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ID #SA1245242
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£8,500
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Portrait of Margaret Godolphin (B.1708) by Charles D’agar (1669-1723) Circa 1710
For sale by Miles Barton Art and Interiors
for sale €9,945     $10,795
£8,500
Miles Barton Art and Interiors

Miles Barton Art and Interiors

Sellingantiques Verified Since Aug 2026
Browse dealers 24 items
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    British and european pictures and works of art from the 17th to 20th century
Id #SA1245242
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Portrait of Margaret Godolphin (B.1708) by Charles D’agar (1669-1723) Circa 1710

18th century
Description

Oil on canvas held in an early 18th century frame.

Canvas: 148 x 76cm (58 x 30 in)

Frame size: 158 x 87cm (62 x 34 ½ in)

Provenance: Francis Osbourne, 5th Duke of Leeds (1751-1799) and by descent to Clotworthy Skeffington, 11th Viscount Massereene (1842-1905); English private collection

Margaret Godolphin was the youngest daughter of Henrietta, Duchess of Marlbough and Francis, 2nd Earl Godolphin. Henrietta succeeded to the Marlborough title on the death of her father, John Churchill, in 1722 and had four legitimate children. Very little appears to be known of her youngest daughter Margaret and it is variously mentioned that she and a brother Henry died in infancy.

Charles D’Agar was born in Paris, the son of French portrait painter Jacques D’Agar. Soon after moving to London in 1681, Jacques secured an appointment in Copenhagen as Court painter to Christian V resulting in a move for the family to Denmark. Charles, however, after further tuition traveled back to London in 1691 and established a hugely successful portrait practice.

The Marlborough family appear to have been popular patrons of D’Agar as various portraits exist by him, notably one of Henrietta with her eldest son Willam (Sothebys British Paintings 14th March 1990 lot 45) and another of two Godolphin children (Christies Cowdray Park 13-15th September 2011 lot 300). The latter is of particular interest as contrary to the traditional description the portrait clearly depicts Margaret as a very young child swathed in a blue cloak with her eldest brother William standing in the attire of a Roman soldier.

The portrait presented here shows Margaret just a few years older than that depiction, elegantly swathed in a blue dress leaning recumbent on a red silk drape amongst a landscape – a setting we see similarly used by D’Agar in other noble portraits and is probably inspired by Godfrey Kneller’s earlier portrait of Annabella, Lady Howard c.1693. The painting passed from Henrietta, 2nd Duchess of Marloborough to her grandson the 5th Duke of Leeds.

Date of Manufacture

Miles Barton Art and Interiors has dated this Baroque Oil Portrait Painting to the 18th Century.

Independent Date Check ID 09716694
Dealer's Item Date18th Century
Sellingantiques Date18th Century
Sellingantiques agingItem 295-325 years old
Test ResultsPassed dating check
Why Sellingantiques dated this piece to THE 18TH CENTURY:
Fine network of craquelure across the face: natural drying of old oil paint.
Loose satin gown over a ruffled white shift: early eighteenth-century informal dress.
Gilded slip within a carved gadrooned outer border: contemporary moulding design.
Faint inscription visible in the upper right background: early identification of the sitter.

This is an independent date and photo anotation report compiled by Sellingantiques using its own proprietary system. The process uses the photographs shown on this page. The system is never told the date the dealer has declared. This report shows that the two dates corroborate.

Physical Dimensions
Height
76cm (29.92")
Width
148cm (58.27")
Depth
5cm (1.97")
Reference Numbers
Sellingantiques Reference
SA1245242
Description
Oil on canvas held in an early 18th century frame.

Canvas: 148 x 76cm (58 x 30 in)

Frame size: 158 x 87cm (62 x 34 ½ in)

“
Provenance: Francis Osbourne, 5th Duke of Leeds (1751-1799) and by descent to Clotworthy Skeffington, 11th Viscount Massereene (1842-1905); English private collection.
Miles Barton Art and Interiors
fig 1. An early 18th-century oil portrait depicting a reclining girl in a blue dress with crimson drapery set against a wooded landscape, in a dark carved frame.
fig 1. Portrait of Margaret Godolphin (B.1708) by Charles D’agar (1669-1723) Circa 1710

Margaret Godolphin was the youngest daughter of Henrietta, Duchess of Marlbough and Francis, 2nd Earl Godolphin. Henrietta succeeded to the Marlborough title on the death of her father, John Churchill, in 1722 and had four legitimate children. Very little appears to be known of her youngest daughter Margaret and it is variously mentioned that she and a brother Henry died in infancy.

fig 2. An early 18th-century oil portrait depicting a reclining girl in a blue dress with crimson drapery set against a wooded landscape, in a dark carved frame.
fig 2. Portrait of Margaret Godolphin (B.1708) by Charles D’agar (1669-1723) Circa 1710

Charles D’Agar was born in Paris, the son of French portrait painter Jacques D’Agar. Soon after moving to London in 1681, Jacques secured an appointment in Copenhagen as Court painter to Christian V resulting in a move for the family to Denmark. Charles, however, after further tuition traveled back to London in 1691 and established a hugely successful portrait practice.

The Marlborough family appear to have been popular patrons of D’Agar as various portraits exist by him, notably one of Henrietta with her eldest son Willam (Sothebys British Paintings 14th March 1990 lot 45) and another of two Godolphin children (Christies Cowdray Park 13-15th September 2011 lot 300). The latter is of particular interest as contrary to the traditional description the portrait clearly depicts Margaret as a very young child swathed in a blue cloak with her eldest brother William standing in the attire of a Roman soldier.

The portrait presented here shows Margaret just a few years older than that depiction, elegantly swathed in a blue dress leaning recumbent on a red silk drape amongst a landscape – a setting we see similarly used by D’Agar in other noble portraits and is probably inspired by Godfrey Kneller’s earlier portrait of Annabella, Lady Howard c.1693. The painting passed from Henrietta, 2nd Duchess of Marloborough to her grandson the 5th Duke of Leeds.

Date of Manufacture

Miles Barton Art and Interiors has dated this Baroque Oil Portrait Painting to the 18th Century.

Independent Date Report ID 09716694
Dealer's Item Date18th Century
Sellingantiques dating18th Century
Sellingantiques agingItem 295-325 years old
Test ResultsPassed dating check
Why Sellingantiques dated this piece to the 18th Century:
Fine network of craquelure across the face: natural drying of old oil paint.
Loose satin gown over a ruffled white shift: early eighteenth-century informal dress.
Gilded slip within a carved gadrooned outer border: contemporary moulding design.
Faint inscription visible in the upper right background: early identification of the sitter.

This is an independent date report produced by Sellingantiques using its own proprietary system. The process uses the photographs shown on this page. The system is never told the date the dealer has declared. This report shows that the two dates corroborate.

Height
76cm (29.92")
Width
148cm (58.27")
Depth
5cm (1.97")
Reference Numbers
Sellingantiques Ref
SA1245242
Miles Barton Art and Interiors
Miles Barton Art and Interiors
Sellingantiques verified Since Aug 2026

British and european pictures and works of art from the 17th to 20th century

Dealer Profile

You can view the stock and full dealer information on the Miles Barton Art and Interiors Profile Page

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An early 18th-century oil portrait depicting a reclining girl in a blue dress with crimson drapery set against a wooded landscape, in a dark carved frame.
1 / 3
Archive I An early 18th-century oil portrait depicting a reclining girl in a blue dress with crimson drapery set against a wooded landscape, in a dark carved frame.

Portrait of Margaret Godolphin (B.1708) by Charles D’agar (1669-1723) Circa 1710

Archive II An early 18th-century oil portrait depicting a reclining girl in a blue dress with crimson drapery set against a wooded landscape, in a dark carved frame. View II
Archive III An early 18th-century oil portrait depicting a reclining girl in a blue dress with crimson drapery set against a wooded landscape, in a dark carved frame. View III
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Telephone 07941 233015
Location
London and Somerset
United Kingdom
Verified Since Aug 2026
Items For Sale 24
Items Sold 1
Miles Barton Art and Interiors
Miles Barton Art and Interiors
Verified Since Aug 2026
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Location: London and Somerset, United Kingdom
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Aug 2026
For Sale
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An early 18th-century oil portrait depicting a reclining girl in a blue dress with crimson drapery set against a wooded landscape, in a dark carved frame.
Portrait of Margaret Godolphin (b.1708) by Charles D’Agar (1669-1723) circa 1710
Ref: SA1245242
An early 18th-century oil portrait depicting a reclining girl in a blue dress with crimson drapery set against a wooded landscape, in a dark carved frame.
Detail View 1
Detail View 2
Archival Detail
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Written by Sellingantiques from the dealer’s photographs and listing
  • ObjectOil Painting
  • Period18th century
  • StyleBaroque
  • MaterialOil on Canvas, Wood
  • ColourBlue and Red
  • MotifsReclining figure, Crimson drapery, Flower basket, Wooded landscape
  • SizeH 76 cm (30 in) x W 148 cm (58 in) x D 5 cm (2 in)

This 18th-century oil painting by Charles D’Agar depicts Margaret Godolphin reclining in a blue dress against a backdrop of crimson drapery and a wooded landscape. Encased within a dark carved wooden frame with rope-twist mouldings, the artwork shows the young subject resting her head on her hand beside a woven basket filled with colourful flowers, while a distant blue sky appears through the trees. The canvas measures 148 cm high by 76 cm wide. Suitable for period interiors and English country house aesthetics, the painting hangs securely above a mantelpiece in a drawing room or study. It brings historical character to traditional living spaces when mounted on a panelled or neutral wall.

Early 18th-century British Baroque portraiture frequently incorporated pastoral backgrounds, rich drapery, and relaxed, allegorical poses influenced by continental painters working in Britain.

Works from this period were typically executed using ground mineral and organic pigments mixed with linseed oil, painted on hand-woven linen canvas stretched over wooden frames.

Authentic period paintings show age-appropriate craquelure patterns across the paint film, evidence of hand-carved stretcher keys or pegs, and natural oxidisation on the reverse of the canvas and wooden frame.

Positioning an antique oil portrait above a mantelpiece or sideboard creates a focal point, pairing historical character with modern minimalist or layered interior schemes.

Keep the canvas away from direct sunlight, maintaining a stable temperature and humidity level to prevent paint cracking, and clean using only qualified art conservation professionals.
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