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ID #SA1236900
FOR SALE
£35,000
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Sir Gerald Festus Kelly Portrait of Mary Elizabeth Hall
For sale by Darnley Fine Art
Id #SA1236900
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Sir Gerald Festus Kelly Portrait of Mary Elizabeth Hall

1900 - 1920
For Sale by Darnley Fine Art
Description

Oil on canvas

Image size: 15 1/8 x 18 1/8 inches (38.5 x 46cm)

Hand-carved frame

Provenance:

Comissioned by Mr. and Mrs. Hall

Castle Gallery, Berkhamsted

Private collection

This arresting portrait of the nearly 14-year-old Mary Elizabeth Hall was painted as a companion piece to a portrait of her sister Joan made two years earlier. With realistically depicted curls, an ear-length bob hairstyle and blue eyes, Mary wears a dark red dress and is situated against a dark background. Her lips are parted slightly, revealing her white front teeth and suggests an impatient character - Mary reportedly refused to stay and have her legs painted. Kelly's wife stood in to complete the commission, with the portrait initially being a full-length work showing a confident young girl in a dark red velvet dress, in a wide-legged stance. However, Mary was unimpressed with this and deemed the legs as 'imposters'. As a result, the rest of the canvas was cut away, leaving us with this more restrained bust-length portrait.

Sir Gerald Festus Kelly

Gerald Festus Kelly was born in London in 1879, son of Rev. Frederic Festus Kelly, formally the vicar at St Giles', Camberwell. He studied at Eton College and Trinity Hall, Cambridge, before moving to Paris to study art. He was influenced early on in his career by James McNeill Whistler and travelled extensively to Spain, America, South Africa and Burma which inspired a series of paintings of Burmese dancers. He married Lilian Ryan in 1920 and she became his model for a celebrated series of portraits which were exhibited under the title Jane. He also completed portraits of T. S. Eliot, Ralph Vaughan and Somerset Maugham. Kelly was a favourite painter of the Royal Family, serving as court painter during the Second World War. During the Round Table Conferences in London, he met Sao Ohn Nyunt, Princess of present-day Myanmar, and of whom he painted his most celebrated portraits.

Elected to the Royal Academy in 1930, Kelly served as the Academy's Keeper from 1943 to 1945 and was knighted in 1945. The artist John Napper worked as his assistant.

Kelly passed away in 1972. His works are represented in a number of public collections, including the Tate Gallery, which holds seven of his works. His residence at 117 Gloucester Place in Marylebone, London, is marked by an English Heritage blue plaque.

Physical Dimensions
Height
46cm (18.11")
Width
38.5cm (15.16")
Declaration

Darnley Fine Art has dated this Antique Portrait Oil Painting to the 1920s.

Reference Numbers
Sellingantiques Reference
SA1236900
Description
Oil on canvas

Image size: 15 1/8 x 18 1/8 inches (38.5 x 46cm)

Hand-carved frame

Provenance:

Comissioned by Mr. and Mrs. Hall

Castle Gallery, Berkhamsted

Private collection

“
This arresting portrait of the nearly 14-year-old Mary Elizabeth Hall was painted as a companion piece to a portrait of her sister Joan made two years earlier.
Darnley Fine Art

With realistically depicted curls, an ear-length bob hairstyle and blue eyes, Mary wears a dark red dress and is situated against a dark background. Her lips are parted slightly, revealing her white front teeth and suggests an impatient character - Mary reportedly refused to stay and have her legs painted. Kelly's wife stood in to complete the commission, with the portrait initially being a full-length work showing a confident young girl in a dark red velvet dress, in a wide-legged stance. However, Mary was unimpressed with this and deemed the legs as 'imposters'. As a result, the rest of the canvas was cut away, leaving us with this more restrained bust-length portrait.

fig 1. An oil painting on canvas depicting a young girl with short curly auburn hair and blue eyes wearing a dark red garment against a warm brown background.
fig 1. Sir Gerald Festus Kelly Portrait of Mary Elizabeth Hall

Sir Gerald Festus Kelly

Gerald Festus Kelly was born in London in 1879, son of Rev. Frederic Festus Kelly, formally the vicar at St Giles', Camberwell. He studied at Eton College and Trinity Hall, Cambridge, before moving to Paris to study art. He was influenced early on in his career by James McNeill Whistler and travelled extensively to Spain, America, South Africa and Burma which inspired a series of paintings of Burmese dancers. He married Lilian Ryan in 1920 and she became his model for a celebrated series of portraits which were exhibited under the title Jane. He also completed portraits of T. S. Eliot, Ralph Vaughan and Somerset Maugham. Kelly was a favourite painter of the Royal Family, serving as court painter during the Second World War. During the Round Table Conferences in London, he met Sao Ohn Nyunt, Princess of present-day Myanmar, and of whom he painted his most celebrated portraits.

Elected to the Royal Academy in 1930, Kelly served as the Academy's Keeper from 1943 to 1945 and was knighted in 1945. The artist John Napper worked as his assistant.

Kelly passed away in 1972. His works are represented in a number of public collections, including the Tate Gallery, which holds seven of his works. His residence at 117 Gloucester Place in Marylebone, London, is marked by an English Heritage blue plaque.

Height
46cm (18.11")
Width
38.5cm (15.16")
Date of Manufacture

Darnley Fine Art has dated this Antique Portrait Oil Painting to the 1920s.

Reference Numbers
Sellingantiques Ref
SA1236900
Darnley Fine Art
Sellingantiques verified Since Jul 2026
Dealer Profile

You can view the stock and full dealer information on the Darnley Fine Art Profile Page

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An oil painting on canvas depicting a young girl with short curly auburn hair and blue eyes wearing a dark red garment against a warm brown background.
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Archive I An oil painting on canvas depicting a young girl with short curly auburn hair and blue eyes wearing a dark red garment against a warm brown background.

Sir Gerald Festus Kelly Portrait of Mary Elizabeth Hall

Archive II An oil painting on canvas depicting a young girl with short curly auburn hair and blue eyes wearing a dark red garment against a warm brown background. View II
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Telephone 0207 379 0499
Location
2-4 Cecil Court
London
WC2N 4HE
United Kingdom

Opening Times
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(excluding Bank Holidays)
Dealer Profile Page sellingantiques.co.uk/dfa
Verified Since Jul 2026
Items For Sale 77
Darnley Fine Art
Verified Since Jul 2026
View Dealer Info
Location: 2-4 Cecil Court, London, WC2N 4HE, United Kingdom, , Opening Times, Monday to Saturday: 10:30 - 5:30, (excluding Bank Holidays)
Verified
Jul 2026
For Sale
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An oil painting on canvas depicting a young girl with short curly auburn hair and blue eyes wearing a dark red garment against a warm brown background.
Sir Gerald Festus Kelly Portrait of Mary Elizabeth Hall
Ref: SA1236900
An oil painting on canvas depicting a young girl with short curly auburn hair and blue eyes wearing a dark red garment against a warm brown background.
Detail View 1
Archival Detail
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Written by Sellingantiques from the dealer’s photographs and listing
  • ObjectPaintings
  • Period1900 - 1920
  • Style20th Century British
  • MaterialOil, Canvas
  • ColourWarm Brown
  • MotifsBust portrait, Chiaroscuro lighting, Textured brushwork, Cropped composition
  • SizeH 46 cm (18 in) x W 38.5 cm (15 in)

Early 20th-century British portraiture blends academic realism with subtle Impressionist influences, focusing on psychological depth, naturalistic lighting, and direct observation of the sitter.

Artists typically used oil paints composed of natural pigments bound in linseed oil, applied onto primed linen canvas supported by timber stretcher bars.

Authentic works exhibit age-appropriate craquelure patterns, subtle canvas tension, era-specific weave patterns, and hand-constructed wooden stretchers visible from the rear.

Position the portrait above a console or sideboard, or integrate it into an eclectic gallery wall to create a layered aesthetic contrasting historic art with contemporary furnishings.

Keep the canvas away from direct sunlight, radiators, and fluctuating humidity, dusting the surface gently using a soft, dry artist brush.
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