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Genre Historical Oil Painting of Dancers Entertaining a Household by James Hamilton Arsa
Benton Fine Art
for sale €15,093     $16,383
£12,900
Benton Fine Art

Benton Fine Art

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Genre Historical Oil Painting of Dancers Entertaining a Household by James Hamilton Arsa

19th century
For Sale by Benton Fine Art
Description

James Hamilton ARSA

Scottish, (1853-1894)

Strolling Dancers of the Middle Ages

Oil on canvas, signed & dated 1881

Image size: 31.25 inches x 49.25 inches

Size including frame: 40.25 inches x 58.25 inches

Provenance: Exhibited at the Royal Scottish Academy in 1881 no. 450, under the title ‘Strolling Dancers of the Middle Ages—The Prelude’

A wonderful historical genre painting of travelling performers entertaining a household by James Hamilton. To the far left of the painting, musicians can be seen playing instruments while a dancer begins his steps in a grand medieval hall. As they perform, they are watched by members of a noble family, their servants, a confessor and even a deerhound. Hamilton carefully balances the two groups, capturing individual expressions, natural poses and the lively attraction of the performance.

Further research has discovered that this painting was exhibited at the Royal Scottish Academy exhibition of February 1881, no. 450 under the title ‘Strolling Dancers of the Middle Ages—The Prelude’. A detailed description of the painting appeared in the Stirling Observer on 31 March, 1881, matching this painting in every aspect. The painting sold on the opening day of the exhibition for £130.

James Hamilton was a genre and historical artist born in Kilsyth, Scotland on 7 August, 1853 to John Hamilton and his wife Esther (née Lambley Logan). His father was a cotton weaver who later worked for the local railway. He showed an early talent for art but due to his humble family circumstances found work as a printer. In 1872, left home to live in Edinburgh and pursue his dream of being an artist. He earned his living as a house painter during the day and attended evening classes at the Edinburgh School of Art.

In 1874, he became a student at the Life School at the Royal Scottish Academy and began exhibiting there from 1875. His work soon began to receive acclaim and in 1880 he produced ‘Touchstone and Audrey,’ the first of a series of large and important works for which he became best known for. The painting was purchased by the Royal Association for the Promotion of the Fine Arts and his success enabled him to travel to Italy in 1881 studying in Rome and Florence. After returning to Edinburgh, he devoted him himself to depicting stirring events in Scottish history and romance. Over the next five years his most important contributions to the RSA were: ‘The First Visit of James IV. to the Princess Margaret’ (1882); ‘Norna of the Fitful Head’ (1883); ‘Glencoe’ (1854); and ‘A Rebel’s Daring’ (1886).

In 1886, he was elected as Associate Member of the Royal Scottish Academy and in the same year won a silver medal at the Edinburgh International Exhibition. He also exhibited in Dundee and in England at the Royal Academy, The Walker Art Gallery, Liverpool and the Manchester City Art Gallery. He married Catherine (Kate) Highet at Troon in Ayrshire on 23 April, 1889 and the couple went on to have a son, John Arnott.

Hamilton kept a studio at 12, Queen Street, Edinburgh and lived at 23 Royal Crescent until around 1891 when he moved a few doors along to 3 Fettes Row. He died suddenly at his home, aged only 41 and at the height of his success on 27 December, 1894. His obituary was published in the Edinburgh Evening News. Examples of his work can be found at the Glasgow Life Museum, Royal Scottish Academy and the North Lanarkshire Council Museums.

Presentation: The work is housed in a new, English made gilt frame which is in excellent condition. The reverse bears a stretcher stamp for Alexander Scott, an artists’ colourman and framemaker located at 78 Princes Street, Edinburgh. The business was set up by Alexander Scott (c1843-1912) who was the son of the artist John Russell Scott.

Condition: As with all of our original antique oil paintings, this work is offered in ready to hang gallery condition, having been professionally cleaned, restored and revarnished.

© Benton Fine Art

Physical Dimensions
Height
102cm (40.16")
Width
148cm (58.27")
Depth
7.5cm (2.95")
Declaration

Benton Fine Art has dated this Antique Genre Oil Painting to the 1880s.

Reference Numbers
Sellingantiques Reference
SA1226406
Dealers Notes

Members of the British Antique Dealers Association (BADA) the London and Provincial Antique Dealers Association (LAPADA).

We use a professional, fully insured and tracked door to door service for our UK and international deliveries. Please contact us for further information and shipping quotes.

Viewing is by APPOINTMENT ONLY. However, we can also arrange for you to view the item in your home, depending on the location.

For a wider range of stock please visit www.bentonfineart.com.

If you would like to purchase this item or have any questions, please email us at pictures@bentonfineart.com or call 07710 540549.

© Benton Fine Art

Description
James Hamilton ARSA

Scottish, (1853-1894)

Strolling Dancers of the Middle Ages

Oil on canvas, signed & dated 1881

Image size: 31.25 inches x 49.25 inches

Size including frame: 40.25 inches x 58.25 inches

Provenance: Exhibited at the Royal Scottish Academy in 1881 no. 450, under the title ‘Strolling Dancers of the Middle Ages—The Prelude’

A wonderful historical genre painting of travelling performers entertaining a household by James Hamilton.
Benton Fine Art

To the far left of the painting, musicians can be seen playing instruments while a dancer begins his steps in a grand medieval hall. As they perform, they are watched by members of a noble family, their servants, a confessor and even a deerhound. Hamilton carefully balances the two groups, capturing individual expressions, natural poses and the lively attraction of the performance.

fig 1. A large 19th-century horizontal oil painting depicting costume dancers entertaining figures in a timbered hall, enclosed within a deep carved gold giltwood frame.
fig 1. Genre Historical Oil Painting of Dancers Entertaining a Household by James Hamilton Arsa

Further research has discovered that this painting was exhibited at the Royal Scottish Academy exhibition of February 1881, no. 450 under the title ‘Strolling Dancers of the Middle Ages—The Prelude’. A detailed description of the painting appeared in the Stirling Observer on 31 March, 1881, matching this painting in every aspect. The painting sold on the opening day of the exhibition for £130.

fig 2. A large 19th-century horizontal oil painting depicting costume dancers entertaining figures in a timbered hall, enclosed within a deep carved gold giltwood frame.
fig 2. Genre Historical Oil Painting of Dancers Entertaining a Household by James Hamilton Arsa

James Hamilton was a genre and historical artist born in Kilsyth, Scotland on 7 August, 1853 to John Hamilton and his wife Esther (née Lambley Logan). His father was a cotton weaver who later worked for the local railway. He showed an early talent for art but due to his humble family circumstances found work as a printer. In 1872, left home to live in Edinburgh and pursue his dream of being an artist. He earned his living as a house painter during the day and attended evening classes at the Edinburgh School of Art.

fig 3. A large 19th-century horizontal oil painting depicting costume dancers entertaining figures in a timbered hall, enclosed within a deep carved gold giltwood frame.
fig 3. Genre Historical Oil Painting of Dancers Entertaining a Household by James Hamilton Arsa

In 1874, he became a student at the Life School at the Royal Scottish Academy and began exhibiting there from 1875. His work soon began to receive acclaim and in 1880 he produced ‘Touchstone and Audrey,’ the first of a series of large and important works for which he became best known for. The painting was purchased by the Royal Association for the Promotion of the Fine Arts and his success enabled him to travel to Italy in 1881 studying in Rome and Florence. After returning to Edinburgh, he devoted him himself to depicting stirring events in Scottish history and romance. Over the next five years his most important contributions to the RSA were: ‘The First Visit of James IV. to the Princess Margaret’ (1882); ‘Norna of the Fitful Head’ (1883); ‘Glencoe’ (1854); and ‘A Rebel’s Daring’ (1886).

fig 4. A large 19th-century horizontal oil painting depicting costume dancers entertaining figures in a timbered hall, enclosed within a deep carved gold giltwood frame.
fig 4. Genre Historical Oil Painting of Dancers Entertaining a Household by James Hamilton Arsa

In 1886, he was elected as Associate Member of the Royal Scottish Academy and in the same year won a silver medal at the Edinburgh International Exhibition. He also exhibited in Dundee and in England at the Royal Academy, The Walker Art Gallery, Liverpool and the Manchester City Art Gallery. He married Catherine (Kate) Highet at Troon in Ayrshire on 23 April, 1889 and the couple went on to have a son, John Arnott.

fig 5. A large 19th-century horizontal oil painting depicting costume dancers entertaining figures in a timbered hall, enclosed within a deep carved gold giltwood frame.
fig 5. Genre Historical Oil Painting of Dancers Entertaining a Household by James Hamilton Arsa

Hamilton kept a studio at 12, Queen Street, Edinburgh and lived at 23 Royal Crescent until around 1891 when he moved a few doors along to 3 Fettes Row. He died suddenly at his home, aged only 41 and at the height of his success on 27 December, 1894. His obituary was published in the Edinburgh Evening News. Examples of his work can be found at the Glasgow Life Museum, Royal Scottish Academy and the North Lanarkshire Council Museums.

fig 6. A large 19th-century horizontal oil painting depicting costume dancers entertaining figures in a timbered hall, enclosed within a deep carved gold giltwood frame.
fig 6. Genre Historical Oil Painting of Dancers Entertaining a Household by James Hamilton Arsa

Presentation: The work is housed in a new, English made gilt frame which is in excellent condition. The reverse bears a stretcher stamp for Alexander Scott, an artists’ colourman and framemaker located at 78 Princes Street, Edinburgh. The business was set up by Alexander Scott (c1843-1912) who was the son of the artist John Russell Scott.

Condition: As with all of our original antique oil paintings, this work is offered in ready to hang gallery condition, having been professionally cleaned, restored and revarnished.

© Benton Fine Art

Height
102cm (40.16")
Width
148cm (58.27")
Depth
7.5cm (2.95")
Date of Manufacture

Benton Fine Art has dated this Antique Genre Oil Painting to the 1880s.

Reference Numbers
Sellingantiques Ref
SA1226406
Benton Fine Art
Benton Fine Art
Sellingantiques verified Since Sep 2012

Specialists in 19th & early 20th century original oil paintings by listed artists

Dealer Profile

You can view the stock and full dealer information on the Benton Fine Art Profile Page

Trade Associations

Benton Fine Art is a registered member of LAPADA  BADA  CINOA

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A large 19th-century horizontal oil painting depicting costume dancers entertaining figures in a timbered hall, enclosed within a deep carved gold giltwood frame.
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Archive I A large 19th-century horizontal oil painting depicting costume dancers entertaining figures in a timbered hall, enclosed within a deep carved gold giltwood frame.

Genre Historical Oil Painting of Dancers Entertaining a Household by James Hamilton Arsa

Archive II A large 19th-century horizontal oil painting depicting costume dancers entertaining figures in a timbered hall, enclosed within a deep carved gold giltwood frame. View II
Archive III A large 19th-century horizontal oil painting depicting costume dancers entertaining figures in a timbered hall, enclosed within a deep carved gold giltwood frame. View III
Archive IV A large 19th-century horizontal oil painting depicting costume dancers entertaining figures in a timbered hall, enclosed within a deep carved gold giltwood frame. View IV
Archive V A large 19th-century horizontal oil painting depicting costume dancers entertaining figures in a timbered hall, enclosed within a deep carved gold giltwood frame. View V
Archive VI A large 19th-century horizontal oil painting depicting costume dancers entertaining figures in a timbered hall, enclosed within a deep carved gold giltwood frame. View VI
Archive VII A large 19th-century horizontal oil painting depicting costume dancers entertaining figures in a timbered hall, enclosed within a deep carved gold giltwood frame. View VII
Archive VIII A large 19th-century horizontal oil painting depicting costume dancers entertaining figures in a timbered hall, enclosed within a deep carved gold giltwood frame. View VIII
Archive IX A large 19th-century horizontal oil painting depicting costume dancers entertaining figures in a timbered hall, enclosed within a deep carved gold giltwood frame. View IX
Archive X A large 19th-century horizontal oil painting depicting costume dancers entertaining figures in a timbered hall, enclosed within a deep carved gold giltwood frame. View X
Archive XI A large 19th-century horizontal oil painting depicting costume dancers entertaining figures in a timbered hall, enclosed within a deep carved gold giltwood frame. View XI
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A large 19th-century horizontal oil painting depicting costume dancers entertaining figures in a timbered hall, enclosed within a deep carved gold giltwood frame.
Genre historical oil painting of dancers entertaining a household by James Hamilton ARSA
Ref: SA1226406
A large 19th-century horizontal oil painting depicting costume dancers entertaining figures in a timbered hall, enclosed within a deep carved gold giltwood frame.
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Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

Narrative genre painting of the 19th century focuses on depicting scenes of daily life, historical re-enactments, or dramatic storytelling within realistic settings. Artists emphasized intricate figurative details, period costuming, and architectural context to create engaging pictorial stories.

These artworks typically consist of oil pigments bound with drying oils applied to a stretched linen or cotton canvas. Frames from this era are commonly crafted from softwood or timber, coated in plaster or gesso, and finished with gold leaf gilded ornamentation.

Authentic period paintings display natural signs of age, such as fine surface craquelure, age-appropriate darkening of varnish, and hand-stretched canvas over wooden keys. Inspection of the reverse often reveals historical gallery labels, stencils, or artist signatures.

A large narrative painting serves as a key visual focal point when positioned above a sideboard, fireplace mantel, or writing desk. It integrates well into classic English country house, dark academia, or gentlemans library settings paired with warm wood finishes.

Store or display the artwork away from direct sunlight, extreme temperature fluctuations, and high humidity to prevent canvas warping or paint flaking. Dust gently using a soft, dry microfibre cloth, avoiding water or chemical cleaning agents.
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