Skippings Fine Arts has dated this Floral Still Life Painting to the 1910s.

The roses seem almost to dissolve into the surrounding space, their softly modelled forms creating an image that feels quietly mysterious. The limited palette lends the work a surprisingly modern sensibility while retaining the romantic spirit of the fin de siècle.

In the language of flowers, white roses have long symbolised purity, remembrance and enduring affection. Whether intended symbolically or simply admired for their beauty, they give the painting a contemplative and timeless quality.

The painting was acquired together with an old handwritten note attributing it to the Belgian painter Charles Hermans (1839–1928), described as an ancestor of the previous owner's wife. Unfortunately that note has since been mislaid, and the attribution can therefore only be regarded as a traditional family attribution rather than a documented fact.
Presented in a hand-patinated silvered oak frame, the unsigned painting measures 51 x 46 cm. The overall framed size is 61 x 55 cm.
Skippings Fine Arts has dated this Floral Still Life Painting to the 1910s.
Modern french & continental pictures selected by a former french auction house expert
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