River Landscape Oil Painting of Figures at a Lock at Stratford-upon-avon by Thomas Baker of Leamington

Thomas Baker

British, (1809-1864)

Lock on the River Avon near Stratford

Oil on panel, signed & dated 1863

Image size: 12 inches x 15.75 inches

Size including frame: 17.5 inches x 21.25 inches

Provenance: Details of this painting & sketch are listed in the artist’s diary, no. 856. Purchased directly from the artist by Mr Whitehead.

A lovely river landscape scene by Thomas Baker of the old lock at Stratford-upon-Avon. A figure is shown sat by the bottom gates of a lock holding a fishing rod as another rests on one of the balance beams. In the distance to the left can be seen the spire of the famous Holy Trinity Church where William Shakespeare was baptised, worshipped and where he is buried. The lock gates seen here were known as Lucy's Locks and probably dated from around 1664. It was part of a nearby system of weirs, sluices and dams which also included Lucy’s Mill, Lucy’s Mill Bridge and Lucy’s Weir. The lock was filled in in 1959.

Thomas Baker was a Midlands landscape painter born on 9 October, 1809 in Harborne, Birmingham. He studied under Vincent Barber (1788-1838) at the Barber family’s Charles Street Academy in Birmingham and started exhibiting from 1827. He painted the landscapes of Warwickshire, the Midlands and Wales usually with the inclusion of cattle and sheep and became known as “Baker of Leamington” or “Landscape Baker”. He signed each major picture “T Baker” and kept detailed records of all of his works along with diaries and notes, which are now held in the Birmingham City Art Gallery.

He exhibited at the Birmingham Society of Artists, the Royal Academy from 1831 – 1858, the British Institution and the Royal Birmingham Society of Artists. Many of his works sold through ‘Carver & Gilders’ in Leamington and he gained many major patrons such as Lord Leigh; however he also supplemented his income by providing artistic tuition.

At the time of his premature death in Leamington Spa on 10 August, 1864, he had achieved considerable artistic acclaim becoming a member of the Birmingham Society of Artists and Royal Birmingham Society of Artists.

Presentation: The painting is housed in a new, English made gilt frame which is in excellent condition.

Condition: As with all of our original antique oil paintings, this work is offered in ready to hang gallery condition, having just been professionally cleaned, restored and revarnished.

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