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ID #SA981700
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£4,900
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Italian Townscape Coastal Oil Painting of Livorno, Gulf of Genoa by Arthur Joseph Meadows
Benton Fine Art
for sale €5,733     $6,223
£4,900
Benton Fine Art

Benton Fine Art

Sellingantiques Verified Since Sep 2012
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    Specialists in 19th & early 20th century original oil paintings by listed artists
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Italian Townscape Coastal Oil Painting of Livorno, Gulf of Genoa by Arthur Joseph Meadows

19th century
For Sale by Benton Fine Art
Description

Arthur Joseph Meadows

British, (1843-1907)

Livorno, Gulf of Genoa

Oil on panel, signed & dated (18)98, with signed & inscribed label on reverse

Image size: 9.75 inches x 11.75 inches

Size including frame: 17.75 inches x 19.75 inches

An attractive townscape depicting fruit sellers at the port of Livorno, Italy by Arthur Joseph Meadows. The scene shows the view looking across from the harbour wall to the church of Santa Caterina da Siena. The church, with its distinctive octagonal tower and lantern was built in the 1720’s by the Dominican order and dedicated to St Catherine of Siena.

Arthur Joseph Meadows was born in Mile End, London on 9th October, 1843 into the Meadows family of artists. His father was the landscape artist James Meadows Snr (1799-1864) and his mother was Ann Cross. His brothers William George Meadows (1825-1907), James Edwin Meadows (1828-1893), Alfred John (1833-1894) and Edwin Lewis Meadows (1838-1907) were all artists. The family lived in Old Town, Clapham and later 12 Coborn Street in Bow. Like his brothers, Arthur was tutored by his father who influenced his style and subject matter and his output was almost entirely made up of marine scenes. From a young age, he dedicated his life to being an artist and in 1862 began exhibiting at the Royal Society of British Artists. He made his debut a year later at the Royal Academy and the British Institute. He also exhibited at the Royal Hibernian Academy of Arts in Dublin.

Meadows married Laura Louisa Harrison on 15 October, 1864 in Bromley by Bow and together, they had 10 children. One of their sons Gordon Arthur Meadows (1867-1937) also became an artist. They lived in Bow for a few years but then moved to Charlton Place, Dover from around 1869. Living on the south coast gave Meadows the opportunity to develop his seascapes further but he also went on a number of painting expeditions, travelling to the Channel Islands, France and Holland to paint the coastal views there. In the late 1870’s he spent time in Italy and again in the 1890’s when he also visited Malta and Gibralter. Around 1895, he went to Venice, producing a number of paintings of the city.

Although he travelled extensively, he spent many years in Dover and was recorded as living at 5 Eastbrook Place in 1881, however by 1891, he had returned to London residing in Sydenham Villas, Tottenham. He spent the final years of his life at 18 Portland Road in Notting Hill, where he died on 17th November 1907.

Examples of his work are held Calderdale Metropolitan Borough Council, The Cooper Gallery, Glasgow Museum, Guernsey Museum, Hastings Museum, Merseyside Maritime Museum, National Maritime Museum, New Wall Art Gallery Walsall, Nuneaton Museum, Science Museum, Sheffield Museum, South Shields Museum and the Towneley Hall Art Gallery.

Presentation: The painting is housed in its original gilt frame which is in excellent condition. The reverse bears a signed, inscribed & dated label.

Condition: As with all of our original antique oil paintings, this work is offered in ready to hang gallery condition, having been professionally cleaned, restored and revarnished.

© Benton Fine Art

Physical Dimensions
Height
45cm (17.72")
Width
50cm (19.69")
Depth
7.5cm (2.95")
Declaration

Benton Fine Art has dated this Victorian Marine Oil Painting to the 19th Century.

Reference Numbers
Sellingantiques Reference
SA981700
Dealers Notes

Members of the British Antique Dealers Association (BADA) the London and Provincial Antique Dealers Association (LAPADA).

We use a professional, fully insured and tracked door to door service for our UK and international deliveries. Please contact us for further information and shipping quotes.

Viewing is by APPOINTMENT ONLY. However, we can also arrange for you to view the item in your home, depending on the location.

For a wider range of stock please visit www.bentonfineart.com.

If you would like to purchase this item or have any questions, please email us at pictures@bentonfineart.com or call 07710 540549.

© Benton Fine Art

Description
Arthur Joseph Meadows

British, (1843-1907)

Livorno, Gulf of Genoa

Oil on panel, signed & dated (18)98, with signed & inscribed label on reverse

Image size: 9.75 inches x 11.75 inches

Size including frame: 17.75 inches x 19.75 inches

An attractive townscape depicting fruit sellers at the port of Livorno, Italy by Arthur Joseph Meadows.
Benton Fine Art

The scene shows the view looking across from the harbour wall to the church of Santa Caterina da Siena. The church, with its distinctive octagonal tower and lantern was built in the 1720’s by the Dominican order and dedicated to St Catherine of Siena.

fig 1. A 19th-century framed oil painting depicting a harbour scene in Livorno with sailing vessels, figures on a quay, and blue water inside a wide gilded frame.
fig 1. Italian Townscape Coastal Oil Painting of Livorno, Gulf of Genoa by Arthur Joseph Meadows

Arthur Joseph Meadows was born in Mile End, London on 9th October, 1843 into the Meadows family of artists. His father was the landscape artist James Meadows Snr (1799-1864) and his mother was Ann Cross. His brothers William George Meadows (1825-1907), James Edwin Meadows (1828-1893), Alfred John (1833-1894) and Edwin Lewis Meadows (1838-1907) were all artists. The family lived in Old Town, Clapham and later 12 Coborn Street in Bow. Like his brothers, Arthur was tutored by his father who influenced his style and subject matter and his output was almost entirely made up of marine scenes. From a young age, he dedicated his life to being an artist and in 1862 began exhibiting at the Royal Society of British Artists. He made his debut a year later at the Royal Academy and the British Institute. He also exhibited at the Royal Hibernian Academy of Arts in Dublin.

fig 2. A 19th-century framed oil painting depicting a harbour scene in Livorno with sailing vessels, figures on a quay, and blue water inside a wide gilded frame.
fig 2. Italian Townscape Coastal Oil Painting of Livorno, Gulf of Genoa by Arthur Joseph Meadows

Meadows married Laura Louisa Harrison on 15 October, 1864 in Bromley by Bow and together, they had 10 children. One of their sons Gordon Arthur Meadows (1867-1937) also became an artist. They lived in Bow for a few years but then moved to Charlton Place, Dover from around 1869. Living on the south coast gave Meadows the opportunity to develop his seascapes further but he also went on a number of painting expeditions, travelling to the Channel Islands, France and Holland to paint the coastal views there. In the late 1870’s he spent time in Italy and again in the 1890’s when he also visited Malta and Gibralter. Around 1895, he went to Venice, producing a number of paintings of the city.

fig 3. A 19th-century framed oil painting depicting a harbour scene in Livorno with sailing vessels, figures on a quay, and blue water inside a wide gilded frame.
fig 3. Italian Townscape Coastal Oil Painting of Livorno, Gulf of Genoa by Arthur Joseph Meadows

Although he travelled extensively, he spent many years in Dover and was recorded as living at 5 Eastbrook Place in 1881, however by 1891, he had returned to London residing in Sydenham Villas, Tottenham. He spent the final years of his life at 18 Portland Road in Notting Hill, where he died on 17th November 1907.

fig 4. A 19th-century framed oil painting depicting a harbour scene in Livorno with sailing vessels, figures on a quay, and blue water inside a wide gilded frame.
fig 4. Italian Townscape Coastal Oil Painting of Livorno, Gulf of Genoa by Arthur Joseph Meadows

Examples of his work are held Calderdale Metropolitan Borough Council, The Cooper Gallery, Glasgow Museum, Guernsey Museum, Hastings Museum, Merseyside Maritime Museum, National Maritime Museum, New Wall Art Gallery Walsall, Nuneaton Museum, Science Museum, Sheffield Museum, South Shields Museum and the Towneley Hall Art Gallery.

fig 5. A 19th-century framed oil painting depicting a harbour scene in Livorno with sailing vessels, figures on a quay, and blue water inside a wide gilded frame.
fig 5. Italian Townscape Coastal Oil Painting of Livorno, Gulf of Genoa by Arthur Joseph Meadows

Presentation: The painting is housed in its original gilt frame which is in excellent condition. The reverse bears a signed, inscribed & dated label.

Condition: As with all of our original antique oil paintings, this work is offered in ready to hang gallery condition, having been professionally cleaned, restored and revarnished.

© Benton Fine Art

Height
45cm (17.72")
Width
50cm (19.69")
Depth
7.5cm (2.95")
Date of Manufacture

Benton Fine Art has dated this Victorian Marine Oil Painting to the 19th Century.

Reference Numbers
Sellingantiques Ref
SA981700
Benton Fine Art
Benton Fine Art
Sellingantiques verified Since Sep 2012

Specialists in 19th & early 20th century original oil paintings by listed artists

Dealer Profile

You can view the stock and full dealer information on the Benton Fine Art Profile Page

Trade Associations

Benton Fine Art is a registered member of LAPADA  BADA  CINOA

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A 19th-century framed oil painting depicting a harbour scene in Livorno with sailing vessels, figures on a quay, and blue water inside a wide gilded frame.
1 / 10
Archive I A 19th-century framed oil painting depicting a harbour scene in Livorno with sailing vessels, figures on a quay, and blue water inside a wide gilded frame.

Italian Townscape Coastal Oil Painting of Livorno, Gulf of Genoa by Arthur Joseph Meadows

Archive II A 19th-century framed oil painting depicting a harbour scene in Livorno with sailing vessels, figures on a quay, and blue water inside a wide gilded frame. View II
Archive III A 19th-century framed oil painting depicting a harbour scene in Livorno with sailing vessels, figures on a quay, and blue water inside a wide gilded frame. View III
Archive IV A 19th-century framed oil painting depicting a harbour scene in Livorno with sailing vessels, figures on a quay, and blue water inside a wide gilded frame. View IV
Archive V A 19th-century framed oil painting depicting a harbour scene in Livorno with sailing vessels, figures on a quay, and blue water inside a wide gilded frame. View V
Archive VI A 19th-century framed oil painting depicting a harbour scene in Livorno with sailing vessels, figures on a quay, and blue water inside a wide gilded frame. View VI
Archive VII A 19th-century framed oil painting depicting a harbour scene in Livorno with sailing vessels, figures on a quay, and blue water inside a wide gilded frame. View VII
Archive VIII A 19th-century framed oil painting depicting a harbour scene in Livorno with sailing vessels, figures on a quay, and blue water inside a wide gilded frame. View VIII
Archive IX A 19th-century framed oil painting depicting a harbour scene in Livorno with sailing vessels, figures on a quay, and blue water inside a wide gilded frame. View IX
Archive X A 19th-century framed oil painting depicting a harbour scene in Livorno with sailing vessels, figures on a quay, and blue water inside a wide gilded frame. View X
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Sep 2012
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211
A 19th-century framed oil painting depicting a harbour scene in Livorno with sailing vessels, figures on a quay, and blue water inside a wide gilded frame.
Italian townscape coastal oil painting of Livorno, Gulf of Genoa by Arthur Joseph Meadows
Ref: SA981700
A 19th-century framed oil painting depicting a harbour scene in Livorno with sailing vessels, figures on a quay, and blue water inside a wide gilded frame.
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Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

Nineteenth-century British marine art focused on detailed depictions of coastal life, harbour infrastructure, and sailing ships, reflecting maritime trade and naval power during the Victorian era.

Artisans used oil-based pigments applied to stretched linen canvas or wooden panels, typically housed in hand-carved wood frames rendered with gesso and gold leaf gilding.

Authentic period paintings typically exhibit age-appropriate craquelure across the paint layer, original canvas stretchers or panel backing, period frame construction, and documented artist signatures near the lower edges.

Position framed marine art as a focal piece above a sideboard or mantelpiece, balancing the ornate gilded frame against neutral wall tones or classic wood furniture.

Keep the painting away from direct sunlight, dampness, and heat sources, dusting the frame gently with a dry, soft brush while avoiding household cleaning solvents or water on the paint surface.
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