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ID #SA1245274
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£850
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Portrait of William Simpson by English School, 18th Century
For sale by Miles Barton Art and Interiors
for sale €995     $1,080
£850
Miles Barton Art and Interiors

Miles Barton Art and Interiors

Sellingantiques Verified Since Aug 2026
Browse dealers 24 items
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    British and european pictures and works of art from the 17th to 20th century
Id #SA1245274
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Portrait of William Simpson by English School, 18th Century

18th century
Description

Oil on wood panel; period frame

Framed: 40 x 35 cm;

Panel: 30 x 25 cm

Provenance: A collection of an actor; London

This later 18th century portrait presents a bust-length image of a young man, William Simpson, set within a feigned oval frame that concentrates attention on his face and formal attire. A dramatic light source from the upper left illuminates his fair complexion, wide hazel eyes and a youthful flush on his cheeks against a dark, muted background. His hair is heavily powdered and whitened in the fashion of the 1780s, styled with rolling curls over the ears. He wears a structured dark blue coat with a stiff, high collar, contrasted by an intricately tied and ruffled white linen cravat cascading down his chest, projecting an image of refined gentility.

Painted on a wood panel it has a label on the back stating it is William Simpson of 15 Nottingham Place in London. He was a man of means as the address was a smart one and he was a member of the Royal Society of Arts and well as a supporter of the Irish gothic novelist Regina Maria Roche (1764-1845) paying towards the publication on one of her later works.

Date of Manufacture

Miles Barton Art and Interiors has dated this 18th Century Oil Portrait to the 18th Century.

Independent Date Check ID 09716918
Dealer's Item Date18th Century
Sellingantiques Date18th Century
Sellingantiques agingItem 225-250 years old
Test ResultsPassed dating check
Why Sellingantiques dated this piece to THE 18TH CENTURY:
High standing coat collar and large ruffled cravat: fashion of the late 1780s.
Hand-planed solid wood panel: period support for small portraiture.
Powdered hair tied back in a queue: late Georgian gentlemen's styling.
Gilding rubbed through to the bole: natural age and handling wear.
Dark oxidised wood on the panel reverse: gradual ageing over two centuries.

This is an independent date and photo anotation report compiled by Sellingantiques using its own proprietary system. The process uses the photographs shown on this page. The system is never told the date the dealer has declared. This report shows that the two dates corroborate.

Physical Dimensions
Height
40cm (15.75")
Width
35cm (13.78")
Depth
5cm (1.97")
Reference Numbers
Sellingantiques Reference
SA1245274
Description
Oil on wood panel; period frame

Framed: 40 x 35 cm;

Panel: 30 x 25 cm

Provenance: A collection of an actor; London

“
This later 18th century portrait presents a bust-length image of a young man, William Simpson, set within a feigned oval frame that concentrates attention on his face and formal attire.
Miles Barton Art and Interiors

A dramatic light source from the upper left illuminates his fair complexion, wide hazel eyes and a youthful flush on his cheeks against a dark, muted background. His hair is heavily powdered and whitened in the fashion of the 1780s, styled with rolling curls over the ears. He wears a structured dark blue coat with a stiff, high collar, contrasted by an intricately tied and ruffled white linen cravat cascading down his chest, projecting an image of refined gentility.

fig 1. An eighteenth-century oil portrait of a gentleman with powdered hair wearing a dark green coat and white cravat, framed in a gold gilt surround.
fig 1. Portrait of William Simpson by English School, 18th Century

Painted on a wood panel it has a label on the back stating it is William Simpson of 15 Nottingham Place in London. He was a man of means as the address was a smart one and he was a member of the Royal Society of Arts and well as a supporter of the Irish gothic novelist Regina Maria Roche (1764-1845) paying towards the publication on one of her later works.

Date of Manufacture

Miles Barton Art and Interiors has dated this 18th Century Oil Portrait to the 18th Century.

Independent Date Report ID 09716918
Dealer's Item Date18th Century
Sellingantiques dating18th Century
Sellingantiques agingItem 225-250 years old
Test ResultsPassed dating check
Why Sellingantiques dated this piece to the 18th Century:
High standing coat collar and large ruffled cravat: fashion of the late 1780s.
Hand-planed solid wood panel: period support for small portraiture.
Powdered hair tied back in a queue: late Georgian gentlemen's styling.
Gilding rubbed through to the bole: natural age and handling wear.
Dark oxidised wood on the panel reverse: gradual ageing over two centuries.

This is an independent date report produced by Sellingantiques using its own proprietary system. The process uses the photographs shown on this page. The system is never told the date the dealer has declared. This report shows that the two dates corroborate.

Height
40cm (15.75")
Width
35cm (13.78")
Depth
5cm (1.97")
Reference Numbers
Sellingantiques Ref
SA1245274
Miles Barton Art and Interiors
Miles Barton Art and Interiors
Sellingantiques verified Since Aug 2026

British and european pictures and works of art from the 17th to 20th century

Dealer Profile

You can view the stock and full dealer information on the Miles Barton Art and Interiors Profile Page

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An eighteenth-century oil portrait of a gentleman with powdered hair wearing a dark green coat and white cravat, framed in a gold gilt surround.
1 / 3
Archive I An eighteenth-century oil portrait of a gentleman with powdered hair wearing a dark green coat and white cravat, framed in a gold gilt surround.

Portrait of William Simpson by English School, 18th Century

Archive II An eighteenth-century oil portrait of a gentleman with powdered hair wearing a dark green coat and white cravat, framed in a gold gilt surround. View II
Archive III An eighteenth-century oil portrait of a gentleman with powdered hair wearing a dark green coat and white cravat, framed in a gold gilt surround. View III
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Telephone 07941 233015
Location
London and Somerset
United Kingdom
Verified Since Aug 2026
Items For Sale 24
Items Sold 1
Miles Barton Art and Interiors
Miles Barton Art and Interiors
Verified Since Aug 2026
View Dealer Info
Location: London and Somerset, United Kingdom
Verified
Aug 2026
For Sale
24
Sold
1
An eighteenth-century oil portrait of a gentleman with powdered hair wearing a dark green coat and white cravat, framed in a gold gilt surround.
Portrait of William Simpson by English School, 18th century
Ref: SA1245274
An eighteenth-century oil portrait of a gentleman with powdered hair wearing a dark green coat and white cravat, framed in a gold gilt surround.
Detail View 1
Detail View 2
Archival Detail
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Written by Sellingantiques from the dealer’s photographs and listing
  • ObjectPaintings
  • Period18th century
  • StyleGeorgian
  • MaterialOil paint, Canvas, Moulded Wood, Gold Leaf
  • ColourGold and Dark Green
  • MotifsFeigned oval composition, Powdered hair wig, White lace cravat, Moulded gilt frame
  • SizeH 40 cm (16 in) x W 35 cm (14 in) x D 5 cm (2 in)

Georgian portraiture of the eighteenth century typically features formal depictions of aristocracy and gentry, emphasising social status through elaborate attire, powdered wigs, and structured poses. Painters of this era frequently employed dark, muted backgrounds or feigned oval frames to draw visual focus to the sitters face and detailed neckwear.

Artisans during this period used hand-ground oil pigments mixed with natural oils, applied directly onto stretched linen or cotton canvas support. Frames were typically crafted from carved wood or plaster mouldings and coated in real gold leaf gilding.

Authentic period paintings show natural age-related craquelure across the paint layer, hand-carved wooden stretcher bars, and historic oxidisation on the rear canvas. The gilding on original frames usually exhibits gentle wear, exposing underlying bole clay layers beneath the gold leaf.

Designers balance historic oil paintings by placing them as focal points above minimalist furniture or incorporating them into curated gallery walls alongside modern works. The rich gold gilt frames provide warm tonal contrast against contemporary neutral wall finishes.

Keep historic oil paintings away from direct sunlight, heating vents, and high humidity to prevent canvas warping and paint flaking. Dust the frame and surface lightly with a dry, soft-bristled brush, avoiding chemical cleaners or moisture.
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