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ID #SA957419
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Victorian Oil Painting Horses on the Road to Chester by Edward Lloyd
For sale by Cheshire Antiques Consultant Ltd
for sale €8,190     $8,890
£7,000
Cheshire Antiques Consultant Ltd

Cheshire Antiques Consultant Ltd

Sellingantiques Verified Since Jan 2021
Browse dealers 249 items
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    Source the historic in 17th, 18th, 19th & 20th century fine arts, painting, sculptures & collectibles
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Victorian Oil Painting Horses on the Road to Chester by Edward Lloyd

19th century
Description

1 Fine Art Antique 19th Century Victorian English Oil Painting Edward Lloyd Of Ellesmere Horses Going To Market "On The Road" Travelling To Chester.

Subject genre scene of a horse merchant trader taking his horses to sell in the market in Chester, he is wearing a thick fine country coat and travelling on an old dirt path road riding his brown horse and leading another lighter brown horse just behind him and further back with a beautiful white horse following behind. His location is travelling through the hillside path through Beeston Peckforton Hills Cheshire approaching a cross road at the top, with a sign right by him saying Chester which is to the right. With further horses and a rider in front of him in the distance, who are all travelling to Chester To the left are landscape views of hills covered with green grass the landscape, lower down to the right are some pretty flowers along the road side.

Such an intriguing scene a great conversation piece to your guests.

Signed by the known English Artist Edward Lloyd of Ellesmere.

Circa 19th century dated 4th August 1874.

Oil on canvas.

Set in a fine original moulded floral gilt frame.

Edward Lloyd (1818-1901) competent English artist was trained as an artist by Mr Agnew of Manchester and subsequently excelled as an equine artist.

The Marquis of Hastings, nicknamed “Champagne Charlie” , once wagered that he could produce a finer equine artist then Landseer. Edward Lloyd and Landseer both painted a portrait of the same horse, their signature were masked and a panel of experts unanimously agreed that Edward Lloyd’s painting was immeasurably superior.

Edward Lloyd was a sporting English artist from Ellesmere in Shropshire. Who specialised and is recognised for his ability to paint in animal portraiture for many years, particularly horses, as well as sheep and cattle.

Edward Lloyd had an exhibit at the Royal Academy in 1861 which was of Shropshire Down sheep, whilst he lived at Willow Street Ellesmere.

Edward Lloyd painted a fine picture of hunters at Wynnstay and also recorded amongst other horse portraits is that of a Welsh stallion. All his work has been seen has been of very good quality.

Most of the recorded work of Edward Lloyd is horse portraiture, frequently in landscape. Many examples of his work hag on the walls of country estates in Shropshire & England & Wales, including some fine examples at “Attingham Park” .

Edward Lloyd also worked in watercolours, he invariably signed and date his work and inscribed it “Ellesmere”. Lloyd had a close association with Ellesmere and the large country estates of Shropshire and Welsh border and his work has been compared to another famous artist Sir Edwin Henry Landseer (1802-73).

Such a delightful scene to the eye.

Edward Lloyd's work has been offered at auction multiple times, with realized prices ranging up to 11,185 USD, depending on the size and medium of the artwork. Since 2007 the record price for this artist at auction is 11,185 USD for The day's bag, sold at Christie's South Kensington in 2013.

Provenance from the collection of Albert Helliwell deceased estate & auction label verso.

Highly sought after due to the collectible nature of the subject matter such elaborate detail.

The brushwork is of highest exceptional quality.

With new hanging thread on the back ready for immediate home display.

Incredible conversation piece for your guests.

We only select & sell paintings based upon subject, quality & significance.

We provide our clients with friendly professional customer service.

Condition report.

Offered in fine used worn condition.

Having various, foxing staining, craquelure and old restoration in various places to the canvas surface and paint touch ups also loss of paint, indentation pressing mark lines of the frame showing around the sides in areas.

With various noticeable scuffs, wear, chips & di

Date of Manufacture

Cheshire Antiques Consultant Ltd has dated this Victorian Equestrian Oil Painting to the Victorian era.

Independent Date Guide ID 07701933
Dealer's Item DateVictorian era
Sellingantiques DateVictorian era
Sellingantiques agingItem is 152 years old
ResultsDates match
Why Sellingantiques dated this piece to THE VICTORIAN ERA:
Signature and date lower right: inscribed Ellesmere, 4 August 1874.
Fine network of craquelure across the paint: natural curing over many decades.
Stretcher bar impressions along the canvas edges: tension held over generations of hanging.

This Independent Date Guide was compiled by Sellingantiques using its own proprietary system. It works only from the photographs shown on this page and is never told the date the dealer has declared. It is a guide, not a guarantee of age, and occasional errors can occur.

Physical Dimensions
Height
69.5cm (27.36")
Width
84.5cm (33.27")
Depth
7.5cm (2.95")
Reference Numbers
Sellingantiques Reference
SA957419
Dealers Internal Reference
401
Dealers Notes

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UK Telephone: 07494 763382

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Purchases are arranged directly with Cheshire Antiques Consultant LTD® following an enquiry.

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IMPORTANT INFORMATION

All artworks and antiques remain subject to prior sale and availability.

Purchases are governed by the applicable Terms & Conditions and Returns Policy of Cheshire Antiques Consultant LTD®.

Nothing in this information excludes or restricts statutory consumer rights.

Cheshire Antiques Consultant LTD®

Registered in England & Wales

Company No. 15666518

VAT No. GB 466128775

Description
1 Fine Art Antique 19th Century Victorian English Oil Painting Edward Lloyd Of Ellesmere Horses Going To Market "On The Road" Travelling To Chester.

Subject genre scene of a horse merchant trader taking his horses to sell in the market in Chester, he is wearing a thick fine country coat and travelling on an old dirt path road riding his brown horse and leading another lighter brown horse just behind him and further back with a beautiful white horse following behind.

“
His location is travelling through the hillside path through Beeston Peckforton Hills Cheshire approaching a cross road at the top, with a sign right by him saying Chester which is to the right.
Cheshire Antiques Consultant Ltd

With further horses and a rider in front of him in the distance, who are all travelling to Chester To the left are landscape views of hills covered with green grass the landscape, lower down to the right are some pretty flowers along the road side.

fig 1. A Victorian equestrian oil painting depicting horses and a rider on a dirt path with a signpost, set within an ornate gilded frame.
fig 1. Victorian Oil Painting Horses on the Road to Chester by Edward Lloyd

Such an intriguing scene a great conversation piece to your guests.

Signed by the known English Artist Edward Lloyd of Ellesmere.

Circa 19th century dated 4th August 1874.

Oil on canvas.

Set in a fine original moulded floral gilt frame.

fig 2. A Victorian equestrian oil painting depicting horses and a rider on a dirt path with a signpost, set within an ornate gilded frame.
fig 2. Victorian Oil Painting Horses on the Road to Chester by Edward Lloyd

Edward Lloyd (1818-1901) competent English artist was trained as an artist by Mr Agnew of Manchester and subsequently excelled as an equine artist.

The Marquis of Hastings, nicknamed “Champagne Charlie” , once wagered that he could produce a finer equine artist then Landseer. Edward Lloyd and Landseer both painted a portrait of the same horse, their signature were masked and a panel of experts unanimously agreed that Edward Lloyd’s painting was immeasurably superior.

fig 3. A Victorian equestrian oil painting depicting horses and a rider on a dirt path with a signpost, set within an ornate gilded frame.
fig 3. Victorian Oil Painting Horses on the Road to Chester by Edward Lloyd

Edward Lloyd was a sporting English artist from Ellesmere in Shropshire. Who specialised and is recognised for his ability to paint in animal portraiture for many years, particularly horses, as well as sheep and cattle.

fig 4. A Victorian equestrian oil painting depicting horses and a rider on a dirt path with a signpost, set within an ornate gilded frame.
fig 4. Victorian Oil Painting Horses on the Road to Chester by Edward Lloyd

Edward Lloyd had an exhibit at the Royal Academy in 1861 which was of Shropshire Down sheep, whilst he lived at Willow Street Ellesmere.

Edward Lloyd painted a fine picture of hunters at Wynnstay and also recorded amongst other horse portraits is that of a Welsh stallion. All his work has been seen has been of very good quality.

fig 5. A Victorian equestrian oil painting depicting horses and a rider on a dirt path with a signpost, set within an ornate gilded frame.
fig 5. Victorian Oil Painting Horses on the Road to Chester by Edward Lloyd

Most of the recorded work of Edward Lloyd is horse portraiture, frequently in landscape. Many examples of his work hag on the walls of country estates in Shropshire & England & Wales, including some fine examples at “Attingham Park” .

fig 6. A Victorian equestrian oil painting depicting horses and a rider on a dirt path with a signpost, set within an ornate gilded frame.
fig 6. Victorian Oil Painting Horses on the Road to Chester by Edward Lloyd

Edward Lloyd also worked in watercolours, he invariably signed and date his work and inscribed it “Ellesmere”. Lloyd had a close association with Ellesmere and the large country estates of Shropshire and Welsh border and his work has been compared to another famous artist Sir Edwin Henry Landseer (1802-73).

fig 7. A Victorian equestrian oil painting depicting horses and a rider on a dirt path with a signpost, set within an ornate gilded frame.
fig 7. Victorian Oil Painting Horses on the Road to Chester by Edward Lloyd

Such a delightful scene to the eye.

Edward Lloyd's work has been offered at auction multiple times, with realized prices ranging up to 11,185 USD, depending on the size and medium of the artwork. Since 2007 the record price for this artist at auction is 11,185 USD for The day's bag, sold at Christie's South Kensington in 2013.

fig 8. A Victorian equestrian oil painting depicting horses and a rider on a dirt path with a signpost, set within an ornate gilded frame.
fig 8. Victorian Oil Painting Horses on the Road to Chester by Edward Lloyd

Provenance from the collection of Albert Helliwell deceased estate & auction label verso.

Highly sought after due to the collectible nature of the subject matter such elaborate detail.

The brushwork is of highest exceptional quality.

fig 9. A Victorian equestrian oil painting depicting horses and a rider on a dirt path with a signpost, set within an ornate gilded frame.
fig 9. Victorian Oil Painting Horses on the Road to Chester by Edward Lloyd

With new hanging thread on the back ready for immediate home display.

Incredible conversation piece for your guests.

We only select & sell paintings based upon subject, quality & significance.

We provide our clients with friendly professional customer service.

fig 10. A Victorian equestrian oil painting depicting horses and a rider on a dirt path with a signpost, set within an ornate gilded frame.
fig 10. Victorian Oil Painting Horses on the Road to Chester by Edward Lloyd

Condition report.

Offered in fine used worn condition.

Having various, foxing staining, craquelure and old restoration in various places to the canvas surface and paint touch ups also loss of paint, indentation pressing mark lines of the frame showing around the sides in areas.

With various noticeable scuffs, wear, chips & di

Date of Manufacture

Cheshire Antiques Consultant Ltd has dated this Victorian Equestrian Oil Painting to the Victorian era.

Independent Date Report ID 07701933
Dealer's Item DateVictorian era
Sellingantiques datingVictorian era
Sellingantiques agingItem is 152 years old
ResultsDates match
Why Sellingantiques dated this piece to the Victorian era:
Signature and date lower right: inscribed Ellesmere, 4 August 1874.
Fine network of craquelure across the paint: natural curing over many decades.
Stretcher bar impressions along the canvas edges: tension held over generations of hanging.

This is an independent date report produced by Sellingantiques using its own proprietary system. The process uses the photographs shown on this page. The system is never told the date the dealer has declared. This report shows that the two dates corroborate.

Height
69.5cm (27.36")
Width
84.5cm (33.27")
Depth
7.5cm (2.95")
Reference Numbers
Sellingantiques Ref
SA957419
Dealers Internal Ref
401
Cheshire Antiques Consultant Ltd
Cheshire Antiques Consultant Ltd
Sellingantiques verified Since Jan 2021

Source the historic in 17th, 18th, 19th & 20th century fine arts, painting, sculptures & collectibles

Dealer Profile

You can view the stock and full dealer information on the Cheshire Antiques Consultant Ltd Profile Page

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A Victorian equestrian oil painting depicting horses and a rider on a dirt path with a signpost, set within an ornate gilded frame.
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Archive I A Victorian equestrian oil painting depicting horses and a rider on a dirt path with a signpost, set within an ornate gilded frame.

Victorian Oil Painting Horses on the Road to Chester by Edward Lloyd

Archive II A Victorian equestrian oil painting depicting horses and a rider on a dirt path with a signpost, set within an ornate gilded frame. View II
Archive III A Victorian equestrian oil painting depicting horses and a rider on a dirt path with a signpost, set within an ornate gilded frame. View III
Archive IV A Victorian equestrian oil painting depicting horses and a rider on a dirt path with a signpost, set within an ornate gilded frame. View IV
Archive V A Victorian equestrian oil painting depicting horses and a rider on a dirt path with a signpost, set within an ornate gilded frame. View V
Archive VI A Victorian equestrian oil painting depicting horses and a rider on a dirt path with a signpost, set within an ornate gilded frame. View VI
Archive VII A Victorian equestrian oil painting depicting horses and a rider on a dirt path with a signpost, set within an ornate gilded frame. View VII
Archive VIII A Victorian equestrian oil painting depicting horses and a rider on a dirt path with a signpost, set within an ornate gilded frame. View VIII
Archive IX A Victorian equestrian oil painting depicting horses and a rider on a dirt path with a signpost, set within an ornate gilded frame. View IX
Archive X A Victorian equestrian oil painting depicting horses and a rider on a dirt path with a signpost, set within an ornate gilded frame. View X
Archive XI A Victorian equestrian oil painting depicting horses and a rider on a dirt path with a signpost, set within an ornate gilded frame. View XI
Archive XII A Victorian equestrian oil painting depicting horses and a rider on a dirt path with a signpost, set within an ornate gilded frame. View XII
Archive XIII A Victorian equestrian oil painting depicting horses and a rider on a dirt path with a signpost, set within an ornate gilded frame. View XIII
Archive XIV A Victorian equestrian oil painting depicting horses and a rider on a dirt path with a signpost, set within an ornate gilded frame. View XIV
Archive XV A Victorian equestrian oil painting depicting horses and a rider on a dirt path with a signpost, set within an ornate gilded frame. View XV
Archive XVI A Victorian equestrian oil painting depicting horses and a rider on a dirt path with a signpost, set within an ornate gilded frame. View XVI
Archive XVII A Victorian equestrian oil painting depicting horses and a rider on a dirt path with a signpost, set within an ornate gilded frame. View XVII
Archive XVIII A Victorian equestrian oil painting depicting horses and a rider on a dirt path with a signpost, set within an ornate gilded frame. View XVIII
Archive XIX A Victorian equestrian oil painting depicting horses and a rider on a dirt path with a signpost, set within an ornate gilded frame. View XIX
Archive XX A Victorian equestrian oil painting depicting horses and a rider on a dirt path with a signpost, set within an ornate gilded frame. View XX
Archive XXI A Victorian equestrian oil painting depicting horses and a rider on a dirt path with a signpost, set within an ornate gilded frame. View XXI
Archive XXII A Victorian equestrian oil painting depicting horses and a rider on a dirt path with a signpost, set within an ornate gilded frame. View XXII
Archive XXIII A Victorian equestrian oil painting depicting horses and a rider on a dirt path with a signpost, set within an ornate gilded frame. View XXIII
Archive XXIV A Victorian equestrian oil painting depicting horses and a rider on a dirt path with a signpost, set within an ornate gilded frame. View XXIV
Archive XXV A Victorian equestrian oil painting depicting horses and a rider on a dirt path with a signpost, set within an ornate gilded frame. View XXV
Archive XXVI A Victorian equestrian oil painting depicting horses and a rider on a dirt path with a signpost, set within an ornate gilded frame. View XXVI
Archive XXVII A Victorian equestrian oil painting depicting horses and a rider on a dirt path with a signpost, set within an ornate gilded frame. View XXVII
Archive XXVIII A Victorian equestrian oil painting depicting horses and a rider on a dirt path with a signpost, set within an ornate gilded frame. View XXVIII
Archive XXIX A Victorian equestrian oil painting depicting horses and a rider on a dirt path with a signpost, set within an ornate gilded frame. View XXIX
Archive XXX A Victorian equestrian oil painting depicting horses and a rider on a dirt path with a signpost, set within an ornate gilded frame. View XXX
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Cheshire Antiques Consultant Ltd
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A Victorian equestrian oil painting depicting horses and a rider on a dirt path with a signpost, set within an ornate gilded frame.
Victorian Oil Painting Horses On The Road To Chester By Edward Lloyd
Ref: SA957419
A Victorian equestrian oil painting depicting horses and a rider on a dirt path with a signpost, set within an ornate gilded frame.
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Every single antique dealer on our platform is individually approved by our internal team. We verify their professional trade history, ethical standards, and photographic quality to ensure a secure, high-standard buying environment. Upon joining, every dealer agrees to a strict 9-point code of conduct. While issues can occasionally arise, our dealers typically resolve them swiftly and directly with the buyer. In fact, since our founding in 2002, Sellingantiques has only had to step in to help resolve an issue on roughly five occasions—a true testament to the quality of our dealers and their dedication to your happiness.
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Written by Sellingantiques from the dealer’s photographs and listing
  • ObjectOil Paintings
  • Period19th century
  • StyleVictorian Equestrian
  • MaterialOil on Canvas, Wood, Gold Leaf
  • ColourGold and Earthy Tones
  • MotifsGreek key moulding, Equestrian scene, Signpost detail, Gilded frame
  • SizeH 69.5 cm (27 in) x W 84.5 cm (33 in) x D 7.5 cm (3 in)

This Victorian equestrian oil painting depicts a rural scene of horses and a rider on a dirt path with a signpost, signed by the artist Edward Lloyd. The artwork is executed in oil on canvas and set within an ornate gilded frame decorated with Greek key moulding, floral carved details, and deep layered stepped profiles in gold and earthy tones. It measures 69.5 cm high, 84.5 cm wide, and 7.5 cm deep. Placement in a home today works well above the mantel in a traditional English country house interior, hung securely on a wall within a living room or study. The composition displays a landscape with hills, a traveller, and multiple horses under a blue and cloudy sky.

Victorian equestrian paintings typically depict horses, livestock, and rural transport scenes, reflecting the central role of horses in 19th-century British society and countryside life.

These artworks were commonly rendered in oil paints on stretched linen or cotton canvas and housed within carved or moulded wooden frames finished with gold leaf gilding.

Authentic 19th-century oil paintings usually exhibit fine craquelure across the paint surface, natural ageing or oxidisation on the canvas reverse, and period-correct artist signatures.

Hang the painting as a focal point above a mantelpiece or sideboard, pairing its ornate gilt frame with tailored furniture to create balanced visual contrast.

Display the painting away from direct sunlight and heat sources, dust the frame with a soft dry brush, and avoid liquid solvents on both the canvas and gilded wood.
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