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ID #SA1232353
FOR SALE
£80
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James R G Exley 1904 Signed Original Etching Engraving After Rembrandt – Pupil of Frank Short Rca
Strickland & Russell
for sale €94     $102
£80
Strickland & Russell

Strickland & Russell

Sellingantiques Verified Since Sep 2018
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    Yorkshire based art dealers specialising in 19th century & early 20th century oil paintings & watercolours
Id #SA1232353
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James R G Exley 1904 Signed Original Etching Engraving After Rembrandt – Pupil of Frank Short Rca

1900 - 1920
Description

An unusual opportunity to acquire a signed, dated and personally inscribed early etching by J. R. G. Exley, produced during his formative Royal College of Art period under Sir Frank Short and based upon one of Rembrandt's great etched self-portrait compositions.

Artist: James Robert Granville Exley (1878–1967)

Medium: Etching on paper

Date: 1904

Signed: Yes, in pencil

Inscribed: Yes, dated 26 July 1905

Subject: After Rembrandt

Period: Royal College of Art / student period

CONDITION

There is age-related toning, occasional spotting/foxing and old mounting tape residue around the margins, all consistent with the age and history of the sheet. Importantly, the original pencil signature and presentation inscription remain present beneath the plate.

Please study all photographs carefully as these form an important part of the condition description.

Size 29 x 33 cm (plate size approx. 13 x 17 cm)

Physical Dimensions
Height
33cm (12.99")
Width
29cm (11.42")
Depth
0.2cm (0.08")
Declaration

Strickland & Russell has dated this Antique Rembrandt Etching Print to the 1900s.

Reference Numbers
Sellingantiques Reference
SA1232353
Dealers Notes

***************

*Our prices include fully insured UK delivery. We are able to quote for International delivery upon request.

*Your purchased painting will be securely packaged and posted via Insured Royal Mail or Parcelforce delivery within 2 working days of receiving payment.

*We are happy to receive payment via the PayPal platform which accepts most debit and credit cards. Please contact us to enquire about other payment methods.

*If a painting is framed, the frame will be provided free of charge and we cannot offer any warranty for the condition or damage to a frame as a result of delivery. Original frames will have wear in line with age. We consider glass to be part of the frame, and as a restricted item is not warranted . Glass can be removed prior to shipping at the buyers request.

*In the unlikely event that you are not happy with your purchase, for any reason, we will always accept returns and offer a no quibble refund if notified within 14 days of receiving the item and returned to us in the same condition. The buyer is however, liable for the return postal charges.

***************

Description
An unusual opportunity to acquire a signed, dated and personally inscribed early etching by J. R. G.
Exley, produced during his formative Royal College of Art period under Sir Frank Short and based upon one of Rembrandt's great etched self-portrait compositions.
Strickland & Russell
fig 1. A monochrome etching depicting a man in a wide-brimmed hat seated at a window writing on a stack of paper, signed along the lower border.
fig 1. James R G Exley 1904 Signed Original Etching Engraving After Rembrandt – Pupil of Frank Short Rca

Artist: James Robert Granville Exley (1878–1967)

Medium: Etching on paper

Date: 1904

Signed: Yes, in pencil

Inscribed: Yes, dated 26 July 1905

Subject: After Rembrandt

Period: Royal College of Art / student period

fig 2. A monochrome etching depicting a man in a wide-brimmed hat seated at a window writing on a stack of paper, signed along the lower border.
fig 2. James R G Exley 1904 Signed Original Etching Engraving After Rembrandt – Pupil of Frank Short Rca

CONDITION

There is age-related toning, occasional spotting/foxing and old mounting tape residue around the margins, all consistent with the age and history of the sheet. Importantly, the original pencil signature and presentation inscription remain present beneath the plate.

Please study all photographs carefully as these form an important part of the condition description.

Size 29 x 33 cm (plate size approx. 13 x 17 cm)

Height
33cm (12.99")
Width
29cm (11.42")
Depth
0.2cm (0.08")
Date of Manufacture

Strickland & Russell has dated this Antique Rembrandt Etching Print to the 1900s.

Reference Numbers
Sellingantiques Ref
SA1232353
Strickland & Russell
Strickland & Russell
Sellingantiques verified Since Sep 2018

Yorkshire based art dealers specialising in 19th century & early 20th century oil paintings & watercolours

Dealer Profile

You can view the stock and full dealer information on the Strickland & Russell Profile Page

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A monochrome etching depicting a man in a wide-brimmed hat seated at a window writing on a stack of paper, signed along the lower border.
1 / 15
Archive I A monochrome etching depicting a man in a wide-brimmed hat seated at a window writing on a stack of paper, signed along the lower border.

James R G Exley 1904 Signed Original Etching Engraving After Rembrandt – Pupil of Frank Short Rca

Archive II A monochrome etching depicting a man in a wide-brimmed hat seated at a window writing on a stack of paper, signed along the lower border. View II
Archive III A monochrome etching depicting a man in a wide-brimmed hat seated at a window writing on a stack of paper, signed along the lower border. View III
Archive IV A monochrome etching depicting a man in a wide-brimmed hat seated at a window writing on a stack of paper, signed along the lower border. View IV
Archive V A monochrome etching depicting a man in a wide-brimmed hat seated at a window writing on a stack of paper, signed along the lower border. View V
Archive VI A monochrome etching depicting a man in a wide-brimmed hat seated at a window writing on a stack of paper, signed along the lower border. View VI
Archive VII A monochrome etching depicting a man in a wide-brimmed hat seated at a window writing on a stack of paper, signed along the lower border. View VII
Archive VIII A monochrome etching depicting a man in a wide-brimmed hat seated at a window writing on a stack of paper, signed along the lower border. View VIII
Archive IX A monochrome etching depicting a man in a wide-brimmed hat seated at a window writing on a stack of paper, signed along the lower border. View IX
Archive X A monochrome etching depicting a man in a wide-brimmed hat seated at a window writing on a stack of paper, signed along the lower border. View X
Archive XI A monochrome etching depicting a man in a wide-brimmed hat seated at a window writing on a stack of paper, signed along the lower border. View XI
Archive XII A monochrome etching depicting a man in a wide-brimmed hat seated at a window writing on a stack of paper, signed along the lower border. View XII
Archive XIII A monochrome etching depicting a man in a wide-brimmed hat seated at a window writing on a stack of paper, signed along the lower border. View XIII
Archive XIV A monochrome etching depicting a man in a wide-brimmed hat seated at a window writing on a stack of paper, signed along the lower border. View XIV
Archive XV A monochrome etching depicting a man in a wide-brimmed hat seated at a window writing on a stack of paper, signed along the lower border. View XV
Enlarged Archival View
Telephone 07504 958608
Location
Wilberfoss
York
East Riding of Yorkshire
United Kingdom
Verified Since Sep 2018
Items For Sale 256
Items Sold 3,249
Strickland & Russell
Strickland & Russell
Verified Since Sep 2018
View Dealer Info
Location: Wilberfoss, York, East Riding of Yorkshire, United Kingdom
Verified
Sep 2018
For Sale
256
Sold
3,249
A monochrome etching depicting a man in a wide-brimmed hat seated at a window writing on a stack of paper, signed along the lower border.
James R G Exley 1904 Signed Original Etching Engraving After Rembrandt – Pupil of Frank Short RCA
Ref: SA1232353
A monochrome etching depicting a man in a wide-brimmed hat seated at a window writing on a stack of paper, signed along the lower border.
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Every single antique dealer on our platform is individually approved by our internal team. We verify their professional trade history, ethical standards, and photographic quality to ensure a secure, high-standard buying environment. Upon joining, every dealer agrees to a strict 9-point code of conduct. While issues can occasionally arise, our dealers typically resolve them swiftly and directly with the buyer. In fact, since our founding in 2002, Sellingantiques has only had to step in to help resolve an issue on roughly five occasions—a true testament to the quality of our dealers and their dedication to your happiness.
Our dealers are highly experienced in packing and shipping fragile, high-value antiques. Because you are in direct contact with the dealer, you will be able to easily go through all available shipping and insurance options together to ensure your item arrives safely.
Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

An etching copy is an intaglio print produced by a printmaker studying or reproducing the composition of a historical artist. During the late nineteenth and early twentieth centuries, student artists at academies frequently created etchings after Old Masters to demonstrate technical proficiency in tonal shading and line work.

Etchings are produced by coating a metal plate with an acid-resistant wax ground, scratching a design into the ground with an etching needle, and submerging the plate in an acid bath. Ink is then applied to the etched grooves and transferred onto dampened paper using a high-pressure rolling press.

Authentic period etchings display a distinct plate mark indentation around the boundary of the image created by the pressure of the printing press. Under magnification, genuine etchings reveal continuous ink lines and variable line depth rather than the dot matrix pattern characteristic of modern mechanical reproductions.

A monochrome print integrates effectively into a contemporary gallery wall or an academic workspace. Pairing historic works on paper with dark timber furniture, brass accents, or simple modern frames creates a refined visual contrast between traditional printmaking and contemporary decor.

Works on paper should be framed using acid-free mountboard and UV-protective glass to prevent yellowing, foxing, and fading. Display the print away from direct sunlight, radiators, and areas with fluctuating humidity to protect the paper fibers and ink integrity.
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