What characterises 19th-century historical narrative paintings?

Nineteenth-century historical narrative paintings frequently depicted scenes from medieval and Renaissance history, focusing on chivalry, knightly armour, and dramatic figurative compositions inspired by literature and military heritage.

What traditional materials were used in framing 19th-century oil paintings?

Paintings from this period were rendered in oil pigments on canvas or wooden panels and typically set within timber frames decorated with plaster gesso moulding and finished with metallic leaf gilding.

How do you identify authentic oil paintings from the Victorian era?

Authentic period artworks display age-appropriate craquelure across the paint surface, oxidisation on the canvas backing, period timber stretchers, and natural wear to the gilded frame.

How do you style a classical oil painting in a contemporary interior?

A classical framed painting can serve as a focal point when hung above a mantelpiece or console table, where the detailed subject matter and gilded frame contrast against modern, understated backdrop tones.

How should an antique oil painting and gilded frame be preserved?

Keep the artwork away from direct sunlight, open flames, and high humidity, dusting the frame and surface gently with a soft, dry microfibre brush without liquid cleaners.

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Late 19th Century Renaissance Knight Oil Painting Circle of Sir John Gilbert Ra

Name: Late 19th Century Renaissance Knight Oil Painting Circle of Sir John Gilbert Ra
Brand: Antique
SKU: SA1226723
Price: 9000 GBP
Availability: InStock

19th century

For Sale by Cheshire Antiques Consultant Ltd

Description

An atmospheric late 19th century British historical oil painting depicting an armoured Renaissance knight riding beneath a Gothic cloister with two mounted attendants.

The nobleman wears polished fluted armour and an elaborate feathered plume. He is mounted upon a powerful piebald charger with richly decorated ceremonial tack. Two guards on horseback follow through the shadowed Gothic archway, creating a compelling sense of procession, movement and Victorian historical drama.

Silver grey highlights across the armour contrast with the warm ochres, siennas and deep brown tones of the stone architecture. The piebald horse is particularly striking, with a muscular body, arched neck and elevated movement. A chestnut horse ridden by the nearer attendant adds warmth and compositional balance.

The scene represents a romantic Victorian interpretation of Renaissance ceremony rather than a specific recorded historical event. It would make an impressive statement piece for a country house, library, study, entrance hall or collection of Victorian, equestrian, military or historical art.

Catalogue Details

Artist: Circle of Sir John Gilbert RA 1817 to 1897

School: British School

Date: Late 19th century

Title: Renaissance Knight with Mounted Attendants Beneath a Gothic Cloister

Medium: Oil on canvas

Signature: No visible signature

Presentation: Traditional gilt moulded frame with brass attribution plaque and protective glass front

Sir John Gilbert And His Circle

Sir John Gilbert RA was an influential British painter, illustrator and draughtsman celebrated for historical, literary, military and Shakespearean subjects. His works frequently explored medieval history, chivalric romance, mounted figures, ceremonial armour and Renaissance pageantry.

Gilbert was knighted in 1872 and elected a full Royal Academician in 1876. His theatrical compositions and richly coloured historical scenes influenced many British artists during the second half of the 19th century.

This painting shares characteristics associated with Gilberts historical imagery, including mounted figures, elaborate armour, Gothic architecture, rich colouring and dramatic narrative.

It is catalogued as Circle of Sir John Gilbert RA, indicating a work by an unidentified artist associated with his artistic environment or influence. This attribution does not claim that the painting was executed by Gilbert himself.

Frame And Plaque

Presented in a substantial traditional gilt frame with an older brass plaque engraved Sir John Gilbert RSA.

Gilbert correctly used the designation RA rather than RSA. The plaque is therefore considered a later collectors attribution and not documentary proof of authorship. It nevertheless forms part of the paintings collecting history.

Provenance

Private collection.

Sold through Lindsay Burns and Company, Perth, Scotland, in June 2026 and catalogued as Sir John Gilbert RSA, A Knight on Horseback with Two Attendant Guards on Horseback.

Curated by Cheshire Antiques Consultant LTD.

Dimensions

Canvas height: 42.5 cm

Canvas width: 31.5 cm

Frame height: 67.5 cm

Frame width: 57 cm

Frame depth: 7 cm

Condition

Presented in good antique condition consistent with its late 19th century date.

The canvas displays age related craquelure, a mellowed surface, aged varnish, light wear and minor abrasions. It remains mounted upon an old wooden stretcher believed to be contemporary with the painting. No obvious signature is visible.

The colours remain rich, particularly across the armour, horses and architecture. The gilt frame has rubbing, minor marks and small areas of loss consistent with age but remains structurally presentable.

The photographs form part of the condition report and should be examined carefully.

Delivery

Worldwide shipping is available. The painting will be professionally packaged and sent by tracked and insured delivery wherever available. Please contact us for an international shipping quotation.

Physical Dimensions

Height

67.5cm (26.57")

Width

57cm (22.44")

Depth

7cm (2.76")

Declaration

Cheshire Antiques Consultant Ltd has dated this Antique Knight Oil Painting to the 19th Century.

Reference Numbers

Sellingantiques Reference

SA1226723

Dealers Internal Reference

CAK-SK-0504

Dealers Notes

Delivery shipping information

Cheshire Antiques Consultant LTD ship worldwide, using fully insured and online tracked delivery services like DHL, DPD, Parcelforce or Fedex also the British Shop. We offer Free national Delivery to England mainland, Wales mainland & Scottish lowland mainland areas only.

We offer Free UK mainland delivery only, international shipping to USA, Canada, Europe. All other countries rest of the world please get in touch for a shipping quote.

Great care and much time are taken over the safe transportation of the Fine Art & Antique pieces which we sell.

We bespoke pack & wrap extremely carefully, so you can rest assured that your piece will arrive with you in great as described condition.

For larger paintings, antique furniture pieces, and fragile items which can not be sent via the normal postal services, we use professional door-to-door delivery providers, who will always strive to deliver your piece promptly, within approximate. 2-5 working days for the United Kingdom mainland & International delivery between 5-14 working days.

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(excluding the cost of Postage & Packaging costs & any duties, taxes customs charges paid on buyers behalf or buy the buyer direct ).

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If the customer refuses to pay any duty and customs charges and the parcel is returned to sender all shipping charges will be deducted from any refund.

Description

An atmospheric late 19th century British historical oil painting depicting an armoured Renaissance knight riding beneath a Gothic cloister with two mounted attendants.

The nobleman wears polished fluted armour and an elaborate feathered plume. He is mounted upon a powerful piebald charger with richly decorated ceremonial tack.

“

Two guards on horseback follow through the shadowed Gothic archway, creating a compelling sense of procession, movement and Victorian historical drama.

Cheshire Antiques Consultant Ltd

fig 1. An antique oil painting depicting a knight in full armour riding a horse beneath a stone archway, framed in an ornate gilded wood frame. — fig 1. Late 19th Century Renaissance Knight Oil Painting Circle of Sir John Gilbert Ra

Silver grey highlights across the armour contrast with the warm ochres, siennas and deep brown tones of the stone architecture. The piebald horse is particularly striking, with a muscular body, arched neck and elevated movement. A chestnut horse ridden by the nearer attendant adds warmth and compositional balance.

fig 2. An antique oil painting depicting a knight in full armour riding a horse beneath a stone archway, framed in an ornate gilded wood frame. — fig 2. Late 19th Century Renaissance Knight Oil Painting Circle of Sir John Gilbert Ra

The scene represents a romantic Victorian interpretation of Renaissance ceremony rather than a specific recorded historical event. It would make an impressive statement piece for a country house, library, study, entrance hall or collection of Victorian, equestrian, military or historical art.

fig 3. An antique oil painting depicting a knight in full armour riding a horse beneath a stone archway, framed in an ornate gilded wood frame. — fig 3. Late 19th Century Renaissance Knight Oil Painting Circle of Sir John Gilbert Ra

Catalogue Details

Artist: Circle of Sir John Gilbert RA 1817 to 1897

School: British School

Date: Late 19th century

Title: Renaissance Knight with Mounted Attendants Beneath a Gothic Cloister

Medium: Oil on canvas

fig 4. An antique oil painting depicting a knight in full armour riding a horse beneath a stone archway, framed in an ornate gilded wood frame. — fig 4. Late 19th Century Renaissance Knight Oil Painting Circle of Sir John Gilbert Ra

Signature: No visible signature

Presentation: Traditional gilt moulded frame with brass attribution plaque and protective glass front

Sir John Gilbert And His Circle

Sir John Gilbert RA was an influential British painter, illustrator and draughtsman celebrated for historical, literary, military and Shakespearean subjects. His works frequently explored medieval history, chivalric romance, mounted figures, ceremonial armour and Renaissance pageantry.

fig 5. An antique oil painting depicting a knight in full armour riding a horse beneath a stone archway, framed in an ornate gilded wood frame. — fig 5. Late 19th Century Renaissance Knight Oil Painting Circle of Sir John Gilbert Ra

Gilbert was knighted in 1872 and elected a full Royal Academician in 1876. His theatrical compositions and richly coloured historical scenes influenced many British artists during the second half of the 19th century.

fig 6. An antique oil painting depicting a knight in full armour riding a horse beneath a stone archway, framed in an ornate gilded wood frame. — fig 6. Late 19th Century Renaissance Knight Oil Painting Circle of Sir John Gilbert Ra

This painting shares characteristics associated with Gilberts historical imagery, including mounted figures, elaborate armour, Gothic architecture, rich colouring and dramatic narrative.

It is catalogued as Circle of Sir John Gilbert RA, indicating a work by an unidentified artist associated with his artistic environment or influence. This attribution does not claim that the painting was executed by Gilbert himself.

fig 7. An antique oil painting depicting a knight in full armour riding a horse beneath a stone archway, framed in an ornate gilded wood frame. — fig 7. Late 19th Century Renaissance Knight Oil Painting Circle of Sir John Gilbert Ra

Frame And Plaque

Presented in a substantial traditional gilt frame with an older brass plaque engraved Sir John Gilbert RSA.

Gilbert correctly used the designation RA rather than RSA. The plaque is therefore considered a later collectors attribution and not documentary proof of authorship. It nevertheless forms part of the paintings collecting history.

fig 8. An antique oil painting depicting a knight in full armour riding a horse beneath a stone archway, framed in an ornate gilded wood frame. — fig 8. Late 19th Century Renaissance Knight Oil Painting Circle of Sir John Gilbert Ra

Provenance

Private collection.

Sold through Lindsay Burns and Company, Perth, Scotland, in June 2026 and catalogued as Sir John Gilbert RSA, A Knight on Horseback with Two Attendant Guards on Horseback.

fig 9. An antique oil painting depicting a knight in full armour riding a horse beneath a stone archway, framed in an ornate gilded wood frame. — fig 9. Late 19th Century Renaissance Knight Oil Painting Circle of Sir John Gilbert Ra

Curated by Cheshire Antiques Consultant LTD.

Dimensions

Canvas height: 42.5 cm

Canvas width: 31.5 cm

Frame height: 67.5 cm

Frame width: 57 cm

Frame depth: 7 cm

Condition

Presented in good antique condition consistent with its late 19th century date.

fig 10. An antique oil painting depicting a knight in full armour riding a horse beneath a stone archway, framed in an ornate gilded wood frame. — fig 10. Late 19th Century Renaissance Knight Oil Painting Circle of Sir John Gilbert Ra

The canvas displays age related craquelure, a mellowed surface, aged varnish, light wear and minor abrasions. It remains mounted upon an old wooden stretcher believed to be contemporary with the painting. No obvious signature is visible.

fig 11. An antique oil painting depicting a knight in full armour riding a horse beneath a stone archway, framed in an ornate gilded wood frame. — fig 11. Late 19th Century Renaissance Knight Oil Painting Circle of Sir John Gilbert Ra

The colours remain rich, particularly across the armour, horses and architecture. The gilt frame has rubbing, minor marks and small areas of loss consistent with age but remains structurally presentable.

fig 12. An antique oil painting depicting a knight in full armour riding a horse beneath a stone archway, framed in an ornate gilded wood frame. — fig 12. Late 19th Century Renaissance Knight Oil Painting Circle of Sir John Gilbert Ra

The photographs form part of the condition report and should be examined carefully.

Delivery

Worldwide shipping is available. The painting will be professionally packaged and sent by tracked and insured delivery wherever available. Please contact us for an international shipping quotation.