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Alfred Leyman 1856-1933 St Margarets Charity Almshouse, Exeter Road, Honiton, East Devon
Artware Fineart
for sale €819     $889
£700

Artware Fineart

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Alfred Leyman 1856-1933 St Margarets Charity Almshouse, Exeter Road, Honiton, East Devon

19th century
For Sale by Artware Fineart
Description

Alfred Leyman 1856-1933

St Margarets Charity Almshouse, Exeter Road, Honiton, East Devon

signed

pencil and watercolour

12 x 16 in. (31 x 41 cm.)

In the early 1500's Thomas Chard, Abbott of Forde Abbey, restored St Margarets Chapel which was then used as a leper hospital. By the late 1700's there was no need for a leper hospital so the buildings were used as Almshouses for the poor and eldelrly to live in. the property was in use until 1949 as almshouses but are all in private hands now.

Leyman was born in Summerland Street in Exeter in 1856 and was the son of John Francis Leyman, a seaman in the Merchant Service. He moved to Honiton in 1888 and became Art Master at Allhallows School in 1893, a post he filled for forty years until 1933. This seems an extraordinary feat based on the evidence of one pupil who said that Leyman 'had no real teaching ability and he would have been happier alone with his easel, and away from the gathering of rowdy boys'.He seldom left Devon, with the exception of short trips to West Dorset and Somerset, to places like Porlock and Lynton. He supplemented his teaching income by painting popular resorts for the visitors and we regularly see Leyman watercolours of The Guildhall in Exeter, The Butterwalk in Dartmouth, Dittisham, cottages in Clovelly and the street in Otterton.In the period Leyman was at his most prolific, Elands Art Gallery in Exeter were showcasing local artist and staged biannual exhibitions, one in April and one in August. In 1906 sixteen Leyman watercolours were shown and one still finds authentic Eland Gallery labels attached to the old backing boards of Leyman watercolours. Elands were in fact more booksellers than art dealers and the business continued until 2006 when the premises at Mol's Coffee House in Exeter were closed for the last time. I mention this because Frank and Fowler Eland, who were contemporaries of Leyman, did their bookselling apprenticeships with Messrs Bumpus & Bumpus, "the booksellers of Old London Town", and any business with a name like that surely warrants a mention.

Physical Dimensions
Height
35cm (13.78")
Width
45cm (17.72")
Depth
2cm (0.79")
Declaration

Artware Fineart has dated this Alfred Leyman Watercolour Painting to the 19th Century.

Reference Numbers
Sellingantiques Reference
SA173335
Dealers Internal Reference
3552
Description
Alfred Leyman 1856-1933

St Margarets Charity Almshouse, Exeter Road, Honiton, East Devon

signed

pencil and watercolour

12 x 16 in. (31 x 41 cm.)

In the early 1500's Thomas Chard, Abbott of Forde Abbey, restored St Margarets Chapel which was then used as a leper hospital.
Artware Fineart

By the late 1700's there was no need for a leper hospital so the buildings were used as Almshouses for the poor and eldelrly to live in. the property was in use until 1949 as almshouses but are all in private hands now.

Leyman was born in Summerland Street in Exeter in 1856 and was the son of John Francis Leyman, a seaman in the Merchant Service. He moved to Honiton in 1888 and became Art Master at Allhallows School in 1893, a post he filled for forty years until 1933. This seems an extraordinary feat based on the evidence of one pupil who said that Leyman 'had no real teaching ability and he would have been happier alone with his easel, and away from the gathering of rowdy boys'.He seldom left Devon, with the exception of short trips to West Dorset and Somerset, to places like Porlock and Lynton. He supplemented his teaching income by painting popular resorts for the visitors and we regularly see Leyman watercolours of The Guildhall in Exeter, The Butterwalk in Dartmouth, Dittisham, cottages in Clovelly and the street in Otterton.In the period Leyman was at his most prolific, Elands Art Gallery in Exeter were showcasing local artist and staged biannual exhibitions, one in April and one in August. In 1906 sixteen Leyman watercolours were shown and one still finds authentic Eland Gallery labels attached to the old backing boards of Leyman watercolours. Elands were in fact more booksellers than art dealers and the business continued until 2006 when the premises at Mol's Coffee House in Exeter were closed for the last time. I mention this because Frank and Fowler Eland, who were contemporaries of Leyman, did their bookselling apprenticeships with Messrs Bumpus & Bumpus, "the booksellers of Old London Town", and any business with a name like that surely warrants a mention.

Height
35cm (13.78")
Width
45cm (17.72")
Depth
2cm (0.79")
Date of Manufacture

Artware Fineart has dated this Alfred Leyman Watercolour Painting to the 19th Century.

Reference Numbers
Sellingantiques Ref
SA173335
Dealers Internal Ref
3552
Artware Fineart
Sellingantiques verified Since Sep 2008
Dealer Profile

You can view the stock and full dealer information on the Artware Fineart Profile Page

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A watercolour painting depicting thatched cottages along a country lane with figures and tall trees under a pale sky.
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Archive I A watercolour painting depicting thatched cottages along a country lane with figures and tall trees under a pale sky.

Alfred Leyman 1856-1933 St Margarets Charity Almshouse, Exeter Road, Honiton, East Devon

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A watercolour painting depicting thatched cottages along a country lane with figures and tall trees under a pale sky.
Alfred Leyman 1856-1933 St Margarets Charity Almshouse, Exeter Road, Honiton, East Devon
Ref: SA173335
A watercolour painting depicting thatched cottages along a country lane with figures and tall trees under a pale sky.
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This period of British art featured landscape scenes, regional architecture, and rustic villagelife rendered in fluid, transparent washes on paper to capture atmospheric light and detailed scenery.

Artists used water-soluble gum arabic pigments painted directly onto heavy cotton rag paper, which were subsequently mounted and framed behind protective glass.

Authentic watercolours display fine hand-painted pigment variations, signature marks in graphite or paint, and characteristic natural age toning or light foxing on the paper surface.

Display the framed artwork above a sideboard or console table, or incorporate it into an eclectic gallery wall to introduce classic warmth and historic detail.

Position the painting away from direct light source exposure and humid environments, utilising archival acid-free backing materials and UV-filtering glass to prevent fading.
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