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Antique British Marine Oil Painting Burning of Hms Bombay 1864 After Beechey
For sale by Cheshire Antiques Consultant Ltd
for sale €9,360     $10,160
£8,000
Cheshire Antiques Consultant Ltd

Cheshire Antiques Consultant Ltd

Sellingantiques Verified Since Jan 2021
Browse dealers 249 items
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    Source the historic in 17th, 18th, 19th & 20th century fine arts, painting, sculptures & collectibles
Id #SA1237009
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Antique British Marine Oil Painting Burning of Hms Bombay 1864 After Beechey

19th century
Description

Antique British Marine Oil Painting Burning HMS Bombay 1864 After Beechey

Late 19th Century Victorian Naval Painting of the Royal Navy Ship HMS Bombay Burning off Montevideo

Highlights

Late 19th century British oil on canvas

British School, after Richard Brydges Beechey 1808-1895

Depicts the burning of HMS Bombay in 1864

Based on Beecheys Royal Academy composition of 1866

Royal Navy maritime disaster subject

Rescue boats and survivors depicted

Historic inscription verso

Later Larson Juhl gilt wood frame

Private marine collection provenance

Introduction

A dramatic late 19th century British naval marine oil painting depicting the burning and abandonment of HMS Bombay off Montevideo on 14 December 1864, after the composition by Royal Navy officer and marine painter Richard Brydges Beechey 1808-1895.

HMS Bombay dominates the scene, engulfed in flames and immense clouds of smoke. In the foreground, a crowded ships boat carries escaping sailors across the dark water. Further boats and survivors can be seen around the burning vessel, together with broken spars and floating wreckage.

Catalogue Details

Artist and Attribution: British School, After Richard Brydges Beechey 1808-1895

Subject: Burning and Abandonment of HMS Bombay

Date: Circa 1870, late 19th century

Medium: Oil on canvas

Location: River Plate, off Montevideo, Uruguay

Signature: Indistinct possible initials lower right

Inscription: Old manuscript inscription relating to HMS Bombay verso

Frame: Later Larson Juhl moulded gilt wood frame

Catalogue Note

The painting captures HMS Bombay at the height of the disaster. Pale grey, cream and ochre smoke rises above the ship and is punctuated by orange and red flames.

The hull, masts, spars and surviving rigging remain visible through the smoke. A crowded rescue boat occupies the foreground, with further boats and survivors closer to the ship.

The dark blue green sea and floating wreckage add to the dramatic account of evacuation and survival.

HMS Bombay

HMS Bombay was an 84 gun second rate ship of the line of the Royal Navy, built of teak at Bombay Dockyard and launched on 17 February 1828.

She was converted to auxiliary screw propulsion in 1861 and later served on the South American Station.

On 14 December 1864 fire broke out aboard the vessel near Montevideo during gunnery exercises. The blaze spread rapidly and destroyed the ship. Ninety three of her complement of 619 lost their lives.

Richard Brydges Beechey

Richard Brydges Beechey 1808-1895 was a Royal Navy officer and marine painter. A son of Sir William Beechey RA, his naval career gave him first hand knowledge of ships and maritime conditions.

His depiction of the destruction of HMS Bombay was exhibited at the Royal Academy in London in 1866, number 34.

Museum Research

The National Maritime Museum, Greenwich, holds a version of HMS Bombay on fire by George Cochrane Kerr, inscribed GE Kerr After Beechey.

Another Kerr version is recorded at the Russell Cotes Art Gallery and Museum, Bournemouth.

The present painting follows Beecheys established composition. No attribution to George Cochrane Kerr is presently made.

Provenance

Private marine collection, Southern England.

Subsequently curated and presented by Cheshire Antiques Consultant LTD.

Dimensions

Framed 56.3 cm high x 71 cm wide x 3.5 cm deep

Approximately 22.17 inches high x 27.95 inches wide x 1.38 inches deep

Condition Report

Historic condition consistent with age.

The painting has age related craquelure, foxing and staining. Minor historic paint touch ups are present to the lower smoke and ship area, with a small repair to the reverse of the canvas.

The later gilt frame has minor imperfections and wear.

Please examine all photographs as part of the condition report.

Shipping

Worldwide professional shipping is available.

Certificate of Sale and Dealer Attribution

Supplied with a Certificate of Sale and Dealer Attribution issued by Cheshire Antiques Consultant LTD.

Date of Manufacture

Cheshire Antiques Consultant Ltd has dated this Antique Marine Oil Painting to the 19th Century.

Independent Date Check ID 09659063
Dealer's Item Date19th Century
Sellingantiques Date19th Century
Sellingantiques agingItem 125-165 years old
Test ResultsPassed dating check
Why Sellingantiques dated this piece to THE 19TH CENTURY:
Ink inscription on the lower stretcher bar: period titling of the 1864 disaster.
Darkened unlined linen canvas on keyed wooden stretcher: Victorian artists' materials.
Deep network of fine craquelure: decades of natural shrinkage in oil paint.
Hand-tacked canvas edges on bevelled stretcher rails: nineteenth-century stretching practice.

This is an independent date and photo anotation report compiled by Sellingantiques using its own proprietary system. The process uses the photographs shown on this page. The system is never told the date the dealer has declared. This report shows that the two dates corroborate.

Physical Dimensions
Height
56.3cm (22.17")
Width
71cm (27.95")
Depth
3.5cm (1.38")
Reference Numbers
Sellingantiques Reference
SA1237009
Dealers Internal Reference
CAC-SK-0337
Dealers Notes

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Estimated delivery times are generally 2-5 working days within mainland UK and 5-14 working days internationally, following dispatch. These are estimates and may vary depending on the destination, customs procedures and courier arrangements.

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Additional information is available in our Terms & Conditions and Returns Policy.

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UK Telephone: 07494 763382

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Website: https://cheshireantiquesconsultantltd.com/

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Purchases are arranged directly with Cheshire Antiques Consultant LTD® following an enquiry.

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International orders are generally supplied on a Delivered at Place (DAP) basis unless otherwise agreed in writing.

International buyers are responsible for applicable import duties, import VAT, customs clearance charges and other destination-country taxes or fees.

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Where a shipment is refused because of unpaid customs charges, any refund and associated shipping costs will be handled in accordance with our Terms & Conditions and applicable consumer protection legislation.

IMPORTANT INFORMATION

All artworks and antiques remain subject to prior sale and availability.

Purchases are governed by the applicable Terms & Conditions and Returns Policy of Cheshire Antiques Consultant LTD®.

Nothing in this information excludes or restricts statutory consumer rights.

Cheshire Antiques Consultant LTD®

Registered in England & Wales

Company No. 15666518

VAT No. GB 466128775

Description
Antique British Marine Oil Painting Burning HMS Bombay 1864 After Beechey

Late 19th Century Victorian Naval Painting of the Royal Navy Ship HMS Bombay Burning off Montevideo

Highlights

Late 19th century British oil on canvas

fig 1. An antique oil painting depicting a burning nineteenth-century ship on a dark sea, enclosed in a heavily moulded gold gilt frame.
fig 1. Antique British Marine Oil Painting Burning of Hms Bombay 1864 After Beechey

British School, after Richard Brydges Beechey 1808-1895

Depicts the burning of HMS Bombay in 1864

Based on Beecheys Royal Academy composition of 1866

Royal Navy maritime disaster subject

Rescue boats and survivors depicted

fig 2. An antique oil painting depicting a burning nineteenth-century ship on a dark sea, enclosed in a heavily moulded gold gilt frame.
fig 2. Antique British Marine Oil Painting Burning of Hms Bombay 1864 After Beechey

Historic inscription verso

Later Larson Juhl gilt wood frame

Private marine collection provenance

Introduction

A dramatic late 19th century British naval marine oil painting depicting the burning and abandonment of HMS Bombay off Montevideo on 14 December 1864, after the composition by Royal Navy officer and marine painter Richard Brydges Beechey 1808-1895.

HMS Bombay dominates the scene, engulfed in flames and immense clouds of smoke. In the foreground, a crowded ships boat carries escaping sailors across the dark water.

“
Further boats and survivors can be seen around the burning vessel, together with broken spars and floating wreckage.
Cheshire Antiques Consultant Ltd
fig 3. An antique oil painting depicting a burning nineteenth-century ship on a dark sea, enclosed in a heavily moulded gold gilt frame.
fig 3. Antique British Marine Oil Painting Burning of Hms Bombay 1864 After Beechey

Catalogue Details

Artist and Attribution: British School, After Richard Brydges Beechey 1808-1895

Subject: Burning and Abandonment of HMS Bombay

Date: Circa 1870, late 19th century

Medium: Oil on canvas

Location: River Plate, off Montevideo, Uruguay

fig 4. An antique oil painting depicting a burning nineteenth-century ship on a dark sea, enclosed in a heavily moulded gold gilt frame.
fig 4. Antique British Marine Oil Painting Burning of Hms Bombay 1864 After Beechey

Signature: Indistinct possible initials lower right

Inscription: Old manuscript inscription relating to HMS Bombay verso

Frame: Later Larson Juhl moulded gilt wood frame

Catalogue Note

The painting captures HMS Bombay at the height of the disaster. Pale grey, cream and ochre smoke rises above the ship and is punctuated by orange and red flames.

fig 5. An antique oil painting depicting a burning nineteenth-century ship on a dark sea, enclosed in a heavily moulded gold gilt frame.
fig 5. Antique British Marine Oil Painting Burning of Hms Bombay 1864 After Beechey

The hull, masts, spars and surviving rigging remain visible through the smoke. A crowded rescue boat occupies the foreground, with further boats and survivors closer to the ship.

The dark blue green sea and floating wreckage add to the dramatic account of evacuation and survival.

fig 6. An antique oil painting depicting a burning nineteenth-century ship on a dark sea, enclosed in a heavily moulded gold gilt frame.
fig 6. Antique British Marine Oil Painting Burning of Hms Bombay 1864 After Beechey

HMS Bombay

HMS Bombay was an 84 gun second rate ship of the line of the Royal Navy, built of teak at Bombay Dockyard and launched on 17 February 1828.

She was converted to auxiliary screw propulsion in 1861 and later served on the South American Station.

fig 7. An antique oil painting depicting a burning nineteenth-century ship on a dark sea, enclosed in a heavily moulded gold gilt frame.
fig 7. Antique British Marine Oil Painting Burning of Hms Bombay 1864 After Beechey

On 14 December 1864 fire broke out aboard the vessel near Montevideo during gunnery exercises. The blaze spread rapidly and destroyed the ship. Ninety three of her complement of 619 lost their lives.

Richard Brydges Beechey

fig 8. An antique oil painting depicting a burning nineteenth-century ship on a dark sea, enclosed in a heavily moulded gold gilt frame.
fig 8. Antique British Marine Oil Painting Burning of Hms Bombay 1864 After Beechey

Richard Brydges Beechey 1808-1895 was a Royal Navy officer and marine painter. A son of Sir William Beechey RA, his naval career gave him first hand knowledge of ships and maritime conditions.

His depiction of the destruction of HMS Bombay was exhibited at the Royal Academy in London in 1866, number 34.

fig 9. An antique oil painting depicting a burning nineteenth-century ship on a dark sea, enclosed in a heavily moulded gold gilt frame.
fig 9. Antique British Marine Oil Painting Burning of Hms Bombay 1864 After Beechey

Museum Research

The National Maritime Museum, Greenwich, holds a version of HMS Bombay on fire by George Cochrane Kerr, inscribed GE Kerr After Beechey.

Another Kerr version is recorded at the Russell Cotes Art Gallery and Museum, Bournemouth.

fig 10. An antique oil painting depicting a burning nineteenth-century ship on a dark sea, enclosed in a heavily moulded gold gilt frame.
fig 10. Antique British Marine Oil Painting Burning of Hms Bombay 1864 After Beechey

The present painting follows Beecheys established composition. No attribution to George Cochrane Kerr is presently made.

Provenance

Private marine collection, Southern England.

Subsequently curated and presented by Cheshire Antiques Consultant LTD.

fig 11. An antique oil painting depicting a burning nineteenth-century ship on a dark sea, enclosed in a heavily moulded gold gilt frame.
fig 11. Antique British Marine Oil Painting Burning of Hms Bombay 1864 After Beechey

Dimensions

Framed 56.3 cm high x 71 cm wide x 3.5 cm deep

Approximately 22.17 inches high x 27.95 inches wide x 1.38 inches deep

Condition Report

Historic condition consistent with age.

The painting has age related craquelure, foxing and staining. Minor historic paint touch ups are present to the lower smoke and ship area, with a small repair to the reverse of the canvas.

fig 12. An antique oil painting depicting a burning nineteenth-century ship on a dark sea, enclosed in a heavily moulded gold gilt frame.
fig 12. Antique British Marine Oil Painting Burning of Hms Bombay 1864 After Beechey

The later gilt frame has minor imperfections and wear.

Please examine all photographs as part of the condition report.

Shipping

Worldwide professional shipping is available.

Certificate of Sale and Dealer Attribution

Supplied with a Certificate of Sale and Dealer Attribution issued by Cheshire Antiques Consultant LTD.

Date of Manufacture

Cheshire Antiques Consultant Ltd has dated this Antique Marine Oil Painting to the 19th Century.

Independent Date Report ID 09659063
Dealer's Item Date19th Century
Sellingantiques dating19th Century
Sellingantiques agingItem 125-165 years old
Test ResultsPassed dating check
Why Sellingantiques dated this piece to the 19th Century:
Ink inscription on the lower stretcher bar: period titling of the 1864 disaster.
Darkened unlined linen canvas on keyed wooden stretcher: Victorian artists' materials.
Deep network of fine craquelure: decades of natural shrinkage in oil paint.
Hand-tacked canvas edges on bevelled stretcher rails: nineteenth-century stretching practice.

This is an independent date report produced by Sellingantiques using its own proprietary system. The process uses the photographs shown on this page. The system is never told the date the dealer has declared. This report shows that the two dates corroborate.

Height
56.3cm (22.17")
Width
71cm (27.95")
Depth
3.5cm (1.38")
Reference Numbers
Sellingantiques Ref
SA1237009
Dealers Internal Ref
CAC-SK-0337
Cheshire Antiques Consultant Ltd
Cheshire Antiques Consultant Ltd
Sellingantiques verified Since Jan 2021

Source the historic in 17th, 18th, 19th & 20th century fine arts, painting, sculptures & collectibles

Dealer Profile

You can view the stock and full dealer information on the Cheshire Antiques Consultant Ltd Profile Page

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An antique oil painting depicting a burning nineteenth-century ship on a dark sea, enclosed in a heavily moulded gold gilt frame.
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Film of Antique British Marine Oil Painting Burning of Hms Bombay 1864 After Beechey
Archive I An antique oil painting depicting a burning nineteenth-century ship on a dark sea, enclosed in a heavily moulded gold gilt frame.

Antique British Marine Oil Painting Burning of Hms Bombay 1864 After Beechey

Film
Archive II An antique oil painting depicting a burning nineteenth-century ship on a dark sea, enclosed in a heavily moulded gold gilt frame. View II
Archive III An antique oil painting depicting a burning nineteenth-century ship on a dark sea, enclosed in a heavily moulded gold gilt frame. View III
Archive IV An antique oil painting depicting a burning nineteenth-century ship on a dark sea, enclosed in a heavily moulded gold gilt frame. View IV
Archive V An antique oil painting depicting a burning nineteenth-century ship on a dark sea, enclosed in a heavily moulded gold gilt frame. View V
Archive VI An antique oil painting depicting a burning nineteenth-century ship on a dark sea, enclosed in a heavily moulded gold gilt frame. View VI
Archive VII An antique oil painting depicting a burning nineteenth-century ship on a dark sea, enclosed in a heavily moulded gold gilt frame. View VII
Archive VIII An antique oil painting depicting a burning nineteenth-century ship on a dark sea, enclosed in a heavily moulded gold gilt frame. View VIII
Archive IX An antique oil painting depicting a burning nineteenth-century ship on a dark sea, enclosed in a heavily moulded gold gilt frame. View IX
Archive X An antique oil painting depicting a burning nineteenth-century ship on a dark sea, enclosed in a heavily moulded gold gilt frame. View X
Archive XI An antique oil painting depicting a burning nineteenth-century ship on a dark sea, enclosed in a heavily moulded gold gilt frame. View XI
Archive XII An antique oil painting depicting a burning nineteenth-century ship on a dark sea, enclosed in a heavily moulded gold gilt frame. View XII
Archive XIII An antique oil painting depicting a burning nineteenth-century ship on a dark sea, enclosed in a heavily moulded gold gilt frame. View XIII
Archive XIV An antique oil painting depicting a burning nineteenth-century ship on a dark sea, enclosed in a heavily moulded gold gilt frame. View XIV
Archive XV An antique oil painting depicting a burning nineteenth-century ship on a dark sea, enclosed in a heavily moulded gold gilt frame. View XV
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WC2H 9JQ
United Kingdom

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Items For Sale 249
Items Sold 224
Cheshire Antiques Consultant Ltd
Cheshire Antiques Consultant Ltd
Verified Since Jan 2021
View Dealer Info
Location: 71-75 Shelton Street, Covent Garden, London, WC2H 9JQ, United Kingdom, , By appointment
Verified
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For Sale
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Sold
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An antique oil painting depicting a burning nineteenth-century ship on a dark sea, enclosed in a heavily moulded gold gilt frame.
Antique British Marine Oil Painting Burning of HMS Bombay 1864 After Beechey
Ref: SA1237009
An antique oil painting depicting a burning nineteenth-century ship on a dark sea, enclosed in a heavily moulded gold gilt frame.
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Every single antique dealer on our platform is individually approved by our internal team. We verify their professional trade history, ethical standards, and photographic quality to ensure a secure, high-standard buying environment. Upon joining, every dealer agrees to a strict 9-point code of conduct. While issues can occasionally arise, our dealers typically resolve them swiftly and directly with the buyer. In fact, since our founding in 2002, Sellingantiques has only had to step in to help resolve an issue on roughly five occasions—a true testament to the quality of our dealers and their dedication to your happiness.
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Written by Sellingantiques from the dealer’s photographs and listing
  • ObjectOil Painting
  • Period19th century
  • StyleVictorian Maritime
  • MaterialOil on Canvas, Gilt Wood
  • ColourDark Green and Gold
  • MotifsBurning vessel, Craquelure texture, Ornate gilt moulding, Stormy seascape
  • SizeH 56.3 cm (22 in) x W 71 cm (28 in) x D 3.5 cm (1 in)

This nineteenth century British oil painting portrays the burning and abandonment of the Royal Navy ship HMS Bombay, following the composition by Richard Brydges Beechey. Executed in oil on canvas, the artwork depicts a dramatic maritime disaster at sea with a dark blue green water surface, pale grey, cream and ochre smoke clouds, and orange and red flames engulfing the vessel. A crowded rescue boat with figures sits in the foreground alongside floating wreckage. The entire composition rests within a later Larson Juhl moulded gilt wood frame showing ornate gold leaf decoration and visible surface craquelure across the canvas. Measuring 56.3 cm high, 71 cm wide and 3.5 cm deep, the painting works well in a gentleman's library or placed above the mantel in a traditional interior setting.

British marine painting of the nineteenth century focused on maritime commerce, naval conflicts, and coastal landscapes. Artists emphasised atmospheric sky conditions, detailed ship architecture, and dramatic sea states to capture Britains extensive naval history.

These works were executed using oil-based pigments applied to natural linen or cotton canvas stretched over wooden stretcher bars. Frames were typically crafted from timber and detailed with composition ornament finished in gold leaf.

Authentic period paintings display natural craquelure across the varnish and paint layers, alongside oxidation on the reverse of the canvas and stretcher. Construction methods such as hand-cut stretchers and traditional joinery on the gilt frame further indicate age.

A dark maritime painting adds historical weight when hung above a fireplace mantel or console table. Integrating the piece alongside dark timber furniture, brass accents, and neutral walls creates a balanced contrast between traditional artwork and modern surroundings.

Keep the canvas away from direct sunlight, extreme temperature fluctuations, and high humidity to prevent warping and paint loss. Dust the frame gently with a soft dry brush, and consult a professional conservator for surface cleaning or varnish repair.
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