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Art Nouveau Bronze Bust Entitled "Silvia" by Emmanuel Villanis
Hickmet Fine Arts
for sale €3,218     $3,493
£2,750
Hickmet Fine Arts

Hickmet Fine Arts

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    Established in 1936, hickmet fine arts is an international family run antiques business
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Art Nouveau Bronze Bust Entitled "Silvia" by Emmanuel Villanis

19th century
Description

A very fine late 19th Century French bronze bust of an attractive classical maiden modelled in the Art Nouveau style, with fabulous multi hued patination of brown and a subtle green, accentuating the excellent hand finished detail. Signed E Villanis, with Societe des Bronzes foundry seal, numbered and with raised title to the fore.

ADDITIONAL INFORMATION

Height: 28 cm

Width: 16 cm

Depth: 10 cm

Condition: Excellent Original Condition

Circa: 1890

Materials: Bronze

Book Ref: Emmanuel Villanis by Josje Hortulanus-de Mik

Page No: 79

SKU: 8775

ABOUT

Sylvia Ballet - Silvia

Sylvia, (the spelling is different in french) is a classical ballet. It features a nondescript mythical setting and a late nineteenth-century score, in which it's themes correlate to giving it a more classical feel, however, it was quite revolutionary for its time. The score was and still is recognized for its greatness. Delibes' work is certainly the best appreciated aspect of the ballet for its innovation, creativity, and maturity. Frederick Ashton's choreography complements the music very well in this respect, staying true to the spirit of the original production while incorporating modern techniques and adding his own unique touch.

The ballet itself follows Sylvia who is a loyal follower of Diana (the goddess of the hunting and chassitity). The story starts with Sylvia being stalked by the diety Eros. When she discovers this they fire their bows at each other respectively. However only Eros's shot is true and wounds Sylvia. This is where she is kidnapped by an unknown assailant later revealed to be Orion.

Sylvia escapes the caves of Orion by getting her captor intoxicated and pleading to Eros to rescue her. When he begrudgingly rescues her he takes her to the temple of Diana where her love awaits. This leads her to repeal her oath of Chassity taken as a follower of Diana.

Emmanuel Villanis

Emmanuel Villanis was an industrious man. He is believed to have created some 200 to 250 pieces. His oeuvre pre-eminently consisted of busts and full body statues. Most of these were manufactured in bronze, but there are also models in white metal and terra cotta. Different patinas were used. The bronzes were mainly cast by the Societé de Bronzes de Paris and can be recognised by the round stamp (cachet) at the back of the statue. In addition, reliefs, vases, lamps, clocks and ink stands are recorded . Vases and lamps were mostly made of tin, and there are also marble statues. Pieces in which ivory is used are as rare as silver statues.

Villanis was inspired by women. He dedicated almost his complete works to them. One model in particular was portrayed many times by him. His portrayals of children may be less known, but are nevertheless wonderfully done. His statues are always in perfect proportion and are full of expression: dreamy-eyed, happy, sirene, indifferent, cheeky, serious, sad, detached, melancholy.

His style can always be recognised by his use of hollowed out eyeballs. The name of the statue can usually be found on the base in scrolled script and the signature of Emmanuel Villanis is always visible and legible.

To view more sculptures by Emmanuel Villanis please click here.

Read less...

Physical Dimensions
Height
28cm (11.02")
Width
16cm (6.30")
Depth
10cm (3.94")
Declaration

Hickmet Fine Arts has dated this Art Nouveau Bronze Bust to the 1890s.

Reference Numbers
Sellingantiques Reference
SA977689
Dealers Internal Reference
8775
Dealers Notes

Please contact us for a shipping quotes.

Viewing can be arranged at our gallery and everything sold by Hickmet Fine Arts comes with a full certificate of Authenticity and Valuation.

If you have enjoyed seeing this item and wish to see more quality pieces please visit our website www.hickmet.com

Description
A very fine late 19th Century French bronze bust of an attractive classical maiden modelled in the Art Nouveau style, with fabulous multi hued patination of brown and a subtle green, accentuating the excellent hand finished detail.
Signed E Villanis, with Societe des Bronzes foundry seal, numbered and with raised title to the fore.
Hickmet Fine Arts
fig 1. An Art Nouveau patinated bronze bust titled Silvia, featuring a female portrait sculpture on an integrated cast base.
fig 1. Art Nouveau Bronze Bust Entitled "Silvia" by Emmanuel Villanis

ADDITIONAL INFORMATION

Height: 28 cm

Width: 16 cm

Depth: 10 cm

Condition: Excellent Original Condition

fig 2. An Art Nouveau patinated bronze bust titled Silvia, featuring a female portrait sculpture on an integrated cast base.
fig 2. Art Nouveau Bronze Bust Entitled "Silvia" by Emmanuel Villanis

Circa: 1890

Materials: Bronze

Book Ref: Emmanuel Villanis by Josje Hortulanus-de Mik

Page No: 79

fig 3. An Art Nouveau patinated bronze bust titled Silvia, featuring a female portrait sculpture on an integrated cast base.
fig 3. Art Nouveau Bronze Bust Entitled "Silvia" by Emmanuel Villanis

SKU: 8775

ABOUT

Sylvia Ballet - Silvia

Sylvia, (the spelling is different in french) is a classical ballet. It features a nondescript mythical setting and a late nineteenth-century score, in which it's themes correlate to giving it a more classical feel, however, it was quite revolutionary for its time. The score was and still is recognized for its greatness. Delibes' work is certainly the best appreciated aspect of the ballet for its innovation, creativity, and maturity. Frederick Ashton's choreography complements the music very well in this respect, staying true to the spirit of the original production while incorporating modern techniques and adding his own unique touch.

fig 4. An Art Nouveau patinated bronze bust titled Silvia, featuring a female portrait sculpture on an integrated cast base.
fig 4. Art Nouveau Bronze Bust Entitled "Silvia" by Emmanuel Villanis

The ballet itself follows Sylvia who is a loyal follower of Diana (the goddess of the hunting and chassitity). The story starts with Sylvia being stalked by the diety Eros. When she discovers this they fire their bows at each other respectively. However only Eros's shot is true and wounds Sylvia. This is where she is kidnapped by an unknown assailant later revealed to be Orion.

fig 5. An Art Nouveau patinated bronze bust titled Silvia, featuring a female portrait sculpture on an integrated cast base.
fig 5. Art Nouveau Bronze Bust Entitled "Silvia" by Emmanuel Villanis

Sylvia escapes the caves of Orion by getting her captor intoxicated and pleading to Eros to rescue her. When he begrudgingly rescues her he takes her to the temple of Diana where her love awaits. This leads her to repeal her oath of Chassity taken as a follower of Diana.

fig 6. An Art Nouveau patinated bronze bust titled Silvia, featuring a female portrait sculpture on an integrated cast base.
fig 6. Art Nouveau Bronze Bust Entitled "Silvia" by Emmanuel Villanis

Emmanuel Villanis

Emmanuel Villanis was an industrious man. He is believed to have created some 200 to 250 pieces. His oeuvre pre-eminently consisted of busts and full body statues. Most of these were manufactured in bronze, but there are also models in white metal and terra cotta. Different patinas were used. The bronzes were mainly cast by the Societé de Bronzes de Paris and can be recognised by the round stamp (cachet) at the back of the statue. In addition, reliefs, vases, lamps, clocks and ink stands are recorded . Vases and lamps were mostly made of tin, and there are also marble statues. Pieces in which ivory is used are as rare as silver statues.

fig 7. An Art Nouveau patinated bronze bust titled Silvia, featuring a female portrait sculpture on an integrated cast base.
fig 7. Art Nouveau Bronze Bust Entitled "Silvia" by Emmanuel Villanis

Villanis was inspired by women. He dedicated almost his complete works to them. One model in particular was portrayed many times by him. His portrayals of children may be less known, but are nevertheless wonderfully done. His statues are always in perfect proportion and are full of expression: dreamy-eyed, happy, sirene, indifferent, cheeky, serious, sad, detached, melancholy.

fig 8. An Art Nouveau patinated bronze bust titled Silvia, featuring a female portrait sculpture on an integrated cast base.
fig 8. Art Nouveau Bronze Bust Entitled "Silvia" by Emmanuel Villanis

His style can always be recognised by his use of hollowed out eyeballs. The name of the statue can usually be found on the base in scrolled script and the signature of Emmanuel Villanis is always visible and legible.

To view more sculptures by Emmanuel Villanis please click here.

Read less...

Height
28cm (11.02")
Width
16cm (6.30")
Depth
10cm (3.94")
Date of Manufacture

Hickmet Fine Arts has dated this Art Nouveau Bronze Bust to the 1890s.

Reference Numbers
Sellingantiques Ref
SA977689
Dealers Internal Ref
8775
Hickmet Fine Arts
Hickmet Fine Arts
Sellingantiques verified Since Apr 2012

Established in 1936, hickmet fine arts is an international family run antiques business

Dealer Profile

You can view the stock and full dealer information on the Hickmet Fine Arts Profile Page

Trade Associations

Hickmet Fine Arts is a registered member of LAPADA  BADA  CINOA

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An Art Nouveau patinated bronze bust titled Silvia, featuring a female portrait sculpture on an integrated cast base.
1 / 13
Archive I An Art Nouveau patinated bronze bust titled Silvia, featuring a female portrait sculpture on an integrated cast base.

Art Nouveau Bronze Bust Entitled "Silvia" by Emmanuel Villanis

Archive II An Art Nouveau patinated bronze bust titled Silvia, featuring a female portrait sculpture on an integrated cast base. View II
Archive III An Art Nouveau patinated bronze bust titled Silvia, featuring a female portrait sculpture on an integrated cast base. View III
Archive IV An Art Nouveau patinated bronze bust titled Silvia, featuring a female portrait sculpture on an integrated cast base. View IV
Archive V An Art Nouveau patinated bronze bust titled Silvia, featuring a female portrait sculpture on an integrated cast base. View V
Archive VI An Art Nouveau patinated bronze bust titled Silvia, featuring a female portrait sculpture on an integrated cast base. View VI
Archive VII An Art Nouveau patinated bronze bust titled Silvia, featuring a female portrait sculpture on an integrated cast base. View VII
Archive VIII An Art Nouveau patinated bronze bust titled Silvia, featuring a female portrait sculpture on an integrated cast base. View VIII
Archive IX An Art Nouveau patinated bronze bust titled Silvia, featuring a female portrait sculpture on an integrated cast base. View IX
Archive X An Art Nouveau patinated bronze bust titled Silvia, featuring a female portrait sculpture on an integrated cast base. View X
Archive XI An Art Nouveau patinated bronze bust titled Silvia, featuring a female portrait sculpture on an integrated cast base. View XI
Archive XII An Art Nouveau patinated bronze bust titled Silvia, featuring a female portrait sculpture on an integrated cast base. View XII
Archive XIII An Art Nouveau patinated bronze bust titled Silvia, featuring a female portrait sculpture on an integrated cast base. View XIII
Enlarged Archival View
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85 Portobello Road
London
W11 2QB
United Kingdom
Verified Since Apr 2012
Items For Sale 112
Items Sold 6
Hickmet Fine Arts
Hickmet Fine Arts
Verified Since Apr 2012
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Verified
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For Sale
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An Art Nouveau patinated bronze bust titled Silvia, featuring a female portrait sculpture on an integrated cast base.
Art Nouveau Bronze Bust entitled "Silvia" by Emmanuel Villanis
Ref: SA977689
An Art Nouveau patinated bronze bust titled Silvia, featuring a female portrait sculpture on an integrated cast base.
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Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

Art Nouveau bronze sculptures, produced from the late 19th to early 20th century, feature organic forms, sinuous flowing lines, and romanticised human portraiture often inspired by classical themes and natural motifs.

These pieces were typically cast using either the lost-wax (cire perdue) process or sand casting techniques, followed by hand-chasing to refine surface details and the application of chemical patinas.

Authentic examples generally feature cast signatures embedded in the metal, integrated title lettering on the base, foundry marks, and evidence of period-appropriate chemical patination.

Position the sculpture on a marble mantelpiece, a dark wood sideboard, or a structured bookcase where directional lighting can highlight the metallic contours and patinated finish.

Dust regularly using a soft dry cloth or soft-bristled brush. Avoid abrasive cleaners or water, and apply microcrystalline wax occasionally to protect the original patina from oxidisation.
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