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ID #SA1233785
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£20,000
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John Maler Collier Victorian Oil Portrait of a Lady Knitting Lady Laing
Cheshire Antiques Consultant Ltd
for sale €23,400     $25,400
£20,000
Cheshire Antiques Consultant Ltd

Cheshire Antiques Consultant Ltd

Sellingantiques Verified Since Jan 2021
Browse dealers 247 items
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John Maler Collier Victorian Oil Portrait of a Lady Knitting Lady Laing

19th century
Description

John Maler Collier Victorian Portrait of a Lady Knitting Possibly Lady Laing c1893 to 1900

A large Victorian British portrait attributed to John Maler Collier 1850 to 1934, depicting an elegant mature woman seated in a green armchair while knitting.

Oil on canvas, signed John Collier in red lower left and dating to circa 1893 to 1900. Presented beneath protective glass in a substantial period giltwood and composition frame retaining a Richard Turley trade label.

Catalogue Details

Artist: Attributed to The Hon John Maler Collier OBE RP ROI 1850 to 1934

Title: Portrait of a Lady Knitting

Date: Circa 1893 to 1900

Medium: Oil on canvas

Signature: Signed John Collier in red lower left

School: British School

Period: Late Victorian

Possible sitter: Lady Laing 1831 to 1913, unconfirmed

Canvas size: Approximately 103 by 81.5 cm or 40.6 by 32.1 inches

Catalogue Note

Mellors and Kirk Fine Art and Antiques, Nottingham, offered this exact painting as Lot 718 on 14 January 2021. It was catalogued as The Hon John Collier OBE 1850 to 1934, Portrait of a Lady Knitting Seated in a Green Armchair, signed in red, oil on canvas, 103 by 81.5 cm and in the original frame by Richard Turley.

We adopt the more conservative attribution Attributed to John Maler Collier while recording the previous auction attribution as part of the paintings attribution history.

Comparative research has identified an interesting connection with Colliers documented 1893 portrait of Lady Laing, Theresa Talbot Laing 1831 to 1913. That separate portrait also depicts Lady Laing engaged in needlework.

Her age in 1893 is compatible with the apparent age of the present sitter. However, no documentary evidence has yet been located proving that this sitter is Lady Laing. The identification is therefore presented only as a possibility.

The Artist

John Maler Collier was a leading British portrait painter of the late Victorian and Edwardian periods. His sitters included prominent figures from British science, politics, literature, society and the arts. His portraits are noted for their naturalistic treatment and careful observation of character, clothing and m

Physical Dimensions
Height
103cm (40.55")
Width
81.5cm (32.09")
Depth
10cm (3.94")
Declaration

Cheshire Antiques Consultant Ltd has dated this Victorian Oil Portrait Painting to the Victorian era.

Reference Numbers
Sellingantiques Reference
SA1233785
Dealers Notes

Delivery shipping information

Cheshire Antiques Consultant LTD ship worldwide, using fully insured and online tracked delivery services like DHL, DPD, Parcelforce or Fedex also the British Shop. We offer Free national Delivery to England mainland, Wales mainland & Scottish lowland mainland areas only.

We offer Free UK mainland delivery only, international shipping to USA, Canada, Europe. All other countries rest of the world please get in touch for a shipping quote.

Great care and much time are taken over the safe transportation of the Fine Art & Antique pieces which we sell.

We bespoke pack & wrap extremely carefully, so you can rest assured that your piece will arrive with you in great as described condition.

For larger paintings, antique furniture pieces, and fragile items which can not be sent via the normal postal services, we use professional door-to-door delivery providers, who will always strive to deliver your piece promptly, within approximate. 2-5 working days for the United Kingdom mainland & International delivery between 5-14 working days.

Returns Policy

We offer a 14-day money-back refund policy

(excluding the cost of Postage & Packaging costs & any duties, taxes customs charges paid on buyers behalf or buy the buyer direct ).

CONTACT US:

Please feel free to call us.

We have a friendly & professional team on hand who are here to help you with any queries you may have.

Tel: 07494763382

Outside the UK:

Phone or text: 0044 7494763382

PAYMENT:

Our primary payment method is by (BACS) & International bank wire transfer, we can email you an invoice with our banking details upon request. We no longer accept any Online Card or in person card payments due to payment providers charging us and not returning the processing transaction fee even if an order is fraudulent, cancelled or returned. All Item(s) will need to be settled by bank transfer only. We will email you a proforma invoice with our bank details.

Customs Payment & Brexit

Cheshire Antiques Consultant LTD operates on a Delivery Duty Unpaid (DDU) basis which means that the International buyer is responsible for any import duties, taxes & customs clearance charges and any other customs charges which may be necessary to release an order from international customs.

Following the UK leaving the EU on 1st January 2021 (BREXIT) there have been some changes to customs & duty charges for EU customers. Tax and import duty varies from country to country so we recommend you check with your local tax office to see if any fees will be payable.

If the customer refuses to pay any duty and customs charges and the parcel is returned to sender all shipping charges will be deducted from any refund.

Description
John Maler Collier Victorian Portrait of a Lady Knitting Possibly Lady Laing c1893 to 1900
A large Victorian British portrait attributed to John Maler Collier 1850 to 1934, depicting an elegant mature woman seated in a green armchair while knitting.
Cheshire Antiques Consultant Ltd
fig 1. A 19th-century oil painting on canvas depicting a seated woman in lace and dark attire knitting, set within a giltwood frame.
fig 1. John Maler Collier Victorian Oil Portrait of a Lady Knitting Lady Laing

Oil on canvas, signed John Collier in red lower left and dating to circa 1893 to 1900. Presented beneath protective glass in a substantial period giltwood and composition frame retaining a Richard Turley trade label.

fig 2. A 19th-century oil painting on canvas depicting a seated woman in lace and dark attire knitting, set within a giltwood frame.
fig 2. John Maler Collier Victorian Oil Portrait of a Lady Knitting Lady Laing

Catalogue Details

Artist: Attributed to The Hon John Maler Collier OBE RP ROI 1850 to 1934

Title: Portrait of a Lady Knitting

Date: Circa 1893 to 1900

Medium: Oil on canvas

Signature: Signed John Collier in red lower left

fig 3. A 19th-century oil painting on canvas depicting a seated woman in lace and dark attire knitting, set within a giltwood frame.
fig 3. John Maler Collier Victorian Oil Portrait of a Lady Knitting Lady Laing

School: British School

Period: Late Victorian

Possible sitter: Lady Laing 1831 to 1913, unconfirmed

Canvas size: Approximately 103 by 81.5 cm or 40.6 by 32.1 inches

Catalogue Note

Mellors and Kirk Fine Art and Antiques, Nottingham, offered this exact painting as Lot 718 on 14 January 2021. It was catalogued as The Hon John Collier OBE 1850 to 1934, Portrait of a Lady Knitting Seated in a Green Armchair, signed in red, oil on canvas, 103 by 81.5 cm and in the original frame by Richard Turley.

fig 4. A 19th-century oil painting on canvas depicting a seated woman in lace and dark attire knitting, set within a giltwood frame.
fig 4. John Maler Collier Victorian Oil Portrait of a Lady Knitting Lady Laing

We adopt the more conservative attribution Attributed to John Maler Collier while recording the previous auction attribution as part of the paintings attribution history.

Comparative research has identified an interesting connection with Colliers documented 1893 portrait of Lady Laing, Theresa Talbot Laing 1831 to 1913. That separate portrait also depicts Lady Laing engaged in needlework.

fig 5. A 19th-century oil painting on canvas depicting a seated woman in lace and dark attire knitting, set within a giltwood frame.
fig 5. John Maler Collier Victorian Oil Portrait of a Lady Knitting Lady Laing

Her age in 1893 is compatible with the apparent age of the present sitter. However, no documentary evidence has yet been located proving that this sitter is Lady Laing. The identification is therefore presented only as a possibility.

fig 6. A 19th-century oil painting on canvas depicting a seated woman in lace and dark attire knitting, set within a giltwood frame.
fig 6. John Maler Collier Victorian Oil Portrait of a Lady Knitting Lady Laing

The Artist

John Maler Collier was a leading British portrait painter of the late Victorian and Edwardian periods. His sitters included prominent figures from British science, politics, literature, society and the arts. His portraits are noted for their naturalistic treatment and careful observation of character, clothing and m

Height
103cm (40.55")
Width
81.5cm (32.09")
Depth
10cm (3.94")
Date of Manufacture

Cheshire Antiques Consultant Ltd has dated this Victorian Oil Portrait Painting to the Victorian era.

Reference Numbers
Sellingantiques Ref
SA1233785
Cheshire Antiques Consultant Ltd
Cheshire Antiques Consultant Ltd
Sellingantiques verified Since Jan 2021

Source the historic in 17th, 18th, 19th & 20th century fine arts, painting, sculptures & collectibles

Dealer Profile

You can view the stock and full dealer information on the Cheshire Antiques Consultant Ltd Profile Page

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A 19th-century oil painting on canvas depicting a seated woman in lace and dark attire knitting, set within a giltwood frame.
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Archive I A 19th-century oil painting on canvas depicting a seated woman in lace and dark attire knitting, set within a giltwood frame.

John Maler Collier Victorian Oil Portrait of a Lady Knitting Lady Laing

Archive II A 19th-century oil painting on canvas depicting a seated woman in lace and dark attire knitting, set within a giltwood frame. View II
Archive III A 19th-century oil painting on canvas depicting a seated woman in lace and dark attire knitting, set within a giltwood frame. View III
Archive IV A 19th-century oil painting on canvas depicting a seated woman in lace and dark attire knitting, set within a giltwood frame. View IV
Archive V A 19th-century oil painting on canvas depicting a seated woman in lace and dark attire knitting, set within a giltwood frame. View V
Archive VI A 19th-century oil painting on canvas depicting a seated woman in lace and dark attire knitting, set within a giltwood frame. View VI
Archive VII A 19th-century oil painting on canvas depicting a seated woman in lace and dark attire knitting, set within a giltwood frame. View VII
Archive VIII A 19th-century oil painting on canvas depicting a seated woman in lace and dark attire knitting, set within a giltwood frame. View VIII
Archive IX A 19th-century oil painting on canvas depicting a seated woman in lace and dark attire knitting, set within a giltwood frame. View IX
Archive X A 19th-century oil painting on canvas depicting a seated woman in lace and dark attire knitting, set within a giltwood frame. View X
Archive XI A 19th-century oil painting on canvas depicting a seated woman in lace and dark attire knitting, set within a giltwood frame. View XI
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Telephone 07494 763 382
Location
71-75 Shelton Street
Covent Garden
London
WC2H 9JQ
United Kingdom

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Verified Since Jan 2021
Items For Sale 247
Items Sold 218
Cheshire Antiques Consultant Ltd
Cheshire Antiques Consultant Ltd
Verified Since Jan 2021
View Dealer Info
Location: 71-75 Shelton Street, Covent Garden, London, WC2H 9JQ, United Kingdom, , By appointment
Verified
Jan 2021
For Sale
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Sold
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A 19th-century oil painting on canvas depicting a seated woman in lace and dark attire knitting, set within a giltwood frame.
John Maler Collier Victorian Oil Portrait of a Lady Knitting Lady Laing
Ref: SA1233785
A 19th-century oil painting on canvas depicting a seated woman in lace and dark attire knitting, set within a giltwood frame.
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Every single antique dealer on our platform is individually approved by our internal team. We verify their professional trade history, ethical standards, and photographic quality to ensure a secure, high-standard buying environment. Upon joining, every dealer agrees to a strict 9-point code of conduct. While issues can occasionally arise, our dealers typically resolve them swiftly and directly with the buyer. In fact, since our founding in 2002, Sellingantiques has only had to step in to help resolve an issue on roughly five occasions—a true testament to the quality of our dealers and their dedication to your happiness.
Our dealers are highly experienced in packing and shipping fragile, high-value antiques. Because you are in direct contact with the dealer, you will be able to easily go through all available shipping and insurance options together to ensure your item arrives safely.
Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

Victorian portraiture is recognised for realistic depictions of sitters, capturing social status, attire, and domestic activities. Influenced by academic standards and movements like the Pre-Raphaelite Brotherhood, these portraits often feature controlled lighting and detailed renditions of fabrics and jewellery.

Artists during this period primarily applied oil-based pigments onto stretched linen or cotton canvas. Frames were typically constructed from pine or hardwood, embellished with plaster or composition mouldings, and finished with gold leaf gilding.

Authenticity is evaluated through physical markers such as age-appropriate craquelure patterns, original stretcher bars, hand-forged nails or tacks, period artist signatures, and documentation of provenance or exhibition labels on the reverse.

A Victorian oil portrait serves as a focal point above a fireplace mantel or sideboard. Integrating historical artwork into contemporary or dark academia settings adds depth and texture through contrast with minimalist furniture and modern lighting.

Paintings should be kept in stable environments away from direct sunlight, excessive humidity, and direct heat sources. Surface dust should only be removed using a clean, dry, soft feather duster or dry brush, leaving varnish restoration to professional conservators.
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