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Marine Watercolour by Max Krause, Leaving Port (Liverpool)
Sold by William Rand Antiques
sold SA992808
Sorry, but this item has been sold.
William Rand Antiques

William Rand Antiques

Sellingantiques Verified Since Dec 2013
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Id #SA992808
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Marine Watercolour by Max Krause, Leaving Port (Liverpool)

1900 - 1920
Sold 6 May 2025 · William Rand Antiques
This “Marine Watercolour by Max Krause, Leaving Port (Liverpool)” found a buyer.

It was listed by William Rand Antiques. Sold pieces stay on Sellingantiques as a record of what has passed through, and the next one is rarely far away.

Description

A good marine watercolour, titled leaving Port (we presume Liverpool) by Max Krause, signed with the artist's pseudonym (M Crouse) - Frederick Heinrich Max Krause. Circa 1900.

In superb condition throughout, a good example of his work, professionally cleaned, conserved and reframed.

Overall dimensions including frame : 26.5 x 21.25 inches

Heinrich Max Krause was born in Biesdorf in Germany in 1861, to Franz Emile Hermann Krause (1836–1900), a landscape artist, and Johann Henrietta Amelia Stock, daughter of another German painter, J. F. A. Stock. The family moved to the UK and settled in Lancashire, where the 1881 census shows the 20-year-old Max living at 28 Bignor Street, Cheetham, Prestwich, with his parents and five siblings. He and his artist brother, Emil Albert Krause, were both taught by their father. In 1916 anti-German feeling prompted Emil Albert to change his name by deed poll to Emil Albert Stock; he is often also wrongly called Emil Axel owing to confusion with a Danish artist.

Source: ARTUK.ORG

Date of Manufacture

William Rand Antiques has dated this Marine Watercolour Painting to the 1900s.

Physical Dimensions
Height
1cm (0.39")
Width
1cm (0.39")
Depth
1cm (0.39")
Reference Numbers
Sellingantiques Reference
SA992808
Dealers Notes

 

UNLESS OTHERWISE STATED, FREE DELIVERY TO MAINLAND UK & ISLE OF MAN

DISTANCE SELLING REGULATIONS : All items purchased from William Rand Antiques are covered under the UK Distance Selling Regulations, which give all buyers the right to cancel the purchase within 7 working days after receipt of the item, for a full refund less RETURN transport costs.

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Description
A good marine watercolour, titled leaving Port (we presume Liverpool) by Max Krause, signed with the artist's pseudonym (M Crouse) - Frederick Heinrich Max Krause. Circa 1900.
“
In superb condition throughout, a good example of his work, professionally cleaned, conserved and reframed.
William Rand Antiques
fig 1. A framed marine watercolour painting depicting sailing vessels and a steam tug on water beneath a cloudy sky.
fig 1. Marine Watercolour by Max Krause, Leaving Port (Liverpool)

Overall dimensions including frame : 26.5 x 21.25 inches

Heinrich Max Krause was born in Biesdorf in Germany in 1861, to Franz Emile Hermann Krause (1836–1900), a landscape artist, and Johann Henrietta Amelia Stock, daughter of another German painter, J. F. A. Stock. The family moved to the UK and settled in Lancashire, where the 1881 census shows the 20-year-old Max living at 28 Bignor Street, Cheetham, Prestwich, with his parents and five siblings. He and his artist brother, Emil Albert Krause, were both taught by their father. In 1916 anti-German feeling prompted Emil Albert to change his name by deed poll to Emil Albert Stock; he is often also wrongly called Emil Axel owing to confusion with a Danish artist.

Source: ARTUK.ORG

Date of Manufacture

William Rand Antiques has dated this Marine Watercolour Painting to the 1900s.

Height
1cm (0.39")
Width
1cm (0.39")
Depth
1cm (0.39")
Reference Numbers
Sellingantiques Ref
SA992808
William Rand Antiques
William Rand Antiques
Sellingantiques verified Since Dec 2013

The isle of man's premier antique shop

Dealer Profile

You can view the stock and full dealer information on the William Rand Antiques Profile Page

Trade Associations

William Rand Antiques is a registered member of LAPADA 

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A framed marine watercolour painting depicting sailing vessels and a steam tug on water beneath a cloudy sky. SOLD6+ MONTHS AGO
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Archive I A framed marine watercolour painting depicting sailing vessels and a steam tug on water beneath a cloudy sky. SOLD6+ MONTHS AGO

Marine Watercolour by Max Krause, Leaving Port (Liverpool)

Archive II A framed marine watercolour painting depicting sailing vessels and a steam tug on water beneath a cloudy sky. View II
Archive III A framed marine watercolour painting depicting sailing vessels and a steam tug on water beneath a cloudy sky. View III
Enlarged Archival View
Telephone 07624 207 843
Location
The Courtyard
3 Water Street
Ramsey
Isle of Man
IM8 1JP
United Kingdom
Verified Since Dec 2013
Items For Sale 126
Items Sold 3,781
William Rand Antiques
William Rand Antiques
Verified Since Dec 2013
View Dealer Info
Location: The Courtyard, 3 Water Street, Ramsey, Isle of Man, IM8 1JP, United Kingdom
Verified
Dec 2013
For Sale
126
Sold
3,781
A framed marine watercolour painting depicting sailing vessels and a steam tug on water beneath a cloudy sky.
Marine watercolour by Max Krause, leaving Port (Liverpool)
Ref: SA992808
A framed marine watercolour painting depicting sailing vessels and a steam tug on water beneath a cloudy sky.
Detail View 1
Detail View 2
Archival Detail
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Written by Sellingantiques from the dealer’s photographs and listing
  • ObjectFramed Art
  • Period1900 - 1920
  • StyleVictorian & Gothic
  • Material[Paper, Watercolour pigment, Wood, Glass]
  • ColourBlue
  • MotifsSailing vessels, Harbour scene, Cloud study, Gold frame
  • SizeH 1 cm (0 in) x W 1 cm (0 in) x D 1 cm (0 in)

Marine watercolour paintings depict maritime subjects such as ships, harbours, and seascapes using water-soluble pigments on paper, gaining popularity during the 18th and 19th centuries as travel and global trade expanded.

Traditional watercolours utilise finely ground pigments bound with gum arabic applied to handmade rag paper or watercolour boards, typically framed under glass with wooden mouldings.

Authentic pieces exhibit period-appropriate paper watermarks, subtle pigment ageing, handcrafted framing methods, and artist signatures consistent with historical records.

These works suit traditional studies, hallways, or living rooms, often paired with neutral walls and subtle lighting to highlight the delicate pigment work without causing light damage.

Preservation requires hanging away from direct sunlight to prevent fading, maintaining stable indoor humidity levels, and ensuring conservation-grade framing with UV-filtering glass.
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