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ID #SA825108
FOR SALE
£5,700
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Landscape Oil Painting of Figures by a Derbyshire Brook by George Turner
Benton Fine Art
for sale €6,669     $7,239
£5,700
Benton Fine Art

Benton Fine Art

Sellingantiques Verified Since Sep 2012
Browse dealers 211 items
  • About Us
    Specialists in 19th & early 20th century original oil paintings by listed artists
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    Benton Fine Art is a registered member of LAPADA  BADA  CINOA
Id #SA825108
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Landscape Oil Painting of Figures by a Derbyshire Brook by George Turner

19th century
For Sale by Benton Fine Art
Description

George Turner

British, (1843-1910)

A Derbyshire Brook

Oil on canvas, signed, further signed, titled & dated 1899 verso

Image size: 19.5 inches x 29.5 inches

Size including frame: 25.5 inches x 35.5 inches

Provenance: Cooling Galleries London; Fine Art of Oakham Ltd

A peaceful scene of figures with sheep resting near a brook in Derbyshire by George Turner. The shepherd can be seen fishing on the footbridge next to his companion who has been gathering wood. Turner was still living at Barrow-on-Trent at the time of this painting and would have been surrounded by picturesque views such as this. The location would most likely be somewhere he was familiar with, as the lane and the brook seem a little out of the way to come across by chance.

George Turner was a landscape painter born in Cromford, Derbyshire around 1843 to Thomas and Mary Turner. His father was a tailor and encouraged his son’s natural talent for art. Although largely self- taught, he was able to set himself up as a professional artist by the age of 20. He also turned his hand to private art teaching as a young man.

After moving to Barrow-on-Trent he met and married his first wife Eliza Lakin in 1865. They lived at her family farm ‘The Walnuts’ in Barrow on Trent and had four children, two of whom became artists, Mary Turner (later Woore) and the better known William Lakin Turner (1867-1936).

Turner specialised in rustic views and often painted scenes in South Derbyshire and the Trent Valley where he lived. He also visited Birmingham, North Wales and Scotland. He exhibited from 1860 at the Birmingham Society of Artists and Suffolk Street. He was a frequent exhibitor at the Derby Art Gallery and became a member of the Derby Corporation Art Gallery Committee. He continued teaching art throughout his life and became art master to Louis Bosworth Hurt (1856-1929), who lived in nearby Ashbourne and David Payne (1843-1894) who also lived in Barrow-on-Trent, as well as his son William.

In 1880, he was commissioned to paint views of Calk Abbey by Lady Crewe. After the death of his wife in 1900, he moved to Kirk Ireton, living for a time at the Barley Mow Inn and then at 81 Oxford Street, Derby. On 16 November, 1903, he married the artist Kate Stevens Smith (1871-1964) and moved to Cliffe Ash Cottage in Idridgehay. Turner died at Idridgehay on 29 March, 1910 and is buried in St James’ churchyard.

Turner has been dubbed ‘Derbyshire’s John Constable’ with his paintings being highly collectable. His work is held by a number of public collections including the Brampton Museum, Colchester & Ipswich Museums, Derby Museum & Art Gallery, Erewash Borough Council, National Library of Wales, National Trust, Russell-Cotes Art Gallery, Southampton City Art Gallery, Wigan Arts & Heritage Service and Wolverhampton Art Gallery.

Presentation: The painting is housed in a new, English made gilt frame which is in excellent condition. The reverse bears a label for the Cooling Galleries, an art dealership founded in 1903 and based at 150 Southampton Row, Fleet Street. The business moved to 92 New Bond Street in 1911, remaining there until the mid 1970’s. After relocating to 37 Albermarle Street, it later merged with Newman & Co to become Newman & Cooling. The gallery closed in April 1993. There is also a label for Fine Art of Oakham which operated out of 2A High Street, Oakham, Leicestershire during the early to late 1990’s.

Condition: As with all of our original antique oil paintings, this work is offered in ready to hang gallery condition, having been professionally cleaned, restored and revarnished.

© Benton Fine Art

Physical Dimensions
Height
65cm (25.59")
Width
90cm (35.43")
Depth
8cm (3.15")
Declaration

Benton Fine Art has dated this Victorian Landscape Oil Painting to the 1890s.

Reference Numbers
Sellingantiques Reference
SA825108
Dealers Notes

Members of the British Antique Dealers Association (BADA) the London and Provincial Antique Dealers Association (LAPADA).

We use a professional, fully insured and tracked door to door service for our UK and international deliveries. Please contact us for further information and shipping quotes.

Viewing is by APPOINTMENT ONLY. However, we can also arrange for you to view the item in your home, depending on the location.

For a wider range of stock please visit www.bentonfineart.com.

If you would like to purchase this item or have any questions, please email us at pictures@bentonfineart.com or call 07710 540549.

© Benton Fine Art

Description
George Turner

British, (1843-1910)

A Derbyshire Brook

Oil on canvas, signed, further signed, titled & dated 1899 verso

Image size: 19.5 inches x 29.5 inches

Size including frame: 25.5 inches x 35.5 inches

Provenance: Cooling Galleries London; Fine Art of Oakham Ltd

A peaceful scene of figures with sheep resting near a brook in Derbyshire by George Turner.

The shepherd can be seen fishing on the footbridge next to his companion who has been gathering wood.
Benton Fine Art

Turner was still living at Barrow-on-Trent at the time of this painting and would have been surrounded by picturesque views such as this. The location would most likely be somewhere he was familiar with, as the lane and the brook seem a little out of the way to come across by chance.

fig 1. A Victorian landscape oil painting depicting a countryside scene with sheep, figures on a bridge, and rolling hills, framed in an ornate gilded frame.
fig 1. Landscape Oil Painting of Figures by a Derbyshire Brook by George Turner

George Turner was a landscape painter born in Cromford, Derbyshire around 1843 to Thomas and Mary Turner. His father was a tailor and encouraged his son’s natural talent for art. Although largely self- taught, he was able to set himself up as a professional artist by the age of 20. He also turned his hand to private art teaching as a young man.

fig 2. A Victorian landscape oil painting depicting a countryside scene with sheep, figures on a bridge, and rolling hills, framed in an ornate gilded frame.
fig 2. Landscape Oil Painting of Figures by a Derbyshire Brook by George Turner

After moving to Barrow-on-Trent he met and married his first wife Eliza Lakin in 1865. They lived at her family farm ‘The Walnuts’ in Barrow on Trent and had four children, two of whom became artists, Mary Turner (later Woore) and the better known William Lakin Turner (1867-1936).

fig 3. A Victorian landscape oil painting depicting a countryside scene with sheep, figures on a bridge, and rolling hills, framed in an ornate gilded frame.
fig 3. Landscape Oil Painting of Figures by a Derbyshire Brook by George Turner

Turner specialised in rustic views and often painted scenes in South Derbyshire and the Trent Valley where he lived. He also visited Birmingham, North Wales and Scotland. He exhibited from 1860 at the Birmingham Society of Artists and Suffolk Street. He was a frequent exhibitor at the Derby Art Gallery and became a member of the Derby Corporation Art Gallery Committee. He continued teaching art throughout his life and became art master to Louis Bosworth Hurt (1856-1929), who lived in nearby Ashbourne and David Payne (1843-1894) who also lived in Barrow-on-Trent, as well as his son William.

fig 4. A Victorian landscape oil painting depicting a countryside scene with sheep, figures on a bridge, and rolling hills, framed in an ornate gilded frame.
fig 4. Landscape Oil Painting of Figures by a Derbyshire Brook by George Turner

In 1880, he was commissioned to paint views of Calk Abbey by Lady Crewe. After the death of his wife in 1900, he moved to Kirk Ireton, living for a time at the Barley Mow Inn and then at 81 Oxford Street, Derby. On 16 November, 1903, he married the artist Kate Stevens Smith (1871-1964) and moved to Cliffe Ash Cottage in Idridgehay. Turner died at Idridgehay on 29 March, 1910 and is buried in St James’ churchyard.

fig 5. A Victorian landscape oil painting depicting a countryside scene with sheep, figures on a bridge, and rolling hills, framed in an ornate gilded frame.
fig 5. Landscape Oil Painting of Figures by a Derbyshire Brook by George Turner

Turner has been dubbed ‘Derbyshire’s John Constable’ with his paintings being highly collectable. His work is held by a number of public collections including the Brampton Museum, Colchester & Ipswich Museums, Derby Museum & Art Gallery, Erewash Borough Council, National Library of Wales, National Trust, Russell-Cotes Art Gallery, Southampton City Art Gallery, Wigan Arts & Heritage Service and Wolverhampton Art Gallery.

fig 6. A Victorian landscape oil painting depicting a countryside scene with sheep, figures on a bridge, and rolling hills, framed in an ornate gilded frame.
fig 6. Landscape Oil Painting of Figures by a Derbyshire Brook by George Turner

Presentation: The painting is housed in a new, English made gilt frame which is in excellent condition. The reverse bears a label for the Cooling Galleries, an art dealership founded in 1903 and based at 150 Southampton Row, Fleet Street. The business moved to 92 New Bond Street in 1911, remaining there until the mid 1970’s. After relocating to 37 Albermarle Street, it later merged with Newman & Co to become Newman & Cooling. The gallery closed in April 1993. There is also a label for Fine Art of Oakham which operated out of 2A High Street, Oakham, Leicestershire during the early to late 1990’s.

Condition: As with all of our original antique oil paintings, this work is offered in ready to hang gallery condition, having been professionally cleaned, restored and revarnished.

© Benton Fine Art

Height
65cm (25.59")
Width
90cm (35.43")
Depth
8cm (3.15")
Date of Manufacture

Benton Fine Art has dated this Victorian Landscape Oil Painting to the 1890s.

Reference Numbers
Sellingantiques Ref
SA825108
Benton Fine Art
Benton Fine Art
Sellingantiques verified Since Sep 2012

Specialists in 19th & early 20th century original oil paintings by listed artists

Dealer Profile

You can view the stock and full dealer information on the Benton Fine Art Profile Page

Trade Associations

Benton Fine Art is a registered member of LAPADA  BADA  CINOA

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A Victorian landscape oil painting depicting a countryside scene with sheep, figures on a bridge, and rolling hills, framed in an ornate gilded frame.
1 / 13
Archive I A Victorian landscape oil painting depicting a countryside scene with sheep, figures on a bridge, and rolling hills, framed in an ornate gilded frame.

Landscape Oil Painting of Figures by a Derbyshire Brook by George Turner

Archive II A Victorian landscape oil painting depicting a countryside scene with sheep, figures on a bridge, and rolling hills, framed in an ornate gilded frame. View II
Archive III A Victorian landscape oil painting depicting a countryside scene with sheep, figures on a bridge, and rolling hills, framed in an ornate gilded frame. View III
Archive IV A Victorian landscape oil painting depicting a countryside scene with sheep, figures on a bridge, and rolling hills, framed in an ornate gilded frame. View IV
Archive V A Victorian landscape oil painting depicting a countryside scene with sheep, figures on a bridge, and rolling hills, framed in an ornate gilded frame. View V
Archive VI A Victorian landscape oil painting depicting a countryside scene with sheep, figures on a bridge, and rolling hills, framed in an ornate gilded frame. View VI
Archive VII A Victorian landscape oil painting depicting a countryside scene with sheep, figures on a bridge, and rolling hills, framed in an ornate gilded frame. View VII
Archive VIII A Victorian landscape oil painting depicting a countryside scene with sheep, figures on a bridge, and rolling hills, framed in an ornate gilded frame. View VIII
Archive IX A Victorian landscape oil painting depicting a countryside scene with sheep, figures on a bridge, and rolling hills, framed in an ornate gilded frame. View IX
Archive X A Victorian landscape oil painting depicting a countryside scene with sheep, figures on a bridge, and rolling hills, framed in an ornate gilded frame. View X
Archive XI A Victorian landscape oil painting depicting a countryside scene with sheep, figures on a bridge, and rolling hills, framed in an ornate gilded frame. View XI
Archive XII A Victorian landscape oil painting depicting a countryside scene with sheep, figures on a bridge, and rolling hills, framed in an ornate gilded frame. View XII
Archive XIII A Victorian landscape oil painting depicting a countryside scene with sheep, figures on a bridge, and rolling hills, framed in an ornate gilded frame. View XIII
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Worcestershire
United Kingdom

By appointment only.
Verified Since Sep 2012
Items For Sale 211
Benton Fine Art
Benton Fine Art
Verified Since Sep 2012
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Location: Near Broadway, Worcestershire, United Kingdom, , By appointment only.
Verified
Sep 2012
For Sale
211
A Victorian landscape oil painting depicting a countryside scene with sheep, figures on a bridge, and rolling hills, framed in an ornate gilded frame.
Landscape oil painting of figures by a Derbyshire brook by George Turner
Ref: SA825108
A Victorian landscape oil painting depicting a countryside scene with sheep, figures on a bridge, and rolling hills, framed in an ornate gilded frame.
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Victorian pastoral landscape painting focused on idealised and naturalistic depictions of the British countryside, often featuring rural workers, livestock, and atmospheric weather conditions. Artists sought to capture rural traditions during a period of rapid industrialisation.

These artworks were typically created using oil paints composed of pigments bound in drying oils, applied onto stretched linen or cotton canvas. Frames were frequently crafted from timber and composition, finished with gold leaf gilding.

Authentic period paintings show natural craquelure across the paint surface, genuine age-related oxidisation on the canvas reverse, and period-appropriate joinery on the stretcher bars. Brushwork techniques and gilded frame construction also help verify age.

Position the artwork as a focal point above a mantelpiece or sideboard to contrast rich traditional tones against neutral walls. Combining gilded antique frames with contemporary minimalist furnishings creates a sophisticated layered aesthetic.

Keep the painting away from direct sunlight, extreme humidity, and direct heat sources to prevent canvas movement and paint cracking. Clean dusting delicately with a soft, dry camel-hair brush and consult a professional conservator for varnish restoration.
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