sale
47
Sold
63
A close-up red chalk drawing on aged paper depicting the detailed facial features and curly hair of a child.
CIRCLE OF MICHELANGELO ANSELMI (ITALIAN c. 1492 – c. 1554) - A RED CHALK RENAISSANCE DRAWING OF A CHILDS FACE.
Ref: SA1126341
A close-up red chalk drawing on aged paper depicting the detailed facial features and curly hair of a child.
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Archival Detail
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Written by Sellingantiques from the dealer’s photographs and listing
  • ObjectFine Art
  • Period16th century
  • StyleRenaissance
  • MaterialChalk on paper
  • ColourTerracotta
  • MotifsCross-hatching, Chiaroscuro shading, Naturalistic proportions
  • SizeH 46 cm (18 in) x W 34 cm (13 in) x D 2 cm (1 in)

A red chalk drawing, also known as sanguine, is a type of sketch made using iron oxide pigments compressed into a chalk-like stick, heavily utilised by artists during the Italian Renaissance for preparatory studies and finished portraits.

Artists during this period typically utilised handmade laid paper derived from linen rags, pigmented chalk sticks in red, black, or white, and occasionally ink or wash for outlining and shading.

Authenticity is determined through expert stylistic analysis, examination of watermarks on the laid paper under transmitted light, microscopic inspection of the mediums degradation, and provenance research.

Historic drawings are best framed using conservation-grade materials with UV-protective glass and neutral mounts, allowing them to serve as sophisticated focal points on dark or muted walls.

Works on paper must be kept away from direct sunlight and high humidity, framed with acid-free materials, and maintained within stable indoor temperature ranges to prevent yellowing, foxing, and fading.
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