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ID #SA1228632
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Horse Portrait Oil Painting of the Racehorse Flying Fox by Albert Clark
Benton Fine Art
for sale €2,925     $3,175
£2,500
Benton Fine Art

Benton Fine Art

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    Specialists in 19th & early 20th century original oil paintings by listed artists
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Horse Portrait Oil Painting of the Racehorse Flying Fox by Albert Clark

19th century
For Sale by Benton Fine Art
Description

Albert Clark

British, (1843-1928)

Flying Fox

Oil on canvas, signed, old label verso

Image size: 11.5 inches x 15.5 inches

Size including frame: 18.75 inches x 22.75 inches

A wonderful sporting horse portrait of the champion racehorse Flying Fox by Albert Clark. The stallion is depicted standing side on in a stable with his head slightly turned towards the viewer to reveal a distinctive white blaze on his face. To the right can be seen a blanket hanging over a feeding trough with the initial ‘W, most likely representing the Duke of Westminster, who was his owner at the time of this painting and would have commissioned Clark to commemorate the stallion’s racing successes. Flying Fox was a stallion foaled in 1896 out of Vampire and sired by Orme. He was owned by Hugh Grosvenor, 1st Duke of Westminster and trained by John Porter. He was a highly strung horse who although only raced for 2 years won many races in that time. These included the New Stakes and Criterion Stakes in 1898, the Triple Crown in 1899 (2,000 Guineas, The Epsom Derby and St Leger Stakes) and the Eclipse Stakes, Jockey Club Stakes and Princess of Wales's Stakes in 1899. After Grosvenor’s death in 1899, he was sold to the French sportsman Edmond Blanc where he was put to stud at Blanc’s Haras de Jardy horse breeding centre near Paris. He went on to sire a number of prize winning champions including Ajax and Val d’Or. He died at Haras de Jardy on 21 March, 1911.

Albert Clark was born on 29 October 1843 in Hoxton London into the Clark family of artists. His father was the animal painter James Lawrence Clark (1812-1909) and his mother was Elizabeth London. His brothers Samuel James Clark (1841-1928), Octavius Thomas Clark (1850-1921) and half-brother James Albert Clark (1863-1955) all became artists. Two of his children Frederick Albert Clark (1869-1954) and William Albert Clark (1880-1963) also inherited the Clark talent for painting.

Given the similarity in style and subject matter, it is highly likely he was taught by his father alongside his brothers. He made his debut at an early age, being recorded as an artist at the age of just 17. His subjects initially followed that of his father and included horses, cattle and dogs. However, Albert soon began to specialise in horse portraits and received many commissions to paint race horses and show winners.

He married Ellen Parsons on 2 April, 1868 and together they had 4 children (Frederick Albert Clark being the youngest) and lived at 64 Shepperton Cottages, Islington. After the death of his first wife, he married Harriet Jane Ireland on 19 June, 1875. Together they had 3 more children, one of whom was William Albert Clark. By 1881, he had moved to 81 Riversdale Road, Islington living on the same road as his father until his death in 1884. After this time, he set up a studio at his home with his son Frederick Albert who lived close by. Although they spent time working on their own paintings, they also collaborated on a number works which were signed Albert Clark and Son. It is possible that his youngest son William Albert may also have helped with these paintings.

This period seems to have coincided with him becoming deaf which could be one of the reasons he took up the partnership with his son. Despite his hearing loss, Clark continued to travel around gaining commissions to paint prized horses. His second wife died in 1896 and sometime after 1901, he moved to the Seven Sisters Road in Tottenham where he spent the rest of his life. He died at Middlesex Hospital on 18 December, 1928. Examples of his works can be found at the Totnes Elizabethan House Museum and Doncaster Museum.

Presentation: The painting is housed in a new, English made gilt frame which is in excellent condition.

Condition: As with all of our original antique oil paintings, this work is offered in ready to hang gallery condition, having been professionally cleaned, restored and revarnished.

© Benton Fine Art

Physical Dimensions
Height
47.5cm (18.70")
Width
57.5cm (22.64")
Depth
6cm (2.36")
Declaration

Benton Fine Art has dated this Antique Horse Oil Painting to the 1890s.

Reference Numbers
Sellingantiques Reference
SA1228632
Dealers Notes

Members of the British Antique Dealers Association (BADA) the London and Provincial Antique Dealers Association (LAPADA).

We use a professional, fully insured and tracked door to door service for our UK and international deliveries. Please contact us for further information and shipping quotes.

Viewing is by APPOINTMENT ONLY. However, we can also arrange for you to view the item in your home, depending on the location.

For a wider range of stock please visit www.bentonfineart.com.

If you would like to purchase this item or have any questions, please email us at pictures@bentonfineart.com or call 07710 540549.

© Benton Fine Art

Description
Albert Clark

British, (1843-1928)

Flying Fox

Oil on canvas, signed, old label verso

Image size: 11.5 inches x 15.5 inches

Size including frame: 18.75 inches x 22.75 inches

A wonderful sporting horse portrait of the champion racehorse Flying Fox by Albert Clark.

The stallion is depicted standing side on in a stable with his head slightly turned towards the viewer to reveal a distinctive white blaze on his face.
Benton Fine Art

To the right can be seen a blanket hanging over a feeding trough with the initial ‘W, most likely representing the Duke of Westminster, who was his owner at the time of this painting and would have commissioned Clark to commemorate the stallion’s racing successes. Flying Fox was a stallion foaled in 1896 out of Vampire and sired by Orme. He was owned by Hugh Grosvenor, 1st Duke of Westminster and trained by John Porter. He was a highly strung horse who although only raced for 2 years won many races in that time. These included the New Stakes and Criterion Stakes in 1898, the Triple Crown in 1899 (2,000 Guineas, The Epsom Derby and St Leger Stakes) and the Eclipse Stakes, Jockey Club Stakes and Princess of Wales's Stakes in 1899. After Grosvenor’s death in 1899, he was sold to the French sportsman Edmond Blanc where he was put to stud at Blanc’s Haras de Jardy horse breeding centre near Paris. He went on to sire a number of prize winning champions including Ajax and Val d’Or. He died at Haras de Jardy on 21 March, 1911.

fig 1. An oil painting of a brown bay racehorse standing in a straw-filled stable stall set within an ornate gold gilt frame.
fig 1. Horse Portrait Oil Painting of the Racehorse Flying Fox by Albert Clark

Albert Clark was born on 29 October 1843 in Hoxton London into the Clark family of artists. His father was the animal painter James Lawrence Clark (1812-1909) and his mother was Elizabeth London. His brothers Samuel James Clark (1841-1928), Octavius Thomas Clark (1850-1921) and half-brother James Albert Clark (1863-1955) all became artists. Two of his children Frederick Albert Clark (1869-1954) and William Albert Clark (1880-1963) also inherited the Clark talent for painting.

fig 2. An oil painting of a brown bay racehorse standing in a straw-filled stable stall set within an ornate gold gilt frame.
fig 2. Horse Portrait Oil Painting of the Racehorse Flying Fox by Albert Clark

Given the similarity in style and subject matter, it is highly likely he was taught by his father alongside his brothers. He made his debut at an early age, being recorded as an artist at the age of just 17. His subjects initially followed that of his father and included horses, cattle and dogs. However, Albert soon began to specialise in horse portraits and received many commissions to paint race horses and show winners.

fig 3. An oil painting of a brown bay racehorse standing in a straw-filled stable stall set within an ornate gold gilt frame.
fig 3. Horse Portrait Oil Painting of the Racehorse Flying Fox by Albert Clark

He married Ellen Parsons on 2 April, 1868 and together they had 4 children (Frederick Albert Clark being the youngest) and lived at 64 Shepperton Cottages, Islington. After the death of his first wife, he married Harriet Jane Ireland on 19 June, 1875. Together they had 3 more children, one of whom was William Albert Clark. By 1881, he had moved to 81 Riversdale Road, Islington living on the same road as his father until his death in 1884. After this time, he set up a studio at his home with his son Frederick Albert who lived close by. Although they spent time working on their own paintings, they also collaborated on a number works which were signed Albert Clark and Son. It is possible that his youngest son William Albert may also have helped with these paintings.

fig 4. An oil painting of a brown bay racehorse standing in a straw-filled stable stall set within an ornate gold gilt frame.
fig 4. Horse Portrait Oil Painting of the Racehorse Flying Fox by Albert Clark

This period seems to have coincided with him becoming deaf which could be one of the reasons he took up the partnership with his son. Despite his hearing loss, Clark continued to travel around gaining commissions to paint prized horses. His second wife died in 1896 and sometime after 1901, he moved to the Seven Sisters Road in Tottenham where he spent the rest of his life. He died at Middlesex Hospital on 18 December, 1928. Examples of his works can be found at the Totnes Elizabethan House Museum and Doncaster Museum.

fig 5. An oil painting of a brown bay racehorse standing in a straw-filled stable stall set within an ornate gold gilt frame.
fig 5. Horse Portrait Oil Painting of the Racehorse Flying Fox by Albert Clark

Presentation: The painting is housed in a new, English made gilt frame which is in excellent condition.

Condition: As with all of our original antique oil paintings, this work is offered in ready to hang gallery condition, having been professionally cleaned, restored and revarnished.

© Benton Fine Art

Height
47.5cm (18.70")
Width
57.5cm (22.64")
Depth
6cm (2.36")
Date of Manufacture

Benton Fine Art has dated this Antique Horse Oil Painting to the 1890s.

Reference Numbers
Sellingantiques Ref
SA1228632
Benton Fine Art
Benton Fine Art
Sellingantiques verified Since Sep 2012

Specialists in 19th & early 20th century original oil paintings by listed artists

Dealer Profile

You can view the stock and full dealer information on the Benton Fine Art Profile Page

Trade Associations

Benton Fine Art is a registered member of LAPADA  BADA  CINOA

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An oil painting of a brown bay racehorse standing in a straw-filled stable stall set within an ornate gold gilt frame.
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Archive I An oil painting of a brown bay racehorse standing in a straw-filled stable stall set within an ornate gold gilt frame.

Horse Portrait Oil Painting of the Racehorse Flying Fox by Albert Clark

Archive II An oil painting of a brown bay racehorse standing in a straw-filled stable stall set within an ornate gold gilt frame. View II
Archive III An oil painting of a brown bay racehorse standing in a straw-filled stable stall set within an ornate gold gilt frame. View III
Archive IV An oil painting of a brown bay racehorse standing in a straw-filled stable stall set within an ornate gold gilt frame. View IV
Archive V An oil painting of a brown bay racehorse standing in a straw-filled stable stall set within an ornate gold gilt frame. View V
Archive VI An oil painting of a brown bay racehorse standing in a straw-filled stable stall set within an ornate gold gilt frame. View VI
Archive VII An oil painting of a brown bay racehorse standing in a straw-filled stable stall set within an ornate gold gilt frame. View VII
Archive VIII An oil painting of a brown bay racehorse standing in a straw-filled stable stall set within an ornate gold gilt frame. View VIII
Archive IX An oil painting of a brown bay racehorse standing in a straw-filled stable stall set within an ornate gold gilt frame. View IX
Enlarged Archival View
Telephone 07710 540 549
Location
Near Broadway
Worcestershire
United Kingdom

By appointment only.
Verified Since Sep 2012
Items For Sale 210
Benton Fine Art
Benton Fine Art
Verified Since Sep 2012
View Dealer Info
Location: Near Broadway, Worcestershire, United Kingdom, , By appointment only.
Verified
Sep 2012
For Sale
210
An oil painting of a brown bay racehorse standing in a straw-filled stable stall set within an ornate gold gilt frame.
Horse portrait oil painting of the racehorse Flying Fox by Albert Clark
Ref: SA1228632
An oil painting of a brown bay racehorse standing in a straw-filled stable stall set within an ornate gold gilt frame.
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Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

Victorian equestrian art focused on depicting thoroughbred horses, prize livestock, and sporting scenes with anatomical precision. Commissioned by wealthy patrons, these portraits often feature horses positioned inside stables or open landscapes to showcase bloodlines and ownership prestige.

Artists used oil paints on stretched linen or canvas, occasionally working on wooden panels. Paintings were set into hand-carved or molded timber frames featuring gold leaf gilding and detailed plaster moulding.

Authentic period works show age-appropriate craquelure across the paint surface, hand-cut wooden stretcher bars, and natural oxidisation on the canvas reverse. Artist signatures, exhibition labels, or provenance markings on the frame backing also assist in identification.

Equine art serves as a focal point when placed above a fireplace, console table, or within a wood-panelled study. Combining the gilded frame with warm leather upholstery, brass accents, or contemporary minimalist furniture creates a balanced, layered aesthetic.

Dust the frame and canvas gently with a soft, dry camel-hair brush, avoiding liquids or chemical cleaners. Maintain consistent indoor temperature and humidity levels, keeping the artwork away from direct sunlight, radiators, or moist environments.
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