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1920s Oil on Canvas Painting 'Portrait of a Clergyman'
The Collector Antiques
for sale €462     $502
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1920s Oil on Canvas Painting 'Portrait of a Clergyman'

1900 - 1920
Description

Portrait of a clergyman, head and shoulders, oil on canvas in a gold guilded frame. Attributed to Rev. Dr. Joseph Henry Dodshon born on 19 April 1868 in Spennymoor Co Durham.

He studied music in Durham and London, gaining a music degree in 1890. The 1891 Census lists him as teaching at Ann Crook's School in Hartlepool. He emigrated to the USA in 1895 and became a naturalised American citizen in Cheyenne, Wyoming in 1900.

He worked as a church organist before being ordained in the Episcopal Church as a Deacon in 1898 and as a priest in 1900. He started his clerical career as a missionary in Wyoming, where he built churches in Douglas and Lusk.

In 1905 he was named Archdeacon of Western Michigan After spending a year in charge of the English Cathedral in Gibraltar he returned to the USA as Archdeacon of Southern Ohio. It was while preaching in Zanesville, Ohio, that he met his future wife, Carsonette K Porter.

He was the author of a number of books, including a guide to family prayer. The first Mrs Dodshon died in 1939. Dr Dodshon married again in 1945, to Mrs Else Lamb, whom he had met many years previously when Carsonette Dodshon had been taken ill on the way to Liverpool and was nursed at the home at which Mrs Lamb was matron. They settled in Zanesville in 1947, and Dr Dodshon died in July 1948 whilst visiting relatives of Mrs Dodshon in Cheshire.

Physical Dimensions
Height
86cm (33.86")
Width
70cm (27.56")
Depth
5cm (1.97")
Declaration

The Collector Antiques has dated this Antique Clergyman Portrait Painting to the 1920s.

Reference Numbers
Sellingantiques Reference
SA790011
Dealers Internal Reference
210416_06
Description
Portrait of a clergyman, head and shoulders, oil on canvas in a gold guilded frame. Attributed to Rev. Dr. Joseph Henry Dodshon born on 19 April 1868 in Spennymoor Co Durham.

He studied music in Durham and London, gaining a music degree in 1890. The 1891 Census lists him as teaching at Ann Crook's School in Hartlepool.

He emigrated to the USA in 1895 and became a naturalised American citizen in Cheyenne, Wyoming in 1900.
The Collector Antiques
fig 1. An oil on canvas portrait from the 1920s depicting a clergyman in a black coat and collar inside a gold gilt frame.
fig 1. 1920s Oil on Canvas Painting 'Portrait of a Clergyman'

He worked as a church organist before being ordained in the Episcopal Church as a Deacon in 1898 and as a priest in 1900. He started his clerical career as a missionary in Wyoming, where he built churches in Douglas and Lusk.

fig 2. An oil on canvas portrait from the 1920s depicting a clergyman in a black coat and collar inside a gold gilt frame.
fig 2. 1920s Oil on Canvas Painting 'Portrait of a Clergyman'

In 1905 he was named Archdeacon of Western Michigan After spending a year in charge of the English Cathedral in Gibraltar he returned to the USA as Archdeacon of Southern Ohio. It was while preaching in Zanesville, Ohio, that he met his future wife, Carsonette K Porter.

fig 3. An oil on canvas portrait from the 1920s depicting a clergyman in a black coat and collar inside a gold gilt frame.
fig 3. 1920s Oil on Canvas Painting 'Portrait of a Clergyman'

He was the author of a number of books, including a guide to family prayer. The first Mrs Dodshon died in 1939. Dr Dodshon married again in 1945, to Mrs Else Lamb, whom he had met many years previously when Carsonette Dodshon had been taken ill on the way to Liverpool and was nursed at the home at which Mrs Lamb was matron. They settled in Zanesville in 1947, and Dr Dodshon died in July 1948 whilst visiting relatives of Mrs Dodshon in Cheshire.

Height
86cm (33.86")
Width
70cm (27.56")
Depth
5cm (1.97")
Date of Manufacture

The Collector Antiques has dated this Antique Clergyman Portrait Painting to the 1920s.

Reference Numbers
Sellingantiques Ref
SA790011
Dealers Internal Ref
210416_06
The Collector Antiques
Sellingantiques verified Since Sep 2015
Dealer Profile

You can view the stock and full dealer information on the The Collector Antiques Profile Page

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An oil on canvas portrait from the 1920s depicting a clergyman in a black coat and collar inside a gold gilt frame.
1 / 4
Archive I An oil on canvas portrait from the 1920s depicting a clergyman in a black coat and collar inside a gold gilt frame.

1920s Oil on Canvas Painting 'Portrait of a Clergyman'

Archive II An oil on canvas portrait from the 1920s depicting a clergyman in a black coat and collar inside a gold gilt frame. View II
Archive III An oil on canvas portrait from the 1920s depicting a clergyman in a black coat and collar inside a gold gilt frame. View III
Archive IV An oil on canvas portrait from the 1920s depicting a clergyman in a black coat and collar inside a gold gilt frame. View IV
Enlarged Archival View
Location
25 The Bank
Barnard Castle
County Durham
DL12 8PH
United Kingdom
Dealer Profile Page sellingantiques.co.uk/tca
Verified Since Sep 2015
Items For Sale 102
Items Sold 23
The Collector Antiques
Verified Since Sep 2015
View Dealer Info
Location: 25 The Bank , Barnard Castle , County Durham , DL12 8PH, United Kingdom
Verified
Sep 2015
For Sale
102
Sold
23
An oil on canvas portrait from the 1920s depicting a clergyman in a black coat and collar inside a gold gilt frame.
1920s Oil On Canvas Painting 'Portrait Of A Clergyman'
Ref: SA790011
An oil on canvas portrait from the 1920s depicting a clergyman in a black coat and collar inside a gold gilt frame.
Detail View 1
Detail View 2
Detail View 3
Archival Detail
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Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

Early 20th-century portraiture often favoured academic realism, focus on personality, and muted backgrounds to emphasize the sitter and their attire.

Artists painted with oil pigments on stretched cotton or linen canvas, which were then fitted into wooden frames coated with plaster moulding and gilt finish.

Authentic period oil paintings show visible brushwork texture, fine surface craquelure, natural age-related canvas discolouration on the reverse, and period-appropriate hardware.

A framed portrait can be hung as a central focal point above a fireplace mantel, styled over a sideboard, or positioned within a curated gallery wall.

Dust the surface lightly with a dry, soft-bristled brush, avoiding liquid cleaners, and keep the canvas away from direct sunlight, dampness, and heat sources.
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