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Portrait of a Gentleman in a Black Doublet Holding a Medallion C.1575/80; Florentine School, Antique Oil on Panel Painting
Sold by Titan Fine Art
sold SA904936
Sorry, but this item has been sold.
Titan Fine Art

Titan Fine Art

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    Specialist in 17th & 18thc portraits. Highly curated selection, museum-level research & pro conservation. Exceptional art, expertly vetted.
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Portrait of a Gentleman in a Black Doublet Holding a Medallion C.1575/80; Florentine School, Antique Oil on Panel Painting

16th century
Sold 12 December 2024 · Titan Fine Art
This “Portrait of a Gentleman in a Black Doublet Holding a Medallion C.1575/80; Florentine School, Antique Oil on Panel Painting” found a buyer.

It was listed by Titan Fine Art. Sold pieces stay on Sellingantiques as a record of what has passed through, and the next one is rarely far away.

Description

In this magnificent oil on panel portrait, posing alongside a table dressed with red cloth, the young fashionable man is dressed in a black slashed doublet and white collar. Despite the restraint in the choice of hues the attire is made from the highest quality fabrics which were immensely costly.

In the Florence of the second half of the Cinquecento, the art of Medicean portraiture attained its zenith. This period would see the establishment of the Academy of Florence, whose purpose was to promote the Tuscan language, and the foundation of the Accademia delle Arti del Disegno (‘Academy and Company for the Arts of Drawing’). Artists assembled in confraternities (‘Companies of pleasure’), whose main aim was to have a good time and indulge in artistic exploits. The distinguished sitter would have witnessed a profound transformation in the city of Florence into a veritable centre of power with citizens having an increasing personal affirmation of self-image and desire to leave their mark for posterity. Portraits were brilliant and complex symbols of luxury.

Bearing a cool, proud expression he holds in his right hand a medallion or cameo, partially obscured by his thumb, depicting a bust of a man. This was a prop often used to indicate that the sitter was a cultivated individual. Associations such as this were popular in portraiture, as sixteenth-century Florentines likened themselves to members of the ancient Roman Republic. The architectural background appears in many Florentine portraits of the period.

This sitter’s assumed confidence and refined costume suggest he was a figure of some standing, possibly a member of the Medici court in Florence, whose portraits rivalled one another in their representation of every detail of luxury and refinement.

Held in a fine quality luxurious gilded cassetta type frame with applied scrolls.

Provenance:

Lewis J. Ruskin, Scottsdale, AZ, by 1958;

Thence by descent until sold, New York, Sotheby's Arcade, 24 April 1995, lot 42;

Private collection New York

Exhibited:

Florence, Palazzo Strozzi, Italy, Mostra Nazionale Antiquaria, no. 414

Measurements:

Height 105cm, Width 91cm, Depth 9cm framed (Height 41.25”, Width 35.75”, Depth 3.5” framed)

Physical Dimensions
Height
105cm (41.34")
Width
91cm (35.83")
Depth
9cm (3.54")
Declaration

Titan Fine Art has dated this Antique Oil Painting to the 16th Century.

Reference Numbers
Sellingantiques Reference
SA904936
Dealers Notes

Much more info about this item at: www.titanfineart.com

In a market saturated with available paintings, Titan Fine Art offers a specially curated selection. Each piece is meticulously chosen based on technical merit, provenance, and decorative appeal, professionally conserved and researched, ensuring our clients view only the finest examples of British and European art.

With over 20 years of expertise and 1,000+ works placed with collectors and institutions, we are one of the most prolific specialists in 17th and 18th-century portraiture. We combine a scholarly approach with museum-level rigor to replace the uncertainty of the open market with absolute confidence.

Why Buy From Titan Fine Art?

• Expertly Curated Selection

We act as your expert eye, selecting only high-quality works that offer genuine historical and artistic value.

• Museum-Level Research

Each portrait is supported by extensive academic research, often exceeding 40 hours, to establish attribution, sitter identity, and historical context.

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All paintings are carefully cleaned and stabilised by professional conservators, and are presented ready to hang.

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Description
In this magnificent oil on panel portrait, posing alongside a table dressed with red cloth, the young fashionable man is dressed in a black slashed doublet and white collar.
“
Despite the restraint in the choice of hues the attire is made from the highest quality fabrics which were immensely costly.
Titan Fine Art
fig 1. An antique oil painting on panel depicts a Renaissance gentleman in a black doublet with a white ruff collar, housed within an ornate gold carved frame.
fig 1. Portrait of a Gentleman in a Black Doublet Holding a Medallion C.1575/80; Florentine School, Antique Oil on Panel Painting

In the Florence of the second half of the Cinquecento, the art of Medicean portraiture attained its zenith. This period would see the establishment of the Academy of Florence, whose purpose was to promote the Tuscan language, and the foundation of the Accademia delle Arti del Disegno (‘Academy and Company for the Arts of Drawing’). Artists assembled in confraternities (‘Companies of pleasure’), whose main aim was to have a good time and indulge in artistic exploits. The distinguished sitter would have witnessed a profound transformation in the city of Florence into a veritable centre of power with citizens having an increasing personal affirmation of self-image and desire to leave their mark for posterity. Portraits were brilliant and complex symbols of luxury.

fig 2. An antique oil painting on panel depicts a Renaissance gentleman in a black doublet with a white ruff collar, housed within an ornate gold carved frame.
fig 2. Portrait of a Gentleman in a Black Doublet Holding a Medallion C.1575/80; Florentine School, Antique Oil on Panel Painting

Bearing a cool, proud expression he holds in his right hand a medallion or cameo, partially obscured by his thumb, depicting a bust of a man. This was a prop often used to indicate that the sitter was a cultivated individual. Associations such as this were popular in portraiture, as sixteenth-century Florentines likened themselves to members of the ancient Roman Republic. The architectural background appears in many Florentine portraits of the period.

fig 3. An antique oil painting on panel depicts a Renaissance gentleman in a black doublet with a white ruff collar, housed within an ornate gold carved frame.
fig 3. Portrait of a Gentleman in a Black Doublet Holding a Medallion C.1575/80; Florentine School, Antique Oil on Panel Painting

This sitter’s assumed confidence and refined costume suggest he was a figure of some standing, possibly a member of the Medici court in Florence, whose portraits rivalled one another in their representation of every detail of luxury and refinement.

fig 4. An antique oil painting on panel depicts a Renaissance gentleman in a black doublet with a white ruff collar, housed within an ornate gold carved frame.
fig 4. Portrait of a Gentleman in a Black Doublet Holding a Medallion C.1575/80; Florentine School, Antique Oil on Panel Painting

Held in a fine quality luxurious gilded cassetta type frame with applied scrolls.

Provenance:

Lewis J. Ruskin, Scottsdale, AZ, by 1958;

Thence by descent until sold, New York, Sotheby's Arcade, 24 April 1995, lot 42;

fig 5. An antique oil painting on panel depicts a Renaissance gentleman in a black doublet with a white ruff collar, housed within an ornate gold carved frame.
fig 5. Portrait of a Gentleman in a Black Doublet Holding a Medallion C.1575/80; Florentine School, Antique Oil on Panel Painting

Private collection New York

Exhibited:

Florence, Palazzo Strozzi, Italy, Mostra Nazionale Antiquaria, no. 414

Measurements:

Height 105cm, Width 91cm, Depth 9cm framed (Height 41.25”, Width 35.75”, Depth 3.5” framed)

Height
105cm (41.34")
Width
91cm (35.83")
Depth
9cm (3.54")
Date of Manufacture

Titan Fine Art has dated this Antique Oil Painting to the 16th Century.

Reference Numbers
Sellingantiques Ref
SA904936
Titan Fine Art
Titan Fine Art
Sellingantiques verified Since Jul 2016

Specialist in 17th & 18thc portraits. Highly curated selection, museum-level research & pro conservation. Exceptional art, expertly vetted.

Dealer Profile

You can view the stock and full dealer information on the Titan Fine Art Profile Page

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An antique oil painting on panel depicts a Renaissance gentleman in a black doublet with a white ruff collar, housed within an ornate gold carved frame. SOLD6+ MONTHS AGO
1 / 9
Archive I An antique oil painting on panel depicts a Renaissance gentleman in a black doublet with a white ruff collar, housed within an ornate gold carved frame. SOLD6+ MONTHS AGO

Portrait of a Gentleman in a Black Doublet Holding a Medallion C.1575/80; Florentine School, Antique Oil on Panel Painting

Archive II An antique oil painting on panel depicts a Renaissance gentleman in a black doublet with a white ruff collar, housed within an ornate gold carved frame. View II
Archive III An antique oil painting on panel depicts a Renaissance gentleman in a black doublet with a white ruff collar, housed within an ornate gold carved frame. View III
Archive IV An antique oil painting on panel depicts a Renaissance gentleman in a black doublet with a white ruff collar, housed within an ornate gold carved frame. View IV
Archive V An antique oil painting on panel depicts a Renaissance gentleman in a black doublet with a white ruff collar, housed within an ornate gold carved frame. View V
Archive VI An antique oil painting on panel depicts a Renaissance gentleman in a black doublet with a white ruff collar, housed within an ornate gold carved frame. View VI
Archive VII An antique oil painting on panel depicts a Renaissance gentleman in a black doublet with a white ruff collar, housed within an ornate gold carved frame. View VII
Archive VIII An antique oil painting on panel depicts a Renaissance gentleman in a black doublet with a white ruff collar, housed within an ornate gold carved frame. View VIII
Archive IX An antique oil painting on panel depicts a Renaissance gentleman in a black doublet with a white ruff collar, housed within an ornate gold carved frame. View IX
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Location
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Dealer Profile Page sellingantiques.co.uk/titan
Verified Since Jul 2016
Items For Sale 24
Items Sold 402
Titan Fine Art
Titan Fine Art
Verified Since Jul 2016
View Dealer Info
Location: London, United Kingdom
Verified
Jul 2016
For Sale
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Sold
402
An antique oil painting on panel depicts a Renaissance gentleman in a black doublet with a white ruff collar, housed within an ornate gold carved frame.
Portrait of a Gentleman in a Black Doublet Holding a Medallion c.1575/80; Florentine School, Antique oil on panel painting
Ref: SA904936
An antique oil painting on panel depicts a Renaissance gentleman in a black doublet with a white ruff collar, housed within an ornate gold carved frame.
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Written by Sellingantiques from the dealer’s photographs and listing
  • ObjectPaintings
  • Period16th century
  • StyleRenaissance
  • MaterialWood, Oil Paint, Gilt Wood
  • ColourGold
  • MotifsRuff collar, Doublet attire, Ornate carved frame, Portrait subject
  • SizeH 105 cm (41 in) x W 91 cm (36 in) x D 9 cm (4 in)

The Florentine school is characterised by its emphasis on linear design, sculptural form, anatomical precision, and compositional clarity, heavily influenced by humanist ideals in Renaissance Italy.

Artists during this period typically utilised prepared wooden panels made from hardwoods such as oak or poplar, layered with gesso, and painted using finely ground pigments mixed in drying oils.

Authentication involves examining the panel preparation, pigment composition via scientific analysis, craquelure patterns, joinery of the wooden support, and comparing stylistic elements with known works from the period.

Pairing a historic portrait with minimalist contemporary architecture or clean-lined modern furniture creates a striking focal point, allowing the deep tones and intricate frame to provide historical contrast.

Panel paintings require stable environmental conditions with controlled relative humidity and temperature to prevent wood warping, alongside protection from direct sunlight and professional cleaning by a trained conservator.
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