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Portrait of Louis Armstrong 1901-1971 by Juliet Pannett 1911-2005
Artware Fineart
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Portrait of Louis Armstrong 1901-1971 by Juliet Pannett 1911-2005

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Description

signed "Juliet Pannett"

charcoal

18 x 12in.

Louis Armstrong (August 4, 1901 – July 6, 1971), nicknamed Satchmo[3] or Sachimo[4] and Pops, was an American jazz trumpeter and singer.

Coming to prominence in the 20s as an innovative cornet and trumpet virtuoso, Armstrong was a foundational influence on jazz, shifting the music's focus from collective improvisation to solo performers. With his distinctive gravelly voice, Armstrong was an influential singer, demonstrating great dexterity as an improviser, bending the lyrics and melody of a song for expressive purposes. He was also greatly skilled at scat singing, or wordless vocalizing.

Renowned for his charismatic stage presence, Armstrong's influence extended well beyond jazz, and by the end of his career in the '60s, he was widely regarded as a profound influence on popular music in general: critic Steve Leggett describes Armstrong as "perhaps the most important American musician of the 20th century."

JULIET PANNETT began her career as an artist so long ago that she was able to draw a veteran of the Crimean War, William Brazier, who had been present at the fall of Sebastopol. And as he sat up in bed, wearing his medals, the 99-year-old smiled at the young artist and said: “You’re a beauty”. Her sympathetic portrait was just one of thousands of rather old-fashioned likenesses that she produced in a career of more than 75 years. Later Pannett had her own seat for six years in the House of Commons gallery, from which, long before the chamber was televised, she sketched the proceedings for The Illustrated London News. From there, in 1964, she drew a sadly emaciated and stooped Winston Churchill leaving the House for the last time. Over the years she produced portraits of eight other prime ministers. Her work was reproduced regularly in The Times, The Daily Telegraph and Radio Times, and for a long period her drawings appeared on the cover of The Law Guardian. Her subjects ranged from royalty through the ranks of the musical, military, academic and medical professions. Juliet Kathleen Somers was born in Hove in 1911, the fifth of seven children of a not-very-successful professional gambler. From a very early age she was determined to become an artist, and at 16 she enrolled at Brighton Art School. By the time she was 18, her drawings of local characters and sportsmen were appearing in local papers and magazines. These and her landscape paintings provided a modest living until her marriage in 1938 to Captain Maurice Pannett of The Devonshire Regiment. Juliet Pannett became a familiar figure sketching at the Albert Hall and Festival Hall, often attending orchestra rehearsals. She also attended jazz clubs, Louis Armstrong and Benny Goodman among her many musician subjects. They would often sign the completed portrait.

Reference Numbers
Sellingantiques Reference
SA35616
Dealers Internal Reference
2943
Description
Signed "Juliet Pannett"

charcoal

18 x 12in.

Louis Armstrong (August 4, 1901 – July 6, 1971), nicknamed Satchmo[3] or Sachimo[4] and Pops, was an American jazz trumpeter and singer.
Artware Fineart

Coming to prominence in the 20s as an innovative cornet and trumpet virtuoso, Armstrong was a foundational influence on jazz, shifting the music's focus from collective improvisation to solo performers. With his distinctive gravelly voice, Armstrong was an influential singer, demonstrating great dexterity as an improviser, bending the lyrics and melody of a song for expressive purposes. He was also greatly skilled at scat singing, or wordless vocalizing.

fig 1. A black charcoal portrait drawing depicting musician Louis Armstrong on warm brown paper, signed by artist Juliet Pannett in the lower right corner.
fig 1. Portrait of Louis Armstrong 1901-1971 by Juliet Pannett 1911-2005

Renowned for his charismatic stage presence, Armstrong's influence extended well beyond jazz, and by the end of his career in the '60s, he was widely regarded as a profound influence on popular music in general: critic Steve Leggett describes Armstrong as "perhaps the most important American musician of the 20th century."

JULIET PANNETT began her career as an artist so long ago that she was able to draw a veteran of the Crimean War, William Brazier, who had been present at the fall of Sebastopol. And as he sat up in bed, wearing his medals, the 99-year-old smiled at the young artist and said: “You’re a beauty”. Her sympathetic portrait was just one of thousands of rather old-fashioned likenesses that she produced in a career of more than 75 years. Later Pannett had her own seat for six years in the House of Commons gallery, from which, long before the chamber was televised, she sketched the proceedings for The Illustrated London News. From there, in 1964, she drew a sadly emaciated and stooped Winston Churchill leaving the House for the last time. Over the years she produced portraits of eight other prime ministers. Her work was reproduced regularly in The Times, The Daily Telegraph and Radio Times, and for a long period her drawings appeared on the cover of The Law Guardian. Her subjects ranged from royalty through the ranks of the musical, military, academic and medical professions. Juliet Kathleen Somers was born in Hove in 1911, the fifth of seven children of a not-very-successful professional gambler. From a very early age she was determined to become an artist, and at 16 she enrolled at Brighton Art School. By the time she was 18, her drawings of local characters and sportsmen were appearing in local papers and magazines. These and her landscape paintings provided a modest living until her marriage in 1938 to Captain Maurice Pannett of The Devonshire Regiment. Juliet Pannett became a familiar figure sketching at the Albert Hall and Festival Hall, often attending orchestra rehearsals. She also attended jazz clubs, Louis Armstrong and Benny Goodman among her many musician subjects. They would often sign the completed portrait.

Reference Numbers
Sellingantiques Ref
SA35616
Dealers Internal Ref
2943
Artware Fineart
Sellingantiques verified Since Sep 2008
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A black charcoal portrait drawing depicting musician Louis Armstrong on warm brown paper, signed by artist Juliet Pannett in the lower right corner.
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Archive I A black charcoal portrait drawing depicting musician Louis Armstrong on warm brown paper, signed by artist Juliet Pannett in the lower right corner.

Portrait of Louis Armstrong 1901-1971 by Juliet Pannett 1911-2005

Archive II A black charcoal portrait drawing depicting musician Louis Armstrong on warm brown paper, signed by artist Juliet Pannett in the lower right corner. View II
Enlarged Archival View
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18 La Gare
51 Surrey Row
London
SE1 0BZ
United Kingdom
Verified Since Sep 2008
Items For Sale 243
Items Sold 223
Artware Fineart
Verified Since Sep 2008
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Location: 18 La Gare , 51 Surrey Row , London , SE1 0BZ , United Kingdom
Verified
Sep 2008
For Sale
243
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A black charcoal portrait drawing depicting musician Louis Armstrong on warm brown paper, signed by artist Juliet Pannett in the lower right corner.
Portrait of Louis Armstrong 1901-1971 by Juliet Pannett 1911-2005
Ref: SA35616
A black charcoal portrait drawing depicting musician Louis Armstrong on warm brown paper, signed by artist Juliet Pannett in the lower right corner.
Detail View 1
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Every single antique dealer on our platform is individually approved by our internal team. We verify their professional trade history, ethical standards, and photographic quality to ensure a secure, high-standard buying environment. Upon joining, every dealer agrees to a strict 9-point code of conduct. While issues can occasionally arise, our dealers typically resolve them swiftly and directly with the buyer. In fact, since our founding in 2002, Sellingantiques has only had to step in to help resolve an issue on roughly five occasions—a true testament to the quality of our dealers and their dedication to your happiness.
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Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

Mid-twentieth-century charcoal portraiture is defined by expressive linear work, rapid shading, and a focus on capturing immediate human character and emotion. Artists frequently worked directly from life, employing tonal paper to create depth and contrast.

Artists traditionally utilise compressed or vine charcoal, graphite, and chalk on medium-grain paper or toned rag paper. The combination allows for a wide range of values, from deep black shadows to soft grey mid-tones.

Authentic drawings feature genuine artist signatures, consistent stroke technique, natural paper aging, and paper grain consistent with the era. Inspecting the artwork out of the frame often reveals age lines, light tone shifts, or artist working marks.

A charcoal sketch styles well within dark paint schemes, gallery walls, or minimalist rooms when housed in a clean wood or dark frame with a neutral mount. It complements surrounding wood textures, leather furniture, and understated decor.

Charcoal drawings require framing under UV-filtering glass with an acid-free mount to prevent direct contact between the artwork and the glass. Keep the piece away from high humidity, damp walls, and direct sunlight to avoid fading or foxing.
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