Cheshire Antiques Consultant Ltd has dated this Victorian Lady Oil Painting to the 19th Century.
William Oliver Williams (British, 1823-1901)
Young Lady Seated with a Red Parasol
Original Signed Oil on Canvas
Description

Painted circa 1875-1885, the sitter wears an ivory gown with gold trim and a flowing pink sash. She holds a rose and looks calmly towards the viewer. Her flower-trimmed hat, refined pose and fashionable costume capture the elegance of late Victorian society.

The brilliant red parasol contrasts with the natural green tones of the garden. Oliver's accomplished technique is evident in the sitter's delicately modelled features, luminous complexion and carefully observed hands. Sensitive brushwork creates convincing textures across the silk, satin and lace of her costume.

The painting is sometimes known in the art market as The Red Parasol. This is believed to be a modern descriptive title rather than its original Victorian exhibition title. The sitter remains unidentified.

Highlights
Original Victorian oil painting.
Signed W. Oliver lower left.
Painted circa 1875-1885.
Professionally conserved during 2026.
Earlier overpainting removed to reveal the artist's original highlights.

Historic professional full relining.
Original Swedish dealer and biographical labels retained.
Presented in a premium Larson-Juhl gilt frame.
Conservation report and invoice included.
Ready to hang.
The Artist

William Oliver, born William Oliver Williams, was a British Victorian genre painter specialising in elegant female subjects and romantic narrative scenes.
Working professionally as William Oliver, he exhibited at the Royal Academy, British Institution and Society of British Artists.

Examples of his work are represented in the Royal Collection Trust, Birmingham Museums Trust and Rotherham Museums.
Professional Conservation
The canvas previously underwent a historic professional full relining.

During 2026, it received comprehensive conservation by Vanessa Andrew MA, Fine Art Conservator, whose studio is based at the Williamson Art Gallery and Museum.
Treatment included cleaning, consolidation, removal of discoloured varnish and non-original overpainting, repair of a historic canvas tear, strip-lining, sympathetic retouching and the application of conservation-grade varnishes.

Earlier restoration had obscured original highlights on the sitter's white dress. These additions were carefully removed, revealing Oliver's original brushwork and intended effects of light and texture.

A professional conservation report and invoice accompany the painting.
Frame
Recently reframed in a premium Larson-Juhl gilt moulded frame with a protective backing board.
The historic labels and provenance information are preserved beneath the backing board. The painting is fitted for hanging.

Provenance
Lindblad and Son Konsthandel, Halsingborg, Sweden.
British private collection.
Biddle and Webb Auctioneers, Birmingham, 2014.
Rogers Jones Auctioneers, Cardiff, 2026.
Curated by Cheshire Antiques Consultant LTD.

Privately loaned to and exhibited with the Famous Lord Hill Museum during 2026.
Dimensions
Canvas height: 75.5 cm or 29.72 inches
Canvas width: 49.5 cm or 19.49 inches
Framed height: 89.5 cm or 35.24 inches

Framed width: 64 cm or 25.20 inches
Framed depth: 4 cm or 1.57 inches
Condition Report
Presented in excellent display condition following professional conservation.
The canvas is stable and the painted surface retains vibrant colour and excellent definition. Minor age-related characteristics remain consistent with an original Victorian oil painting.

Please examine the photographs carefully as they form part of the condition report.
Delivery
Professionally packed and fully insured worldwide delivery is available. Please contact us for a delivery quotation.
Cheshire Antiques Consultant Ltd has dated this Victorian Lady Oil Painting to the 19th Century.
Source the historic in 17th, 18th, 19th & 20th century fine arts, painting, sculptures & collectibles
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