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Antique Large Framed Drawing the Capitoline Antinous Dated 1836
Regent Antiques
for sale €1,755     $1,905
£1,500
Regent Antiques

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Antique Large Framed Drawing the Capitoline Antinous Dated 1836

19th century
For Sale by Regent Antiques
Description

This is a large drawing of The Capitoline Antinous, chalk, dated and inscribed (lower right) 1836.

The picture depicts a statue of Capitoline 'Antinous'. The figure has a Severe-style face and a contrapposto stance. In another development away from the stiff and seemingly immobile Archaic style, the 'Antinous' left heel is raised off the ground, implying an ability to walk.

Housed in its black lacquered frame with gilded fluting.

Condition:

In really superb condition, having only been delicately cleaned, please see photos for confirmation.

Dimensions in cm:

Height 93 cm x Width 72 cm x Depth 2 cm

Dimensions in inches:

Height 3 feet, 1 inch x Width 2 foot, 4 inches x Depth 1 inch

The Capitoline 'Antinous'

is a marble statue of a young nude male found at Hadrian's Villa, Tivoli, during the time when Conte Giuseppe Fede was undertaking the earliest concerted excavations there. It was bought before 1733 by Alessandro Cardinal Albani. To contemporaries, it seemed to be the real attraction of his collection. The statue was bought by Pope Clement XII in 1733 and went on to form the nucleus of the Capitoline Museums, Rome, where it remains. The restored left leg and the left arm, with its unexpected rhetorical hand gesture, were provided by Pietro Bracci. In the 18th century, it was considered to be one of the most beautiful Roman copies of a Greek statue in the world. It was then thought to represent Hadrian's lover Antinous owing to its fleshy face and physique and downturned look. It was part of the artistic loot taken to Paris under the terms of the Treaty of Tolentino (1797) and remained in Paris 1800–15, when it was returned to Rome after the fall of Napoleon.

 

In part due to its hair being unlike that in better-attested Antinous-types, which closely follow a very few iconographic models, it is now considered to be a Roman Imperial era copy of an early 4th century BC Greek statue of Hermes.

Our reference: A5281a

Physical Dimensions
Height
93cm (36.61")
Width
72cm (28.35")
Depth
2cm (0.79")
Declaration

Regent Antiques has dated this Antique Charcoal Academic Drawing to the 19th Century.

Reference Numbers
Sellingantiques Reference
SA1220774
Dealers Internal Reference
A5281a
Description
This is a large drawing of The Capitoline Antinous, chalk, dated and inscribed (lower right) 1836.

The picture depicts a statue of Capitoline 'Antinous'. The figure has a Severe-style face and a contrapposto stance.

In another development away from the stiff and seemingly immobile Archaic style, the 'Antinous' left heel is raised off the ground, implying an ability to walk.
Regent Antiques
fig 1. A monochrome charcoal drawing depicting a classical male nude sculpture in a black and gold frame with a cream mount.
fig 1. Antique Large Framed Drawing the Capitoline Antinous Dated 1836

Housed in its black lacquered frame with gilded fluting.

Condition:

In really superb condition, having only been delicately cleaned, please see photos for confirmation.

Dimensions in cm:

Height 93 cm x Width 72 cm x Depth 2 cm

fig 2. A monochrome charcoal drawing depicting a classical male nude sculpture in a black and gold frame with a cream mount.
fig 2. Antique Large Framed Drawing the Capitoline Antinous Dated 1836

Dimensions in inches:

Height 3 feet, 1 inch x Width 2 foot, 4 inches x Depth 1 inch

The Capitoline 'Antinous'

is a marble statue of a young nude male found at Hadrian's Villa, Tivoli, during the time when Conte Giuseppe Fede was undertaking the earliest concerted excavations there. It was bought before 1733 by Alessandro Cardinal Albani. To contemporaries, it seemed to be the real attraction of his collection. The statue was bought by Pope Clement XII in 1733 and went on to form the nucleus of the Capitoline Museums, Rome, where it remains. The restored left leg and the left arm, with its unexpected rhetorical hand gesture, were provided by Pietro Bracci. In the 18th century, it was considered to be one of the most beautiful Roman copies of a Greek statue in the world. It was then thought to represent Hadrian's lover Antinous owing to its fleshy face and physique and downturned look. It was part of the artistic loot taken to Paris under the terms of the Treaty of Tolentino (1797) and remained in Paris 1800–15, when it was returned to Rome after the fall of Napoleon.

fig 3. A monochrome charcoal drawing depicting a classical male nude sculpture in a black and gold frame with a cream mount.
fig 3. Antique Large Framed Drawing the Capitoline Antinous Dated 1836

 

In part due to its hair being unlike that in better-attested Antinous-types, which closely follow a very few iconographic models, it is now considered to be a Roman Imperial era copy of an early 4th century BC Greek statue of Hermes.

Our reference: A5281a

Height
93cm (36.61")
Width
72cm (28.35")
Depth
2cm (0.79")
Date of Manufacture

Regent Antiques has dated this Antique Charcoal Academic Drawing to the 19th Century.

Reference Numbers
Sellingantiques Ref
SA1220774
Dealers Internal Ref
A5281a
Regent Antiques
Regent Antiques
Sellingantiques verified Since Sep 2016

We specialise in english and continental furniture, silver, porcelain and decorative items.

Dealer Profile

You can view the stock and full dealer information on the Regent Antiques Profile Page

Trade Associations

Regent Antiques is a registered member of LAPADA  CINOA

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A monochrome charcoal drawing depicting a classical male nude sculpture in a black and gold frame with a cream mount.
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Archive I A monochrome charcoal drawing depicting a classical male nude sculpture in a black and gold frame with a cream mount.

Antique Large Framed Drawing The Capitoline Antinous Dated 1836

Archive II A monochrome charcoal drawing depicting a classical male nude sculpture in a black and gold frame with a cream mount. View II
Archive III A monochrome charcoal drawing depicting a classical male nude sculpture in a black and gold frame with a cream mount. View III
Archive IV A monochrome charcoal drawing depicting a classical male nude sculpture in a black and gold frame with a cream mount. View IV
Archive V A monochrome charcoal drawing depicting a classical male nude sculpture in a black and gold frame with a cream mount. View V
Archive VI A monochrome charcoal drawing depicting a classical male nude sculpture in a black and gold frame with a cream mount. View VI
Archive VII A monochrome charcoal drawing depicting a classical male nude sculpture in a black and gold frame with a cream mount. View VII
Archive VIII A monochrome charcoal drawing depicting a classical male nude sculpture in a black and gold frame with a cream mount. View VIII
Archive IX A monochrome charcoal drawing depicting a classical male nude sculpture in a black and gold frame with a cream mount. View IX
Archive X A monochrome charcoal drawing depicting a classical male nude sculpture in a black and gold frame with a cream mount. View X
Enlarged Archival View
Location
Manor Warehouse
318 Green Lanes
London
N4 1BX
United Kingdom
Verified Since Sep 2016
Items For Sale 660
Items Sold 2,607
Regent Antiques
Regent Antiques
Verified Since Sep 2016
View Dealer Info
Location: Manor Warehouse, 318 Green Lanes, London, N4 1BX, United Kingdom
Verified
Sep 2016
For Sale
660
Sold
2,607
A monochrome charcoal drawing depicting a classical male nude sculpture in a black and gold frame with a cream mount.
Antique Large Framed Drawing The Capitoline Antinous Dated 1836
Ref: SA1220774
A monochrome charcoal drawing depicting a classical male nude sculpture in a black and gold frame with a cream mount.
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Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

Academic figure drawings are fine art studies created by artists at formal academies, typically depicting classical sculptures or live models to master anatomy, chiaroscuro shading, and proportion.

During the nineteenth century, artists primarily utilised charcoal, graphite, or chalk on woven cotton rag paper, often mounting finished works onto card backing behind protective glass.

Authentic nineteenth-century drawings display subtle paper ageing, foxing, or watermarks inherent to hand-manufactured rag paper, alongside period inscriptions or signatures in ink or pencil along the margins.

A classical figure drawing provides visual balance when hung against contemporary minimalist walls or styled alongside dark timber furniture in a study, paired with dedicated picture lighting to highlight tonal shading.

Mount paper artwork using acid-free matting and UV-filtering glass to prevent discolouration. Display the item away from direct sunlight, radiators, and high-humidity environments to stop paper degradation.
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