2,056  PAGES BROWSED TODAY PAGES TODAY 0 ANTIQUES UPLOADED TODAYNEW ARRIVALS
LATEST STOCK
Sort Order
Items Per Page
Browse Categories
Sort order
Relevant Links
Items per page
ID #SA1235015
FOR SALE
£22,000
Email Phone Buy
Save
Charles-antoine Coypel (1694 -1752) - Pair of Classical Oil Paintings 'Apollo and Daphne' and 'Venus and Apollo"
For sale by Period Portraits
for sale €25,740     $27,940
£22,000
Period Portraits

Period Portraits

Sellingantiques Verified Since Jan 2017
Browse dealers 46 items
  • About Us
    Specialist dealer in portraits from the 17th century to the 20th century. Our stock includes quality oil paintings, drawings, and mezzotints
Id #SA1235015
PDF SHARE
SAVE

Charles-antoine Coypel (1694 -1752) - Pair of Classical Oil Paintings 'Apollo and Daphne' and 'Venus and Apollo"

18th century
For Sale by Period Portraits
Description

A fine pair of large and fine early/mid eighteenth century allegorical oils attributed to Charles Antoine Coypel (1694-1752)

Painted in the round one depicts Apollo, the Greek and Roman god of the sun and the arts, who fell in love with the nymph Daphne. Chased to a riverbank, Daphne is praying to her father, the river god, Peneus, for help. At the moment Apollo reaches out to touch her, she transforms into a laurel tree, with branches and roots sprouting from her body.

The other depicts Venus likely partnered by Apollo and is an allegory of love or abundance: The shell which is often associated with Venus symbolises femininity, sensuality, and birth and the golden contents within it wealth and blessings, or indeed the richness of love being shared between the two figures.

Charles Antoine Coypel (1649-1752)

Coypel was a was a French painter and engraver and member of the celebrated artistic Coypel family. His first teacher was his father, Antoine Coypel who he worked with until his father’s death in 1722. Charles then inherited the elder Coypel’s painting and design responsibilities at court, becoming the chief painter of Philippe II. Due d”Orleans and received lodging at the Louvre, which he retained until his death. In 1747 he became the director of the Royal Academy and chief painter of the king.

Coypel’s masterpiece was a large work portraying scenes from Don Quixote (1716). He also received several commissions for the chateau of Versailles and for the chapel of Trianon; and he worked for the king’s mistress,MAdame die pompadour. In 1747 Coypel received a commission for tapestries for the queen of Poland, a series of scenes from various plays. Coypel also painted portraits of the duc d’Orléans, Louis XV and other political and religious figures; he also painted actors. Coypel is also noteworthy for his writings, which include prose, verse, two tragedies, and several comedies.

This fine pair of museum quality oils are are housed in matching antique empire style frames. They are in an excellent state of conservation, having benefitted from a surface clean and re varnish, and their pigments remain particularly fresh and vibrant.

Higher resolution images on request.

Worldwide shipping available.

Canvas : 34" x 34" / 87cm x 87cm.

Frame: 44" x 44” / 112cm x 112cm.

Physical Dimensions
Height
112cm (44.09")
Width
112cm (44.09")
Depth
6cm (2.36")
Declaration

Period Portraits has dated this 18th Century Classical Oil Painting to the 18th Century.

Reference Numbers
Sellingantiques Reference
SA1235015
Description
A fine pair of large and fine early/mid eighteenth century allegorical oils attributed to Charles Antoine Coypel (1694-1752)
Painted in the round one depicts Apollo, the Greek and Roman god of the sun and the arts, who fell in love with the nymph Daphne.
Period Portraits

Chased to a riverbank, Daphne is praying to her father, the river god, Peneus, for help. At the moment Apollo reaches out to touch her, she transforms into a laurel tree, with branches and roots sprouting from her body.

fig 1. An 18th-century circular classical oil painting depicting Apollo and Daphne set within a square gilded timber frame.
fig 1. Charles-antoine Coypel (1694 -1752) - Pair of Classical Oil Paintings 'Apollo and Daphne' and 'Venus and Apollo"

The other depicts Venus likely partnered by Apollo and is an allegory of love or abundance: The shell which is often associated with Venus symbolises femininity, sensuality, and birth and the golden contents within it wealth and blessings, or indeed the richness of love being shared between the two figures.

fig 2. An 18th-century circular classical oil painting depicting Apollo and Daphne set within a square gilded timber frame.
fig 2. Charles-antoine Coypel (1694 -1752) - Pair of Classical Oil Paintings 'Apollo and Daphne' and 'Venus and Apollo"

Charles Antoine Coypel (1649-1752)

Coypel was a was a French painter and engraver and member of the celebrated artistic Coypel family. His first teacher was his father, Antoine Coypel who he worked with until his father’s death in 1722. Charles then inherited the elder Coypel’s painting and design responsibilities at court, becoming the chief painter of Philippe II. Due d”Orleans and received lodging at the Louvre, which he retained until his death. In 1747 he became the director of the Royal Academy and chief painter of the king.

fig 3. An 18th-century circular classical oil painting depicting Apollo and Daphne set within a square gilded timber frame.
fig 3. Charles-antoine Coypel (1694 -1752) - Pair of Classical Oil Paintings 'Apollo and Daphne' and 'Venus and Apollo"

Coypel’s masterpiece was a large work portraying scenes from Don Quixote (1716). He also received several commissions for the chateau of Versailles and for the chapel of Trianon; and he worked for the king’s mistress,MAdame die pompadour. In 1747 Coypel received a commission for tapestries for the queen of Poland, a series of scenes from various plays. Coypel also painted portraits of the duc d’Orléans, Louis XV and other political and religious figures; he also painted actors. Coypel is also noteworthy for his writings, which include prose, verse, two tragedies, and several comedies.

fig 4. An 18th-century circular classical oil painting depicting Apollo and Daphne set within a square gilded timber frame.
fig 4. Charles-antoine Coypel (1694 -1752) - Pair of Classical Oil Paintings 'Apollo and Daphne' and 'Venus and Apollo"

This fine pair of museum quality oils are are housed in matching antique empire style frames. They are in an excellent state of conservation, having benefitted from a surface clean and re varnish, and their pigments remain particularly fresh and vibrant.

fig 5. An 18th-century circular classical oil painting depicting Apollo and Daphne set within a square gilded timber frame.
fig 5. Charles-antoine Coypel (1694 -1752) - Pair of Classical Oil Paintings 'Apollo and Daphne' and 'Venus and Apollo"

Higher resolution images on request.

Worldwide shipping available.

Canvas : 34" x 34" / 87cm x 87cm.

Frame: 44" x 44” / 112cm x 112cm.

Height
112cm (44.09")
Width
112cm (44.09")
Depth
6cm (2.36")
Date of Manufacture

Period Portraits has dated this 18th Century Classical Oil Painting to the 18th Century.

Reference Numbers
Sellingantiques Ref
SA1235015
Period Portraits
Period Portraits
Sellingantiques verified Since Jan 2017

Specialist dealer in portraits from the 17th century to the 20th century. Our stock includes quality oil paintings, drawings, and mezzotints

Dealer Profile

You can view the stock and full dealer information on the Period Portraits Profile Page

PDF SHARE
SAVE
An 18th-century circular classical oil painting depicting Apollo and Daphne set within a square gilded timber frame.
1 / 28
Archive I An 18th-century circular classical oil painting depicting Apollo and Daphne set within a square gilded timber frame.

Charles-antoine Coypel (1694 -1752) - Pair of Classical Oil Paintings 'Apollo and Daphne' and 'Venus and Apollo"

Archive II An 18th-century circular classical oil painting depicting Apollo and Daphne set within a square gilded timber frame. View II
Archive III An 18th-century circular classical oil painting depicting Apollo and Daphne set within a square gilded timber frame. View III
Archive IV An 18th-century circular classical oil painting depicting Apollo and Daphne set within a square gilded timber frame. View IV
Archive V An 18th-century circular classical oil painting depicting Apollo and Daphne set within a square gilded timber frame. View V
Archive VI An 18th-century circular classical oil painting depicting Apollo and Daphne set within a square gilded timber frame. View VI
Archive VII An 18th-century circular classical oil painting depicting Apollo and Daphne set within a square gilded timber frame. View VII
Archive VIII An 18th-century circular classical oil painting depicting Apollo and Daphne set within a square gilded timber frame. View VIII
Archive IX An 18th-century circular classical oil painting depicting Apollo and Daphne set within a square gilded timber frame. View IX
Archive X An 18th-century circular classical oil painting depicting Apollo and Daphne set within a square gilded timber frame. View X
Archive XI An 18th-century circular classical oil painting depicting Apollo and Daphne set within a square gilded timber frame. View XI
Archive XII An 18th-century circular classical oil painting depicting Apollo and Daphne set within a square gilded timber frame. View XII
Archive XIII An 18th-century circular classical oil painting depicting Apollo and Daphne set within a square gilded timber frame. View XIII
Archive XIV An 18th-century circular classical oil painting depicting Apollo and Daphne set within a square gilded timber frame. View XIV
Archive XV An 18th-century circular classical oil painting depicting Apollo and Daphne set within a square gilded timber frame. View XV
Archive XVI An 18th-century circular classical oil painting depicting Apollo and Daphne set within a square gilded timber frame. View XVI
Archive XVII An 18th-century circular classical oil painting depicting Apollo and Daphne set within a square gilded timber frame. View XVII
Archive XVIII An 18th-century circular classical oil painting depicting Apollo and Daphne set within a square gilded timber frame. View XVIII
Archive XIX An 18th-century circular classical oil painting depicting Apollo and Daphne set within a square gilded timber frame. View XIX
Archive XX An 18th-century circular classical oil painting depicting Apollo and Daphne set within a square gilded timber frame. View XX
Archive XXI An 18th-century circular classical oil painting depicting Apollo and Daphne set within a square gilded timber frame. View XXI
Archive XXII An 18th-century circular classical oil painting depicting Apollo and Daphne set within a square gilded timber frame. View XXII
Archive XXIII An 18th-century circular classical oil painting depicting Apollo and Daphne set within a square gilded timber frame. View XXIII
Archive XXIV An 18th-century circular classical oil painting depicting Apollo and Daphne set within a square gilded timber frame. View XXIV
Archive XXV An 18th-century circular classical oil painting depicting Apollo and Daphne set within a square gilded timber frame. View XXV
Archive XXVI An 18th-century circular classical oil painting depicting Apollo and Daphne set within a square gilded timber frame. View XXVI
Archive XXVII An 18th-century circular classical oil painting depicting Apollo and Daphne set within a square gilded timber frame. View XXVII
Archive XXVIII An 18th-century circular classical oil painting depicting Apollo and Daphne set within a square gilded timber frame. View XXVIII
Enlarged Archival View
Telephone 07889 859729
Location
North Yorkshire
United Kingdom
Verified Since Jan 2017
Items For Sale 46
Items Sold 62
Period Portraits
Period Portraits
Verified Since Jan 2017
View Dealer Info
Location: North Yorkshire, United Kingdom
Verified
Jan 2017
For Sale
46
Sold
62
An 18th-century circular classical oil painting depicting Apollo and Daphne set within a square gilded timber frame.
CHARLES-ANTOINE COYPEL (1694 -1752) - PAIR OF CLASSICAL OIL PAINTINGS 'APOLLO AND DAPHNE' and 'VENUS AND APOLLO"
Ref: SA1235015
An 18th-century circular classical oil painting depicting Apollo and Daphne set within a square gilded timber frame.
Detail View 1
Detail View 2
Detail View 3
Detail View 4
Detail View 5
Detail View 6
Detail View 7
Detail View 8
Detail View 9
Detail View 10
Detail View 11
Detail View 12
Detail View 13
Detail View 14
Detail View 15
Detail View 16
Detail View 17
Detail View 18
Detail View 19
Detail View 20
Detail View 21
Detail View 22
Detail View 23
Detail View 24
Detail View 25
Detail View 26
Detail View 27
Archival Detail
Every single antique dealer on our platform is individually approved by our internal team. We verify their professional trade history, ethical standards, and photographic quality to ensure a secure, high-standard buying environment. Upon joining, every dealer agrees to a strict 9-point code of conduct. While issues can occasionally arise, our dealers typically resolve them swiftly and directly with the buyer. In fact, since our founding in 2002, Sellingantiques has only had to step in to help resolve an issue on roughly five occasions—a true testament to the quality of our dealers and their dedication to your happiness.
Our dealers are highly experienced in packing and shipping fragile, high-value antiques. Because you are in direct contact with the dealer, you will be able to easily go through all available shipping and insurance options together to ensure your item arrives safely.
Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.
Written by Sellingantiques from the dealer’s photographs and listing
  • ObjectOil Paintings
  • Period18th century
  • StyleFrench Rococo
  • MaterialOil on Canvas, Gilt Wood Frame
  • ColourGold and Blue
  • MotifsTondo composition, Classical mythology, Gilded spandrels, Carved leaf frame
  • SizeH 112 cm (44 in) x W 112 cm (44 in) x D 6 cm (2 in)

Eighteenth-century French mythological painting frequently drew upon classical literature and Ovidian narratives, defined by dramatic visual storytelling, expressive figures, and theatrical composition influenced by Baroque and Rococo traditions.

Artists during this period prepared stretched linen canvases with oil-based grounds, applying hand-ground mineral pigments bound in linseed or walnut oil, framed in hand-carved water-gilded timber.

Identification relies on observing natural craquelure patterns consistent with age, hand-carved stretcher joints, original lining or canvas weave characteristics, and period-accurate gilding on the frame.

Classical artworks provide visual balance when hung as focal points above modern sideboards or consoles, creating contrast between historic figural art and clean contemporary interior lines.

Maintain stable humidity and temperature, avoid direct sunlight or nearby heating sources, and clean gently with a dry, soft camel-hair brush rather than chemical solvents or water.
items
Add keywords to the filter
Price
£100
£250000
Era
Movements
Material
Origin
Stock Location
Freshness
Online Payments
Categories