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ID #SA1243348
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£495
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Oil Painting of Two Ladies by Frank Stone Ara
For sale by Prometheus Antiques
for sale €579     $629
£495
Prometheus Antiques

Prometheus Antiques

Sellingantiques Verified Since Nov 2010
Browse dealers 114 items
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    Providing fine antiques and art from all periods and of all styles, including oil paintings, pottery, furniture and much, much more.
Id #SA1243348
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Oil Painting of Two Ladies by Frank Stone Ara

19th century
Description

A fine and decorative oil on canvas depicting two ladies in the romantic manner by the artist Frank Stone ARA 1800-1859. The work is typical for the artist with a very light touch and a deeply romantic sensibility. The painting is in good condition; it does have a couple of old repairs in the background probably done in the Victorian period or early twentieth century. The work is not signed on the front; there is a possible signature under the frame and the frame is also attributed to the front. The frame is the original and of very fine quality, it is in good condition with a few minor old repairs. Frank Stone Ara 1800-1859 was born in Manchester, the son of a cotton spinner and was entirely self-taught. Having followed his father’s occupation for some years he decided, at the age of 24, to pursue his artistic inclinations and subsequently moved to London in 1831 with great success. In 1833, he was elected an Associate of the Society of Painters in Watercolour, becoming a member in 1843 and an Associate of the Royal Academy in 1851. The first works to be exhibited at the Royal Academy were portraits, but from 1840 on he included scenes from Shakespeare, scripture, and sentimental subjects, many of which were engraved and proved to be both popular and successful. He was very critical of the innovations of the Pre-Raphaelite Brotherhood and led the opposition within the Royal academy against their work. According to the 1851 Census, he was living with his wife, two sons, and two daughters at Tavistock House, Tavistock Square, London, a house later occupied by Charles Dickens a close friend whom he frequently assisted in theatricals, many of his works were illustrated by Marcus Stone, son of Frank, who himself had produced a frontispiece for an edition of Martin Chuzzlewit. Frank Stone died on 18 November 1859 at Russell House, Tavistock Square. This piece is an interesting example of the artist’s work and is ready to hang. C.1840.

Overall sizes in inches including frame: 12 ½ by 14 ½

Date of Manufacture

Prometheus Antiques has dated this Victorian Portrait Oil Painting to the 1850s.

Independent Date Check ID 09703436
Dealer's Item Date1850s
Sellingantiques Date1850s
Sellingantiques agingItem 160-175 years old
Test ResultsPassed dating check
Why Sellingantiques dated this piece to THE 1850s:
Frame slip inscribed 'F. STONE A.R.A.': Stone was elected an Associate in 1851.
Darkened pine stretcher with wooden corner keys: mid-nineteenth century canvas mounting.
Gilt composition moulding with fine cracking across the gesso: Victorian framing.
Aged canvas reverse with an old linen repair patch: decades of natural oxidisation.

This is an independent date report produced by Sellingantiques using its own proprietary system. The process uses the photographs shown on this page. The system is never told the date the dealer has declared. This report shows that the two dates corroborate.

Physical Dimensions
Height
37cm (14.57")
Width
32cm (12.60")
Depth
5cm (1.97")
Reference Numbers
Sellingantiques Reference
SA1243348
Dealers Notes

At Prometheus Antiques we want our customers to be completely happy with our items everything is sold with a guarantee and all items are fully and clearly described. We do try to make sure that what you see on the screen is as true a reflection of the actual item in reality as possible. Photos should be clear and without excessive extra light, however if you would like other photos of an item please do get in touch. We can also send video or video chat so that you can get as accurate an idea of the piece that interests you as possible.

We do have a private showroom 15 mins drive from Newark where Items can also be viewed by prior appointment. If you are unable to visit us please purchase with the knowledge that we give a money back guarantee if you are not satisfied, we only ask that you pay return transport costs.

We are happy to organise deliveries to all destinations. Delivery of some items will be free depending on size, delivery method, and location. Where charges are made for delivery we try to be as cost effective as possible on your behalf. Deliveries can be organised all over the world so please do ask wherever you are. If an item interests you get in touch and we can always talk about various ways and costs that might be involved in getting it to you.

Payment can be made by any of the following: Cheque, Bank Transfer, and all major Debit and Credit Cards over the telephone. We do also take Paypal payments.

Please do not hesitate to contact us if you have any queries or questions, by email or on either:

Mobile 24hr: 07932 624971

Shop: 0194921097

Also please visit our own website for more detailed descriptions and photos of items, www.prometheusantiques.com

Description
A fine and decorative oil on canvas depicting two ladies in the romantic manner by the artist Frank Stone ARA 1800-1859. The work is typical for the artist with a very light touch and a deeply romantic sensibility.
“
The painting is in good condition; it does have a couple of old repairs in the background probably done in the Victorian period or early twentieth century.
Prometheus Antiques

The work is not signed on the front; there is a possible signature under the frame and the frame is also attributed to the front. The frame is the original and of very fine quality, it is in good condition with a few minor old repairs. Frank Stone Ara 1800-1859 was born in Manchester, the son of a cotton spinner and was entirely self-taught. Having followed his father’s occupation for some years he decided, at the age of 24, to pursue his artistic inclinations and subsequently moved to London in 1831 with great success. In 1833, he was elected an Associate of the Society of Painters in Watercolour, becoming a member in 1843 and an Associate of the Royal Academy in 1851. The first works to be exhibited at the Royal Academy were portraits, but from 1840 on he included scenes from Shakespeare, scripture, and sentimental subjects, many of which were engraved and proved to be both popular and successful. He was very critical of the innovations of the Pre-Raphaelite Brotherhood and led the opposition within the Royal academy against their work. According to the 1851 Census, he was living with his wife, two sons, and two daughters at Tavistock House, Tavistock Square, London, a house later occupied by Charles Dickens a close friend whom he frequently assisted in theatricals, many of his works were illustrated by Marcus Stone, son of Frank, who himself had produced a frontispiece for an edition of Martin Chuzzlewit. Frank Stone died on 18 November 1859 at Russell House, Tavistock Square. This piece is an interesting example of the artist’s work and is ready to hang. C.1840.

Overall sizes in inches including frame: 12 ½ by 14 ½

Date of Manufacture

Prometheus Antiques has dated this Victorian Portrait Oil Painting to the 1850s.

Independent Date Report ID 09703436
Dealer's Item Date1850s
Sellingantiques dating1850s
Sellingantiques agingItem 160-175 years old
Test ResultsPassed dating check
Why Sellingantiques dated this piece to the 1850s:
Frame slip inscribed 'F. STONE A.R.A.': Stone was elected an Associate in 1851.
Darkened pine stretcher with wooden corner keys: mid-nineteenth century canvas mounting.
Gilt composition moulding with fine cracking across the gesso: Victorian framing.
Aged canvas reverse with an old linen repair patch: decades of natural oxidisation.

This is an independent date report produced by Sellingantiques using its own proprietary system. The process uses the photographs shown on this page. The system is never told the date the dealer has declared. This report shows that the two dates corroborate.

Height
37cm (14.57")
Width
32cm (12.60")
Depth
5cm (1.97")
Reference Numbers
Sellingantiques Ref
SA1243348
Prometheus Antiques
Prometheus Antiques
Sellingantiques verified Since Nov 2010

Providing fine antiques and art from all periods and of all styles, including oil paintings, pottery, furniture and much, much more.

Dealer Profile

You can view the stock and full dealer information on the Prometheus Antiques Profile Page

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A 19th-century oil painting depicting two women framed by an oval insert within an ornate, heavily carved gold giltwood frame.
1 / 6
Archive I A 19th-century oil painting depicting two women framed by an oval insert within an ornate, heavily carved gold giltwood frame.

Oil Painting of Two Ladies by Frank Stone Ara

Archive II A 19th-century oil painting depicting two women framed by an oval insert within an ornate, heavily carved gold giltwood frame. View II
Archive III A 19th-century oil painting depicting two women framed by an oval insert within an ornate, heavily carved gold giltwood frame. View III
Archive IV A 19th-century oil painting depicting two women framed by an oval insert within an ornate, heavily carved gold giltwood frame. View IV
Archive V A 19th-century oil painting depicting two women framed by an oval insert within an ornate, heavily carved gold giltwood frame. View V
Archive VI A 19th-century oil painting depicting two women framed by an oval insert within an ornate, heavily carved gold giltwood frame. View VI
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Telephone 07932 624971
Location
Newark upon Trent
Nottinghamshire
United Kingdom
Verified Since Nov 2010
Items For Sale 114
Items Sold 2,242
Prometheus Antiques
Prometheus Antiques
Verified Since Nov 2010
View Dealer Info
Location: Newark upon Trent, Nottinghamshire, United Kingdom
Verified
Nov 2010
For Sale
114
Sold
2,242
A 19th-century oil painting depicting two women framed by an oval insert within an ornate, heavily carved gold giltwood frame.
Oil painting of two ladies by Frank Stone ARA
Ref: SA1243348
A 19th-century oil painting depicting two women framed by an oval insert within an ornate, heavily carved gold giltwood frame.
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Archival Detail
Every single antique dealer on our platform is individually approved by our internal team. We verify their professional trade history, ethical standards, and photographic quality to ensure a secure, high-standard buying environment. Upon joining, every dealer agrees to a strict 9-point code of conduct. While issues can occasionally arise, our dealers typically resolve them swiftly and directly with the buyer. In fact, since our founding in 2002, Sellingantiques has only had to step in to help resolve an issue on roughly five occasions—a true testament to the quality of our dealers and their dedication to your happiness.
Our dealers are highly experienced in packing and shipping fragile, high-value antiques. Because you are in direct contact with the dealer, you will be able to easily go through all available shipping and insurance options together to ensure your item arrives safely.
Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.
Written by Sellingantiques from the dealer’s photographs and listing
  • ObjectOil Painting
  • Period19th century
  • StyleVictorian
  • MaterialOil on Canvas, Giltwood, Plaster
  • ColourGold, Brown, Yellow
  • MotifsOval spandrel, acanthus leaf carving, Rococo scrolls, dual portraiture
  • SizeH 37 cm (15 in) x W 32 cm (13 in) x D 5 cm (2 in)

British portraiture of the 19th century, particularly during the Victorian era, frequently focused on sentimental, narrative, or aristocratic depictions characterised by classical composition, detailed drapery, and romanticised lighting.

These paintings were typically executed using oil paints on stretched linen canvas or wooden panels, housed within composition-moulded and gilded timber frames featuring intricate plaster scrollwork.

Authentic Victorian paintings often exhibit fine surface craquelure, period-correct canvas stretching methods like hand-forged tacks or timber keys, artist signatures, and natural oxidisation on the rear of the frame and canvas.

A gilded Victorian portrait can be hung above a console table or mantelpiece to create a focal point, or integrated into an eclectic gallery wall alongside contemporary line drawings or abstract art for contrasting texture.

Dust the painting and frame gently with a soft, dry camel-hair brush, avoid direct sunlight and fluctuating humidity, and refrain from using liquid cleaners or water on gilt surfaces and exposed canvas.
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