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ID #SA439484
FOR SALE
£225
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Henry Bright 1810-1873 Ruin Castle Gate with Cottage and Pond
For sale by Timberhill Gallery
for sale €263     $286
£225
Timberhill Gallery

Timberhill Gallery

Sellingantiques Verified Since Feb 2014
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Id #SA439484
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Henry Bright 1810-1873 Ruin Castle Gate with Cottage and Pond

19th century
Description

Henry Bright 1810 – 1873 was born in Saxmundham Suffolk. Brights first job was as an apprentice chemist in Norwich. As his interest in art developed he took lessons from both JB Crome and JS Cotman. He also took lessons from Alfred Standard who famously snubbed him in Norwich. Bright famously confronted Standard in letter held at Norwich Castle Museum. Bright was a close associate of Thomas Lound and John Middleton; both respected Norwich School artists.

Henry Bright then moved to London where he exhibited at the Royal Academy and The British Institution. He also sold in 1844 The Entrance to a Prussian Town to Queen Victoria from the Royal Academy exhibition of that summer.

A drawing in pencil, charcoal and chalk on grey paper though to relate to the drawing 'Ancient Gate Tonbridge' held at the Castle Museum Norwich.

Image size 17.5cm x 12 cm Frame 50cm x 40cm

Physical Dimensions
Height
50cm (19.69")
Width
40cm (15.75")
Depth
7cm (2.76")
Declaration

Timberhill Gallery has dated this Victorian Landscape Drawing to the 19th Century.

Reference Numbers
Sellingantiques Reference
SA439484
Description
Henry Bright 1810 – 1873 was born in Saxmundham Suffolk. Brights first job was as an apprentice chemist in Norwich. As his interest in art developed he took lessons from both JB Crome and JS Cotman. He also took lessons from Alfred Standard who famously snubbed him in Norwich. Bright famously confronted Standard in letter held at Norwich Castle Museum.
“
Bright was a close associate of Thomas Lound and John Middleton; both respected Norwich School artists.
Timberhill Gallery
fig 1. A 19th-century monochrome drawing depicting a ruined castle gate, cottage, and pond mounted on a white mat.
fig 1. Henry Bright 1810-1873 Ruin Castle Gate with Cottage and Pond

Henry Bright then moved to London where he exhibited at the Royal Academy and The British Institution. He also sold in 1844 The Entrance to a Prussian Town to Queen Victoria from the Royal Academy exhibition of that summer.

A drawing in pencil, charcoal and chalk on grey paper though to relate to the drawing 'Ancient Gate Tonbridge' held at the Castle Museum Norwich.

Image size 17.5cm x 12 cm Frame 50cm x 40cm

Height
50cm (19.69")
Width
40cm (15.75")
Depth
7cm (2.76")
Date of Manufacture

Timberhill Gallery has dated this Victorian Landscape Drawing to the 19th Century.

Reference Numbers
Sellingantiques Ref
SA439484
Timberhill Gallery
Timberhill Gallery
Sellingantiques verified Since Feb 2014
Dealer Profile

You can view the stock and full dealer information on the Timberhill Gallery Profile Page

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A 19th-century monochrome drawing depicting a ruined castle gate, cottage, and pond mounted on a white mat.
1 / 6
Archive I A 19th-century monochrome drawing depicting a ruined castle gate, cottage, and pond mounted on a white mat.

Henry Bright 1810-1873 Ruin Castle Gate with Cottage and Pond

Archive II A 19th-century monochrome drawing depicting a ruined castle gate, cottage, and pond mounted on a white mat. View II
Archive III A 19th-century monochrome drawing depicting a ruined castle gate, cottage, and pond mounted on a white mat. View III
Archive IV A 19th-century monochrome drawing depicting a ruined castle gate, cottage, and pond mounted on a white mat. View IV
Archive V A 19th-century monochrome drawing depicting a ruined castle gate, cottage, and pond mounted on a white mat. View V
Archive VI A 19th-century monochrome drawing depicting a ruined castle gate, cottage, and pond mounted on a white mat. View VI
Enlarged Archival View
Timberhill Gallery

Timberhill Gallery
Telephone 07805 249 756
Location
Bungay
Suffolk
United Kingdom
Dealer Profile Page sellingantiques.co.uk/bungay
Verified Since Feb 2014
Items For Sale 83
Items Sold 105
Timberhill Gallery
Timberhill Gallery
Verified Since Feb 2014
View Dealer Info
Location: Bungay, Suffolk, United Kingdom
Profile: sellingantiques.co.uk/bungay
Verified
Feb 2014
For Sale
83
Sold
105
A 19th-century monochrome drawing depicting a ruined castle gate, cottage, and pond mounted on a white mat.
Henry Bright 1810-1873 Ruin Castle Gate with Cottage and Pond
Ref: SA439484
A 19th-century monochrome drawing depicting a ruined castle gate, cottage, and pond mounted on a white mat.
Detail View 1
Detail View 2
Detail View 3
Detail View 4
Detail View 5
Archival Detail

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Cataloguer’s note

Written by Sellingantiques from the dealer’s photographs and listing
  • ObjectDrawings
  • Period19th century
  • StyleVictorian
  • MaterialPaper, Graphite, Chalk
  • ColourGrey
  • MotifsRuined architecture, Rustic cottage, Pond view, Mounted mat
  • SizeH 50 cm (20 in) x W 40 cm (16 in) x D 7 cm (3 in)

This nineteenth-century Victorian drawing by Henry Bright is executed in graphite and chalk on grey paper. The monochrome artwork depicts a rustic scene featuring a ruined castle gate, a cottage, and a pond view. It is mounted centrally within a plain white rectangular mat board that forms a wide border around the small central picture plane. The composition shows delicate tonal shading with grey and white highlights creating atmospheric depth across the architectural ruins and landscape elements. The framed object measures 50 cm high, 40 cm wide, and 7 cm deep overall, with a smaller internal image dimension. Suitable for a traditional English country house interior, the piece is designed for display in domestic settings such as a living room or hallway. It hangs securely above a sideboard or console table where the paper artwork complements classic period decor. The neutral grey and white colour scheme allows the drawing to integrate easily with various wall colours and existing picture collections.

FAQs

The Norwich School of painters was a regional British art movement established in the early 19th century, renowned for depicting rural Norfolk scenery, rustic cottages, and dramatic weather conditions using naturalistic techniques.

Artists during the Victorian era commonly utilised graphite pencil, chalk, charcoal, and monochrome watercolours on paper to capture rapid atmospheric studies and field observations.

Authentic period drawings often exhibit natural age toning, foxing, or light oxidisation on paper, along with period-accurate draughtsmanship, artist signatures, or gallery labels on the backing.

A monochrome antique drawing can be mounted in a modern slim oak or dark wood frame to complement both traditional country interiors and contemporary gallery walls.

Paper artworks should be framed using acid-free mountboard and UV-protective glass, while being kept away from direct sunlight, humidity, and fluctuating temperature levels.
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