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Portrait Traditionally Said to Be of Sir Jeffrey Hudson, 17th/18th Century, After Daniel Mytens.
Roy Precious - Antiques & Fine Art
for sale €6,962     $7,557
£5,950
Roy Precious - Antiques & Fine Art

Roy Precious - Antiques & Fine Art

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Portrait Traditionally Said to Be of Sir Jeffrey Hudson, 17th/18th Century, After Daniel Mytens.

17th century
Description

Oil on canvas in a later giltwood frame.

This portrait is after one, exactly the same size, in the collection of The National Portrait Gallery. Acquired in 1910 it was said to be of Hudson by Mytens until quite recently; they now say 'Unknown man, formerly known as Jeffrey Hudson, by unknown artist, mid 17th century'.

Also in the NPG collection is a line engraving of the portrait, naming the sitter as Hudson, published in 1810, by James Stow after Daniel Mytens. Again, the NPG now say unknown artist and sitter.

The famous writer and antiquary George Vertue (1684 – 24 July 1756) wrote in his section on Mytens "At St. James's is Jeffrey Hudson the dwarf, holding a dog by a lead string, in a landscape.... A later footnote adds "there is a repetition of the picture at Holyrood House".

SIR JEFFREY HUDSON (1619 – circa 1682) was an English court dwarf at the Court of Queen Henrietta Maria. He was famous as the "Queen's dwarf" and "Lord Minimus", and was considered one of the "wonders of the age" because of his extreme but well-proportioned smallness. Knighted by the Henrietta Maria, he fought with the Royalists in the English Civil War and fled with the Queen to France, but was expelled from her court when he shot and killed William Crofts in a duel. Crofts was a powerful figure as the Queen's Master of Horse and head of her Lifeguard. Initially sentenced to death he was exiled.

Within months, aged 25, Hudson was on a ship that was captured by Barbary pirates; he spent 25 years as a slave in North Africa before being ransomed back to England.

On his return Hudson lived in Oakham for several years, where he was interviewed and a short record of his life made, by an antiquarian named James Wright. In 1676 Hudson returned to London, perhaps to seek a pension from the Royal Court. He had the misfortune of arriving at a time of turbulent anti-Catholic activity, which included the "Popish Plot" of Titus Oates (also from Oakham), and was imprisoned "for a considerable time" at the Gatehouse prison. Being a "Roman Catholick" was his only recorded offence, but he was not released until 1680. He died about two years later on an unknown date, in unknown circumstances, buried in an unmarked Catholic paupers' grave.

Daniël Mijtens (Delft, c. 1590 – The Hague, 1647/48), known in England as DANIEL MYTENS the Elder, was a Dutch portrait painter who spent the central years of his career working in England. He was born in Delft into a family of artists and trained in The Hague, possibly in the studio of Van Mierevelt.

SIZE: canvas 49 x 32 inches.

Frame 55.5 x 39 inches.

PROVENANCE: Private Collection, Belgium.

Physical Dimensions
Height
141cm (55.51")
Width
99cm (38.98")
Depth
5cm (1.97")
Declaration

Roy Precious - Antiques & Fine Art has dated this 17th Century Portrait Painting to the 17th Century.

Reference Numbers
Sellingantiques Reference
SA348004
Dealers Internal Reference
8893
Description
Oil on canvas in a later giltwood frame.
This portrait is after one, exactly the same size, in the collection of The National Portrait Gallery.
Roy Precious - Antiques & Fine Art

Acquired in 1910 it was said to be of Hudson by Mytens until quite recently; they now say 'Unknown man, formerly known as Jeffrey Hudson, by unknown artist, mid 17th century'.

fig 1. A full-length portrait depicting a figure in 17th-century costume alongside a spaniel, encased within a moulded gold gilt frame.
fig 1. Portrait Traditionally Said to Be of Sir Jeffrey Hudson, 17th/18th Century, After Daniel Mytens.

Also in the NPG collection is a line engraving of the portrait, naming the sitter as Hudson, published in 1810, by James Stow after Daniel Mytens. Again, the NPG now say unknown artist and sitter.

The famous writer and antiquary George Vertue (1684 – 24 July 1756) wrote in his section on Mytens "At St. James's is Jeffrey Hudson the dwarf, holding a dog by a lead string, in a landscape.... A later footnote adds "there is a repetition of the picture at Holyrood House".

fig 2. A full-length portrait depicting a figure in 17th-century costume alongside a spaniel, encased within a moulded gold gilt frame.
fig 2. Portrait Traditionally Said to Be of Sir Jeffrey Hudson, 17th/18th Century, After Daniel Mytens.

SIR JEFFREY HUDSON (1619 – circa 1682) was an English court dwarf at the Court of Queen Henrietta Maria. He was famous as the "Queen's dwarf" and "Lord Minimus", and was considered one of the "wonders of the age" because of his extreme but well-proportioned smallness. Knighted by the Henrietta Maria, he fought with the Royalists in the English Civil War and fled with the Queen to France, but was expelled from her court when he shot and killed William Crofts in a duel. Crofts was a powerful figure as the Queen's Master of Horse and head of her Lifeguard. Initially sentenced to death he was exiled.

fig 3. A full-length portrait depicting a figure in 17th-century costume alongside a spaniel, encased within a moulded gold gilt frame.
fig 3. Portrait Traditionally Said to Be of Sir Jeffrey Hudson, 17th/18th Century, After Daniel Mytens.

Within months, aged 25, Hudson was on a ship that was captured by Barbary pirates; he spent 25 years as a slave in North Africa before being ransomed back to England.

On his return Hudson lived in Oakham for several years, where he was interviewed and a short record of his life made, by an antiquarian named James Wright. In 1676 Hudson returned to London, perhaps to seek a pension from the Royal Court. He had the misfortune of arriving at a time of turbulent anti-Catholic activity, which included the "Popish Plot" of Titus Oates (also from Oakham), and was imprisoned "for a considerable time" at the Gatehouse prison. Being a "Roman Catholick" was his only recorded offence, but he was not released until 1680. He died about two years later on an unknown date, in unknown circumstances, buried in an unmarked Catholic paupers' grave.

fig 4. A full-length portrait depicting a figure in 17th-century costume alongside a spaniel, encased within a moulded gold gilt frame.
fig 4. Portrait Traditionally Said to Be of Sir Jeffrey Hudson, 17th/18th Century, After Daniel Mytens.

Daniël Mijtens (Delft, c. 1590 – The Hague, 1647/48), known in England as DANIEL MYTENS the Elder, was a Dutch portrait painter who spent the central years of his career working in England. He was born in Delft into a family of artists and trained in The Hague, possibly in the studio of Van Mierevelt.

SIZE: canvas 49 x 32 inches.

Frame 55.5 x 39 inches.

PROVENANCE: Private Collection, Belgium.

Height
141cm (55.51")
Width
99cm (38.98")
Depth
5cm (1.97")
Date of Manufacture

Roy Precious - Antiques & Fine Art has dated this 17th Century Portrait Painting to the 17th Century.

Reference Numbers
Sellingantiques Ref
SA348004
Dealers Internal Ref
8893
Roy Precious - Antiques & Fine Art
Roy Precious - Antiques & Fine Art
Sellingantiques verified Since Mar 2003

Roy and nadine precious: specialists in portraiture from the 16th to the 20th century. Established in 1972.

Dealer Profile

You can view the stock and full dealer information on the Roy Precious - Antiques & Fine Art Profile Page

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A full-length portrait depicting a figure in 17th-century costume alongside a spaniel, encased within a moulded gold gilt frame.
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Archive I A full-length portrait depicting a figure in 17th-century costume alongside a spaniel, encased within a moulded gold gilt frame.

Portrait Traditionally Said to Be of Sir Jeffrey Hudson, 17th/18th Century, After Daniel Mytens.

Archive II A full-length portrait depicting a figure in 17th-century costume alongside a spaniel, encased within a moulded gold gilt frame. View II
Archive III A full-length portrait depicting a figure in 17th-century costume alongside a spaniel, encased within a moulded gold gilt frame. View III
Archive IV A full-length portrait depicting a figure in 17th-century costume alongside a spaniel, encased within a moulded gold gilt frame. View IV
Archive V A full-length portrait depicting a figure in 17th-century costume alongside a spaniel, encased within a moulded gold gilt frame. View V
Archive VI A full-length portrait depicting a figure in 17th-century costume alongside a spaniel, encased within a moulded gold gilt frame. View VI
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Roy Precious - Antiques & Fine Art
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A full-length portrait depicting a figure in 17th-century costume alongside a spaniel, encased within a moulded gold gilt frame.
Portrait traditionally said to be of Sir Jeffrey Hudson, 17th/18th century, After Daniel Mytens.
Ref: SA348004
A full-length portrait depicting a figure in 17th-century costume alongside a spaniel, encased within a moulded gold gilt frame.
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Every single antique dealer on our platform is individually approved by our internal team. We verify their professional trade history, ethical standards, and photographic quality to ensure a secure, high-standard buying environment. Upon joining, every dealer agrees to a strict 9-point code of conduct. While issues can occasionally arise, our dealers typically resolve them swiftly and directly with the buyer. In fact, since our founding in 2002, Sellingantiques has only had to step in to help resolve an issue on roughly five occasions—a true testament to the quality of our dealers and their dedication to your happiness.
Our dealers are highly experienced in packing and shipping fragile, high-value antiques. Because you are in direct contact with the dealer, you will be able to easily go through all available shipping and insurance options together to ensure your item arrives safely.
Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

17th-century British portraiture, heavily influenced by Continental artists such as Daniel Mytens and Anthony van Dyck, characterised figures through formal attire, symbolic props, and realistic depictions of domestic hunting animals.

Paintings from this era were typically executed in oil pigments on hand-woven linen canvas or wooden panels, presented within carved or moulded gilded timber frames.

Identification involves examining craquelure patterns across the paint layer, timber oxidisation on stretcher bars, hand-forged iron tacks, and brushwork techniques consistent with period workshops.

A dramatic historical portrait creates a focal point when mounted above a contemporary sideboard or integrated into an eclectic gallery wall alongside neutral backdrop tones.

Keep the artwork away from direct sunlight, extreme humidity fluctuations, and direct heat sources, while dusting the surface gently using a soft, dry natural-bristle brush.
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