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Welsh British Modernist, Ca 1905: Purple Hills, Clouds with a Silver Lining, Italian Village Oil on Canvas
Skippings Fine Arts
for sale €1,463     $1,588
£1,250
Skippings Fine Arts

Skippings Fine Arts

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Welsh British Modernist, Ca 1905: Purple Hills, Clouds with a Silver Lining, Italian Village Oil on Canvas

1900 - 1920
Description

Welsh British Modernist, ca 1905: purple hills, clouds with a silver lining, Italian Village oil on canvas.

An extraordinary art nouveau painting with exquisite colours. It is a work by Welsh modernist Christopher Williams RBA (1873–1934), an artist who is only just being rediscovered in this century.

Williams was born in Maesteg in 1873. He studied initially at the NeathTechnical Institute, and from 1893 at the Royal College of Art ("the only Welshman there") and the Royal Academy Schools.

He became a member of the Royal Society of British Artists and also exhibited with the Royal Society of Portrait Painters until 1930.

In 1911, Williams received a commission from King George V to work on a commemorative painting of the Investiture of Edward, Prince of Wales. As well as attending the ceremony, he visited Buckingham Palace, where the Royal Family sat for him in order to complete the detail of the picture.

Among his portraits were those of David Lloyd George, Sir John Williams, Sir John Rhys, Sir Henry Jones, Sir John Morris Jones, Dr Stanton Coit, Sir Frederick Mills and John Hinds MP. Lloyd George described him as "one of the most gifted artists Wales has produced".

During the First World War, Williams painted The Welsh at Mametz Wood, now in Amgueddfa Cymru – National Museum Wales.

He painted landscapes in Wales, Switzerland, Italy, France, Spain, Morocco and Holland.

The painting presented here, originally with Leigh Underhill Gallery in London, is titled Italian Hill on its original label to the verso. Williams spent a year in Italy in 1905-06 with his young wife Emily Appleyard, and it is very likely the work was painted during that time. The early date makes the audacity of the colours even more exciting.

The shades of purple, lavender are almost hypnotic; the turquoise clouds have a silvery-white lining.

Works by the artist are in the collections of the National Museum of Wales, National Library of Wales, Royal Collection, Glynn Vivian Art Gallery, Newport Museum, Parc Howard Museum and Art Gallery, Carmarthenshire County Museum, Maesteg Town Hall, Bridgend County Borough Council, Caernarfon Council, Harewood House, Aberystwyth University, National Liberal Club, Lloyd George Museum, Ffyone Mansion, Bangor University, Hunterian Museum and Art Gallery, Froebel College, Templeton House, Dulwich College, Llandovery College, Neath Port Talbot College, Bradford Museums Galleries and Heritage.

In 1973, an exhibition was organised on the centenary of William's birth at the National Museum of Wales, Glynn Vivian Art Gallery and Maesteg Town Hall. A major retrospective exhibition of his work took place from July to September 2012 at the National Library of Wales in Aberystwyth.

A full - and more lively - biography may be found on the site of Robert Meyrick who conceived, researched and curated an exhibition at the National Library of Wales in 2012.

Our beautiful oil on canvas is signed at the lower right and measures 55.5 x 43 cm.

It is presented in a beautiful period hardwood frame by frame maker John Smith at 117 Hampstead Road, London NW, who is referenced in the archives of the National Portrait Gallery. The overall framed size is 49.5 x 62 cm

Physical Dimensions
Height
55.5cm (21.85")
Width
43cm (16.93")
Depth
1cm (0.39")
Declaration

Skippings Fine Arts has dated this Modernist Italian Landscape Painting to the Edwardian era.

Reference Numbers
Sellingantiques Reference
SA974766
Dealers Notes

Nous parlons français, und wir sprechen auch Deutsch! Paintings may be viewed in Norwich and in Paris, as well as in London and Cambridge by appointment. Please contact us if you would like further details and images of an artwork.

Description
Welsh British Modernist, ca 1905: purple hills, clouds with a silver lining, Italian Village oil on canvas.

An extraordinary art nouveau painting with exquisite colours.

It is a work by Welsh modernist Christopher Williams RBA (1873–1934), an artist who is only just being rediscovered in this century.
Skippings Fine Arts
fig 1. An early twentieth-century oil painting on canvas depicting an Italian hillside village framed by cypress trees, rendered in shades of purple, turquoise, and ochre, signed Christopher Williams in the lower left corner.
fig 1. Welsh British Modernist, Ca 1905: Purple Hills, Clouds with a Silver Lining, Italian Village Oil on Canvas

Williams was born in Maesteg in 1873. He studied initially at the NeathTechnical Institute, and from 1893 at the Royal College of Art ("the only Welshman there") and the Royal Academy Schools.

He became a member of the Royal Society of British Artists and also exhibited with the Royal Society of Portrait Painters until 1930.

fig 2. An early twentieth-century oil painting on canvas depicting an Italian hillside village framed by cypress trees, rendered in shades of purple, turquoise, and ochre, signed Christopher Williams in the lower left corner.
fig 2. Welsh British Modernist, Ca 1905: Purple Hills, Clouds with a Silver Lining, Italian Village Oil on Canvas

In 1911, Williams received a commission from King George V to work on a commemorative painting of the Investiture of Edward, Prince of Wales. As well as attending the ceremony, he visited Buckingham Palace, where the Royal Family sat for him in order to complete the detail of the picture.

fig 3. An early twentieth-century oil painting on canvas depicting an Italian hillside village framed by cypress trees, rendered in shades of purple, turquoise, and ochre, signed Christopher Williams in the lower left corner.
fig 3. Welsh British Modernist, Ca 1905: Purple Hills, Clouds with a Silver Lining, Italian Village Oil on Canvas

Among his portraits were those of David Lloyd George, Sir John Williams, Sir John Rhys, Sir Henry Jones, Sir John Morris Jones, Dr Stanton Coit, Sir Frederick Mills and John Hinds MP. Lloyd George described him as "one of the most gifted artists Wales has produced".

fig 4. An early twentieth-century oil painting on canvas depicting an Italian hillside village framed by cypress trees, rendered in shades of purple, turquoise, and ochre, signed Christopher Williams in the lower left corner.
fig 4. Welsh British Modernist, Ca 1905: Purple Hills, Clouds with a Silver Lining, Italian Village Oil on Canvas

During the First World War, Williams painted The Welsh at Mametz Wood, now in Amgueddfa Cymru – National Museum Wales.

He painted landscapes in Wales, Switzerland, Italy, France, Spain, Morocco and Holland.

fig 5. An early twentieth-century oil painting on canvas depicting an Italian hillside village framed by cypress trees, rendered in shades of purple, turquoise, and ochre, signed Christopher Williams in the lower left corner.
fig 5. Welsh British Modernist, Ca 1905: Purple Hills, Clouds with a Silver Lining, Italian Village Oil on Canvas

The painting presented here, originally with Leigh Underhill Gallery in London, is titled Italian Hill on its original label to the verso. Williams spent a year in Italy in 1905-06 with his young wife Emily Appleyard, and it is very likely the work was painted during that time. The early date makes the audacity of the colours even more exciting.

The shades of purple, lavender are almost hypnotic; the turquoise clouds have a silvery-white lining.

Works by the artist are in the collections of the National Museum of Wales, National Library of Wales, Royal Collection, Glynn Vivian Art Gallery, Newport Museum, Parc Howard Museum and Art Gallery, Carmarthenshire County Museum, Maesteg Town Hall, Bridgend County Borough Council, Caernarfon Council, Harewood House, Aberystwyth University, National Liberal Club, Lloyd George Museum, Ffyone Mansion, Bangor University, Hunterian Museum and Art Gallery, Froebel College, Templeton House, Dulwich College, Llandovery College, Neath Port Talbot College, Bradford Museums Galleries and Heritage.

In 1973, an exhibition was organised on the centenary of William's birth at the National Museum of Wales, Glynn Vivian Art Gallery and Maesteg Town Hall. A major retrospective exhibition of his work took place from July to September 2012 at the National Library of Wales in Aberystwyth.

A full - and more lively - biography may be found on the site of Robert Meyrick who conceived, researched and curated an exhibition at the National Library of Wales in 2012.

Our beautiful oil on canvas is signed at the lower right and measures 55.5 x 43 cm.

It is presented in a beautiful period hardwood frame by frame maker John Smith at 117 Hampstead Road, London NW, who is referenced in the archives of the National Portrait Gallery. The overall framed size is 49.5 x 62 cm

Height
55.5cm (21.85")
Width
43cm (16.93")
Depth
1cm (0.39")
Date of Manufacture

Skippings Fine Arts has dated this Modernist Italian Landscape Painting to the Edwardian era.

Reference Numbers
Sellingantiques Ref
SA974766
Skippings Fine Arts
Skippings Fine Arts
Sellingantiques verified Since Feb 2018

Modern french & continental pictures selected by a former french auction house expert

Dealer Profile

You can view the stock and full dealer information on the Skippings Fine Arts Profile Page

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An early twentieth-century oil painting on canvas depicting an Italian hillside village framed by cypress trees, rendered in shades of purple, turquoise, and ochre, signed Christopher Williams in the lower left corner.
1 / 6
Archive I An early twentieth-century oil painting on canvas depicting an Italian hillside village framed by cypress trees, rendered in shades of purple, turquoise, and ochre, signed Christopher Williams in the lower left corner.

Welsh British Modernist, Ca 1905: Purple Hills, Clouds with a Silver Lining, Italian Village Oil on Canvas

Archive II An early twentieth-century oil painting on canvas depicting an Italian hillside village framed by cypress trees, rendered in shades of purple, turquoise, and ochre, signed Christopher Williams in the lower left corner. View II
Archive III An early twentieth-century oil painting on canvas depicting an Italian hillside village framed by cypress trees, rendered in shades of purple, turquoise, and ochre, signed Christopher Williams in the lower left corner. View III
Archive IV An early twentieth-century oil painting on canvas depicting an Italian hillside village framed by cypress trees, rendered in shades of purple, turquoise, and ochre, signed Christopher Williams in the lower left corner. View IV
Archive V An early twentieth-century oil painting on canvas depicting an Italian hillside village framed by cypress trees, rendered in shades of purple, turquoise, and ochre, signed Christopher Williams in the lower left corner. View V
Archive VI An early twentieth-century oil painting on canvas depicting an Italian hillside village framed by cypress trees, rendered in shades of purple, turquoise, and ochre, signed Christopher Williams in the lower left corner. View VI
Enlarged Archival View
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Norfolk
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Verified Since Feb 2018
Items For Sale 168
Items Sold 684
Skippings Fine Arts
Skippings Fine Arts
Verified Since Feb 2018
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Location: Norfolk, United Kingdom, , By appointment
Verified
Feb 2018
For Sale
168
Sold
684
An early twentieth-century oil painting on canvas depicting an Italian hillside village framed by cypress trees, rendered in shades of purple, turquoise, and ochre, signed Christopher Williams in the lower left corner.
Welsh British Modernist, ca 1905: purple hills, clouds with a silver lining, Italian Village oil on canvas
Ref: SA974766
An early twentieth-century oil painting on canvas depicting an Italian hillside village framed by cypress trees, rendered in shades of purple, turquoise, and ochre, signed Christopher Williams in the lower left corner.
Detail View 1
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Archival Detail
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Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

British Modernist landscape art from the early 1900s combined traditional figurative subjects with post-impressionist colour exploration and structured compositions. Artists incorporated vibrant palettes, simplified geometric forms, and expressive brushwork inspired by continental European movements.

Paintings from this period were typically executed using oil pigments bound with linseed oil on hand-stretched linen or cotton canvas. Artists worked both en plein air and in studios, using natural bristles and timber stretchers with wooden keys to maintain canvas tension.

Authentic works from this period feature characteristic aging, such as natural craquelure and canvas darkening on the reverse. Artist signatures, exhibition labels, period frame markings, and consistent brush technique matching known historical auction records also assist verification.

Integrate the painting into a room by pairing its dominant tonal values with muted wall colours or natural timber furniture. Mounting the canvas in a minimal modern tray frame or a classic wooden frame allows it to bridge both contemporary and traditional decorative schemes.

Display oil paintings away from direct sunlight, extreme humidity, and direct heat sources to prevent cracking or warping. Dust gently using a soft, dry natural hair brush, and consult a professional conservator for surface cleaning or varnish restoration.
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